VOICES OF THE BLACK PRESS: CARVD N STONE IS RETRIEVING THE MISSING PAGE FROM AFRICAN-AMERICAN HISTORY

THE BLACK PRESS:SOLDIERS WITHOUT SWORDS DOCUMENTARY BY STANLEY NELSON JR.

For the past fifty years, the profound essence and immense impact of African American history have not only been commemorated but also internationally celebrated. Since the time we were youngins, and our biggest fear was not running fast enough to the swing set on the playground, Black History Month has become anticipated and boldly implemented in our lives. From school theatrical performances, song, documentaries, and curriculum, pivotal and courageous periods of African-American history have been passed down from generation to generation, making it the most heartbreaking yet inspiring chapters in our history books. The initiative to share, teach, and record monumental events carried out by today’s heroes is the foundation of the perseverance and consistency of Black History. However, what happens when the origin of those who wrote, spoke, and illustrated these incredible accounts is not recognized, let alone recorded?

FOUNDER & OWNER OF CARVD N STONE, NYESHA STONE

Last Wednesday, February 11th, 2026, multifaceted news outlet, Carvd N Stone, partnered with groundbreaking arts organization, Milwaukee Film, at The Oriental Theatre [2230 N Farwell Ave, Milwaukee, WI 53202] for a communal event that set the tone for the significance and priority of Black History Month celebrated in the city. As doors swung open at 6:30 pm, Voices of The Black Press, began with a free screening of an extraordinary documentary, “The Black Press: Soldiers Without Swords” followed by a live post-screening talkback with Black journalists and media, some of the most respected and unique faces in Milwaukee media. The purpose both Carvd N Stone and Milwaukee Film had in common when deciding to make this night open and free to the public was to pay homage to the past, while also emphasizing the celebratory and protective state the present and future hold for today’s black press and all who are the driving force behind the movement. For many in attendance, this was their striking introduction to the award-winning documentary created by Stanley Nelson Jr. An abundance of seats were unaware just how extensive and deeply rooted the contribution and history of media was by the bare hands of thousands of African-Americans. This caused much intrigue, questions, and motivation in the audience.

At a time when journalism is evolving, and local newsrooms are shrinking, we must acknowledge the foundation Black press has laid and continue to support the voices carrying that work forward
— Founder, Nyesha Stone

COMMUNITY MEMBERS WHO ATTENDED THE VOICES OF BLACK PRESS EVENT, COURTESY OF CARVD N STONE

Director and creator of “The Black Press: Soldiers Without Swords”, Stanley Nelson Jr’s mission was to create conversation; little did he know the impact and disbelief that would be stirring soon after it was released. This is the first documentary to chronicle the history of the Black press, including its central role in the construction of modern African American identity. It recounts the largely forgotten stories of generations of Black journalists who risked life and livelihood so African Americans could represent themselves in their own words and images. The eye-opening documentary highlights the critical role Black-owned newspapers and journalists have played in documenting history, advocating for justice, and amplifying voices often ignored by mainstream media. The power of the film exceeded the expectations both Carvd N Stone and Milwaukee Film set for the night; cultural storytelling and meaningful dialogue filled the air as soon as the lights came on as the documentary concluded.

NYESHA STONE WITH THE PANELISTS OF THE VOICES OF THE BLACK PRESS EVENT

Six of Milwaukee’s most intellectual, outspoken, and well-respected faces in the city’s media graced the stage to begin a night of informative yet intentional conversation. The panelists apart of the live post-talkback of “The Black Press: Soldiers Without Swords” included:

Former TMJ4 Anchor, Shannon Sims, President of NABJ Milwaukee, Tannette Elie, Owner of Full Circle Enterprises, Kayla Lewis-Allen, Senior Digital Producer at RadioMilwaukee, Kim Shine, Co-host of Jammin’ With Juice, Carrie Mahone, and Host of Black Nouveau on Milwaukee PBS, and Media & PR Strategist at Northwest Mutual, Earl Arms

One of the most important conversations that was discussed was the overall differences and similarities in why Black journalists and media came into existence, and our stance now. Back in 1976, black newspapers and media outlets were developed because they felt invisible. The births of children, deaths of family patriarchs and matriarchs, graduations, booming businesses, and any other significant event that would spark conversation in the black community were never included in written publications such as town newspapers for them to read. Creating the black press was needed as the gateway to being seen as a human being whose life was just as important as anyone else’s. Many of the panelists shared how writing was something they fell in love with and wanted to do due to the internal mirror of creativity and the gift of words that were instilled in each of them. As the audience asked questions, it dawned on everyone that there is still a need for black journalists and media to not only exist but push our pens even harder so that the identification, history, and future of African-Americans progress and always move forward.

FOUNDER OF COPYWRITE MAGAZINE, LEXI BRUNSON AND PROGRAMMING MANAGER OF COPYWRITE MAGAZINE AND ARTIST, VEDALE HILL ATTENDING THE VOICES OF THE BLACK PRESS EVENT

It was made very clear at the end of the night that black journalists and faces in Milwaukee’s media industry have more power than we know, but also a greater mission that is rarely spoken about. Our pens hold both the weight of the present and future, but also of the past. From articles, interviews, and words displayed with a journalistic and artistic touch are not just stories but strengthen the distribution of Black History and everyone who has laid the framework for us today. Want to experience and learn more about Black History and its roots within journalism and Milwaukee media? Go watch Stanley Nelson Jr’s documentary, “The Black Press: Soldiers Without Swords” on Amazon Prime Video or PBS today! Comment down below what you think the correlation is between having an identity and writing about your experiences. Most importantly, go show love to both organizations that put this wonderful event together, @carvdnstone and @milwaukeefil,m on all social media platforms.

/CW Entertainment & Social Journalist, Desriana Gilbert

SnapShot Press Release | I AM MY OWN WIFE

ALL PHOTOS BY MICHAEL BROSILOW

“It is a record of living...of lives”. 

I may have heard it wrong, but the sentiment still remains the same. The record, the story, the archive, etc is what lives on as a note of existence. It becomes the validation of history and the note of truth. But who dictates what remains intact and what is meant to be forgotten? As a trained/degreed Ethographic Researcher & Lived Archivist [shameless plug], I have spent a hefty part of my adult life listening to people tell their stories from their perspectives. In contrast, this work has also led me into countless hours of discovery in reading rooms, where boxes of documents, images, and other tangible assets hold the “burden of truth”.  From this, I have noted several discrepancies, in which the privileged [of power, money, social hierarchy] are the victors of the narrative [& usually the war . . . any & every war]. Yet, there are more truths, more perspectives, and more realities that should be added to the canon of existence. And the lens of  Charlotte von Mahlsdorf is one of them.

Sunday’s [January 25th, 2026] Milwaukee Chamber Theater’s performance of I Am My Own Wife challenged the record of validation with Jonathan Riker’s performance, taking us through memory, transcript, audio recording, historical narrative, and analysis all at once. Jonathan is Charlotte von Mahlsdorf, as they are John Marks [the American Journalist], Tante Luise [Charlotte’s aunt], a Stasi Agent, Alfred Kirschner [Charlotte’s friend & possible love], Karl Henning, Pradeep Gupta, and the list goes on and on. The play asks us to imagine how a trans woman [Charlotte] could survive Nazi Germany. The terror of inhuman practices of the time, mixed with the social scrutiny of anything outside of cultural dictatorship [sound familiar?], it seems inconceivable. And yet, Charlotte lived. 

There is no surprise here why playwright Doug Wright received a Pulitzer Prize for Drama [2004] for this work of art. As Alexander Coddington thoughtfully directed this one-person performance, you discover the intimacy of interpretation and the subtlety of existing on the periphery of a society that mocks anything authentic. It is in the slight repositioning of the furniture [Charlotte and her furniture], the caressing of small artifacts [to hold a bit of history in the palm of your hand], and the secret bar in the basement [on stage, a glass wall, a preserved scene just like in any museum]. However, it is the undressing on stage to the satin [or was it silk?] slip that did it for me. The vulnerability that is Charlotte, that is Jonathan, that is the body, that becomes a question of access, of denial, of performance, of practice, of potrail. . . we watched. We watched as she/they/them [all of them] stripped themselves of the ensembles that are often used to define roles, gender, and status in society. A patterned dress, a modest black skirt with a matching blouse and headscarf, a bold red coat, and the prisoner's sweater. And then again, we watched as they dressed themselves. In this garb, to be seen as this being, as if what we saw underneath had changed [Had it changed?].

As Riker shows us range with thick German accents, more than one American dialect, a full spectrum of femininity and masculinity, you believe that they are all these people. You believe that Tante Luise sees the young Charlotte's need for queer affirmation as he notes his own position as a trans man. You believe John Mark's anxiety as a journalist when Charlotte’s Stassi file contradicts her anecdotal recollection from her interviews. You believe that Charlotte fears her abusive father with his threat to kill her mother & siblings. You believe that this lens, this truth, this archive, is as rich as all the ones that have dominated our way of seeing for far too long, and here any embellishment, any uncertainty, any fantastical note, is just as plausible as the policy propaganda the powers that be say is “truth” [new regime, same fugazi]. 

There is more to say, but I think anyone who walks into the lion's den and lives to tell about it deserves to share their side of the story. 

If you believe in humanity, if you believe in inclusivity, if you believe in thought-provoking theater, and if you believe in art that resonates and informs its audience with threads of contemporary [& historical] rhetoric that values more than the status quo, grab your ticket to see I Am My Own Wife.  

[& well if you don’t believe in those things, I will say it on the record . . . F*ck you!]

Lexi S. Brunson  | Editor-in-Chief /CW


YOUR INVITED! Civic Studios: The Creative Exchange

A WORD FROM CULTURE X DESIGN:

Civic Studios is a creative platform where media, community, and public life intersect. Rooted in the belief that storytelling is a powerful civic tool, Civic Studios uses creative production to explore how we live together, address shared challenges, and imagine better futures for our communities.

It is both a forum and a studio: a place for dialogue and a space for making.

The Creative Exchange is its quarterly showcase, spotlighting new ventures, emerging projects, and the creatives shaping Milwaukee’s cultural and creative future.

Through short presentations, conversation, and networking, it creates space to share ideas, elevate new work, and build connections that move creative projects forward.

Whether you’re a creative entrepreneur, cultural organizer, media maker, or community supporter, this event invites you to experience innovative projects before they launch, connect with emerging creative leaders, engage in thoughtful dialogue about creativity, culture, and community impact, and grow your network in an open, welcoming civic space.

Meet our creatives:
- Shannon Sims, Mic’d and Ready Media
- Element Everest-Blanks, The Culture Plug
- Kellen “Klassik” Abston, Independent Artist
- Dante Nash, Avra
- Lexi S. Brunson, Copywrite Magazine

Join us to discover bold ideas, connect with creative leaders, and build meaningful relationships in a space where creative work becomes civic work.

NOT SORRY WE'RE CLOSED | 2025 /CW REFLECTION

Some. Not all of it.

When? Now. More? Maybe later.

Available? Absolutely! For those who know on a need-to-know basis.

Is this code? Naaaahhhhhhh, you may just need to read a little closer.


LEXI’S REFLECTION:

Image by Boutique Photographer Linda Smallpage 

Unbeknownst to me….

[Haha, I just felt like that was a random way to start a reflection.

Unbeknownst to me, 2025 would be the reckoning of disillusion. The stubborn bull-headed Taurus I am would have to stop chewing on my dandelion in the field and show my horns to those whom I never wanted to see them [I hardly use them anymore]. 

I have to admit, for years, I have been misinterpreting the people around me & my role in their journey. When someone says they are passionate about something, I always imagine them approaching it with the same gravitas that I have. To pour into one's craft [even when nobody is watching], to want to learn about it from many perspectives, to be dedicated to its growth…nurturing it…doing the parts you don't want to do, so you get to bask in the parts that make your soul glow. 

Listen, my truest and deepest apologies…I don't have the ability to steward anyone who is unwilling [or unwanting] to perform their own growth labor. It's just not a talent I have. This year SHOWED me that words without action don't serve. And the thing is, that I believed people when they said they WANTED, that they WOULD. So that's a reality that slapped me in the face! [Hard to…left a little mark]. I had been making space for what could serve others in their passion journey, and I had disregarded how to maintain my own [in the way that would still bring me joy]. A lesson that has a $100,000 price tag….Weeeeeeeeaaaakkkkkkkk!

So as I sit on the 28th day of December, closing out a year, a space, a 22-issue dynasty [a forever thing], I hear the mumbling of people asking, “Well, what are you going to do now?”...

To that, I answer:

  • Focus on me & mines.

  • Focus on my other careers [Professor Lexi is thinking abroad & Interior Designer Shawty would love to help you personalize your space for a better quality of life…and baby, I'm good at it].

  • Focus on being a muse [no explanation needed]. 

  • Focus on the parts of CopyWrite [the pulse] that bring me joy [archival media…so the future won't forget]. 

  • Focus on living….¡Pura vida!

Nothing profound. IYKYK.

/Lexi, the CREATOR of /CW


IMANI’S REFLECTION:

It never occurred to me that the way I can compartmentalize my thoughts and emotions would be the leading factor and armor of “taking life to the chin” this year. I won’t introduce myself by misleading with advice about how being “strong” through the hard times will be beneficial or the strumming of your heartstrings with the  “Things will be better soon” line that is often opted in for fluff. Truth is - it’s all subjective. You set the pace for your healing. I think the most important part about this year is realizing the beauty of choosing to stay who you are when you have every reason to get lost in everything else, everywhere around you. We lose things all the time but what fun is it if you’re offering yourself up to something that you're bigger than? Life is guaranteed to get difficult - so it should be guaranteed that you’ll get creative. I learned that your emotions can’t be bigger than the program. You can leave a small piece of yourself in those moments of initial grief but never let it be anything that will anchor you in that space. To me, for me – this year has been a random tsunami of riddles and paradigm shifts. I am – unsure of how to begin to describe the experience and whirlwind that comes with losing a parent but hopefully, you find yourself and your families safe this holiday season with a lot more time than I had. 

How much time is that? 

How much time was that?

Riddles,

Imani for /CW


DESRIANA’S REFLECTION:

The world has always been my revolving literary playground from every experience and interaction, making several notebooks and pencils a safe and comforting space where writing became second nature. Being the new kid on the block of CopyWrite (if you’re like me and want to call one year in newbie material), to an acclaimed and household name filled with heavyhitters all around, I assumed every article, interview, and research project would serve the identical function of bringing everyone else’s visions and upcoming projects from the drawing board to real life; however this year I wasn’t expecting the creative dissect that led to a intricate and unforeseen transition unfolding before my eyes. Standing in an abyss with the foundation of change, pivoting, and the overwhelming feeling that the I’m only one who didn’t leave home, journalism began wearing unfamiliar faces and circulating fresh and unique purposes I never knew it identified as. Each assignment felt different than the process I used before, even in how I would approach and ideate them. Experience was the biggest anchor for me. From interviewing legendary idols not only from Milwaukee, gaining trust for monumental assignments, walking into rooms I never thought I’d be in, and being offered opportunities I wasn’t even aware had my name attached to them, while struggling constantly with what my true creative value was, I had a battle within myself this year. When looking around and not seeing the faces you used to aid with their creative projects; you feel as if you no longer have purpose at home; but then it struck me that I now had to step up and bring my own ideas and visions to life as a creative. From fashion shows, flights, and galas my mind has rotated countless ideas to create. The intensity and endless joke about one’s identity being attached to creativity is that the party never ends; your brain constantly forms ideas and you always remain a creative, even when it seems you’re being pulled away from it through certain seasons. I learned that I have to stop playing it safe and follow through on my own thoughts, goals, and ideas creatively. This year was filled with accomplishments I rarely took in for myself as well as the one and only CopyWrite Magazine. I fell in love with in-field work as I was constantly experiencing new places, people, and communities for journalism. 2025 was the eye-opener and journey back home as well as to why writing is second nature to me and how /CW being my home consistently challenges me mentally and creatively. 2026 will be the year where I hold myself accountable and stop hiding behind others’ vision and pour into my own creativity just as much as I would support others with theirs in the past. 

It’s time to get to work and stay out of the comfort zone that I was suddenly removed from early on in the year; with /CW as the forefront of my creative responsibility and fresh new playground where opportunities are endless and my thoughts can be amplified.

Desriana Gilbert | Entertainment & Social Journalist for /CW

Thespian Legend Set To Direct Monumental 10th Anniversary Production of “Black Nativity”

What comes to mind when you think of this time of year? The festive array of depictions shown around the holiday season often includes winter wonderland markets, filled ice skating rinks, tree lighting ceremonies, and countless trips to shopping malls so that the babies can sit on Santa’s lap. Uniquely, the city of Milwaukee has always shed light and built much anticipation around its very own holiday staple for the community. That timely and riveting holiday staple has become the theatrical adaptation of “Black Nativity” by trailblazing poet, Langston Hughes. Unlike other holiday-inspired traditions and communal staples, this joyful and spiritual production goes beyond the surface of the true reason for the season of Christmas from a divine perspective, rather than being commercialized.

Over the last ten years, non-profit and Black-led organization Black Arts MKE has showcased the soul-stirring, culturally rich gospel song-play, Black Nativity, through a diverse and multifaceted lens. Every director has been granted the fulfilling opportunity of bringing their significance and vision of Black Nativity to life at least twice for the hopeful and buoyant characters that keep the streets of our city alive and energized. What has now become a highly anticipated holiday classic in Milwaukee has brought everything but disappointment over the past decade. Black Nativity boldly celebrates the holiday season from an African-American viewpoint and never fails in placing a glimmering spark inside of the eyes of everyone who sees the production. Although the intriguing essence and authentic spiritual message of the work of art consistently shines through the audience and cultivates much impact, the heavy-hitting song-play is reimagined every year in a completely different way.

As this year marks the 10-year anniversary of the stellar and exhilarating showcase of admirable, Langston Hughes’ Black Nativity, the production embarks on a new journey after taking on fresh and seasoned leadership. The next visionary who has been given the occasion to reimagine the song-play by transitioning the meaning and theme living in their head onto the vibrant stage is none other than thespian legend, Sheri Williams Pannell. Before Pannell became Associate Professor of Theatre at the University of Wisconsin-Milwaukee, Co-Founder and Producing Artistic Director of Bronzeville Arts Ensemble, and Co-Director of the Fine Arts Ministry at Calvary Baptist Church, she was just like all of us, someone who completely fell in love and immersed themselves in the Black Nativity story--ten years ago. After several successful showings of this masterpiece and a theatrical abundance of talented directors who have ignited their own fires inside of Black Nativity, the million-dollar question is, what can everyone expect from Pannel’s reimagination of it this year? How will it represent something it has never displayed before, or how similar in style and music will the high anticipated song-play be compared to previous years?

From the rhythmic dancing, eye-catching costumes, and carefully crafted storytelling, right away I thought, ‘Oh one day I would like to direct this show.
— Thespian Legend, Sheri Williams Pannell
She is a distinguished author/playwright, a phenomenal theatrical talent, with an impressive historical reservoir of the culture and community
— Barbara Wanzo, Executive Director of Black Arts MKE

Origins and taking a deep dive back into our complex and fascinating roots are the tools being utilized the most by Pannell as the thespian legend has begun directing this year’s showcase of Black Nativity. The intentional artistic director wants to strongly emphasize the original text Langston Hughes wrote in 1961. Pannell’s primary goal is to increase the excitement and enthusiasm people have for celebrating African-American traditions. The feeling of authentic joy and being fully represented in all aspects—mind, body, and soul is the foundation she has cultivated to set the tone for the entirety of the show. Not only is one side of African-American history being brought to life on stage, but also underrepresented traditions as well, such as the unifying Kwanzaa celebration. Her intentionality shows effortlessly. For example, a new partnership with Members of Divine Nine has emerged with Pannell’s Black Nativity showcase. The kind and stylish members have donated authentic African garments and textiles that have been utilized as inspiration for the costume design. She is paying attention to every detail, but wants the message to remain the same: find joy and gratitude in life, Jesus Christ’s life, and never let your trials and tribulations define you.

It is my goal to maintain the spirit of faith, hope, and joy in the birth of the Christ Child, which Hughes so lovingly expressed in his musical, while infusing African American traditions practiced during the holiday season, especially on New Year’s Eve known in the Black community as Watch Night. This musical is our holiday offering to the world. To recognize that even in the most difficult moments in our history, African-American people have found a way to have joy. Black Nativity is an example of this beautiful truth.
— Director-Sheri Williams Pannell

Want to celebrate this holiday season in a unique and electrifying way? Is indulging in the colorful and cultural soul-play already a tradition for you and your family? Purchase tickets today and reimagine the true meaning of this holiday season.

Performance Schedule

Each show features a post-show talkback and a full runtime of two hours.
• Thursday, December 11, 2025, 7:30 p.m. (Student Matinee 11:00 a.m.)
• Friday, December 12, 2025, 7:30 p.m. (Student Matinee 11:00 a.m.)
• Saturday, December 13, 2025, 2:00 p.m. and 7:30 p.m.
• Sunday, December 14, 2025, 2:00 p.m.

TICKETS ON SALE NOW
blackartsmke.com/blacknativity

$62 | Reserved Seating
Group, Student, and Artist rates available.

Tickets available at the Marcus Center Box Office, 929 N. Water St., Milwaukee, WI, or by calling 414-273-7206.
Groups of 10 or more should contact Group Sales at 414-273-7121 x210.
Special discount rates are available for students and artists.

Black Arts MKE’s season is generously supported by Bader Philanthropies, Greater Milwaukee Foundation, Herzfeld Foundation, and Johnson Controls Foundation. Additional support for Black Nativity by Langston Hughes has been generously provided by the Forest County Potawatomi Foundation, the Harri Hoffman Family Foundation, Gruber Law Offices, and the Wisconsin Arts Board.

Desriana Gilbert | Entertainment & Social Journalist for /CW


The Hype | MKE Screening x Holiday Fundraiser

*info provided by Joel Boyd

On Saturday, November 29th Milwaukee native, television writer Joel Boyd (HBO/Netflix) will be returning home to do a film screening and holiday benefit fundraiser for the historic 50-year anniversary of one of Milwaukee's most impactful institutions—The Martin Luther King Scholarship Fund of Milwaukee. The event will be a night of stand-up comedy, refreshments, vendors, raffle prizes and a film screening for the whole family. As an alum of the  scholarship, Boyd has found passion in fundraising for the foundation for the past few years. A scholarship fund which has gifted almost half a million dollars to local Milwaukee youth attending college since its inception in 1976. This fall, Boyd will be hosting and screening an award-winning comedy television pilot he co-created as a part of the community effort. The story is about a young Black couple trying to make it in Hollywood, and is sharply funny. The night will feature a talkback with the audience on themes of love & relationships, male self-esteem and female empowerment, moderated by Noni Juice (The Brewers, Marquette, Jammin' with Juice).

You can find out more about the event and purchase tickets here. Seats are limited. RSVP while you can. If you are unable to attend, you can still donate to the fund by buying a ticket and choosing "pay what you can" on the site. Help celebrate a historic Milwaukee institution and join us for laughter, food, and conversation. The evening will take place and be sponsored by the Xchange (3334 N. Holton St) on Saturday, November 29th at 6pm.


JOIN US FOR AN ARTIST PORTRAIT “PARTY” | FUNDRAISER EFFORT FOR COPYWRITE  

ARTIST PORTRAIT “PARTY” | FUNDRAISER EFFORT FOR COPYWRITE  

A COMMUNITY EFFORT CURATED BY /CW GUEST WRITE JOLEE MALLMANN 

W/ AN AFTERNOON OF PORTRAITS, MUSIC & MORE

Milwaukee, WI — CopyWrite [Magazine], Media, & Design LLC invites our Milwaukee community to join us for a vibrant afternoon of creativity and connection at our Artist Portrait “Party” | Sunday Fundraiser, taking place Sunday, November 9th from 1–3 PM at /CW Creative Studios _ Shop  2201 N. Dr. Martin Luther King Drive, Milwaukee, WI 53212 [entry on Garfield Ave]. This special fundraising event will feature DJ’d music, photo experiences, and community engagement — all in support of CopyWrite’s mission to uplift and amplify Milwaukee’s creative culture.

Recently, CopyWrite’s Owner/Active Editor-in-Chief, Lexi S. Brunson,  released a series of video reels [& a written statement] announcing that the Milwaukee-based media company's decade-old publication, “CopyWrite Magazine,” would end its “quarterly” publication production with Issue 22 | The Vision. Where this came as a shock to many creatives, organizations, and community stakeholders, Lexi has noted that a decade of mostly unpaid labor, a change in community value of the written word, the operational budget funding disinfranchisement of Black & Brown business owners, and personal health capacity all added to the decision. With the economic climate for the creative economy taking a forecasted decline, CopyWrite must also decide if its creative media hub in the heart of Bronzeville can sustain staying open. 

However, some community members see this as an opportunity to actively support /CW’s efforts by volunteering their own talents to curate the Sunday Fundraiser event. Jolee Mallmann, a guest writer for copywritemag.com, focusing on up-and-coming local filmmakers and film projects, reached out with the idea to create a fundraising effort to support /CW’s work and contribution to the community.

“It’s heart-warming to know that there are still creatives, like Jolee, who care and see the value of the work we do. CopyWrite has always been a vehicle to serve our community, whether that be through the Magazine, the website, events, or the studio. I’m not sure if people really understand how many doors we banged on, rooms we shook up, and dialogues we have been in about supporting Milwaukee’s creative economy. We can’t survive on social media likes, we can’t always count on philanthropy, we can’t do everything for free, and still stay around for years to come. We want to continue to support our community, and donating to fundraisers like these will help us continue to do that. But more importantly, we would love our community to actually pay us for the services we offer. We have never strayed away from hard work, and never will.” - said, Lexi S. Brunson

Guests will enjoy portrait sessions from an incredible lineup of local photographers, including SPTMBRBORN, Natalya Cook, Krystyna Nicole, and Jolee.jpg. The energy will be curated by DJ Chad, who will be spinning throughout the afternoon.

A $10[+] donation is required for entry, with all proceeds going directly toward sustaining CopyWrite Magazine’s community-driven media and creative programming. Anyone can donate via our online portal:  https://checkout.square.site/buy/K6BCGCPIXN6TCQYHE4QV4EN4 

All other interest in supporting CopyWrite, media inquiries, and more  can be emailed to copywrite.mke@gmail.com | Attn: LexI

We look forward to hosting the community at /CW Creative Studios & discussing how we can collectively keep moving the needle forward. 

#SUPPORTTHELOCAL | OUTLET APP + COPYWRITE MAG

A word from our partners:

The Outlet App is proud to partner with Copywrite Magazine to continue our mission of connecting and empowering creatives. While The Outlet App gives artists a digital space to showcase and sell their work, Copywrite offers a physical hub for collaboration, expression, and growth. Together, we’re creating a bridge between online opportunity and real-world engagement — building a creative network where artists can thrive, connect, and profit from their passions.

- Outlet App


As we continue to support the local we will now be vocal in our partnerships to further connections in our community and to bring light to the real bonds that have elevated the Urban creative scene in MKE. We #SupportTheLocal!

/CW

Discover the Human Experience at the Charles Allis Art Museum During Gallery Night & Day

Step inside one of Milwaukee’s most beautiful historic mansions for an unforgettable Gallery Night experience at the Charles Allis Art Museum. Located at 1801 N. Prospect Avenue, the museum invites guests to explore art, music, and culture in an intimate, welcoming setting that bridges history and creativity.

On Friday, October 17, from 5:00 to 8:00 PM, visitors will enjoy an evening filled with ambiance, artistry, and live music. Pianist Neal Bardele will perform from 6:00 to 7:30 PM, blending smooth jazz, Great American Songbook favorites, and timeless classics that set the perfect mood for exploring the museum’s latest community exhibition — Human Condition: A Study of the Body.

Curated from local and regional artists, Human Condition examines resilience, vulnerability, memory, and transformation. Through evocative paintings, sculptures, and mixed-media works, the exhibition offers a powerful, personal reflection on what it means to be human. It’s an experience that resonates deeply — whether you’re an art enthusiast, a music lover, or simply looking for an inspiring night out in the city.

The museum’s galleries and permanent collection will also be open on Saturday, October 18, from 12:00 to 4:00 PM for those wishing to explore at a slower pace. Admission is free and open to all both days.

Event Details


What: Gallery Night & Day at the Charles Allis Art Museum

Exhibition: Human Condition: A Study of the Body

Live Music: Neal Bardele, Friday 6:00–7:30 PM

When:Friday, October 17 | 5:00 – 8:00 PM and Saturday, October 18 | 12:00 – 4:00 PM

Where: Charles Allis Art Museum, 1801 N. Prospect Ave, Milwaukee, WI 53202

Admission: Free and open to the public

Website: www.charlesallis.org/exhibitions

Gallery Night Info: gallerynightmke.com/participants/east-town/charles-allis

Whether it’s your first time at the Allis or your tenth, this is your chance to reconnect with the city’s creative pulse — surrounded by art, live music, and community.

Press Contact: For media inquiries, interview requests, or images, please contact:

#ListenUpWithLexi | Our Editor-in-Chief, Lexi S. Brunson, Announces the Last Ever Issue of CopyWrite Magazine

Instagram got it first! Here is the full video of the “5 Part” Reel/Video montage of “WHY” Issue 22, The Vision is the LAST EVER issue of CopyWrite Mag.

[Plus the sneak peek from Issue 22’s Letter From the Editor, describing THE SAME THING!]

CAN I GO CRY NOW?

/Lexi S. Brunson | Editor-in-Chief /CW