Hero Da Kyng - No Headaches

Y’all, I think we found a cure that can relieve all headaches! Hero Da Kyng released his new song “No Headaches,and it’s exactly what the doctor prescribed. This song has a vibey smooth feel with catchy lyrics and a flow that’s reminiscent of B.O.B and André 3000. It has a nice early 2010s/ late 2000s feel that we all wish we could go back to. 

What we enjoy most about “No Headaches is the balance that it has. The song holds depth in its lyrics with a clear message about stunting on your haters and making them your motivators, while also being catchy and giving a commercial feel that you could hear on the radio all day!

The production from Exam 325 Music House and Mob Fanalia compliments the lyrical delivery perfectly with 808 beats that give space to showcase his range. It shows that he can be hard when needed, but also knows when to pull back and let the melody breathe.

We can see that this is new music from an artist that clearly understands his craft. He is bringing some of that Southern Florida grit to Milwaukee and we messing with what he bringing! 

This a hit to clear y’all head like Tylonel! Ya’ll make sure y’all vibe out and give it a listen!

/Sky Abner for CW 


BLAX - Young Little Ghetto Boy [SINGLE]

[We have been receiving a lot of music from BLAX. . .Good music at that!]

“Every superhero needs his theme music” is a phrase that comes to mind when I think about Blax’s (@the_god_degree) single “Young Little Ghetto Boy”. 

It’s like a musical victory lap once you’ve beat the odds and defied expectations. With lyrics depicting the story and struggle of “a youth with visions beyond prisons”, a vibrant and commanding voice raps over high hats about triumphing over freezing winters and government cheese to live a life “like a Negro Spiritual, a true Black miracle”. Salute to the Young Little Ghetto Boys and Girls all over the world and right here at home in the 414.

As the submission states: The track serves as both autobiography and broader commentary on urban life, with BLAX weaving together memories of his youth with descriptive storytelling that captures the essence of growing up in the streets. Despite tackling serious subject matter, “Young Little Ghetto Boy” maintains an uplifting, bouncy production that transforms potentially heavy themes into an anthem of resilience and survival.

The song is available on all major streaming platforms. Take a listen and let us know what you think! Check out Blax on Instagram, Facebook, and YouTube.

BK for /CW


Young Whip - I AM [EP]

Young Whip knows exactly who he is and is making sure you know too in his new hip-hop EP called “I AM” released on July 17th.

This project is so clean. No, for real y’all, it’s radio friendly with no profanities. The perfect music to play in the car to make you feel like your HIM. He is giving us vibey bars and popping his stuff in a way that’s holds weight behind it. The production is nice with beats that make you want to turn it up and hear the bass.

Grinding since 2010, you can definitely hear the hustle in his delivery. When he says “I AM” he’s not just talking, he’s declaring it. Each track represents companies in his business network that paint a picture of empire-building over hit-chasing.That’s big brain energy right there!

That being said, the tracks feel like they end before you can really get into them. We’re being served hip-hop appetizers when we want a full course meal! We want time to marinate in what he’s saying and that’s not happening when the four song EP is about six minutes long.The delivery is pretty solid, but there is room to experiment more with cadence, pacing and vocal dynamics to keep listeners on their toes.

Still “I AM” is a strong step forward and proof that Young Whip is carving out his own lane. If this is just the warm-up, the next release will definitely have us anticipating and hopefully you too.

Family-friendly hip-hop that still hits? Ya’ll make sure y’all vibe out and give it a listen!

/Sky Abner for CW 


myah - “ Glitter “ [Music Video]

myah’s new song” Glitter” feels so much like the soundtrack to a summer you swore would be carefree, yet somehow got real. It gives The Summer I Turned Pretty with a little Euphoria energy. Very dreamy yet nostalgic, and JUST the right amount of MESSY!

It’s catchy, flirty, and subtly emotional. “Is there glitter on your sheets?” isn’t just cute… It’s about the small things people leave behind. The kind of song you replay when you’re in your room thinking about somebody who still has a little hold on you.

Now the video? Feels like a binge-worthy show you watch in your big tee and fuzzy socks combos, along with some ice cream: Bonnie & Clyde vibe but playful with vintage outfits and chaotic getaway scenes. It’s fun but has a plot. 

Made me wonder… Does she have another video that connects to this? Like a series?? If so, you and I should be here for myah’s music and videos. She’s not just giving us a song, she’s giving us a piece of her imagination. Through every lyric, melody, and every scene in the video. 

This song definitely belongs in a Rom-com soundtrack,  like How To Lose A Guy In 10 Days. Trust me you’ll want to hear it on the big screens.

EXPERIENCE “ GLITTER” ( official music video ) by myah !

xoxo Jazale Hill for /CW

BLAX - Take A Picture

Nothing gives more 414 than a song that was made for the community and inspired by the memories of three significant figures who shaped Milwaukee’s music scene.

Milwaukee Hip-Hop artist, BLAX has released his new single ‘Take A Picture’ that mixes vibey OG hip-hop elements with lyrics full of powerful storytelling that will encourage you to call up your relatives and tell them you miss them. 

Just coming back from his tour across the West and East coast, “Take a Picture” was released on July 17th at midnight on all major digital streaming platforms by God Degree Media. The single holds a tribute to Milwaukee’s musical legends: Cecilio Negrón Jr., Twan Mack and Kid Millions showcasing a celebration of life and a meditation on loss.

This song gives reminiscent elements of “The Message” by Dr. Dre with a flow so mellow and rhythmic that made us bop our heads and lowkey want to shed a little tear. 

This is a single that really showcases the vibes that we love to see. Music as a form of expression and that gives emotion. We think y’all should vibe out and give it a listen! Y’all might need some tissue, though!

/Sky Abner for CW

Community Arts & Funk Festival Announces 15th Anniversary Celebration: A Vibrant, Family-Friendly Showcase of Art, Music, and Unity in Downtown Milwaukee

*INFO PROVIDED BY Community Arts & Funk Festival


MILWAUKEE, Wis. – Get ready for a spectacular summer celebration! The Community Arts & Funk Festival is thrilled to announce its 15-Year Anniversary Celebration on Saturday, August 16, 2025, taking place at the iconic Peck Pavilion and South Grounds at the Marcus Performing Arts Center, located at 929 N Water St, Milwaukee, WI. This milestone event, celebrating visual and performing arts, along with the distinct funk genre of music, promises a dynamic and family-friendly cultural experience for all ages in the heart of downtown Milwaukee. The festival will highlight local artists with vendor showcases for guests to support and purchase local artwork, as well as a fine arts competition for local artists to win a $1000 prize!

Set against the backdrop of downtown Milwaukee, the Community Arts & Funk Festival provides a unique opportunity to promote intergenerational dialogue between emerging, established, and underground performing artists who share common performance and musical roots. The festival's musical focus on the funk genre, made popular by legends like James Brown, Sly and the Family Stone, and Parliament-Funkadelic, aims to educate the broader listening public about its rich history, inspirations, and evolution from R&B, Jazz, Gospel, and Rock, and its profound influence on the Hip Hop generation. This powerful combination of funk music with local, regional, and national visual artists creates a cross-cultural, demographically diverse, family-oriented community event rooted in authenticity and intentionality.

"We are incredibly excited to mark 15 years of the Community Arts & Funk Festival," says Brad Bernard, event organizer. "This anniversary is a testament to the power of art and music to bring people together, foster creativity, and celebrate our shared community. We've poured our hearts into curating an unforgettable day that highlights exceptional talent and promotes positive connections."

Festival Highlights

Star-Studded Musical Lineup & Performances

Prepare for an electrifying day of music and performances. The event will be hosted by esteemed radio and TV personality, Andrea Williams.

The official performance schedule includes:

  • 10:45 AM - 11:15 AM: Youth Dance Performances

  • 11:30 AM - 12:30 PM: Youth Poetry Slam

  • 2:30 PM - 6:00 PM: Live Music Performances by:

    • Act 1: B.Wyzdom (2:30 PM - 3:15 PM)

    • Act 2: Trace Ellington Experience (3:30 PM - 4:15 PM)

    • Act 3 (Headliner): Switch (4:30 PM - 6:00 PM)

The headlining act, Switch, is a legendary American R&B and Funk band, celebrated for iconic hits such as "There'll Never Be" and "I Call Your Name." Intermissions of 15 minutes will occur between acts, during which a DJ will keep the funk music playing.

Prestigious Fine Arts Competition

Visual artists are invited to participate in a judged fine arts competition, vying for a $1,000 'Best of Show' award, along with 1st, 2nd, and 3rd place prizes. The announcement of artist awards will take place from 12:35 PM - 12:50 PM. This competition will showcase a broad spectrum of talented urban and suburban visual artists, encompassing both academically trained and self-taught individuals, presenting a wide variety of subject matter, concepts, and technical approaches from across the local and regional art scene.

Local artists are strongly encouraged to apply for this exciting opportunity to showcase their work and compete for cash awards and prizes. Find more information and the application form here: https://www.artsandfunk.com/call-for-artists-1000-prize

Engaging On-Ground Activations

In addition to the main stage performances and art competition, attendees can enjoy:

  • Free 3D Photobooth by The Booth Mke

  • T-shirt Design station provided by Fruition MKE

  • Community Mural led by artist Ken Brown

  • Kid-Friendly Art Activities by Artists Working in Education

  • Local Food & Drink Vendors (Saz’s & more)

  • Local Artists & Creator Vendors

  • Publishing/Copyright and Royalties Workshop provided by MuSample Music Business Consultant 

Local Flavors and Unique Finds

Attendees can explore a diverse array of offerings from local vendors and food trucks, providing a variety of food and beverage options available for purchase throughout the day.

Local art and food vendors are encouraged to apply to be a part of this vibrant community event: https://www.artsandfunk.com/vendor-booth-payment-form

Media Sponsors

The Community Arts & Funk Festival is proud to partner with our media sponsors:

  • RadioMilwaukee 88.9 FM

  • WMSE 91.7 FM

  • V100 100.7 FM

About Community Arts & Funk Festival

The Community Arts & Funk Festival (CAFF) is dedicated to celebrating the rich tapestry of visual art, R&B, and funk, highlighting the profound power of live music and artistic expression. Each year, the festival strives to create a memorable experience that showcases talent, fosters community engagement, and promotes cultural awareness. The festival is a testament to the idea that when the power of funk music is combined with the works of local, regional, and national visual artists, it provides the perfect combination for curating a cross-cultural, demographically diverse, family-oriented community event rooted in authenticity and intentionality.

For more information and future updates, please visit: https://www.artsandfunk.com/

The Ethereal Collection | Youth Music Experience

The Ethereal Collective is where sound meets soul and youth voices take the stage! This  isn’t just a show it’s a space made for you to express, create, and be heard! Whether you  rap, sing, play an instrument, produce beats, or do spoken word, this is your moment to  

shine solo or collab with others. Ages 11 to 20, this is your time to show up and show out,  surrounded by people who appreciate your talent. Think talent show, open mic, and a mini  music fest all combined into one  

This event is also raising funds for THE CREATIVE COLLAB Bronzeville Artist-in-Residency  Program and helps build your creative rep along the way. Even if you're not performing,  come to support, vibe with the crowd, and check out /CW Creative Studios + Shop. Tickets  start at just $5 for students, so don’t miss it. Music, community, and food, what more  could you want? 

Milwaukee Founding Father of Hip Hop BLAX Unveils Limited Edition Vinyl Album “BLAXPLOITATION”

Lyric assassins, cultural shapeshifters, and uncensored canvases have always existed in our barbershops, recreational centers, corner stores, churches, and neighborhoods. The masked hindrance that keeps thousands of conscious, bold, and talented people arm’s length from grasping stardom is exploitation. Record label executives, industry moguls, and well-known managers hide that they’re wolves in sheep’s clothing with their suave vocabulary, empty promises, and glamorized walls of success. This is how the exploitation of artistry, power, and the humanization of legal connections have become embedded into the moving tracks of the music industry. Countless artists become easily blinded by the mortal feeling of being a god, electrifying stages, dead presidents in their bank accounts, and the lens of cameras. Only a portion of superstars master the essence of obtaining the same reflection in the mirror they had before their signature was signed on the dotted line. The realm of their morals, values, vision, and connection to self is their number one priority and remains intact throughout their entire career. Ladies and gentlemen did you know we have one of the rare and mighty in our backyard? Adebisi Agoro also known as BLAX doesn’t just fit this description but he reps it wholeheartedly.

From being signed to New York record label Social MisFits/New Records to being crowned the title of Best Rap/Hip Hop Artist of 2018 by Wisconsin Area Music Industry Awards Council; living large and being known as the man when it came to the eccentric and homegrown sound was not taboo to BLAX. He had a front-row seat to every angle of the industry; from millions of faces in the crowd going toe to toe with him after each word of his songs, to tasting black luxury as a lifestyle, and the angelic connection his mind and voice had when creating music. Ironically, BLAX viewed himself as an oxymoron in the business; it wasn’t about the dollar bills, power from the snap of a finger or temptations of that world. His morals and view of success were far from what media and other hip hop artists would describe it. As a freshman in high school losing rap battles did nothing but spark the hunger and love the superstar had for his music. It was never something he would walk away from.

“Success is being happy with yourself; this is why you should be SELF-MADE.”-BLAX

Life/death, peace /disturbance, motivation/tough love, this is what you experience when listening to the multidimensional hip hop artist. There was never any need to fake or manipulate his artistry because BLAX has always put the raw and untamed experiences of his real life in his craft. For example, losing those who owned his heart, his grandmother and son between the years of 2013-2018 took a brutal toll on the emcee but footprints of his feelings could easily be found in his album Angeline where he began processing grief and was on a mission to seek truth. Each album is a present testament of the man BLAX is and how far his journey will go. His catalog is not just for the conscious and woke, but for any and everybody who values truth, growth, and those real conversations that make you question yourself.

“All artists have the responsibility to make you think. It’s not always about bubblegum ish all the time.”

With the legend coming off of the highly anticipated summer 2024 tour: The Dreamweaverz Tour w/ RMLLW2LLZ; he felt it was time to gift some new music to the streets.

On January 28th, 2025, the midwest cultural shapeshifter, BLAX’s dream came true as he released his album BLAXPLOITATION as his first ever vinyl album. For nearly twenty years the artist has always wanted to create such a timeless, tangible and personal piece of art to his supporters and especially for himself. Just as any musician, both the beautiful and heart wrenching side of the entertainment industry has took hold of his eyes. BLAX wanted to make it clear with his latest album that nobody can hold him back, take advantage of him, outsmart him or carry him as a man. He’s his own person, sketchpad, producer, songwriter, and moral compass. These ten tracks give a deeper scope of BLAX- the grown man whose accepted all things life comes with but also his raw emotions to that. The society we live in today consumes such a colossal digital footprint where music, visuals, and even artists are hot today and forgot about tomorrow. In a world of streams, single-radio, and less touring opportunities, it’s become difficult for a large body of work to be believed in and pushed by not only record labels but independent artists as well. BLAX set out to provide tangible connection and conversation between his fanbase and himself with this masterpiece.

“BLAXPLOITATION” will uncontrollably rebirth the most authentic and emotionally intelligent version of you. From the tracks, Interpretation of Dreams, Ballerina and Intelligent Beings you won’t skip a second. It’s a musical sonnet of the ups and downs life and being an artist has to offer. Sugarcoating and empty promises were not the ingredients used when BLAX was cooking up this album. He is a true creative who knows to never turn off the genius inside him! It is because of his versatile lyricism, out of the ordinary visuals and consistent artistry that he is considered one of the founding fathers of the Mikwaukee and Racine Rap/Hip Hop landscape. He’s created another space where the album will be analyzed and broken down on his new podcast, The Blaxploitation Podcast. Go tune in here: Don’t miss your chance to own one of the one hundred copies BLAX has released for the album; making BLAXPLOITATION limited edition.

Owning the vinyl is not enough and you want to experience an intimate and immersive night with BLAX himself to breath and feel every emotion of the album? Join the emcee at The Wiggle Room March 7th, 2025 at 2988 S. Kinnickinnic Ave Bayview, WI for BLAX’s album listening party dedicated to BLAXPLOITATION. You can not only follow the raw and lively man of the hour @the_god_degree on all social media platforms

Comment down below what question you think this album will make you feel? Do you think BLAX is paving the way for vinyl albums to make a huge comeback in the music industry?

Desriana Gilbert | Entertainment & Social Journalist for /CW

Mental Health Meets Hip Hop Musical Showcase 2025: Where The Most & Least Discussed Topics Become The Conversation

After a night of being celebrated and uplifted, I pulled five hip-hop artists to the side and asked “What does Hip-Hop mean to you?”. The following were their responses:


“I’m seen.”

“I’m not alone.”

“It’s my escape from the world.”

“The justification to ignite the fire inside me”

“Being different is completely fine”

“Hip-hop is an exhibit of who I am and where I come from.”

Misconceptions about this safe haven have been deeply rooted in the world’s mind (A.K.A Media, TV, and School Curriculum). Throughout the 80s Hip-hop became the scapegoat for the crack epidemic, and in the 90s it was to blame for the dark era of the L.A. riots. Around the early 2000s, the genre was put yet under another microscope. The origin story and cultural autopsy became classified as innovative and positive. A transformation was occurring where Hip-hop went from being known as the sister of violence, gang affiliation, and segregation to becoming the poster child for black joy and artistic expression. It became widely recognized as more than late-night TV with Arsenio Hall but also a lifestyle and form of communication to the masses. 

  Photography Accredited to Mikala Woodfork

Time not only changed how parents, children, and politicians perceived Hip-hop but also the lyricism and visual graphics that artists were creating. From the time Bow Wow was rocking his two pigtails up until he became an adult, the topics glorified and pushed in songs remained stagnant. Money, women, drugs, and the fast life were constantly being rapped about like a broken record player. As new Hip-hop artists emerged into the industry, the game began to change slowly but surely. Relatability and life struggles were becoming trending topics thanks to artists such as DMX, Eminem, Mac Miller, Rod Wave, and NBA Youngboy; making Hip-hop become the face for the least discussed topic in America: Mental Health. What better way to educate and entertain by using the most sought-after music to strengthen the identity and awareness of resources and intellectual knowledge regarding mental health?

Saturday, January 25th, 2025 a musical showcase from 6 pm to 9 pm was presented by the Mental Health Meets Hip-Hop organization at the Harold Washington Cultural Center located in Chicago, IL. Heavy hitters such as Dlow Bop King, Big Mouf Bo, and Korporate rocked the crowd with their performances while informational and vital panels were also in the spotlight. The selection of speakers was not only inclusive by showing all ages, backgrounds, and missions of individuals apart of the black community. Sixth grader, Kylee Paul brought the city of Chicago into her world as she dove into the severity of communication between parents and youngins; and the struggles happening to our future leaders (the kiddos). Some of the problems she spoke about were bullying, comparison to social media, and peer pressure. The conversation did not stop there. The relationship between diet, a surplus of fast food restaurants, lack of food markets, and mental health was emphasized by mental health professional Zacharyiah Austin. Everyone from the front of the stage to the back of the theatre was glued to the panels. Uncomfortable and hard testimonies as well as knowledge was being served on a plate and ready to be presented to over 200 attendees. Hosts, Big Twon and 2Can added a unique element to the show as they asked the audience questions and created dialogue between the artists, panelists, and community.

The night provided the city with the perfect balance of a family-friendly turn-up with intentional, tough, and essential conversations surrounding mental health. The, what, who, why, where, and how were clearly explained to the crowd as some of the Chi’s favorite artists shared their connection to the topic at hand. The message of the night was that mental health should not be taboo to anyone, especially in the minority communities where it's prominent. Much research, access to resources, and common knowledge based on mental health should be shared ten times more than is currently. 

Before the doors opened to the star-studded and jumpin’ performances, the lobby had its own party going on. Over ten vendors filled the building, reeling in much-needed attention to the merchandise, resources, and organizations. The entire first level was filled with a variety of vendors from domestic violence help organizations, activities such as journaling and group therapy, and also cupcakes that will make you feel like every day is your birthday. Access to free therapy sessions open to 8 years old and up, job openings for teens and young adults who feel lost, and music programs were also plastered throughout the lobby for the city to soak in and want to learn more about mental health in their free time. It should be a part of their lifestyle and not just a discussion introduced to them every few months through the news, after-school programs, and conferences.

The showcase was far from your average mental health seminar. I applaud Mental Health Meets Hip Hop for presenting a platform to over twenty educated and experienced artists, activists, and professionals to grace the stage with life lessons, laughs, and silent moments that made the crowd think. Hence why it was more than only one panel; specifically three panels, where advice, testimonies, and community was given from Dr.Amanda Long, Sam Sparks, Dr. Ozell Adams, and Reginald Carter. Speech after speech there were many tokens of advice and conversation that resonated with me, a young twenty-two-year-old black woman. 

“Stop waiting for the world to tell you who you are and sit down with your thoughts.”

“Social media is smoke and mirrors; stop letting it control your brain.”

“Know who you are as a woman and be authentically you.”

“Take capture of your thoughts.”

“There’s life and death inside your tongue. Be intentional with your words always!

Chicago artists and their footwork weren’t the only focus throughout the night. The Mental Health Meets Hip Hop organization enhanced another theme during the night; giving people their flowers while they can still smell them. There were countless awards given out throughout the night making the audience feel as if we were at the NAACP awards, but two awards stood out to me the most. Rapper, actress, and community activist, Big Mouf Bo was presented an award of acknowledgment by her students. Global director of the Harold Washington Cultural Center, Jemelia Tillman was also gifted an award of leadership for helping MHMHH make their showcases and other events come to life. The city of Chicago has an army of intellects, entertainers, and institutions whose making it their mission to not only inspire others but bring real change to the world; starting with Chicago.

Mental Health Meets Hip Hop is not the new kid on the block. This relationship between local artists and mental health professionals has had over six years of understanding, growing, and valuing one another. Founder, Tatiana Lane, brought both of her worlds together from being a hip-hop artist and MH professional herself, together to curate a unique space. Her vision has turned into reality as the MHMHH values innovation, inclusivity, culture, community, and empowerment. They are constantly reconstructing the vision of mental illness by integrating talented artists and clinical awareness as well as resources into the community. For over five years, curricular development, consultation services, emotional and life coaching, as well as mindfulness workshops has been provided and utilized in maximum effect by both the organization and community members. Are you someone who wants to understand better their mental health? Do you want to be able to understand both the beginning and end of mental illness? Click here to see what Mental Health Meets Hip Hop can offer you: https://mentalhealthmeetshiphop.com/.

Want a closer look into the jam-packed musical showcase?

Follow MHMHH @mentalhealthmeetshiphop

Desriana Gilbert | Entertainment & Social Journalist for /CW

Don’t Skip This Gem: DJ GEMINI GILLY Is Transforming Social Work Through Her Sets

Draw an image in your mind about what a five-year-old’s bedroom would look like. What do you think would be inside? Lego sets, coloring books, Hot Wheels, and kitchenette sets are the most popular answers when thinking of this. There’s always one or two little ones whose mind sparks other interests and passions. For example, Milwaukee’s very own, DJ Gemini Gilly had a different first love compared to the majority of kindergarteners her age; music. The earliest flashback she has of falling in love with music was at five years old when her older brother would be sampling music using a gener8tor CD player while 106&Park flooded his TV screen daily. From that day on, it was as if her head was the one being spun on the turn tables and music was the DJ; while each vinyl record and scratch birthed new mixes and ideas inside DJ Gemini Gilly’s creative compass. 

For many young children creating and knowing their identity can be the most challenging while juggling the world’s perception and being under their microscope. Fortunately, Gilly’s identity was as easy to learn and understand as the ABCs. She’d gift CDs with personalized playlists created by her to classmates, be invited to parties just to plug her cell phone into the aux and introduce the vibes, and knew every hot and new song on the radio. The wild thing is music wasn’t at the forefront of her life as everyone would assume. Sports took that seat early on and sat front and center of Gilly’s childhood as she began channeling her inner Sanaa Lathan in the 2000 film, Love & Basketball. Drills, tournaments, and a goal to attend a D1 collegiate university to play basketball became the breath in her lungs and the routine trained in her brain that kept the talented athlete going. Throughout childhood, Gilly never deemed her connection and fascination with music in an extraordinary light everyone else witnessed; basketball received all her time, attention, and dedication. It wasn’t up until high school graduation that an epiphany clicked.

“I wanted to lock in during college and see how far my potential would go. All throughout high school I was doing just enough to skate by because being an athlete took all of my time. Once I attended college, my head was in every book of mine”. -DJ GEMINI GILLY

Overwhelmed, lost, and interested in too many things over what over 50% of college freshmen experience when declaring their major. Not ya girl at all. Throughout the entirety of her childhood, images of social work and its significance were given a main stage right in front of her. Gilly’s mother is what you’d call “The Neighborhood’s Mama”. Although being a social worker wasn’t her primary job; legal paperwork wouldn’t make any difference. From picking all of the neighborhood kids up and taking them out skating to providing meals to the entire block; social work ran through her veins and became her daily routine subconsciously. Young Alice (A.K.A DJ Gemini Gilly) instantly grew a hunger to follow in the footsteps of the woman who brought her into this world. Consistency and hard work runs in the family because Gilly attended the University of Wisconsin Whitewater, cracked down on the books, and slayed undergrad; doing all things academia she set out to do. Her detailed goals were becoming reality in no time and life became carefree but everything changed as the chapter of undergrad was wrapping up and grad season was just beginning as it started to write its own story.

A timeline has been taught rigorously generation after generation being described as “The Key to Success”. Go to school, graduate with a degree, and then you’ll get a “good job” in order to become successful. At what cost do we all have to give in order to achieve success? For DJ Gemini Gilly her hurdles came a bit sooner than expected as she was getting masters and the journey was all but exciting. Experiencing racism, depression, and the feeling of not belonging can be described as the synopsis of her entire grad school experience. Luckily, all of the pain and trauma were used as motivation to explore something that was always within her; her love for music, specifically DJing. Gilly already felt as though the party scene was not catered towards her culture at all so it was an extra push to learn so that she could specialize in African-American music and create spaces for people just like her. The week before winter break, a Twitter post listing the top fifty female DJs filled her eyes and a lightbulb came on! As soon as class ended she rushed to Guitar Center and copped a DJ set counsel the same day. Over the next nine months, the days and nights consisted of teaching herself how to create flavorful and lively mixes which led to DJing at Madison, WI bar and grill, The Atwood, her very first gig!

Gilly’s journey over the last six years has been nothing but full-speed and trailblazing. Her resume includes opening for SZA, Mariah The Scientist, JaRule, Anime, and being the face of music at Milwaukee events such as the All Black Xperience and free days at the Milwaukee Art Museum. Ironically the love she had for sports came back full circle as she now has two jobs working as a full-time DJ for the Milwaukee Bucks and Wisconsin Badgers Women’s Basketball team. Since 2018 when DJing became stamped in Gilly’s heart; it’s never been only about hyping up an audience to dance. Her connection to social work never depleted, rather strengthened even more as she wanted to not only shift the culture of going out but also the personal interactions people have with one another. While in college DJ Gemini Gilly quickly took note that the club scene in both Madison and Milwaukee, WI neglected diversity and had several restrictions. Gilly bridged the gap between her passion for both music and social work by bringing two ideas that lived rent-free in her notebook to life. 

On May 27th, 2023 Gems Only was born. Gems Only is an event series carefully curated by DJ Gemini Gilly and her team that’s bringing a unique and hot take on the party scene; not only nightlife but all celebrations. Although the business is only a year and a half, it’s had the success that many entrepreneurs dream of after year three of being in business.

“I believe success came so quickly for Gems Only because it was needed and something nobody in the city has ever seen before”, she said.

You may have been in attendance some of the events such as Nightmare on Water Street, Summer Jam 2K24, and their New Year’s Eve event. The purpose Gems Only serves is to be a safe space physically, mentally, spiritually, and socially for all in attendance. Different groups of people that represent different ethnicities, cultures, and beliefs shouldn’t feel divided and judged by others when going out for a good time. It captures both the essence of a Renaissance feeling but heavily reels in on respect. In the words of Aretha Franklin, “R-E-S-P-E-C-T, find out what it means to me” should considered by Gilly as the intro theme song at every event. Respecting others, the space and especially yourself are the three rules not only for Gems Only but also another event series Gilly has brought to life: NO SKIPS. Her foot is never off the gas. NO SKIPS is a subseries under Gems Only. An album listening party created to be intimately experienced and celebrated as a collective group is the overall bread and butter of what the essence of what NO SKIPS is. On April 20th, 2024 the launch event was a hit; celebrating Wiz Khalifa’s Kush and OJ album. NO SKIPS is not for those who just listen to music, but for people who relate, analyze, and feel the music that speaks and uplifts them in their lives. 

Creating her own lane and climbing the ladder of the music industry has changed her entire life within the last six years. Being able to leave her corporate job where she felt as if a disguise had to be worn and code-switching was mandatory to become a full-time DJ was nothing short of a testament to her journey. Making bold moves has not only shaken up her life but also the lives of thousands of other people who now have a fresh take and a newfound love for going out such as college students, former classmates, and everyday people throughout the city of Milwaukee.Gilly continues to stamp her name as one of the most talented DJs in Milwaukee, Chicago and New York. This is why she was selected to be the DJ for the “When We Vote, We Win” led by former Vice President, Kamala Harris during her campaign run for the 2024 Presidential Election. 

“It was at that moment where I seen Flo Milli, GloRilla, and Kamala herself that I felt a shift in my career had happened without me knowing in order for me to get here. I felt that I was taken seriously by all people. Since I started DJing Black women were always my number one supporter so it just felt like a full circle moment”. -DJ GEMINI GILLY

Providing spaces and opportunities for BIPOC (Black, Indigenous, and People of Color) community members to feel seen, heard, respected, safe, and celebrated has always seemed like secondhand nature to Gilly. She’s turning the tables when it comes to combining her fascination and passion for social work and music. To make sure you receive an exclusive ticket to the next culturally curated event by DJ GEMINI GILLY whether it is NO SKIPS or Gems Only follow their social media page at (@gemsonlyseries). Trying to explore new people, places, and things to enjoy going outside and hearing music you normally wouldn’t hear; follow the creative herself as she keeps her community up to date consistently of what she’s got going on next at (@DJGEMINIGILLY). 

Desriana Gilbert | Entertainment & Social Journalist for /CW