So Why Aren’t All Aspects of Black Culture Adored? | By Desriana Gilbert

The Gallery of Black Essentials, All Photos Accredited to RobRanMKE featured in copywrite magazine issue 21

/CW fam picture this: It’s as quiet as a church mouse on a Sunday morning. You’re blasting Erykah Badu’s Mama’s Gun album in one airpod while your other ear is filled with the humming and churning from the washers and dryers in the laundromat. Then walks in an older woman who exudes energy and could pass as a body double for Cecily Tyson. She’s wearing a cherry red fur coat as long as your kid’s Christmas list. Golden hair pins decorate her sleek ponytail as she walks with sparkly black thigh-high boots. She’s asked by a bold young man, “Why are you so dolled up? Aren’t you about to do laundry?”. She calmly replied, “Honey don’t be mad at my swag” A question immediately popped into my head; Why does the black community seem unphased with our lifestyle, habits, and physical appearance; while everyone who has all eyes on us is continuously in awe and such admiration? 

The answer: black culture is not an accessory to us; it’s essentially embedded into our everyday lives both internally and externally without us even realizing it. In the words of Andre’ 3000,
“It’s in us not on us”.

There’s no secret that the world so easily assumes, judges, and misinterprets who and what exactly black culture is. However; the fashion that has been birthed such as hoop earrings, bold and bright colors, and intricately braided hair seems to have a separate identity from the beautiful black and brown people who are walking billboards of it. The style and appearance are so widely appreciated that many attempts to emulate and replicate how refreshing and beautiful black culture is. A door opens with an opportunity for African Americans to be seen in positive silhouettes as the complexities, different perspectives, and hidden gems they have both as a people and individuals are showcased to the world. But why aren’t several other aspects that create the ecosystem of culture and African-American people celebrated, let alone acknowledged?

Well, CW fam our creative director, Vato (Carlos) Vergara took it into his own hands with the help of many other talented creatives to strengthen awareness that there’s more than one aspect of black people that is beautiful and multifaceted while bringing the shoot to life. The Gallery of Black Essentials can be described as a digital museum of black people's love, authenticity, connection, and vulnerability. The shoot’s photographer, RobranMKE, stated, “It was a homage to the power, pride, and stories woven into our style.” The dynamic of black fatherhood, sisterhood, friendships, beauty, and romantic love was executed in such an ethereal and crystal-clear lens of exactly who we are.

One of the main themes of the eccentric and modern photoshoot was intentionality. From the photographer, creative directors, stylists and artwork being chosen as moving pieces to lead The Gallery of Black Essentials, everyone had one common goal: intentionality! Co-stylist, Sydney Beason confidently states, “The title of the shoot brought me back home. Visualizing the childhood memories of colors, textures, and even the fragrant whispers of the past. The pieces I chose to be brought to life gave a sense of nostalgia to the black community. Each creation is a testament to our history and a vision of our future, celebrating the diversity and dynamism that define us.” Her response brought an answer to my opening question. As a people we are not unphased or unknowledgeable about the swag, beauty and uniqueness black culture gifts to society; rather it’s an everyday lifestyle black and brown people live in realtime and is not a decoration. 

Although each image presented in the gallery is breathtaking and speaks for itself; aspects of the black community that keep the wheel running yet don’t get enough of the conversations nor the attention they deserve were given a spotlight. Intentional fatherhood, wrongful incarceration, freedom being restricted, and the long process of black beauty were each captured in such a vulnerable and confident way. Now let’s keep it a hundred, these are not glamorous and accomplished discussions that should be the face of black culture, but it’s reality and the things that instill perseverance, creativity, hard work, and unity into our community. Everyone who participated in bringing the team’s vision to life felt proud, overwhelmed with emotion, and excited to showcase that there are different types of black culture. We are all not the same and deserve an equal amount of attention. So what are the things that keep a sense of comfort, identity, and protection in a community that is so misunderstood, judged, and restricted? It’s simple: our essentials. Some of the creatives apart of the shoot such as the models shared a list of their essentials. Hence the following:

-White Air Force 1s (Dookies)

-Beauty Supply Store Trips

-Music

-Hustler’s Mindset

-Resilience

-Sunday Soul Food Dinner

-Humility

Check out the vibrant and fun images that tell the story of who we truly are and where our future is going on Instagram: https://www.instagram.com/copywritemag/. Comment down below what your internal or external essentials are. Also, don’t forget to rent our space for your next photoshoot. See what we can offer you at https://copywritemag.com/creative-media-services

Desriana Gilbert | Entertainment & Social Journalist for /CW    

CUSTOM PORTRAIT HOLIDAY ART SALE | BY VEDALE HILL

Today WE vote | #SupportTheLocal

Are you about your “business”? | /CW Community Resource for you from Chayil Inc.

Hey /CW Community Fam,

This year /CW has learned a bunch about our business [the good, the bad, the ugly!]. This learning has allowed us to reflect on what we value as a business, and COMMUNITY is at the top of our list. With that being said, as community members we think it is vital to share resources and opportunities that may be useful to you and all the great things you aspire to do. 

Our people over at Chayil Inc. are offering free business support workshops for Black & Brown business owners/entrepreneurs called the, The BluePrint Business & Succession Planning. 

This training program was created to cover a range of business information including understanding Banks versus Credit Unions, becoming bankable, getting access to capital, bookkeeping, accounting principles, sales, marketing, and many other “How to do's and don'ts”. Where there are business consulting entities that may host comparable business training programs, BluePrint Business & Succession Planning is unique because it was designed to provide solutions to issues that directly impact minority business owners in the BIPOC community. 

This Saturday, November 9th, they are having an event to celebrate past workshop participants and give out information on the upcoming programming.

Register for BluePrint Business & Succession Planning, A Celebration of Legacy:

https://www.eventbrite.com/e/blueprint-business-succession-planning-a-celebration-of-business-legacy-registration-1039366893357

I urge you to tape in and use this resource while it is free. 

On November 8th, 2024, a day before the event, registration for the next round of BluePrint Business and Succession Planning will go live and be accessible via https://www.chayilinc.org/ and https://finance-cafe-money-smart-small-business.teachable.com/. 

Love & All Things Urban, 
/CW

Are you ready to get IN THE CUT? | A New Behind The Scenes Series Showcasing Unorthodox Media Life

Creative Media life is no joke, but somebody has to do it! Get to know the /CW Fam, from a behind-the-scenes lens of /CW HQ [/CW Creative Studio + Shop]. This TMZ, MTV, on the “porch”, in the “stu” style mash-up of hot takes, out outlandish game planning, creative advocacy, and unorthodox business practices, is a way to show a more intimate glance at the work we do “when nobody is watching”. The hyper-glamorization [fakkkkkkkkeeee] of content creation is a crucial element of the media landscape that we have avoided all too long. Here is an opportunity to do it our way, ten years in the game *wink wink*.

Stay tuned for the opportunity to see the raw and uncut content in our latest project, and invites to drop into the studio for conversations about Art, Fashion, Music, Community, Culture, and so much more. /CW is a collective of real people who experience real-ish on the daily. When it comes to running a business for those who look like us, having ambitious goals, and feeding that creative hunger, you never know what might happen with the /CW Fam. 

Meet The /CW Fam

Lexi S. brunson | owner/Active Editor-IN-CHIEF

CARLOS M. VERGARA | CREATIVE DIRECTOR + OPERATION MANAGER

VEDALE HILL | FACILITIES MANAGER 

IMANI ORTIZ | Specialized Content Journalist + HOST OF THE INTERSECTION PODCAST

PAM WILLIAMS | MEDIA + PRODUCTION

Jamai fisher | shop + studio assistant

Nkenge S. Roberson | In-House Visual Content Creator

Desriana Gilbert | Entertainment and Social Journalist

James Dean | Studio + social media assistant

Keep your eyes on the lookout for bi-weekly episodes on copywritemag.com/in-the-cut [Youtube, Instagram, & Tik Tok] because IN THE CUT is about to turn some stuff up! 

AN ILLIAD - SnapShot Press Release

photos by Michael Brosilow

Humanity has a way of showing us its values. 

Our fate lies somewhere between the unknown and the unhinged [what a spectrum]. However, it is usually through reflection, anecdotal and historical, from a distant past to a very near present that we see the repetition of lore and find ourselves questioning the meaning of it all.

Sunday’s [September 22nd, 2024]  Milwaukee Chamber Theater’s performance of AN ILIAD, was an emotional display of genius, wrapped in the tradition of Grecian tragedy, smothered in the plight of modernism oblivion to the human condition, and how “WE” got here. Lisa Peterson & Denis O’hare’s interpretation of Homer’s The Iliad translated by Robert Fagles, bares us from the smoke and mirrors of social exchange, grounding us in the power of mono-interpretation storytelling. However, it is N'Jameh Camara (The Poet) and Kellen “Klassik” Abston (The Muse/ Composer) that brought the shores of Troy and the backdrop of the Aegean Sea into reach within the circular “void” of the Milwaukee Youth Arts Center.

IT’S GIVING DRAMAAAAAAA!

As N'Jameh drowned herself in a bottle of “spirits” she walks us through the tale of Hector and Achilles, the Trojan War, and the fate of their battle. Her monologue was striking. When & where are we? In the “now” of disruptive political turmoil, or in the “then” of disruptive political turmoil? In the “now” of men policing the body of women or in the “then” of men policing the body of women? In the “now” of socially induced hysteria or. . . It did not matter, N'Jameh as the poet reminded us that these fates could be our own and that we must not shrug lightly at the flaws of man, because we are MAN. 

With just a suitcase, a bench, and a few layers of clothing N'Jameh flings her head back and stairs into the eyes of the audience [the people] then rushes to gesture the interactions of warriors, lovers, enemies, friends, and family. She makes us grieve the death of Patroclus, the same way we grieve, the limp bodies of boys found slayed on street corners in rival “hoods”. She makes us speculate Helen [Helen of Troy or Helen of Sparta depending on who you ask] agency in her selection of suitors. Was Helen into Paris or nah? Does Helen even want Menelaus to defend her or does she just like to see men get all hot and bothered over her? [Is killing the highest or lowest form of flattery that can be offered]. 

All I know is that when N'Jameh reflects on what war this landscape of carnage reminds her of, she list every war that humanity has documented, and my eyes flooded with stinging tears as if the waves had crashed upon me and I was destined to drown.

The mantra of monikers. . .

Peloponnesian War

Crusades

Powhatan War

Mexican-American War

World War I

Arab-Israeli wars

Vietnam War

Israel–Hamas war

. . . It went on and on for what seemed like forever. How could we not see it? How could we not understand that we have failed to protect our species from butchery? How could we not plead for forgiveness when we have all let our egos slaughter our potential for collective peace? N'Jameh wailed in a dialect of pain and her voice carried through the room into some distant pit of sorrow. I have been to many performances, but I have never felt so soul-crushed in viewing the truth. 

I am guilty. We all are guilty.  

This ability to drag our senses into the thick of it was not an isolated win. Klassik’s arrival into the theater as The Muse allowed for an auditory awakening or a soundtrack to a collective soul cry. His layered vibrations made us hear waves on the battle beach, the clash of metal weapons against armor, and the vastness of hundreds of thousands of ships arriving. His musical composition was boisterous and delicate all at the same time. We needed his contribution, we needed the liquid “spirits” to release this auditory vision for The Poet to relive, what we all must rectify. 

AN ILIAD is an experience that humanity needs. It is a scream for repentance in public intimacy. As we find ourselves pinned into battles that may be sanctioned by the Gods [Yours, mine, theirs, ours, or no one's] and ask for conviction in our uncertainty [who deems our deeds good or evil?] We must remember that we are all villains in someone's story. 

[& the comedic relief was there. But only enough to make us say “Ohhhh boy we’re screwed.”

I invite you to approach your humanity and experience Milwaukee Chamber Theater’s AN ILIAD, for the sake of us all.

Lexi S. Brunson 

Editor-in-Chief /CW

For Colored Girls Who Have Considered Suicide When the Rainbow - Snap Shot Press Release

ALl Images by jenny plevin

Art has many purposes but it honors its truest form when it reflects the intricacies of reality in its full spectrum. 

Friday’s [ August 9th, 2024] performance of  For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf, by Ntozake Shange (1948-2018), directed by Linetta Alexander, championed the creativity of Black Women by pulling at the intimate language of shared “resilience, pain, and triumph”. This modern take on social positioning in a patriarchal society redefines the way sista-hood connotes an unyielding survival that deserves joy and is joy.

Alexander has taken the various “Ladies in [asigned color]” and has allowed them to deliver narratives that enter the soul, swell the eyes, and clench palms until they release with relief, like a group therapy session. How they sashay across the stage, support each other stories, and give room for each actor to breathe is no easy feat. You may know the play, but as much as it serves Shange’s original commentary on oppression in a racist and sexist society, this manifestation confronts the peculiarities of the digital age [smart phones, ring cameras, social media, etc.] that make these realities much more invasive and counter-intuitive to healing. 

The setting is composed of urban Milwaukee [#WeSeeYou Brady St.] with the transientness of pedestrian crossing where we encounter each color dealing in their reflective monologue and sharing their inner thoughts [If yall want to give us that bus shelter when you are done, we would happily accept]. This storytelling in its contemporary choreo-poem form is best supported by Lady in Green's [Brielle Richmond] seductive chair dance, Lady in Blue’s [Tina Nixon] heart-breaking abortion silhouette, and Lady in Red’s [Gabrielle Veronique] symbolic baby blanket drop [The way you stressed me out is unforgivable LOL]. 

However, the balance of youthful vulnerability from Lady in Brown [Selena Mcknight] and Lady in Yellow [Deja Taylor], are reminders that whatever trauma we have endured are not the only memories that should take up space. The confidence of worlds yet concurred and unjaded love [or lust] holds magic. Lady in Purple [Brandy Reed] and Lady in Orange [Tosha Freeman] embrace in the open mic night scene was also a moment of reflective forgiveness. How do we age into our understanding of self? How do we fall victim and villain in a world that does not play fair? We need each other and without giving up all the symbolic and metaphorical gems, I will say, we must do better by each other [so if I have ever harmed you, purposefully or unknowing, I am truly sorry]. 

This artistic collaboration from Shange to Alexander, Alexander to the performing ladies, stage to audience, is a must. These are the narratives we have culturally avoided and thus, the harm continues to generationally impact our experiences. Their dedication to authentic relationship building is seen, their embodiment of their roles is spot on, and their lived experience as women of color is inestimable. This work is clearly ours to do together.

So today I challenge you to start your healing, get your tickets to For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf, and see the world in color!

Lexi S. Brunson  | Editor-in-Chief /CW

---

Performance Dates: 

August 8 – 12, 15 – 16, 22 – 25 | 7:30pm, Wilson Theater at Vogel Hall, Marcus Center

“Music on the Beerline” is back for its’ 6th Season

*INFO PROVIDED BY KENNITA HICKMAN OF CATERA

The Riverworks Development Corporation is kicking off the sixth annual “Music on the Beerline,” a free outdoor music event in Milwaukee. The RDC is continuing in its new format as a 3 month series versus a one-night event, an upgrade to the event structure that has proven to be successful.

“Riverworks is excited to host the 6th Music on the Beerline Series at the Beerline Plaza connecting the Riverwest and Harambee neighborhoods while showcasing local talent,” Darryl Johnson, Executive Director of Riverworks Development Corporation.

The series, which highlights local musicians and performers, will showcase a diverse range of music, with prior concerts offering a mixture of Hip Hop, Soul, Jazz and more. Last year featured hometown favorites Browns Crew and DJ Bizzon.

The 6th annual “Music on the Beerline” will take place on the following dates on the Beerline trail:

• July 19, 530p to 830p

• August 16, 530p to 830p

• September 20, 530p to 830p

Artists featured this year include Smoke N’ Mirrors, Urban Empress and The Urbanites, DJ Bizzon, Cache, Love Peace and Soul and Extra Crispy Brass Band.

This year will see the return of our marketplace where local vendors can connect directly withconsumers. Vendors include Polished Embroidery, Jameelah Jewelry, Beauty from the Root, Say It Louder, Girl of the 21st and One MKE. Food trucks will also be on site.

Sponsors include Wells Fargo, Palermo, Bank Five Nine, Brewery Credit Union, Riverwest Realty, Nessun Dorma, Manyo Motors, Strand Associates, One MKE, Metal Forms, Amorphic Beer and Quad MKE.

Help The Black Geek Documentary reach its goal w/ Geekset

RUN IT BACK ONE TIME. WE HAVE AN UPDATE!

Remeber our homies at Geekset Podcast? Yea, you do! Go ahead and watch the interview for a refresher. We will wait. . .

Well they are fundraising for their final stage of the The Black Geek Documentary and in #SupportTheLocal true fashion we want to help them reach their goal by looping you in.

They are looking for:

• Invitations to talk about the documentary on your platform

• Donations to the Kickstarter

• Shares & Post about the Doc on your platform

• Meetings with those interested in investing (For those who are interested)

So do your thang by helping these “Geeks” make history [& don’t forget /CW sent ya]!

/CW

/CW Chat w/ The All White Xperience | June 29th, 2024 [Rooftop Ballroom Baird Center]

Get out your white linen fits because the All White Xperience is about to go down! Your /CW fam sat with event curators Myron Smith, Johnny L. Jones and Tim Ricketts about the Saturday, June 29th, 2024 event that is bound to change the way Milwaukee see’s entertainment. From intergenerational programming with a step show & runway fashion to a highly anticipated live performance by Jagged Edge, this will be one of those events that has to make the MKE summer hit list.  It’s not just a party but an “Xperience” you won't want to miss.

/CW