Taiyamo Denku - Filthy (Ft. Genesis Renji)

*ALERT FROM OUR PARTNERS AT THE HOUSE OF RENJI*

90’s style hip hop cyphers seemed have been under wraps in this new day and age, as if it went into extinct under the new age hip hop and rap culture. Old school hip hop seemed to express a certain rawness and purity through the lyrics, rhymes and aggression from the rappers. This style of rap is not for the lighthearted nor amateur, which are two things that Taiyamo Denku and Genesis Renji are NOT. Taiyamo Denku’s track “Filthy”, featuring Genesis Renji, is a new bop that takes us back to this time. This track puts a spin on a “new age style production” with an old school rap beat and lyrical flow, unleashing the perfect mixture of pure passion, skill and authenticity that is rare for our time.

"CyphaDen Music Drops a new Gem this time bringing fellow Milwaukee artist Genesis Renji of House of Renji with him. Denku the Milwaukee Native emcee starts out with a heavy hard verse full of bars , lyrics and punchlines. Denku then boasts on the hook " Im Better than You" . Genesis then stylizes on the track with a good flow and delivery. Dcypha spins a new age style of production with his signature boom bap steez to make for a great one off single from Cypha den Music"

Taiyamo Denku spits his verses with a rough flow that delivers his lyrics with force. Similarly, Genesis Renji adds his own creative spin to the mix with his smooth flow and lyrical puns. This track definitely goes hard and it proves that pure hip hop still exists.

/CW




#RespectTheDynasty - House Of Renji x CopyWrite Magazine

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A word from our partners:

In 2013, the House Of Renji was founded as a means to propel the careers of young creatives in the city of Milwaukee. During our 5 years of existence, growth and expansion CopyWrite Magazine has been there the entire way. 

Every step, every song, every tour, and every moment has been thoroughly documented and shared by the family we have in CopyWrite.

We’re pleased to announce our official partnership with CopyWrite Magazine in hopes that everyone will view this long term relationship as an inspiration and example of what is possible between not only companies, but people, who believe in the same ideals and have the same goals in mind. 

Here’s to everything urban, respect. 

- The House 


As we continue to support the local we will now be vocal in our partnerships to further connections in our community and to bring light to the real bonds that have elevated the Urban creative scene in MKE. If there were ever any doubts, let it be clear, The Dynasty Lives!

/CW

Jayne Joyce - Jayne (EP)

Ohhh Jayne! We have been waiting for you!

A breath of fresh air coming straight out of the “Dynasty” (insider) from the House of Renji. Jayne Joyce has released her debut EP, self-titled ‘Jayne”. This four-song project reflects a voice we have yet conquered in the 414 with, strategic collaborations, a feature at Summerfest during Genesis Renji’s set and a smooth execution she will be heard. Her soulful push between jazzy melodies, R&B textures and a spoken word like lyricism, ‘Jayne’ is “introspective”.

Our favorite track: ‘Knives’ because baby girl is cutting those undertones!

Go ahead and give a listen and let us know what you think.

We will say it now. . .We definitely want more Jayne Joyce!

(Available on all streaming platforms)

/CW

House of Renji Presents: The Life Is Lucid Tour *w/ CopyWrite Magazine*

CopyWrite Magazine will be serving as the Official Media of The Life is Lucid Tour! Follow us on all of our social media platforms (@copywritemag) for updates, images, and live streaming!

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“The House of Renji specializes in working to make dreams a reality, and no one knows this more than Genesis Renji. 

Fresh off his release of the ‘Lucid’ EP, Gen is taking to the road for a quick run and bringing the project to life. Starting at RadioMilwaukee on April 18th to celebrate HOR’s 5 years in service, and ending in Cincinnati, OH. 

Featuring performances from label mate Emmitt James, upcoming talent Jayne Joyce, and Madison stars Lucien Parker and DJay Mando (by way of Minneapolis and MKE respectively) you’re bound to leave inspired and influenced to pursue your dreams.”

/CW

 

​Gen’s ShotGlass Review of MKE Film Fest

A shot glass is symbolic. It tells you what it is quickly and direct.

Since the MKE Film Festival has come to an end, we would like to reflect on the festivals take on the music/film mashup and just the greatness that the MKE Film Fest represents. Showing love to the Milwaukee film scene from every aspect possible.

As you all know a good music video can make (and sometimes) break a song.

So we asked are homie and CW Connect Genesis Renji of The House Of Renji to let us know his ShotGlass thoughts on The Milwaukee Music Video Show, "a celebration of the myriad art talent our community has to offer."

Read Gen's honest and lit descriptions of these videos then watch the videos and listen to some of songs below (if the video were unavailable).

& if you know Gen, he suggests you read these reviews in his voice. #OohYeaYea


1st Video – From The Drowning Dreamers Band - Frayed Bridge to Dying Star.

It had a dope acoustic vibes to it. The video itself was reminiscent to a Nat Geo documentary/ commercial for Earth’s hidden oases. Music is hypnotic, a growing trance.

2nd Video – “Roaming Empire” by Maritime.
Donuts. Reverse bubbles. Jamming at work. Boss yelling at you. Story of my life. This video had a 70’s Show vibe to it, especially with the solo car scene. The signature style was slow motion through real time speed. Long story, short: the Roaming Empire is oblivious to the worl

3rd Video – Trapper Schoepp’s “Settlin’ or Sleeping Around”.

First, coldest name I’ve ever heard in ever. Secondly, the songs sounds like a secret track to "Back To The Future"; it was one of the more cinematic feeling videos that showcased the duality of life.

4th Video - Rio Turbo “20/20 (Dashcam Remix)”. This is when DRIVE meets PBS on LSD. Electric soul sonics, paired with cuts of nature, the 50s and cells. Literal cells from science and shit. Ooh cheetah.

 

5th Video – Fox Face – “Teenage Wiccan” Scenic. Silhouettes. Fortune cards. Random cuts and twitches like animorphic book covers. Fingers put out fire from candle. Badass.

6th Video - Lorde Fredd33 “S.O.S”, mama there go that man again!!!! One of my favorite videos and songs. Conceptually dope; black yakuza. Hari-kari.

7th Video - Devil Met Contention’s "Used To Be" sounds like the Kill Bill 2 B Sides and looks like the best of Dancing With The Stars. If Uma Thurman made it to the wedding reception and didn't get murdered at the rehearsal, that’s this visual. Beautiful blend of western and Latin sounds and visual elements, especially the use of lighting.

8th Video - WC Tank "27th and National" is eerie as hell. Like if the Purge started a record label, this would be the first release. The slow motion shot of the skull faced skateboarder with the red cape is insane. Skateboarding devil. Upside down rain. Breakdown of song leads to visual evolution of edits and 360 camera flipping and rotated panning. Kelly Anderson got his shit off.

9th Video - Webster X’s "Lately", the grand design of Damien Blue and Cody LaPlant once again. This video is the like part 2 to Web’s “Doomsday” video. Some similar visual signatures, but the overall essence is a feeling of death and rebirth. The passing to forever.

10th Video - Direct Hit’s "Was It The Acid". Dude trips balls and sees dancing turkeys. Everyone becomes a turkey. Shot on Farwell. At the end of the video he is the rooster or turkey or whatever. I didn’t care for this.

11th Video - Group of the Altos "Coplights". This was edited like Tree Of Life. I’ve never wanted to understand a visual so much until I saw this. It's a collage of vintage photos and scenes mixed with modern memories and experiences. Great use of color for stage performance shot. Geologist. Typewriter. Domestic violence clip. VHS tapes. Campers. "Is this the past?". State Fair "is this the future?" "is this now?” Now read all of this backwards and that’s the video..

12th Video - Busdriver "Much". Dope ass song with a clean and simple visual. Straight shot with a seemingly vintage filter over the edit. It reminded me of Crooklyn. Shoutout Domo and Mykal with the cameos!!!

13th Video - Fabian James & Treyy G’s "See You". Nick Jonas ass video; Close-esque vibes. Shot like Nickelback’s "Hero" with the warehouse setting; the dancing and break dancing is so fire. Shot like an Apple/H&M commercial. Crazy dope, definitely one of my favorites from the night, don’t let the opening comments fool you.

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14th Video - Serengeti "Doctor My Own Patience". Bad memories. Empty house. Disco in the dresser, though. Cray. Roller rink. This was the most interestingly edited video. Another 70’s Show-esque visual.

VIDEO UNAVAILABLE TO STREAM

 


CREDITS:

WC Tank – “27th and National” (USA / 2016 / Director: Kelly Michael Anderson)

Busdriver – “Much” (USA / 2015 / Director: Dan Peters)

Canopies – “Getting Older” (USA / 2015 / Director: Ryan Reeve)

Devil Met Contention – “Used to Be” (USA / 2016 / Directors: Jessica Farrell, Ehson Rad)

Direct Hit – “Was it the Acid?” (USA / 2016 / Directors: Bobby Ciraldo, Andrew Swant)

Fabian James & Treyy G – “See You” (USA / 2016 / Director: Quinn Hester)

Fox Face – “Teenage Wiccan” (USA / 2016 / Director: Mitch Rasque)

The Drowning Dreamers Band – “Frayed Bridge to Dying Star” (USA / 2016 / Director: Sean Kafer)

Group of the Altos – “Coplights” (USA / 2016 / Directors: Heather Hass, Shawn Stephany, Sean Williamson)

Lex Allen – “Cream & Sugar” (USA / 2015 / Director: Cody LaPlant)

Lorde Fredd33 – “SOS” (USA / 2016 / Director: Kiran Vee)

Maritime – “Roaming Empire” (USA / 2016 / Director: Erin Elders)

Rio Turbo – “20/20 (Dashcam Remix)” (USA / 2016 / Director: Dan Boville)

Serengeti – “Doctor My Own Patience” (USA / 2016 / Director: WC Tank)

Trapper Schoepp – “Settlin’ Or Sleepin’ Around” (USA / 2016 / Director: Caroline Jaecks)

Webster X – “Lately” (USA / 2015 / Directors: Cody LaPlant, Damien Blue, Sam Ahmed)

Emmitt James - FREE Refills

We can smell the coffee, hear the grind (literally) and see the coffee shop all in the four tracks.

In "FREE Refills," Emmitt James brings us a project that tells us some love and lust stories he has encountered while his featured artists tells their own love stories to match from love of self, love of culture and love of love lost. We dig it.

Now we tell you to grab your favorite cup of Jo' (almond chai latte if you will) and sip "FREE Refills" below.

C R E D I T S:  Written by Emmitt J Williams Jr, Ian "Tombo" Tishler, Janiyah Moore. Recorded by mixed and mastered by David aka "i-Nine" in Los Angeles, CA at JTB Recording with production by Ashton Mc Creight, DARK|HORSE (aka D|H) and nathan hateua

House of Renji - 'Young Casanova: LILY (An Interlude)' & 'And Then S H E Was Gone: The Same Love Story, Different Characters'

We’ve learned years ago that you never underestimate the House of Renji and with these “Ying and Yang” projects from both Genesis Renji and Emmitt James we’re remembering why.

While in different parts of the country, east coast resident Genesis Renji brings us his alter ego, Giovanni "Young" Casanova in 'Young Casanova: LILY (An Interlude)' where he tells his stories of women he meets on his departure.

Contrasted by his west coast resident and House-mate, Emmitt James with 'And Then S H E Was Gone: The Same Love Story, Different Characters' where he tells the story of trying to convince his latest crush that they should become a thing before it's too late.

These projects collide together creating not only an urge to listen to both projects but also a question of “What really happens at the end of these love stories?” Will happily wait for our answer if that means more tracks to come.

Until then, we know this won’t be the last time we hear from the House. Take a listen and tell us what you think below.

#RespectTheHouse