Milwaukee in Motion [Dance Fest 2025]
/Golden Hour Arrival
I arrived downtown just after 4:00 p.m the late afternoon sun filtering between buildings, music drifting across the lawn, and a real energy in the mix. Families, friend groups, and solo festival-goers converged; kids running and flipping around on the lawn while young dancers in dressed up or most of the pre show performers in all black warmed up in areas not so noticeable practicing on repeat for pre-show jitters. Across the street, a sobriety event unfolded quietly, while here, movement and community reigned.
Pre-Show Magic (6:00 p.m.)
The evening began with LunaBellas, whose graceful, Asian-inspired youth performance set a gentle, elegant tone. The energy built from there, ending with the Milwaukee Irish Dance Company their rhythmic, high-speed footwork instantly brought to mind The Sinners movie. The beat, flow, and precision pulled you in, and I couldn’t help but be in awe of all the dancers’ memorization, strength, and the exactness of every step.
Sweet & Salty Interlude
Before the pre-show, and again during intermission, I grabbed eats. First, brunch style festival comfort: a brat on the grill, cheese curds, and mozzarella sticks. Then, candy bars and a brookie ( brownie/cookie) perfectly timed between performances.
Mainstage Highlights (7:30 p.m)
Ailey II kicked things off with dynamic precision, followed by Water Street Dance Milwaukee, Madison Ballet, House of JIT, Visceral Dance, and M.A.D.D. Rhythms (whose tap performance was especially mesmerizing), and Chicago Dance Crash. Again, I found myself in awe not just of the choreography but of how perfectly it was memorized and executed, the sheer physical strength behind each movement, and the razor-sharp timing that made the performances so magnetic.
A Milwaukee Moment with John Ridley
Here’s a sweet festival memory: Before the pre-show, my father introduced me to John Ridley, the Oscar-winning screenwriter behind 12 Years a Slave. After the pre-show, I approached him again. I shared my role with CopyWrite Magazine and asked if he could offer feedback on my blog writing. That brief exchange between art forms, styles, and generations felt meaningful, as well as a memory worth remembering [for future reference].
Twilight Farewell (8:00 p.m)
I stayed until about 8:45 p.m., caught the opening wave of the ticketed performances. Something about the stage being outside just felt so theatrical and surreal. The architecture downtown also made these performances, and overall, the festival was a wonderful experience. 10/10 recommend, GO NEXT YEAR [2026].
This festival wasn’t just a series of dances; it was Milwaukee, alive and moving together in rhythm, strength, and precision.
xoxo Jazale Hill for /CW