"In My Home" Series | By Carlos M. Vergara Jr.
/Carlos M. Vergara Jr.—more than a fashion enthusiast, more than a creative director, more than just style. A creator who moves with intention, deeply rooted in his culture, community, and self. Every vision I bring to life is a reflection of the creativity that runs through me, a tribute to the stories, people, and experiences that shape who I am.
“With that, I introduce In My Home—a series that invites you into my world, where inspiration meets intimacy, and where every frame tells a story of influence, identity, and expression.”
Milwaukee Founding Father of Hip Hop BLAX Unveils Limited Edition Vinyl Album “BLAXPLOITATION”
/
Lyric assassins, cultural shapeshifters, and uncensored canvases have always existed in our barbershops, recreational centers, corner stores, churches, and neighborhoods. The masked hindrance that keeps thousands of conscious, bold, and talented people arm’s length from grasping stardom is exploitation. Record label executives, industry moguls, and well-known managers hide that they’re wolves in sheep’s clothing with their suave vocabulary, empty promises, and glamorized walls of success. This is how the exploitation of artistry, power, and the humanization of legal connections have become embedded into the moving tracks of the music industry. Countless artists become easily blinded by the mortal feeling of being a god, electrifying stages, dead presidents in their bank accounts, and the lens of cameras. Only a portion of superstars master the essence of obtaining the same reflection in the mirror they had before their signature was signed on the dotted line. The realm of their morals, values, vision, and connection to self is their number one priority and remains intact throughout their entire career. Ladies and gentlemen did you know we have one of the rare and mighty in our backyard? Adebisi Agoro also known as BLAX doesn’t just fit this description but he reps it wholeheartedly.
From being signed to New York record label Social MisFits/New Records to being crowned the title of Best Rap/Hip Hop Artist of 2018 by Wisconsin Area Music Industry Awards Council; living large and being known as the man when it came to the eccentric and homegrown sound was not taboo to BLAX. He had a front-row seat to every angle of the industry; from millions of faces in the crowd going toe to toe with him after each word of his songs, to tasting black luxury as a lifestyle, and the angelic connection his mind and voice had when creating music. Ironically, BLAX viewed himself as an oxymoron in the business; it wasn’t about the dollar bills, power from the snap of a finger or temptations of that world. His morals and view of success were far from what media and other hip hop artists would describe it. As a freshman in high school losing rap battles did nothing but spark the hunger and love the superstar had for his music. It was never something he would walk away from.
“Success is being happy with yourself; this is why you should be SELF-MADE.”-BLAX
Life/death, peace /disturbance, motivation/tough love, this is what you experience when listening to the multidimensional hip hop artist. There was never any need to fake or manipulate his artistry because BLAX has always put the raw and untamed experiences of his real life in his craft. For example, losing those who owned his heart, his grandmother and son between the years of 2013-2018 took a brutal toll on the emcee but footprints of his feelings could easily be found in his album Angeline where he began processing grief and was on a mission to seek truth. Each album is a present testament of the man BLAX is and how far his journey will go. His catalog is not just for the conscious and woke, but for any and everybody who values truth, growth, and those real conversations that make you question yourself.
“All artists have the responsibility to make you think. It’s not always about bubblegum ish all the time.”
With the legend coming off of the highly anticipated summer 2024 tour: The Dreamweaverz Tour w/ RMLLW2LLZ; he felt it was time to gift some new music to the streets.
On January 28th, 2025, the midwest cultural shapeshifter, BLAX’s dream came true as he released his album BLAXPLOITATION as his first ever vinyl album. For nearly twenty years the artist has always wanted to create such a timeless, tangible and personal piece of art to his supporters and especially for himself. Just as any musician, both the beautiful and heart wrenching side of the entertainment industry has took hold of his eyes. BLAX wanted to make it clear with his latest album that nobody can hold him back, take advantage of him, outsmart him or carry him as a man. He’s his own person, sketchpad, producer, songwriter, and moral compass. These ten tracks give a deeper scope of BLAX- the grown man whose accepted all things life comes with but also his raw emotions to that. The society we live in today consumes such a colossal digital footprint where music, visuals, and even artists are hot today and forgot about tomorrow. In a world of streams, single-radio, and less touring opportunities, it’s become difficult for a large body of work to be believed in and pushed by not only record labels but independent artists as well. BLAX set out to provide tangible connection and conversation between his fanbase and himself with this masterpiece.
“BLAXPLOITATION” will uncontrollably rebirth the most authentic and emotionally intelligent version of you. From the tracks, Interpretation of Dreams, Ballerina and Intelligent Beings you won’t skip a second. It’s a musical sonnet of the ups and downs life and being an artist has to offer. Sugarcoating and empty promises were not the ingredients used when BLAX was cooking up this album. He is a true creative who knows to never turn off the genius inside him! It is because of his versatile lyricism, out of the ordinary visuals and consistent artistry that he is considered one of the founding fathers of the Mikwaukee and Racine Rap/Hip Hop landscape. He’s created another space where the album will be analyzed and broken down on his new podcast, The Blaxploitation Podcast. Go tune in here: Don’t miss your chance to own one of the one hundred copies BLAX has released for the album; making BLAXPLOITATION limited edition.
Owning the vinyl is not enough and you want to experience an intimate and immersive night with BLAX himself to breath and feel every emotion of the album? Join the emcee at The Wiggle Room March 7th, 2025 at 2988 S. Kinnickinnic Ave Bayview, WI for BLAX’s album listening party dedicated to BLAXPLOITATION. You can not only follow the raw and lively man of the hour @the_god_degree on all social media platforms
Comment down below what question you think this album will make you feel? Do you think BLAX is paving the way for vinyl albums to make a huge comeback in the music industry?
Desriana Gilbert | Entertainment & Social Journalist for /CW
The All Black Xperience 2024 Presented By: Johnny L. Jones, Myron “M-Town” Smith & Tim Ricketts
/
Can you think of a moment in time where you felt the words of James Brown, “Say It Loud-I’m Black & I’m Proud” was your city’s anthem? Let’s take it back to February 2018. The infamous Ryan Coogler film, Black Panther was released and had anybody from eight years old to eighty years old rushing to theatres in their best-dressed outfits; whether it was a dashiki or all-white fit from head to toe. The city of Milwaukee felt different for the Black Community. It was as if every one of all races had come to an epiphany-there is success and elegance when it comes to black people. I often wonder if it was the story of the film; Prince T’Challa taking on the crown of his country following his father’s passing to save the innocence and future of his people or the costume design that had all of Milwaukee in a chokehold. Prince T’Challa’s wardrobe mainly consisted of the color black. Why? Black is the color of power, sophistication, wealth, and elegance.
However, as soon as the film left theatres, everyone put the urgency and need for black pride and unity in a box to left as well. (Shout out Queen Bey). Well all that changed Friday, November 29th, 2024 as almost the entire MKE was in attendance for The All Black Xperience hosted at the Baird Center which was presented by Johnny L. Jones, Myron “M-Town Smith, and Tim Ricketts in downtown Milwaukee. These three men who could be described as Milwaukee’s own BellBivDevoe have taken on the responsibility and challenge of normalizing the celebration and elevation of Black Excellence. Each of these three men are known in the city for being an ambitious entrepreneur, developer, and the life of the party. They all have over a decade of experience dedicating their lives to making Milwaukee more familiar with wealth, power, and luxury in the black community.
The All Black Xperience illustrated a night whose theme was black luxury and elegance. Think of NewNew’s (played by Lauren London) parents in the coming of age film, ATL. Successful, prestigious, fly, smooth and creative black people filled up the guest list quicker than your family members rushing to the line to get their Thanksgiving plates. The purpose of this event was for a night of entertainment, networking, and celebration to be experienced by those in Milwaukee who are not only making moves for their own success but also hyper focused on what the future and sustenance of black excellence will look like after this year comes to a close.
Not only did musical guests Rick Ross and Tweet keep everyone’s attention from the beginning to the very end of the night; but the red carpet was a head-turner as well. Everyone followed the number one rule which was to wear ONLY BLACK! The dress code was made clear and nobody was disappointed. The men were dressed in their black suits and ties giving a real depiction of when Justin Timberlake & Jay-Z hopped on a track together; as the ladies shut down the carpet in their all black dresses. Let me just stop and answer the question I know you are all thinking;
“Des, what was on the menu?”. The food and drinks were centered around the culture of our city as a whole. A variety of sausages including bratwursts, frozen custard, cheese curds and alcoholic beer beverages made up the menu for this memorable night. Sounds like an MKE night at SummerFest. The All Black Xperience did more than check all the boxes when it came to the perfect date night such as music that makes you want to move, a reason to pull out that outfit in your closet, while also eating and drinking some things that make you feel good. This experience got the city to show up, show out, but most importantly present the opportunity to figure out what’s the next route when it comes to the celebration of black elegance & excellence being normalized in Milwaukee.
There were only a few calls made by the dynamic three (Jones, Smith, and Ricketts) as they selected who the hosts for the night would be. One of those calls went to author, motivational speaker, and life influencer, Steph Crosley. The hosts needed to embody what the event symbolized: a hustler’s mentality, active community member, classy, and who also knows how to turn up and feed that energy to the guests. Crosley shared how the highlight of her night was not just the feeling on stage with Jammin 98.3’s Earl Stokes and DJ Cheerio but also honoring and awarding movie director, producer and writer; Ramon Swift Sloan towards the end of the evening. I asked the life influencer what is the correlation between celebration, motivation and inspiration because those are the three things that surrounded her that night. Crosley stated, “I believe you’re inspired - there’s a spark and then there’s a force that propels you internally to ‘do something’ and then there’s an outward display of your accomplishment - the celebration - in that order.” The perfect equation that should be used more often than it is by people who look like us. Steph’s night mirrored hundreds of others that attended the event; a night of music, food, fashion, and networking specifically catered to high-class black people in the city; but that wasn’t all that she remembered from that night.
“One of the messages to take away from the All Black Xperience is that together we can - it takes all moving parts to make an event successful from the organizers - to the city trusting the vision and coming out to support - to the DJs and host doing our part and everything in between. Together we can and I believe it will continue to do well and grow.”-Steph Crosley
It’s up to us to keep events like this in an consistent rotation and celebrate one another. So what will motivate you to do your part? Is it musical guests being in attendance? An opportunity to dress up? Or is it having the chance to talk to some of the most influential and intelligent black people in the city?
On behalf of the /CW fam I would like to applaud Johnny L. Jones, Myron “M-Town” Smith, Tim Ricketts, Steph Crosley and all the other hosts who came together to make this night possible. As Crosley would say, there is power in numbers; might even have some of us starting to walk like Ghost off the Starz show Power. The celebration and elevation of black entrepreneurs, media, success, and unity needs to become normalized and consistent. So I challenge each of you. Comment down below what you think it’ll take for this to happen. Go follow the creators of this event. Their instagrams are @stillstephc, @jlj164, @therealmtown, @therickettsshow and catch the live recaps and photos from an unforgettable night.
Desriana Gilbert | Entertainment & Social Journalist for /CW
Clyde's | SnapShot Press Release
/
“Do I look hungry?”
The question was rhetorical but I took the bait, blurting out from the darkness of the theater. .
“Yes! You do!”
Hunger exists where there is a void, or need for something more. It is the lack of satiation that we feel [& fill], that urges us to find a means of sustenance. Without it, we are empty, weak, and coercively vulnerable.
Excuse my pepper-jack cheese of linguistics, but Clyde is a hungry B*tch.
Sunday’s [November, 9th, 2024] Milwaukee Chamber Theater’s performance of Clyde’s, showcased the unhinged reality of the people who serve our society. This form of service comes with being a scapegoat for the power structures we call capitalism that demands the use of bread, lettuce, or cheese [those are all words for money, depending on who you are asking] as the means to survive.
From behind the kitchen door of a truck stop sandwich shop, this staff of “rehabilitated” individuals, shows us through the erudition of Lynn Nottage, a Pulitzer Prize-winning playwriter, how hard it can be to do better when surrounded by misery, after being locked away from the world.
Clyde’s is a purgatory-like place, equipped with stainless steel food prep islands, a smokey flap-top grill, and a loud commercial-grade refrigerator [It was real! I could hear the motor kick on and off like we were really in the kitchen. Nice Touch!]. But here there will be no Michelin stars. Instead, it is where Montrellous (Bryant Bentley) carefully crafts aspirations of hopes, one slice of bread at a time. It is where Letitia (N’Jameh Camara) grapples with her value between every piece of cheese and where Jason (Nate Press), repents through sprigs of parsley. It is where Rafael (Justin Huen) grieves over the grease. It is where dreams go to be broken, and souls go when they are desperate to survive.
This kitchen is a symbolic prison and Clyde [Lachrisa Grandberry] is the overseer, warden, and the Devil herself wrapped in spandex and pleather! Her abuse [mental, emotional, and the bruised back of Rafael proves it to be physical] is a reflection of her self-loathing. As an ex-con, she believes that hiring what she frames as a societal outcast gives her the prerogative to treat her employees like they are less than human [which sadly they are used to]. But it is the way Grandberry postures her raunchy, classless, erotica torture that makes her character so cringe-worthy. To make the crowd love you is beautiful, but to make them despise you is a wicked deed that pulls from the worst parts of humanity, forcing us to wipe crumbs of blissful delusion off our faces. Lachrisa girl, YOU DID THAT!
I found myself rooting for the world's underdog as they spilled their hearts out sharing the stories of how they became incarcerated. Montrellous story offsets the scales of justice, as Bentley’s delivery demands you listen with your chest, and question how much you are willing to sacrifice for the greater good of others. Letitia, tormented my maternal instinct [first when she chopped that lettuce into oblivion], N’Jameh playing up her ability to evoke empathy with her climatic cadence [Stop trying to make me cry now. You already had me with ILLIAD, LOL]. Rafael’s desperate need to prove his love to others is a fatal flaw, and Huen seems to be a master of humility and sensitivity. But Jason. . should we forgive him? The Black woman in me tingled with the, “now you know how it feels” mantra, that is only triggered when “justice” falls on the door of the socially privileged. But Press, made me believe that the internal torture he felt was real.
Kudos to Director, Dimonte Henning, who did not skirt away from the “nasty” [metephorically and literally]. From the scandalous gestures of Clyde [I mean Rated R and Rated Hillarious] to the transitions of BTS kitchen life between scenes, it was a glimpse into the world we don’t often get to see.
It also made me crave a sandwich, something serious!
Clyde’s is for those who dare to eat havarti on a butter brioche, with heirloom tomatoes, a slather of cajun-style hot sauce, and a cucumber chutney [See I can make an epic sandwich recipe too. LOL], and dare to call it a “sammich”. In other words, it is the hole in the wall of art we should steep ourselves in because you never know what might send you to Hell, purgatory, and back again.
Let’s stop judging, and well. . .Do better.
Lexi S. Brunson | Editor-in-Chief /CW
Are you about your “business”? | /CW Community Resource for you from Chayil Inc.
/
Hey /CW Community Fam,
This year /CW has learned a bunch about our business [the good, the bad, the ugly!]. This learning has allowed us to reflect on what we value as a business, and COMMUNITY is at the top of our list. With that being said, as community members we think it is vital to share resources and opportunities that may be useful to you and all the great things you aspire to do.
Our people over at Chayil Inc. are offering free business support workshops for Black & Brown business owners/entrepreneurs called the, The BluePrint Business & Succession Planning.
This training program was created to cover a range of business information including understanding Banks versus Credit Unions, becoming bankable, getting access to capital, bookkeeping, accounting principles, sales, marketing, and many other “How to do's and don'ts”. Where there are business consulting entities that may host comparable business training programs, BluePrint Business & Succession Planning is unique because it was designed to provide solutions to issues that directly impact minority business owners in the BIPOC community.
This Saturday, November 9th, they are having an event to celebrate past workshop participants and give out information on the upcoming programming.
Register for BluePrint Business & Succession Planning, A Celebration of Legacy:
I urge you to tape in and use this resource while it is free.
On November 8th, 2024, a day before the event, registration for the next round of BluePrint Business and Succession Planning will go live and be accessible via https://www.chayilinc.org/ and https://finance-cafe-money-smart-small-business.teachable.com/.
Love & All Things Urban,
/CW
You're Invited to the opening Exhibition of CULTURE: BETWEEN SPACE & PLACE By Lexi S. Brunson
/
You're invited to experience a spatial art installation created by CopyWrite Magazine's Editor-in-Chief, Lexi S. Brunson. Also, get your copy of Issue 21 Back to Black at the exhibit [where the installation is featured].
Through my professional practices as a writer, researcher, media maker, interior designer, and creative, I have noted that between Space & Place, we find Culture [Big C]. Since Culture is nuanced, it creates an opportunity to reimagine what space is through the multiplicity of mediums, contextualized via identity, locality, and temporality.
I have taken this concept, through a casual practice of interpersonal interviews, observation, and pursuing/inhabiting spaces where cultural dialogue [spoken & unspoken] occurs. By creating a series of “vignettes” that exist [& will exist] in multiple mediums, I share cultural narratives that reflect the internal perspective of the BIPOC community. Not as a monolithic lens but as a note of existence we often assign with diminutive importance. The nostalgia-induced conversations that transpired during installation with staff, visitors, and other people popping by, validated that these places [even when repurposed as art] are truly threads of understanding in a web of misinterpretation WE do not subscribe to.
Family Groove | A Film by Ria
/“In West Philadelphia born and raised, on the playground is where I spend most of my days”
“It’s a rare condition in this day and age, to read any good news on the newspaper page”
“Martin, I’m the man”
These are the jingles that must run through your head every once in a blue moon. I’ve heard they give the feelings of nostalgia, comfort and relatability. This is why many corporations, people and communities try their hardest to replicate that sultry and fun 90’s type vibe even though it is extremely difficult. This week I stumbled across a short film that stepped up to the plate when it came to bringing the 90s world and energy to present day!
“Family Groove:” created by the 414’s very own Ria had everyone and their mama in a frenzy when it dropped on IG. As I watched the film, the color scheme is what stuck out off rip. It was a canvas of shades from hershey brown, ruby red, to butterscotch yellow. They made you feel welcomed and as the viewers were right along with the cast inside the film! It caught me off guard that there were no convos but you could still feel when to laugh, jam out to the film, and catch on to what was happening. The infamous dance scene from House Party with one of culture’s famous duos Kid ‘N Play is the closest image I can paint for you all as to what energy will be witnessed from “Family Groove”.
Not only was the short film lighthearted and fun but it also came off real. The set looked the the average crib and not some jazzy Airbnb that Ria could’ve easily chose. A variety of different interpretations can be made but I’m glad it showed our people in a light that hasn’t been flicked on in a while. Every brown and black person’s family life is not always dysfunctional or struggle rather it can be just as witty and fun as the next person’s! From the fashion; styled by ours truly Carlos Vergara Jr, to the choreography and chemistry of the cast; this is a must-see!
Go watch “Family Groove” on Ria’s IG and let us what you think. Here you will see young creatives from Milwaukee enjoying family-friendly fun with one another.
Desriana Gilbert | Entertainment & Social Journalist for /CW
