/CW INTERN SKY ABNER | 21 Things I Learned at Milwaukee Fashion Week from a Fashion Perspective

A WORD FROM OUR INTERN SKY:

@mkefashionweek was such a fun experience to be apart of! I enjoyed seeing all the shows and doing interviews for @copywritemag

To all the wonderful people that I interviewed thank you so much for being apart of my short film. I wanted to add everybody but it would have been a movie.

Interviewees:
@jmacjr03
@hopemarieusa
@silversarkofficial
@shantiofficiall
@222iluvme_
@cielo.marisa
@pop_that_pooley
@_arturovelasco
@jvrvmyy.joelll
@pakou._.222
@gigiwagener
@julieannmaday

My love for fashion started when I was a kid. It was something passed down to me from both of my parents. My mom had a closet I would raid any chance I could get, which I still like to do to  this day. My dad collected ties, more than 500 of them, and he loved nothing more than putting on a sharp suit. Between the two of them, I grew up surrounded by style. 

I spent hours playing dress-up games, imagining the kind of spaces where fashion was not just  personal but celebrated. Living in Milwaukee, I always wished for a place where people like me, people who loved fashion in all its forms, had a community where that love could be shared  freely. 

Walking into Milwaukee Fashion Week, I realized that dream had found its home. For three days, I watched the city’s fashion community come alive. Designers, models, stylists,  photographers and volunteers all wove together into something bigger than a show. 

This year, the energy filled three different venues: the Milwaukee Public Museum, City Hall and  the Rivulet. Each space had its own story, from high-fashion archive pieces to the blueprint of streetwear and forms and figures. President Jeffrey McAlister called it “the reimagined, renewed and redefined Milwaukee Fashion Week,” and standing there in the middle of it all, I understood exactly what he meant. 

On the runway, the designs did more than turn heads; they told stories. Silversärk brought the  heat with daring, dramatic pieces that were impossible to forget, while Sam Graham Avant  Garde added sophistication, with looks so fly they made me double-take. Some pieces carried a retro flair that pulled me back to the 70s, a time I wasn’t born but still felt connected to through  his clothing. Then, during streetwear night came Arturo Velasco, whose work blended his culture  and love for Chihuahua, Mexico, transforming them into designs rooted in identity and storytelling. Fashion here was not just about fabric. It was about the designer’s voice, memory, and creativity. 

The models brought their own kind of magic. Some had known they wanted to walk the runway  since they were a kid, while others found their way here through friendship and community.  They reminded me that confidence matters as much as couture. The runway can be a family, a  place where people grow together and support one another. 

The backstage process was a world of its own, buzzing with urgency, laughter and the constant warmth of curling irons. Student and professional hair and makeup artists moved with precision, 

transforming models in minutes. Every detail, from beat faces to sculpted hair, mattered.  Watching it unfold felt like seeing another kind of art form, one that rarely comes alive in front  of the cameras. 

And speaking of cameras, the photographers were everywhere, capturing angles and moments that told their own story. Volunteers kept things running smoothly, helping people to their seats, making everyone feel welcome. 

Looking back at my great experience, I walked away with 21 notes from the past 3 nights: 

1. The city’s fashion scene is thriving and growing. 

2. Milwaukee Fashion Week has come a long way. 

3. Every venue told a story. 

4. The designer’s couture amazed me. 

5. Designers proved fashion can carry culture. 

6. Models reminded me that the runway is a family and that confidence matters.  7. Backstage is chaos and inspiration.  

8. Hairstylists push limits.  

9. Makeup turns faces into art.  

10. Photographers make moments last.  

11. Volunteers keep everything moving.  

12. The hosts feel the crowd and the room with energy. 

13. The community is inclusive and very kind. 

14. Everyone has a real love for fashion. 

15. Designers draw inspiration from everywhere.  

16. The runway is about storytelling.  

17. Every detail counts.  

18. Fashion in Milwaukee is about connection.  

19. Organizers want national recognition.  

20. Fashion shows are a celebration. 

21. And at the heart of it all, Milwaukee Fashion Week is about style, creativity and  community! 

As Julie Ann Maday, on the finance committee board, told me, “I want Milwaukee Fashion  Week on the map like Chicago, New York, or Paris. We have the designers, we have the talent,  we just need to keep building.” 

And after three nights of being in the middle of it all, I have the highest hopes for the future of  Milwaukee Fashion Week as well.

B.Justice - I DO

Every once and a while, a song drops that does not lean on heavy production tricks or flashy features, but instead thrives on how naturally it flows. B.Justice’s “I Do” is one of those tracks. From the first few seconds, the beat settles into a mellow rhythm, giving you the kind of warmth you would expect if Bob Marley ever stepped in the booth to spit bars. The blend of bass and subtle beatboxing gives the song a flow that feels both playful and grounded.


What really pulls the track together is B.Justice himself. His voice cuts through with precision, each word enunciated like he knows it deserves to be heard. No mumble rapping here! His delivery is steady and intentional, but not stiff, which gives the lyrics a sharpness that plays against the easygoing beat in a way that keeps your ears locked in.


In the hook, he brings in his own vocals by singing the words “I Do” with a simple and memorable cadence. The chorus is catchy without ever feeling forced and I caught myself singing it even as I was writing this. 

“I Do” strikes that rare balance between being easy to vibe with and still showcasing B.Justice’s lyrical sharpness, proving that sometimes the most powerful statement is in keeping it simple.

Ya’ll make sure y’all vibe out and give it a listen!

/Sky Abner for CW 


Gallery Night MKE: Art as Memory, Healing and Power

ALL IMAGES BY Brooklyn “BK” Anderson /CW INTERN

Four local artists transformed the CopyWrite [/CW] Creative Studios on Martin Luther King Jr. Drive into a vibrant showcase of personal narratives and community connection during Gallery Night MKE, held Friday and Saturday, July 18-19, 2025. 

The two-day event brought together diverse voices through the work of Vedale  Hill Jr., Vedale Hill, Kennedi Adamas, and Ariana Petrie, each presenting deeply personal pieces that resonated with themes of identity, healing, and resilience. The work is a part of their placement in THE  CREATIVE COLLAB | Bronzeville Artist-in-Residency Mentor Program.

Vedale Hill Jr., 13, presented “A Kid’s Place,” including a carpet art installation that transformed a Paw Patrol map into a memory collection using toy cars from different periods of his life. The interactive piece included personal elements like his silhouette and a "Cotton Candy Dripping Sunset" design referencing Milwaukee's notorious nightfall. The teenage artist even collaborated with his father, who added a heart and logo to a building in the piece. 

“I choose to use art as a memory,” Hill Jr. said. “Art is something that can remind you of some of the best things in your life,” he added, expressing pride in his artistic evolution from childhood and what it will be in the future. 

Vedale Hill, one of THE CREATIVE COLLAB mentors, exhibited “Lost and Found”, embodying his philosophy of repurposing materials. The father-son duo's shared artistic presence highlighted how creative expression transcends generations, with both Vedales contributing distinct yet connected perspectives to the exhibition. Using a terry cloth cape and a pallet with gold basketball rims as an infinity symbol, Hill addresses the representation gap in superhero imagery, which encourages him to reimagine characters with locs, curly hair, and tattoos. His work draws connections between sports culture and community empowerment, citing basketball players and rappers as real-life heroes in urban communities.

For this piece, Hill's motivation stems from Big Sean's lyrics: “No heroes where I'm from, bullets  only things flying,” which inspired his two-dimensional painting work featuring a bullet flying in a cape. 

Kennedi Adams, 25, showcased “The Zone”, square journals that serve as both artistic expression and mental health coping mechanisms, large scale multicavas, and other symbolic visual artifacts. The mixed media art pieces evolved from word-only entries to visual explorations of trauma, racial identity, and personal growth. The journals originated from fears of losing artistic motivation in art school and function as what Kennedi describes as a  “filtration system” for overwhelming thoughts related to complex CPTSD. 

"Someone told me that you lose all motivation from personal art," Kennedi said, flipping through the creatively cluttered pages of her journals. "My thought became this void that would get sucked in and regurgitated. It was forcing me to  confront it, and I could confront them in my head as much as I wanted to, but being  able to watch that growth in myself and that this art is something that I did for  myself and by myself, that was great." 

Ariana Pierre, 21, presented "The Curious Mind," centered around her major piece  "Curiosity," which shows self-portraits of herself at age 2. For the first time, Pierre integrated her twin children's handprints into her artwork, driven by her desire to provide them a better childhood than she experienced. Her work explores healing the inner child through art as a coping mechanism for childhood trauma. 

“I want to make little me proud and honor childhood dreams,” Pierre said,  explaining how her artwork shows darkness fighting against colorful elements representing resilience and the loss of childlike innocence. 

All in all, gallery visitors engaged with pieces that tackled complex themes of mental health, racial identity, childhood trauma, and community representation.  The artists' willingness to share personal narratives through their work created connections between creators and those who came to indulge. 

/CW Creative Studios highlighted Milwaukee's budding artist community, showcasing how personal storytelling through art can foster broader conversations about healing, identity, and social connection. Each piece served as both individual expression and community dialogue, demonstrating that art's power to bridge personal experience with collective understanding can bring people together.

Sky Abner for /CW