The Ethereal Collection | Youth Music Experience

The Ethereal Collective is where sound meets soul and youth voices take the stage! This  isn’t just a show it’s a space made for you to express, create, and be heard! Whether you  rap, sing, play an instrument, produce beats, or do spoken word, this is your moment to  

shine solo or collab with others. Ages 11 to 20, this is your time to show up and show out,  surrounded by people who appreciate your talent. Think talent show, open mic, and a mini  music fest all combined into one  

This event is also raising funds for THE CREATIVE COLLAB Bronzeville Artist-in-Residency  Program and helps build your creative rep along the way. Even if you're not performing,  come to support, vibe with the crowd, and check out /CW Creative Studios + Shop. Tickets  start at just $5 for students, so don’t miss it. Music, community, and food, what more  could you want? 

Milwaukee Founding Father of Hip Hop BLAX Unveils Limited Edition Vinyl Album “BLAXPLOITATION”

Lyric assassins, cultural shapeshifters, and uncensored canvases have always existed in our barbershops, recreational centers, corner stores, churches, and neighborhoods. The masked hindrance that keeps thousands of conscious, bold, and talented people arm’s length from grasping stardom is exploitation. Record label executives, industry moguls, and well-known managers hide that they’re wolves in sheep’s clothing with their suave vocabulary, empty promises, and glamorized walls of success. This is how the exploitation of artistry, power, and the humanization of legal connections have become embedded into the moving tracks of the music industry. Countless artists become easily blinded by the mortal feeling of being a god, electrifying stages, dead presidents in their bank accounts, and the lens of cameras. Only a portion of superstars master the essence of obtaining the same reflection in the mirror they had before their signature was signed on the dotted line. The realm of their morals, values, vision, and connection to self is their number one priority and remains intact throughout their entire career. Ladies and gentlemen did you know we have one of the rare and mighty in our backyard? Adebisi Agoro also known as BLAX doesn’t just fit this description but he reps it wholeheartedly.

From being signed to New York record label Social MisFits/New Records to being crowned the title of Best Rap/Hip Hop Artist of 2018 by Wisconsin Area Music Industry Awards Council; living large and being known as the man when it came to the eccentric and homegrown sound was not taboo to BLAX. He had a front-row seat to every angle of the industry; from millions of faces in the crowd going toe to toe with him after each word of his songs, to tasting black luxury as a lifestyle, and the angelic connection his mind and voice had when creating music. Ironically, BLAX viewed himself as an oxymoron in the business; it wasn’t about the dollar bills, power from the snap of a finger or temptations of that world. His morals and view of success were far from what media and other hip hop artists would describe it. As a freshman in high school losing rap battles did nothing but spark the hunger and love the superstar had for his music. It was never something he would walk away from.

“Success is being happy with yourself; this is why you should be SELF-MADE.”-BLAX

Life/death, peace /disturbance, motivation/tough love, this is what you experience when listening to the multidimensional hip hop artist. There was never any need to fake or manipulate his artistry because BLAX has always put the raw and untamed experiences of his real life in his craft. For example, losing those who owned his heart, his grandmother and son between the years of 2013-2018 took a brutal toll on the emcee but footprints of his feelings could easily be found in his album Angeline where he began processing grief and was on a mission to seek truth. Each album is a present testament of the man BLAX is and how far his journey will go. His catalog is not just for the conscious and woke, but for any and everybody who values truth, growth, and those real conversations that make you question yourself.

“All artists have the responsibility to make you think. It’s not always about bubblegum ish all the time.”

With the legend coming off of the highly anticipated summer 2024 tour: The Dreamweaverz Tour w/ RMLLW2LLZ; he felt it was time to gift some new music to the streets.

On January 28th, 2025, the midwest cultural shapeshifter, BLAX’s dream came true as he released his album BLAXPLOITATION as his first ever vinyl album. For nearly twenty years the artist has always wanted to create such a timeless, tangible and personal piece of art to his supporters and especially for himself. Just as any musician, both the beautiful and heart wrenching side of the entertainment industry has took hold of his eyes. BLAX wanted to make it clear with his latest album that nobody can hold him back, take advantage of him, outsmart him or carry him as a man. He’s his own person, sketchpad, producer, songwriter, and moral compass. These ten tracks give a deeper scope of BLAX- the grown man whose accepted all things life comes with but also his raw emotions to that. The society we live in today consumes such a colossal digital footprint where music, visuals, and even artists are hot today and forgot about tomorrow. In a world of streams, single-radio, and less touring opportunities, it’s become difficult for a large body of work to be believed in and pushed by not only record labels but independent artists as well. BLAX set out to provide tangible connection and conversation between his fanbase and himself with this masterpiece.

“BLAXPLOITATION” will uncontrollably rebirth the most authentic and emotionally intelligent version of you. From the tracks, Interpretation of Dreams, Ballerina and Intelligent Beings you won’t skip a second. It’s a musical sonnet of the ups and downs life and being an artist has to offer. Sugarcoating and empty promises were not the ingredients used when BLAX was cooking up this album. He is a true creative who knows to never turn off the genius inside him! It is because of his versatile lyricism, out of the ordinary visuals and consistent artistry that he is considered one of the founding fathers of the Mikwaukee and Racine Rap/Hip Hop landscape. He’s created another space where the album will be analyzed and broken down on his new podcast, The Blaxploitation Podcast. Go tune in here: Don’t miss your chance to own one of the one hundred copies BLAX has released for the album; making BLAXPLOITATION limited edition.

Owning the vinyl is not enough and you want to experience an intimate and immersive night with BLAX himself to breath and feel every emotion of the album? Join the emcee at The Wiggle Room March 7th, 2025 at 2988 S. Kinnickinnic Ave Bayview, WI for BLAX’s album listening party dedicated to BLAXPLOITATION. You can not only follow the raw and lively man of the hour @the_god_degree on all social media platforms

Comment down below what question you think this album will make you feel? Do you think BLAX is paving the way for vinyl albums to make a huge comeback in the music industry?

Desriana Gilbert | Entertainment & Social Journalist for /CW

Mental Health Meets Hip Hop Musical Showcase 2025: Where The Most & Least Discussed Topics Become The Conversation

After a night of being celebrated and uplifted, I pulled five hip-hop artists to the side and asked “What does Hip-Hop mean to you?”. The following were their responses:

“I’m seen.”

“I’m not alone.”

“It’s my escape from the world.”

“The justification to ignite the fire inside me”

“Being different is completely fine”

“Hip-hop is an exhibit of who I am and where I come from.”

Misconceptions about this safe haven have been deeply rooted in the world’s mind (A.K.A Media, TV, and School Curriculum). Throughout the 80s Hip-hop became the scapegoat for the crack epidemic, and in the 90s it was to blame for the dark era of the L.A. riots. Around the early 2000s, the genre was put yet under another microscope. The origin story and cultural autopsy became classified as innovative and positive. A transformation was occurring where Hip-hop went from being known as the sister of violence, gang affiliation, and segregation to becoming the poster child for black joy and artistic expression. It became widely recognized as more than late-night TV with Arsenio Hall but also a lifestyle and form of communication to the masses. 

  Photography Accredited to Mikala Woodfork

Time not only changed how parents, children, and politicians perceived Hip-hop but also the lyricism and visual graphics that artists were creating. From the time Bow Wow was rocking his two pigtails up until he became an adult, the topics glorified and pushed in songs remained stagnant. Money, women, drugs, and the fast life were constantly being rapped about like a broken record player. As new Hip-hop artists emerged into the industry, the game began to change slowly but surely. Relatability and life struggles were becoming trending topics thanks to artists such as DMX, Eminem, Mac Miller, Rod Wave, and NBA Youngboy; making Hip-hop become the face for the least discussed topic in America: Mental Health. What better way to educate and entertain by using the most sought-after music to strengthen the identity and awareness of resources and intellectual knowledge regarding mental health?

Saturday, January 25th, 2025 a musical showcase from 6 pm to 9 pm was presented by the Mental Health Meets Hip-Hop organization at the Harold Washington Cultural Center located in Chicago, IL. Heavy hitters such as Dlow Bop King, Big Mouf Bo, and Korporate rocked the crowd with their performances while informational and vital panels were also in the spotlight. The selection of speakers was not only inclusive by showing all ages, backgrounds, and missions of individuals apart of the black community. Sixth grader, Kylee Paul brought the city of Chicago into her world as she dove into the severity of communication between parents and youngins; and the struggles happening to our future leaders (the kiddos). Some of the problems she spoke about were bullying, comparison to social media, and peer pressure. The conversation did not stop there. The relationship between diet, a surplus of fast food restaurants, lack of food markets, and mental health was emphasized by mental health professional Zacharyiah Austin. Everyone from the front of the stage to the back of the theatre was glued to the panels. Uncomfortable and hard testimonies as well as knowledge was being served on a plate and ready to be presented to over 200 attendees. Hosts, Big Twon and 2Can added a unique element to the show as they asked the audience questions and created dialogue between the artists, panelists, and community.

The night provided the city with the perfect balance of a family-friendly turn-up with intentional, tough, and essential conversations surrounding mental health. The, what, who, why, where, and how were clearly explained to the crowd as some of the Chi’s favorite artists shared their connection to the topic at hand. The message of the night was that mental health should not be taboo to anyone, especially in the minority communities where it's prominent. Much research, access to resources, and common knowledge based on mental health should be shared ten times more than is currently. 

Before the doors opened to the star-studded and jumpin’ performances, the lobby had its own party going on. Over ten vendors filled the building, reeling in much-needed attention to the merchandise, resources, and organizations. The entire first level was filled with a variety of vendors from domestic violence help organizations, activities such as journaling and group therapy, and also cupcakes that will make you feel like every day is your birthday. Access to free therapy sessions open to 8 years old and up, job openings for teens and young adults who feel lost, and music programs were also plastered throughout the lobby for the city to soak in and want to learn more about mental health in their free time. It should be a part of their lifestyle and not just a discussion introduced to them every few months through the news, after-school programs, and conferences.

The showcase was far from your average mental health seminar. I applaud Mental Health Meets Hip Hop for presenting a platform to over twenty educated and experienced artists, activists, and professionals to grace the stage with life lessons, laughs, and silent moments that made the crowd think. Hence why it was more than only one panel; specifically three panels, where advice, testimonies, and community was given from Dr.Amanda Long, Sam Sparks, Dr. Ozell Adams, and Reginald Carter. Speech after speech there were many tokens of advice and conversation that resonated with me, a young twenty-two-year-old black woman. 

“Stop waiting for the world to tell you who you are and sit down with your thoughts.”

“Social media is smoke and mirrors; stop letting it control your brain.”

“Know who you are as a woman and be authentically you.”

“Take capture of your thoughts.”

“There’s life and death inside your tongue. Be intentional with your words always!

Chicago artists and their footwork weren’t the only focus throughout the night. The Mental Health Meets Hip Hop organization enhanced another theme during the night; giving people their flowers while they can still smell them. There were countless awards given out throughout the night making the audience feel as if we were at the NAACP awards, but two awards stood out to me the most. Rapper, actress, and community activist, Big Mouf Bo was presented an award of acknowledgment by her students. Global director of the Harold Washington Cultural Center, Jemelia Tillman was also gifted an award of leadership for helping MHMHH make their showcases and other events come to life. The city of Chicago has an army of intellects, entertainers, and institutions whose making it their mission to not only inspire others but bring real change to the world; starting with Chicago.

Mental Health Meets Hip Hop is not the new kid on the block. This relationship between local artists and mental health professionals has had over six years of understanding, growing, and valuing one another. Founder, Tatiana Lane, brought both of her worlds together from being a hip-hop artist and MH professional herself, together to curate a unique space. Her vision has turned into reality as the MHMHH values innovation, inclusivity, culture, community, and empowerment. They are constantly reconstructing the vision of mental illness by integrating talented artists and clinical awareness as well as resources into the community. For over five years, curricular development, consultation services, emotional and life coaching, as well as mindfulness workshops has been provided and utilized in maximum effect by both the organization and community members. Are you someone who wants to understand better their mental health? Do you want to be able to understand both the beginning and end of mental illness? Click here to see what Mental Health Meets Hip Hop can offer you: https://mentalhealthmeetshiphop.com/.

Want a closer look into the jam-packed musical showcase?

Follow MHMHH @mentalhealthmeetshiphop

Desriana Gilbert | Entertainment & Social Journalist for /CW

Don’t Skip This Gem: DJ GEMINI GILLY Is Transforming Social Work Through Her Sets

Draw an image in your mind about what a five-year-old’s bedroom would look like. What do you think would be inside? Lego sets, coloring books, Hot Wheels, and kitchenette sets are the most popular answers when thinking of this. There’s always one or two little ones whose mind sparks other interests and passions. For example, Milwaukee’s very own, DJ Gemini Gilly had a different first love compared to the majority of kindergarteners her age; music. The earliest flashback she has of falling in love with music was at five years old when her older brother would be sampling music using a gener8tor CD player while 106&Park flooded his TV screen daily. From that day on, it was as if her head was the one being spun on the turn tables and music was the DJ; while each vinyl record and scratch birthed new mixes and ideas inside DJ Gemini Gilly’s creative compass. 

For many young children creating and knowing their identity can be the most challenging while juggling the world’s perception and being under their microscope. Fortunately, Gilly’s identity was as easy to learn and understand as the ABCs. She’d gift CDs with personalized playlists created by her to classmates, be invited to parties just to plug her cell phone into the aux and introduce the vibes, and knew every hot and new song on the radio. The wild thing is music wasn’t at the forefront of her life as everyone would assume. Sports took that seat early on and sat front and center of Gilly’s childhood as she began channeling her inner Sanaa Lathan in the 2000 film, Love & Basketball. Drills, tournaments, and a goal to attend a D1 collegiate university to play basketball became the breath in her lungs and the routine trained in her brain that kept the talented athlete going. Throughout childhood, Gilly never deemed her connection and fascination with music in an extraordinary light everyone else witnessed; basketball received all her time, attention, and dedication. It wasn’t up until high school graduation that an epiphany clicked.

“I wanted to lock in during college and see how far my potential would go. All throughout high school I was doing just enough to skate by because being an athlete took all of my time. Once I attended college, my head was in every book of mine”. -DJ GEMINI GILLY

Overwhelmed, lost, and interested in too many things over what over 50% of college freshmen experience when declaring their major. Not ya girl at all. Throughout the entirety of her childhood, images of social work and its significance were given a main stage right in front of her. Gilly’s mother is what you’d call “The Neighborhood’s Mama”. Although being a social worker wasn’t her primary job; legal paperwork wouldn’t make any difference. From picking all of the neighborhood kids up and taking them out skating to providing meals to the entire block; social work ran through her veins and became her daily routine subconsciously. Young Alice (A.K.A DJ Gemini Gilly) instantly grew a hunger to follow in the footsteps of the woman who brought her into this world. Consistency and hard work runs in the family because Gilly attended the University of Wisconsin Whitewater, cracked down on the books, and slayed undergrad; doing all things academia she set out to do. Her detailed goals were becoming reality in no time and life became carefree but everything changed as the chapter of undergrad was wrapping up and grad season was just beginning as it started to write its own story.

A timeline has been taught rigorously generation after generation being described as “The Key to Success”. Go to school, graduate with a degree, and then you’ll get a “good job” in order to become successful. At what cost do we all have to give in order to achieve success? For DJ Gemini Gilly her hurdles came a bit sooner than expected as she was getting masters and the journey was all but exciting. Experiencing racism, depression, and the feeling of not belonging can be described as the synopsis of her entire grad school experience. Luckily, all of the pain and trauma were used as motivation to explore something that was always within her; her love for music, specifically DJing. Gilly already felt as though the party scene was not catered towards her culture at all so it was an extra push to learn so that she could specialize in African-American music and create spaces for people just like her. The week before winter break, a Twitter post listing the top fifty female DJs filled her eyes and a lightbulb came on! As soon as class ended she rushed to Guitar Center and copped a DJ set counsel the same day. Over the next nine months, the days and nights consisted of teaching herself how to create flavorful and lively mixes which led to DJing at Madison, WI bar and grill, The Atwood, her very first gig!

Gilly’s journey over the last six years has been nothing but full-speed and trailblazing. Her resume includes opening for SZA, Mariah The Scientist, JaRule, Anime, and being the face of music at Milwaukee events such as the All Black Xperience and free days at the Milwaukee Art Museum. Ironically the love she had for sports came back full circle as she now has two jobs working as a full-time DJ for the Milwaukee Bucks and Wisconsin Badgers Women’s Basketball team. Since 2018 when DJing became stamped in Gilly’s heart; it’s never been only about hyping up an audience to dance. Her connection to social work never depleted, rather strengthened even more as she wanted to not only shift the culture of going out but also the personal interactions people have with one another. While in college DJ Gemini Gilly quickly took note that the club scene in both Madison and Milwaukee, WI neglected diversity and had several restrictions. Gilly bridged the gap between her passion for both music and social work by bringing two ideas that lived rent-free in her notebook to life. 

On May 27th, 2023 Gems Only was born. Gems Only is an event series carefully curated by DJ Gemini Gilly and her team that’s bringing a unique and hot take on the party scene; not only nightlife but all celebrations. Although the business is only a year and a half, it’s had the success that many entrepreneurs dream of after year three of being in business.

“I believe success came so quickly for Gems Only because it was needed and something nobody in the city has ever seen before”, she said.

You may have been in attendance some of the events such as Nightmare on Water Street, Summer Jam 2K24, and their New Year’s Eve event. The purpose Gems Only serves is to be a safe space physically, mentally, spiritually, and socially for all in attendance. Different groups of people that represent different ethnicities, cultures, and beliefs shouldn’t feel divided and judged by others when going out for a good time. It captures both the essence of a Renaissance feeling but heavily reels in on respect. In the words of Aretha Franklin, “R-E-S-P-E-C-T, find out what it means to me” should considered by Gilly as the intro theme song at every event. Respecting others, the space and especially yourself are the three rules not only for Gems Only but also another event series Gilly has brought to life: NO SKIPS. Her foot is never off the gas. NO SKIPS is a subseries under Gems Only. An album listening party created to be intimately experienced and celebrated as a collective group is the overall bread and butter of what the essence of what NO SKIPS is. On April 20th, 2024 the launch event was a hit; celebrating Wiz Khalifa’s Kush and OJ album. NO SKIPS is not for those who just listen to music, but for people who relate, analyze, and feel the music that speaks and uplifts them in their lives. 

Creating her own lane and climbing the ladder of the music industry has changed her entire life within the last six years. Being able to leave her corporate job where she felt as if a disguise had to be worn and code-switching was mandatory to become a full-time DJ was nothing short of a testament to her journey. Making bold moves has not only shaken up her life but also the lives of thousands of other people who now have a fresh take and a newfound love for going out such as college students, former classmates, and everyday people throughout the city of Milwaukee.Gilly continues to stamp her name as one of the most talented DJs in Milwaukee, Chicago and New York. This is why she was selected to be the DJ for the “When We Vote, We Win” led by former Vice President, Kamala Harris during her campaign run for the 2024 Presidential Election. 

“It was at that moment where I seen Flo Milli, GloRilla, and Kamala herself that I felt a shift in my career had happened without me knowing in order for me to get here. I felt that I was taken seriously by all people. Since I started DJing Black women were always my number one supporter so it just felt like a full circle moment”. -DJ GEMINI GILLY

Providing spaces and opportunities for BIPOC (Black, Indigenous, and People of Color) community members to feel seen, heard, respected, safe, and celebrated has always seemed like secondhand nature to Gilly. She’s turning the tables when it comes to combining her fascination and passion for social work and music. To make sure you receive an exclusive ticket to the next culturally curated event by DJ GEMINI GILLY whether it is NO SKIPS or Gems Only follow their social media page at (@gemsonlyseries). Trying to explore new people, places, and things to enjoy going outside and hearing music you normally wouldn’t hear; follow the creative herself as she keeps her community up to date consistently of what she’s got going on next at (@DJGEMINIGILLY). 

Desriana Gilbert | Entertainment & Social Journalist for /CW

Meet Who's Bringing Real RnB Back | D.Lylez

Do you remember waking up on Saturday mornings to your mom blasting music that made you want to do the two- step as the house was being cleaned from top to bottom? Some of those family favorites could’ve been:

Superstar by Usher

Let Me Love You by Mario

So Beautiful by Musiq Soulchild

Understanding by Xscape

So Sick by Neyo

Or maybe you’ve seen the frenzy behind the internet’s conversation on who is the king of R&B. Well, I’d like to introduce a new face in the music industry who is definitely making noise when it comes to bringing back that soulful yet raw energy to R&B music! Ladies and Gentlemen, let me introduce you to D.Lylez. 

Darious Lylez, widely known by his stage name D.Lylez is a Chicago Native who has always embodied and displayed not only a love but a passion for music. Although his childhood was under the framework of a preacher’s kid, Lylez stood firmly withhis personality, stage presence, and emotions when it came to falling in love with R&B! By age 9 music lessons and recitals became his daily routine with the support of both his parents despite church culture. Everybody knows that no matter if you sing in a choir, are a deacon, or can recite many bible verses; they bump to New Edition, Bobby Brown, and Jodeci, here and there. 

You may be squinting your eyes trying to figure out just exactly where you know this cat from. The answer is the hit talent show The Voice season 18 with judges John Legend, Kelly Clarkson, and Nick Jonas. It’s no secret that his soothing yet confident voice blew the judges away but that was not the start to his journey. From being in a boy band called Changes, auditioning for the Voice, and becoming a signed solo artist, D.Lylez's musical journey has been quite eventful. He has tapped into what he wants his legacy and artistry to represent: authenticity, story-telling, and a groundbreaking powerhouse when it comes not only to his vocals but also his performance. The superstar’s two latest singles “24 Hrs” and “Is It Time?” are a direct visual buffet of how truly captivating his artistry is. 

As I watched the video of “24 Hrs” it instantly took me back to the hit single “Sensitivity” by Ralph Tresvant (Yes, one of the cuties from hit group New Edition). The two videos have several similarities when it comes to color stories such as Midnight Blue and Harvest Orange. They both also showcase scenarios that male artists deal with when it comes to the challenge of balancing their career in the spotlight but also having someone very dear to them in their personal lives. In the video you see him wanting his girl so passionately and thinking of her but he’s in the studio doing what he also loves: creating stories and music. The leading woman begins thinking that she’s being ignored and stood up for a romantic dinner date but he’s thinking about her just as much. Lylez is bringing back the R&B that reunites couples when they go through ups and downs, makes you fall in love all over again, and at other times he lets his audience know that they aren’t the only ones dealing with the harsh realities when it comes to dating, loving a person unconditionally, and any other curveballs this life throws at us. Before you know it brothers will be singing and dancing in the rain while us sistas live for every moment of it. 

I love how there’s now space being created again for vulnerability, soft love in the black community, and raw emotions when it comes to a black male artist and he is one of the individuals becoming responsible for that. His music indeed celebrates and uplifts women in the most beautiful light but Lylez's next single “Is It Time?” also is a friendly reminder that everyone can be heartbroken and played; no matter the gender. The video will showcase him in a more painful and distraught light after finding out his partner may be entertaining other men in these streets. I feel very few artists are extremely transparent while still being entertaining and that's a gift he utilizes to a tee when it comes to creating music. 

A catchy chorus and beautiful lyrics that will sound good on the radio or in the club is not his top priority; rather it’s creating a versatility quality music catalog. Neo-soul vibes and the heart is coming back to R&B. Music that makes you feel like you are on cloud 9 when thinking of your boo or last romantic partner has a different energy bringing people of all communities as one because who in this life doesn’t want to experience good ole lovin’ or as Mary J. would sing out, “Real love”. 

Tune into both of D.Lylez’s latest videos if that sultry yet heartfelt R&B makes those car rides a vibe before work or if you just love love.

Comment down below which is one is your favorite out of his latest songs. Follow the talented young star on all platforms as well. [@dlylez]

Desriana Gilbert | Entertainment & Social Journalist for /CW

Marie & Rosetta - Snap Shot Press Release [The Godmother of Rock ‘n’ Roll & The Wind Beneath Her Wings]

It is no secret that every last one of us comes from different walks of life. No matter what trials and tribulations come our way or what groundbreaking dreams instill that grit and exhilaration inside our souls.

Millions of people find it quite easy to relate [and associate] with only those who give them the feeling that they are glancing into a mirror. The cost of this is usually shying away and subconsciously avoiding others who may seem “a little too much” or that orbit on the other end of the spectrum. Humanity has taken a prolonged journey to comprehend that opposites attract. [In the words of Sam Cooke, “It’s been a long time coming”]. 

As a result, new conversations, innovations, and walks of life are born. 

Friday’s (October 25th, 2024) showing of Marie & Rosetta at the Milwaukee Repertory Theatre was a vulnerable and intimate depiction of this revelation. Beyond the physical attributes of these characters, lived “culture” creates a divergence in how they differ in society. So you may be asking, “Now girl how are these two black women completely different from one another?”. Well, honey find a cozy seat while you’re on the clock because the words complex and the phrase, ahead-of-its-time, are just the beginning. This may take a minute.

Did you know that the gorgeous and bold men behind the origin of Rock ‘n’ Roll such as Little Richard, Elvis Presley, and Jimi Hendrix were influenced, captivated, and mesmerized by Sister Rosetta Tharpe before they even started paving the way for the rest of the world themselves? A Black woman born in Arkansas that traveled with her mother to Chicago at age 6 performing as a duo. Her mother Katie would preach into the Chi streets with chilling sermons as Rosetta would close out singing light gospel music. She spoke her mind as if she was Wendy Williams taping Hot Topics, and had no fear of what others thought or would judge her for. Her wardrobe of sequins, furs, and enchanting dresses were just as eye-catching and jaw-dropping as her performances. I almost jumped out of my seat as her hit song, Rock Me, was performed by Bethany Thomas who plays Tharpe, with a commanding aura of musical majesty.

As the curtains open, the confident superstar has just successfully chosen her new protegee who will accompany her on tour. Marie, played by Alexis Roston, presents herself as a young talent who is very innocent, angelic, and on the straight-narrow. Marie is no free spirit [and soon we discover she is not “free” at all]. Through Tharpe’s proding for information about her new talent find, she discovers that Marie is actually a 23-year-old married woman and mother of two who sang in a quartet and constantly thought about how the church viewed her and what others thought of her. Marie never wanted to be the woman the church folk would oohh and ahh about.  She would’ve been almost as innocent as Jesus’ mother Mary, but she was caught in that lie within the first few minutes of the production. Not only did Marie downplay her age, but she had a hidden edge to her. She would sneak around the church playing secular music [a scandal of those times] and was a preacher's wife [a preacher she was not too happy with]. This is where the topic of opposites attracting comes full circle. 

Rosetta did reveal that Marie’s lies were the reason why she initially chose her to come on tour; as she seemed to contrast Rosetta’s image. Rosetta wanted to re-enter the church circuit as a performer, but her headlining juke joints and supper clubs took her right off of that saintly roster.

This performance becomes alluring when the ladies begin to create a healing yet difficult dialogue amongst one another as the story shares their first night creating their electrifying tour.

Set in a funeral home showroom in the South, this heartwarming yet harsh reality check creates an emotional exchange between the two women. Tharpe begins describing to her wide-eyed protegee that showbiz for Black women during that time was no red carpet walk at the BET Awards [Today’s acts like Latto, Glorilla, and Megan Thee Stallion, with their controversial aesthetics may still feel this way]. Rosetta revealed that music was the only thing that loved her back after she lost her mother. The inventory of husbands, money, and fur coats did not make her heart skip a beat or give her a sense of genuine love. As the night continues, Marie wears her heart on her sleeve and starts revealing her most honest thoughts to Rosetta. This form of intimacy seemed new for Marie. She eventually admitted wanting to leave her husband since he didn’t value her anymore and how she felt she lost herself in the marriage [Divorce? Baby, not in the churchhhhhhhh!]. 

Controversy is one thing playwright, George Brant, and director E. Faye Butler did not run away from. The topics of divorce, mistreatment of African-American performers in the music industry, and even a hint of homosexuality, regarding a romantic relationship between the two leading ladies were showcased in such an intriguing, yet transparent angle. This lens harnesses the delicacy of truths that are usually avoided in “historical” reenactments. These complexities are exactly what we need to see on the stage, so that we may feel their gravitas in society. The production balanced out with comedic relief, harsh truths, and soul-touching musical numbers. In my opinion, the music and Rosetta’s direct personality united the two into the dynamic duo they became. Once they got over the hurdle of Marie subconsciously judging and trying to change what many used to call “secular ways” Rosetta had and accepted each other for who they were in that moment; magic sparked! 

There’s no question that both ladies demanded my attention from the opening act to the closing scene but with much reflection; I found myself in Marie. I connected with how others perceived her. Just as Marie seems innocent and knows nothing of the world to other people; at times I believe that’s how people see me. Once Rosetta began listening to her thoughts, dreams, and experiences, Marie was then displayed as a strong, talented, and daring young woman who just wanted people around her to take her more seriously. However; Marie also trapped herself in the role of a people-pleaser and rule-follower. The majority of her life, just like I, carried times of doing things the “right” way and bending herself in so many different directions to make everyone else’s dreams for her life come to fruition instead of living the life Marie wanted for herself. 

Who knew with the right push from her favorite musician that blossomed into a close relationship [nobody ever knew the full details of], that Marie would become a walking memorial for Rosetta after Tharpe passed? Marie started having a free-spirited attitude, speaking her mind without second-guessing herself, and stood on her own name. Not hiding behind a husband, her mentor, her parents, or society’s rules anymore. Many of us, including myself can look into the mirror and see flashes of Marie. Whether it’s her spirit that has others thinking she’s younger, her gentle tone that makes others think she’s holding back something and doesn’t have a voice of her own, or her ability to camouflage herself into the background of any environment and observe that confuses others into thinking her entire being is invisible. For some, it only takes a few months while others need years to find themselves and understand their purpose, but honey a journey is a journey!

Do you think you need a little push into some reflection of your own? Do you want an entertaining history lesson that’ll take you back to the time when two black women owned Rock ‘n’ Roll? Maybe you would like to jam out to some soulful, yet bold music? I want to extend the invite /CW received from the Milwaukee Rep to you. Go check out Marie & Rosetta between now and Dec 15th. This show will give you the laughs, moments of silence, and strength you need to take a deep look into who you are and how everyone and everything else around you affects the trajectory of your lifestyle and where you are headed, family. 

Desriana Gilbert | Entertainment & Social Journalist for /CW

AdventuresofQue- Quincy Vs Que Album

you tired of everyone standing around at the club looking at each other with such boredom and there being nobody on the dance floor? Or maybe you’re over those 5 songs that your replay button hates to see coming. A hidden gem caught our attention last week that’s the answer to both those problems: ‘Quincy Vs. Que” by the laidback yet lively entertainer, AdventuresofQue. No question this is one of the most anticipated albums of the year. 

It’s only been 4 months since he served up nothing but heartfelt melodies and voicemails with edgy verses in Loser/Lover 3; but I don’t think the city is ready for the growth in not only his sound but also his lyricism. 

No matter your gender or favorite genre of tunes; everyone is going to bump this album from beginning to end. “Quincy Vs Que” makes you feel like you're entering an escape from reality. His cadence and adlibs will have women feeling like the baddest in the room while having men feel on top of the world at any party they step in. He constructed a masterpiece that provides the perfect balance of chill easygoing bops and intergalactic songs that would make even Barack and Michelle Obama jump out of their seats. 

I was surprised at how many different voices I heard and to my surprise, they were all coming from AdventuresOfQue. Whether you’re blasting some of my favorites such Uncle Phil, Are You Happy?, Buckle Up or the #1 Single Quincy Vs Que, you’ll definitely feel like the world is in the palm of your hands and confident that each and every single dream you have will come true. Like this post if you believe this upcoming album will save the club scene! 

Desriana Gilbert/ Entertainment & Social Journalist for CW

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PRE-ORDER YOUR COPY OF COPYWRITE MAGAZINE ISSUE 21 | BACK TO BLACK

n issue we take a deep dive into the nuances of Black Culture and the rhetoric that it parallels. This is one of the most intimate issues we have ever produced because many of the topics we will discuss have been fostered by conversions that our leadership, /CW Fam [our staff + collaborators], and our friends/family have grappled with in our personal lives. These topics have lived in barbershop debates, under dryers at the hair salon, at the kitchen table at Granny's house, and on the front steps before the age of social media. These are realities that are formed by resistance & resilience, topped with ingenuity and unapologetic joy in being the prototype for authentic exploration for survival [vs. conquest]. These are patterns of existence without erasure.

Featuring: Spill It Card Game, Jonah Denae, Ko-Thi Dance Company, Culture: Between Space & Place

“Music on the Beerline” is back for its’ 6th Season

*INFO PROVIDED BY KENNITA HICKMAN OF CATERA

The Riverworks Development Corporation is kicking off the sixth annual “Music on the Beerline,” a free outdoor music event in Milwaukee. The RDC is continuing in its new format as a 3 month series versus a one-night event, an upgrade to the event structure that has proven to be successful.

“Riverworks is excited to host the 6th Music on the Beerline Series at the Beerline Plaza connecting the Riverwest and Harambee neighborhoods while showcasing local talent,” Darryl Johnson, Executive Director of Riverworks Development Corporation.

The series, which highlights local musicians and performers, will showcase a diverse range of music, with prior concerts offering a mixture of Hip Hop, Soul, Jazz and more. Last year featured hometown favorites Browns Crew and DJ Bizzon.

The 6th annual “Music on the Beerline” will take place on the following dates on the Beerline trail:

• July 19, 530p to 830p

• August 16, 530p to 830p

• September 20, 530p to 830p

Artists featured this year include Smoke N’ Mirrors, Urban Empress and The Urbanites, DJ Bizzon, Cache, Love Peace and Soul and Extra Crispy Brass Band.

This year will see the return of our marketplace where local vendors can connect directly withconsumers. Vendors include Polished Embroidery, Jameelah Jewelry, Beauty from the Root, Say It Louder, Girl of the 21st and One MKE. Food trucks will also be on site.

Sponsors include Wells Fargo, Palermo, Bank Five Nine, Brewery Credit Union, Riverwest Realty, Nessun Dorma, Manyo Motors, Strand Associates, One MKE, Metal Forms, Amorphic Beer and Quad MKE.

Lik "Popeye's on Center"

If you’re like most of us, you’ve been OUTSIDE making this summer count! On time with the vibes to match as usual, TRP has yet another drop that can take you back to a July Summer in the early 2000s! Co-Founder and In-House Producer Lik gives that feeling with the summer anthem, “Popeyes on Center,” a shout out to one of the hundreds of directional pinpoints used by Us in the community, ha! 

This single from his latest Album, “Auteur Theory,” which has been exclusively released on his Ghetto Griot website for purchase, features his right hand, Big P. Released as a music video directed by Cream. and shot by Carter Green, the lyrical, instrumental, and especially, the visual context is so Milwaukee and gives a nostalgic ’outside from sun up to sun down’ type of feel. The vision was for the editing style to become another character of its own- the “third side to the story,” as Lik put it. The vibrancy of the colors seen and worn, the upward camera angles to fully capture the grit of what still remains of our own unique culture (the businesses AND the beautiful young Milwaukee Men coolin’ in front of them), and the contrast of what may not be anymore, but is still core to the identity of this part of the city, and therefore, is worthy to be celebrated.

The setting changes and cuts to Lik sitting by himself in a restaurant. The imagery is more fab and luxurious and his words are more future-tense with a little bravado but just like the brick and mortar of the Milwaukee Mall, his identity in Milwaukee remains. Good One Lik!

Naomi-Re’a for /CW