Meet the our Media & production Intern, Pam Williams

Say what’s up to Pam!

Pam Williams is a cultural organizer born and raised in Milwaukee, WI. She attends Bryant & Stratton College and will be graduating in May 2023 with an Associates in Nursing, with which she plans to pursue holistic nursing and the development of a women’s center to ensure and support the health of Black women. Although her major is nursing, journalism, media, and organizing are her true passions. She has worked diligently with her multifaceted skills hosting open mics, working as an activist for local organizations, and creating a journalistic voice in local media. Pam has a true love for the 414. She plans to expand her resume and continue organizing to improve the state of Black livelihood in the city as well as continue to celebrate the culture.

/CW Team.

Partnership Content - Artist Eats: SistaStrings at Villa Terrace

Partnership Content - Artist Eats

SistaStrings at Villa Terrace


We met in early May 2021 at Villa Terrace. The unusually cold day was even colder as we were situated on Milwaukee’s east side across the street from our lakefront. 

On this particular day, Monique Ross (older by 2 years) and Chauntee Ross are exhausted but ecstatic. Just 2 days prior, they announced their farewell show before moving permanently to Nashville, TN. Their departure is a harsh reminder of the importance of creating and cultivating an arts community that allows artists to flourish and get paid. 

Their farewell show sold out in 72 hours. Another reminder of how incredible their contribution is to Milwaukee’s music scene and how much we’ll miss them. As of today’s writing, they’re doing well in Nashville including recently sharing the stage with Thee Brandi Carlile. 

Not too shabby for the Queens of Strings. Not too shabby at all.

It’s hard to encompass all that is SistaStrings in a 10-minute video. Our conversation over FlourGirl and Flame pizza and drinks from Vibez Creative Arts Space navigated the journey of 2 black women who’ve made a home in classical music with a bit of gospel and a bit of soul. 

Here’s our interview.

The Creative Collective Panel [moderated by Lexi S. Brunson Editor-in-Chief of CopyWrite Magazine]

It’s the Black History in the making for us!!! We are excited to announce that our Editor-in-Chief will be moderating The Creative Collective Panel during Black Lens Black history month kick of event.

As Always Lexi will be using her own creative experience to ask thoughtful and engaging questions that will definitely help us understand each other a little better.

#SupportTheLocal

Learn more at:

https://mkefilm.org/black-history-month-2022-milwaukee-film

Ex Fabula | StorySlam: 'I Decided' [Sponsored by CopyWrite Magazine] Jan 27th 2022

Stories of independence, bravery, leadership, executive function, self-determination, and more! This event is a curated slam featuring Ex Fabula partners.

Date: Thursday, January 27th
Time: 6:30pm entry, 7pm stories

Locations: originally planned to be at The Cooperage, this event is now virtual.

Click Here to learn more!

Giving BLACK Radio Another Spin | an interview w/ Tarik Moody on Milwaukee's new Urban Alternative station

Music is a vital part of the Black community. It is the soundtrack to its existence, the beat of its pulse, the rhythm to its soul, the 808 to its heartbreak . . . 

[but I digress]

That is why when the news released, this past September, about a new Urban Alternative radio station in Milwaukee, ears perked up. With receiving a $450,000 grant from the Corporation for Public Broadcasting (CPB), the idea of having a station that covers the full spectrum of Black music became a tangible piece of the local media landscape. However, there have been those who question: Is this all hype? Do we need another radio station? Will it serve local Black creatives? 

Inquiring minds want to know!

Tarik Moody, Program Director for the new Urban Alternative channel at Radio Milwaukee, chatted with CopyWrite to share a little more insight on how a station like this could be a positive shift in the Black music scene, and not just in Milwaukee. 

Retaining the attention of young Black and Brown audiences in the public radio arena has been a struggling task in the last few years. Thus, the CPB has been looking for new formats to engage with that specific demographic. Tarik, with his syndicated program “Rhythm Lab Radio,” and Jordan Lee with his innovative work at 88Nine, began consulting on ways to achieve this in other communities nationally. However, they soon realized this investment in equitable music practices could also be something that Radio Milwaukee could help galvanize, then applying for the grant.  

CW: “So we already have Hip-Hop and R&B stations in Milwaukee, why do we need an Urban Alternative one?”

T.M: “We play stuff that they don’t play. We are providing an outlet for those who do not get any love from commercial radio. That is 88Nine proper . . We are taking that to another level with the Urban Alternative channel, on the music side, by taking a lot of artists that you might have heard but you would never hear on commercial stations. That includes championing more and more local R&B and Hip-Hop artists in Milwaukee, other artists that never get on radio but have a huge following, and building support for a variety of artists, like Black artists who play electronic music, and jazz who get no love.”

On the other end, in the same way, 88nine uses its platform to tell stories and amplify the creatives in the community, the new station will use its platform to do the same, focusing on Black creatives in the city.

Images from the /CW vault - activating Black Community at 88nine Radio Milwaukee


Tarik also claimed that adding the Urban Alternative station to the airwaves would give listeners more choices, plus create market-friendly competition that most music heads would welcome.

T.M: “If our station starts to champion certain artists and play them a lot and people start to resonate with that, I am hoping other stations out of competition will be like ‘aye what's going on over here. That’s great for everybody. That’s great for [all] the artist. . . Being an exclusive station that doesn't benefit anybody.”

On a national level, stations that cater directly to Black audiences are limited, including in major markets. Even more so, many of the stations that do feature Black voices are limited by genre and are owned by media conglomerates focussed on the industry machine, not the artist and community. [Source that to CopyWrite Magazine!]

Even with more diverse station options available, how can any radio station compete with the ever-growing digital beast that is now the most popular way to consume music, especially for younger demographics? With interfaces like Tidal, Spotify, and Apple Music, curating your own playlist seems like the norm. With Tarik’s experience as Director of Digital Strategy and Innovation, he knows all too well that ignoring young voices and the digital space is not an option.   

T.M: “This project is digital-first. It is a part of its D.NA. I want to make sure that I bring in younger people. My goal is to hopefully find people who want to be in this space who are young, give them a seat at the table to let them grow, and build it beyond what I think. I don’t want [the station] to just be my vision. I want it to be a vision for Milwaukee and the generations to come. It involves bringing in the people and making them a part of the community. That's whether I hire them or we are doing events for them. My goal is to always have my ear to the ground and understand my audience.”

When the station is launched in the summer of 2022, the channel will be accessible not only on 88.9FM from 9 p.m. to 3 a.m. on weekdays and 12 a.m. to 3 a.m. on weekends, but also online, on smart speakers, and through a mobile app, with HD2 and HD3 channels available.

However, even with digital access, an online presence, and more, there is something about radio’s nostalgia and the legacy of the DJ that can not be replaced. 


And that’s breaking artists & songs.


T.K: “We want to be that station that does what radio used to do. We want to break artists. It will be a beacon for Milwaukee that other cities are like. I want to listen to this station because they know what's hot. We want to be the go-to station for new artists.”

Before it goes viral on Tik Tok and before it becomes the caption to everyone's Instagram post, somebody has to give it its first public spin… and baaabyyyyyyy it could be right here in our city! 

So what might we call this new station on the horizon?

T.K: “We have been working with DeChazier Pykel, an amazing Black designer and graduate of MIAD. He currently works for the Cashmere Agency, which does amazing work. We went through the whole process of probably four to five meetings of talking about names and meanings. And especially about that. We wanted a name that goes beyond just a radio station. Every city has a Blazin’. Every city has a Hot. Every city has a Vibe. We wanted a name that is digital-first, that can transcend media in all different ways. Say we wanted to do fashion, editorial, events or a festival, we wanted a name that is not defined by radio. . .That when someone says it, it could be a lot of things but we all know it's a product of the media platform that is for people like us in the Black community.”

They also shared the process with a diverse group of community stakeholders, who voted on the name and the logo that will be released to the public in February 2022.

[In all transparency, CopyWrite was invited to discuss the possibilities of the new station and vote on its branding assets. We have seen the logo, and its hmmmmm. . . Pretty URBAN steezy.]

CW: “Interestingly, you said it will be a name that ‘transcends radio’, which implies that you're not just stopping at a station. This is bigger than just a radio station. It sounds like it is more a part of a social thread and context of the larger picture.”

T.M: “I have a personal vision. I am still figuring out how to execute it. The home base is Milwaukee, but I think we could be a media platform like Blavity for the midwest that has radio, festivals, events, conferences. . . But I don’t want to lead it forever. I want a young person to take it beyond where I want to. I mean I see a lot of people stay in a position forever. I want to get it to where I think it should be and then I want to find a young person who wants to take it in another direction that I couldn’t even see. I don't want it to be my legacy. I want it to be something that my people can help create and take it further. “

The idea of a media institution where change is welcomed, the Black community is celebrated, the young are heard, and divergent perspectives may culminate seems like an answered prayer. However, the elephant in the room is huge. The Black community is not a monolith, and when it comes to local BLACK music, the factions are split like blue and red bandanas circa the 1980s in South Central LA.  

CW: “With inclusivity, there is a lot of talk about the separation in general between the Black local music scene and Black creative scene in Milwaukee. How do you plan on including the voices of those who are absolutely on the periphery of what that is or have been disenfranchised by the radio market and media market when it comes to Black creative making in our city?”

T.K: “That’s a good question. I’m hoping to have those conversations. I am hoping people like [CopyWrite] and other people I have grown to know, that may know these people will give me some input on how we should. I can’t answer that but I know I want to do that. I am hoping to have more of those conversations, formal or informal. I want to figure out how I can help and how [the station] can help. It might be getting their music on the air, it might be hosting events, I don't know what it looks like but I know it's needed. Some leaders think they know everything. I don't know everything.”

He then admitted that there are some scenes in the city, like the Northside music scene, that he has only recently been introduced to. He wants to be informed and is open to bridging those gaps. So if we want this to happen, we must come together as a community and for the lack of a better phrase, “Run it up”. 

CW: “How can people stay engaged before the launch? And what should people expect to hear after?


T.M: “The first opportunity to connect with us is when we launch the name. There will be a landing page on the name's website, with a chance to sign up for our email list for future communication and opportunities to connect with us and have conversations with us. This makes sure you are a part of our journey on the way to our launch. Once we launch, expect to hear some things you have never heard before on any radio station in this market and probably in this region when it comes to programming.”

In a climate where our creative scene needs a bit of healing, this Urban Alternative station could be a part of the cure. 


Amplify voices.

Listen to your people.

Be a part of the change.

We will definitely be there.


/Lexi S. Brunson, Editor-in-Chief



Let's stay healthy together /CW Fam | Get Health Insurance before Jan. 15th

Hey CW\ fam!

As you know here at CopyWrite we always maintain a focus towards being #SociallyResponsible. We care about community, and community starts with YOU. If the past couple years haven’t shown us anything, they’ve shown us how important health is individually and as a collective. 


Health insurance is a way for us to take care of ourselves. It covers health benefits that are essential to maintaining your everyday health needs. Anything from preventative care, to illness, injury, accidents, medications, mental health services, and more. 

Through the 2022 Marketplace enabled by the Affordable Care Act— also known as Obamacare—you’re able to get health insurance at no or low-cost. Under the new law with the American Rescue Plan Act of 2021 more people than ever before qualify for help paying for health coverage even if they weren’t eligible in the past. 

Also, for many people currently enrolled in a Marketplace plan may qualify for more tax credits and with lower premiums also available under the new act, means more savings for the things you live for. That means checking to see if your eligible may also benefit you!

Healthy MKE is a coalition of public health, local government, non-profit, and community organizations promoting a vision for a healthy Milwaukee. Using Healthy MKE you can find out in less than 2 minutes if you qualify to get a no or low-cost plan. All you have to do is use this link: Click here to find coverage.

Let’s continue to take care of ourselves in 2022. Don’t miss the deadline. Open enrollment for healthcare coverage closes January 15th.

/CW

Another Lens on Mental Health | an interview w/ Mrinal Gokhale on her book, Saaya Unveiled: South Asian Mental Health Spotlighted

Mental health is not a new phenomenon. It has existed as long as humankind has. However, discussing it in the public arena has been taboo for many millennia, and only recently has it become a tenant for social activism [in spaces like academia and social media]. Within the discussion of mental health also lies webs of intersectionality, including ethnicity, gender, education, and socioeconomic status. So the normality of discussing mental health is still very dependent on cultural factors. Mental health issues are common, but is that a global perspective?

Mrinal Gokhale, is a journalist based in Milwaukee, WI, has written a book showcasing specific communities' mental health journey. Titled, Saaya Unveiled: South Asian Mental Health Spotlighted, the book shows the anecdotal perspective of individuals by discussing “Identity, culture, socialization, academia, love, loss, and trauma. . .[unveiling] a part of the shadow (saaya) of mental health in the South Asian diaspora”. Mrinal joined CopyWrite in discussing the book and how it can change the narrative of mental health in her community and beyond.


During the pandemic quarantine, Mrinal took a course on memoir writing where she learned about the art of self-publishing. Inspired by the course she decided she would take on the task of writing a book. After making a list of things she was interested in, she focussed on the mental health subject because of her interest in wellness, the psyche, and the human brain.

CW: “What kind of process did you go through to gather information for the book? How did you determine what things you would cover, who you would talk to and how you would collect that research?”

MG: “I honed in on the ideology of writing about South Asian mental health because when I was a reporter I had covered mental health awareness month-related events that had to do with the stigma concerning mental health in Black and Latinx communities. But I felt that discussions about awareness were lacking in South Asian communities.”

Being of South Asian descent with her parents being from India she felt that she could create a voice for a narrative in that space. She then reached out to several nonprofits that work in the realm of mental health extending the offer for anyone who would be interested in telling their story to reach out. She also offered the ability for individuals to change their names so that the story was not directly linked to them but the impact could be delivered all the same. After several submission calls, informal data collection on demographics, and consent forms signed, several participants were selected.

MG: “From there I just kind of talked to them. I interviewed them and took notes as if I was writing a journalism story and wrote it all from there.”

CW: “What kind of feedback did you receive going through the process with mental health being such a touchy subject?”

MG: “Out of the eleven stories that I wrote about half of them chose to use their real names. I noticed that each person that chose to use their real names had already told their story [before] on other media outlets or are working in the field of psychology or mental health. I noticed that they answered the tough questions a lot more easily than some of the others who wanted to remain anonymous. As I spoke to more people I started to learn the art of approaching a topic like that in a more sensitive manner.”

As a journalist sometimes you are looking for the hard-hitting facts of a story, which is different than discussing someone's human experience. Mrinal learning this new skill has everything to do with her experience as the interviewer and the purpose of her inquiry, meaning to be helpful to the community outside of just being informative.

Within Saaya Unveiled, Mrinal attempts to pull experiences from several sample members of the South Asian demographic. Initially, she planned to interview half females and half males for her sample population however she encountered that more women were willing to tell their stories than anyone else. 

CW: “What do you think is the reason behind that gender discrepancy?”

MG: “My guess is that men are more likely to feel insecure talking about things like [this].”

When asked about her personal experience with mental health, especially as she claims an ongoing interest in the subject, Mrinal mentioned being fascinated with the subject since high school. However, she did not have any personal encounters with her own need for mental health care until college.

MG: “That’s another pattern that you will find in the book. Many participants did not seek mental health care until they were grown-ups. In addition to that, what I have observed within my family and the Indian friends and acquaintances that my family has, is that whatever happens in the house stays in the house. . .”

[Ohhhh, that sounds like a line we know all too well in the Black household]

MG: “I think the Indian community likes to gossip a lot. I think that is the reason that stops many families from seeking professional help for their kids and loved ones. They struggle with the idea of what will other people think or say.”

She also noticed that there are increasing stigmas depending on what type of mental illness someone may have. For example, being schizophrenic or being bipolar carries a heavier weight than anxiety or depression. This also seems like a common thread in other ethnicities where the degree of its mental impact carries the weight of being “crazy” versus just being a little down [which is not a healthy or productive way to look at it].

After researching to write the book Mrinal feels more informed about the variances of the South Asian experience with mental health outside her own. She pointed out that it showed how intersectionality plays a major role in mental health including, care, diagnosis, and support.

MG: “My book takes it a step further by illustrating the failure to see mental health as a spectrum that every human is on. In my research, I noticed that it was only when a person reached crisis mode was when a family was supportive of them seeking help. At the same time, I still encountered that some families expected the individual to self-correct even after a person's life was almost taken due to mental illness.”

After reading the book I had several questions of my own about the barriers to mental health care and stable support systems within certain communities, noting the commonalities between people of color, their cultural practice, religions, and holistic status in the education system. Mrinal agreed that in South Asian culture those connections were not isolated. 

Without giving out spoilers I think the most interesting part about Saaya Unveiled is its ability to share how others feel about their perspectives on navigating mental health as a human experience. It was nuanced so that those outside the culture have just enough of a taste of “normality” to compare it to. But not enough to be invasive and criticize what is not for “US” to criticize. Like how do we discuss having mental health care providers who understand you culturally or understand non-western-oriented family structures or lifestyles? I think as communities we must note that we fall short in not understanding that our grievances are human grievances. Our struggles are human struggles. Our change starts with us being willing to have tough conversations, even about ourselves. 

Mrinal has shared her book with her family and friends and it has blossomed into conversations that she did not anticipate, but surely welcomes.  

MG: “It's almost like it's promoting intergenerational healing in a sense. It's teaching the older generations what the younger generation has to endure when it comes to their mental health.” 

Mrinal hopes that audiences, especially of South Asian descent read the book and feel less alone in their journeys.

You can find Saaya Unveiled: South Asian Mental Health Spotlighted on Amazon:

https://www.amazon.com/Saaya-Unveiled-Mental-Health-Spotlighted-ebook/dp/B092Y9132V


Happy Reading,

Lexi S. Brunson, Editor-in-Chief /CW