From The Page To The People: Celebrating One Year of Opposite Of A Suicide Note

Controversy. What is its origin? Is it caused by differences in thought and opinion? Does the sensitivity of each topic’s complex layers define the foundation? My theory is that only one perspective of each topic is subconsciously designated by large communities as the poster child, while all alternative sides are buried away and slowly erased from all media and communication outlets. Whoever shares the knowledge of the hidden corridor to alternative sides of topics is labeled as the opposite of America’s sweetheart: controversial. Since feathered ink pens and instinctive pigeons spread news and knowledge, there has always been a divide between the two types of people who are born from controversy. Those who run from it like a thief in the night, and leaders who embrace it with open arms, like getting a hug from big mama. While thousands of people accessorize themselves with blinders and disregard, daring and courageous leaders such as Mikey Cody Apollo transform into keys that unlock all testimonies and evidence to the well-kept perspectives. 

Did that name ring a bell? Milwaukee School of the Arts Alum, Mikey Cody Apollo, has contributed not only education, sex-positivity, jaw-dropping reads, and thought-provoking films to both the youth and her very own mentors, most importantly her voice. She’s sitting at the head of the table to celebrate the uncomfortable conversations often turned into white noise by cities, and immersing her community in spaces that have never been depicted to them so colorfully. The author of Black Girls, Silence, and Other Things Made of Gold gifted her audience forms of black love: romantic, self-love, and love for what art gives to souls internally. The 70-piece collection of poems is a literary collage of Apollo’s resilience as well as authenticity, which is rooted in love. The gate-flooding success of the 2017 Cody masterpiece stamped the need for Mikey’s value and presence in the city of Milwaukee on a vital level, which brought a plethora of kinfolk rooting for the creative with excitement and hunger. However, the exposure and achievement of Black Girls, Silence, and Other Things Made of Gold created fear inside the artist, specifically the sophomore slump{fear of not replicating or surpassing the success of one’s debut creation}. One topic ignited a fire inside Mikey that quickly minimized the fear of a sophomore slump: suicide. Her pen began to write with such admiration, grace, and marriages of pain bound with apologies you’d think only Maya Angelou deserved.

Sunday, March 30th, 2025, La Gente Art Gallery {2478 N Murray Ave, Milwaukee, WI}  became a live mural of beautiful black, brown, and other minority faces smiling from ear to ear as if it were the annual family reunion and all the cousins were getting together. The unique celebration was posed as the one anniversary for Apollo’s latest literary sensation, The Opposite of  A Suicide Note. This masterpiece was created by Apollo diving into a road of darkness, violence, depression, and mental check-outs. The book is a three-piece combo of poetry, prose, and visual art that is reviving themes of grief, healing, and love with a side of mental wellness. With one of our very own attending and moderating, Jamai Fisher, alongside host Mikey Cody Apollo, /CW had a golden ticket to the front row of this tranquil and Erykah Badu coded experience. The communal gathering began with a writing workshop that ran from 2 pm to 3:15 pm. The poetic samurai gave an expansive number of prompts to the audience. Vulnerable truths, fresh as well as scarred wounds, and the importance of a village are just the surface of all the prompts that were given.

“The writing workshop felt like art therapy. It applied to everyone, no matter the different varying levels of writing we all came from. The event was not only targeted at academic writers and scholars of poetry. The prompts led writers to get emotionally raw, whether they were ready for it or not. There’s power you can derive from sharing what you’ve survived.”- Kip

“Mikey’s event got my creativity back in gear. It was a safe place for expression and reflection. I was gloriously envious of their connections and the way they support and feed into each other’s souls in so many ways.”- Sheena C.

All who were in attendance quickly and sincerely resonated with who Apollo is and the lens they wrote The Opposite of A Suicide Note in. I became fascinated when listening to poets, teachers, Cody’s friends, and those who showed up a few hours later after hearing about the celebration that same day through social media and word of mouth. If I were to put everyone’s names in a bowl, duplicate responses would be given when describing feedback on the event. Mikey made everyone feel appreciated, prioritized, and valued.

“The space was founded in consideration for Mikey’s audience. It was an honor being a receiver and participant to the love of poetry, being that I am a teacher of the beloved language. From the natural light provided to us when writing, the room felt breathable for all the writers. We were able to see the rain fall down the panes of the windows and feel everything in the moment.”-Shalina

“Mikey is showing people that even from the darkest days that life is a beautiful thing.”- Amber

The authentic exchange of empathy, artistic expression, and support did not stop after the writing workshop. From 3:30 pm to 4:30 pm, the grand finale was in motion, and the discussion regarding Apollo’s book, The Opposite of A Suicide Note, came into effect. Although the author was heavily raised and brought up in church with a Christian worldview, her family did not follow the traditional framework and mindset of approaching the world. Their mother would be sitting in the front pews effortlessly knowing every lyric to each hymn, but still believed and applauded science. 

“We were the family that wore jeans to church. My mom believed in science. My mom was very quick to put me on birth control once I had expressed interest in sex. So we held all these things simultaneously.”- Mikey Cody Apollo

It was embedded into Apollo from the early stages of life that there are always multiple perspectives of topics and how to voice how those topics make you feel, which influenced the different styles of writing Mikey uses now as an author. As a result, they hit their audience with a distinctive pair of frames to capture the new perspective Cody was introducing in this second book of theirs. Platonic love was used not only as the lens of story but also as the element of surprise. Cody expressed how the idea of love is popularly condensed to sex, flowers, candy, and romantic love, alienating the significance of love’s other forms. Friendships are often overshadowed by the power, resilience and strength one establishes within self-love and in the words of Ella Mai; when they get boo’d up. Mikey is advocating that your friends deserve unapologetic love, upliftment, growth, and admiration as well. A friend doesn’t only deserve a hangout because you are in the mood for some drinks, hot wings, and a dance floor. Friendship should be prioritized throughout every season in life, no matter if life is lifeing or you’re simply living in your best one yet. Mikey’s own friends, Genesis Renji, Olivia, and Yessica, influenced and aided the creation of the bold and brilliant masterpiece the audience discussed. Conversations, poetry slams, and even Apollo’s own suicide attempt do nothing but strengthen and solidify just how vital and connected the three friends are. G. Renji asked Cody, “What’s the opposite of a suicide note?” Answering himself, he blurted,” An affirmation.”  Before you knew it, the title was born, and Rodney J & Yessica Jimenez began working on the artwork for the book as the illustrator! 

Menstruation, depression, violence, and assault are emphasized as battles inherently faced by all individuals at some point in time throughout the read. Mikey wanted to create an affirmation in book form to more than suicide-attempt survivors, but for any human being who feels immense waves of sorrow, guilt, sadness, and numbness, to unveil the beauty of pain as well as healing. Apollo has made it known that their writing is not for everybody, but one thing that will remain constant is that their writing is for themselves and internally heals pieces of self. Suicide was not the only trial and tribulation Cody shared as one of their battles throughout the courageous pages. Premenstrual Dysphoric Disorder, also known as PMDD, often characterized by significant emotional and physical symptoms that disrupt daily life, such as work, relationships, and social activities. This is another emotionally raw scene Cody shared with readers and her tangible audience at the celebration of their book. PMDD affects lives by causing suicidal thoughts, anxiety, mental illness, and depression, but there are multitudes of information that communities, including the 414, does not know about the struggle. Mikey wanted their one-year anniversary of the book as well as the literary ensemble, to bring awareness to Premenstrual Dysphoric Disorder and how to properly adjust to it. 

“The Opposite of A Suicide Note is conversation-driven. The purpose of the book is for people to start pouring back into themselves how they do men, women, and materialism. I want our people to go just as hard for ourselves as we do for one another.” -Mikey Cody Apollo

Now my question to you is: Who are you in the midst of controversy? Are your friends prioritized just like your boo is? Go cop Apollo’s groundbreaking read now & follow their work:

Snap a finger or two at the next poetry slam you see them at.

Desriana Gilbert | Entertainment & Social Journalist for /CW

A Stage for Life: A Unique Collaboration Between Versiti Blood Center and Milwaukee Ballet: Where Art Represents The Community’s Heart

It’s often assumed that basketball games, open houses, and theatrical school productions are the nights that fill schools from top to bottom; however, donation events are the true cool kidz. According to the Pew Research Center, over 500,000 children participate and lead these informative, interactive and unifying events. The block parties, bake sales, and scholastic book fairs financially uplift the half-empty pockets of education systems, but a greater reward is gifted to all of the Whoopi Goldberg classrooms around the universe in the franchise movie, Sister Act [The kiddos}. Heart, soul, and kindness that lasts more than a week before their birthdays. As youngins, a broken record becomes the headshot of our audio library, spewing out the following constantly: 

Sharing is caring 

Treat others how you want to be treated 

If you don’t have anything nice to say, don’t say anything at all 

Authoritative figures surrounding kids, such as encouraging teachers, relatable coaches, and proud parents, become the ocean they absorb like sponges ready to tackle the next clean-up. Although the phrases are constantly demonstrated to us and sung into each ear, only 50% of children choose to be kind-hearted and incorporate leadership and inspiration in their adolescence and adulthood. Hence why donation events produce an immense impact because kids gravitate towards the interpersonal playground and tangible incentives that make them feel as confident as student of the month, Milwaukee Ballet student, Sydney, also known as the daughter of Gretchen Jameson, Wisconsin Chief Marketing Officer at Versiti Blood Center, is one of those children intrigued and motivated by donation events as well as becoming a vessel of help. A powerful representation of this naturally occurred right here in the city streets of Milwaukee. She planted the seed for innovative and impactful change with just a single question. 

After witnessing countless collegiate and athletic competitions to strengthen blood donation awareness and the number of donors attached to it deemed as successful, Sydney’s eyebrows raised instantly and asked WI Chief Marketing Officer Gretchen Jameson, who she calls mom:

“Why have we never held one as Ballet being the driving force?”

If the saying “Like mother, like daughter” were a face, it’d be these two. Little did Sydney know that her mom and the rest of Versiti’s team birthed a new campaign titled A Stage for Life, which is a physical manifestation of local artistic organizations and innovative extraordinare, Versiti joining forces to increase and maintain a more diverse, promising and larger support system from the community when it comes to blood donation. 

On Friday, March 21st, 2025, Sydney’s seed had grown into the first A Stage for Life event presented by partners Versiti Blood Center and Milwaukee Ballet named as The Inaugral Sleeping Beauty Blood Drive taking place at the Baumgartner Center for Dance from 10:30 a.m. to 3:30 p.m. The themed blood drive caught many by surpise and intriguingly had their eyes. Blood drives and related events get mistaken for dull, quiet, and dreadful events only held in hospitals or schools that will have the same outcome whether one person decides to attend or not. The inaugural Sleeping Beauty Blood Drive showcased a creative, daring, and inviting ambience pertaining to how blood drives look and feel. 

“As part of the Stage for Life campaign, this initiative highlights the shared values of arts patrons and blood donors—community, compassion, and connection. With a goal to inspire first-time donors and encourage ongoing support, Stage for Life transforms blood donation into an act of generosity, much like the performing arts.”- Gretchen Jameson

Versiti and Milwaukee Ballet incorporated elements from the Sleeping Beauty fairytale such as home is where help begins, fate vs. free will, and the color story. Everyone in attendance also hit the lotto by receiving a buy-one-get-one-free ticket to the highly anticipated and exciting production of Sleeping Beauty presented by Milwaukee Ballet, which will run April 11th-13th at the Marcus Performing Arts Center. There’s no doubt that this event became visually appealing and was rooted heavily with the arts at the forefront but shockingly, it shared more knowledge and information that was heard and received for the first time by the communities in Milwaukee.

“With this partnership, we’re creating new ways for the community to engage and make a real difference for those in need. The arts and blood donation both reflect the belief that people need people.” -Gretchen Jameson 

The three percent of blood donors who annually stamp their mark is only a raindrop in a bucket compared to the percentage of community members who are able to donate–30%. After speaking with some of them I was surprised at how frequently I was hearing the reasons why they never were willing to donate blood before. 

“I thought my blood wouldn’t transmit easily into someone else.” 

“I have many health problems like diabetes and high blood pressure.”

“I never knew where to find out when the blood drives were held.” 

“I honestly didn’t think little old me would make a difference.” 

It amazed me how once people received the correct information and a unique spin on how blood donation events are decorated and tied into other community interests, the response rate and blood donors increased drastically! I’m here to set the record straight /CW fam. As long as you are 17 years old you can donate blood every 2 months. Remember to drink mountains of water, have a balanced diet, and don’t drink any alcohol or put in work at the gym after donating to celebrate. You will make a difference because as soon as Versiti’s blood drives are over, they immediately transport all blood collected to nearby hospitals and community centers in need. “Blood cannot be designed, manufactured, or replicated. Your neighbors, family members and children need you.” -Gretchen Jameson 

Fairytales aren’t always about a man and woman falling in love and driving off into the sunset. Most of the time, the message illustrates how it takes a village to establish tremendous health, connection, community, and compassion. 

Couldn’t make this event? No worries. This is only the very beginning for Versiti to partner up with other art organizations in the city to create an electrifying movement bringing music, visual arts, theatre, dance, and blood donation to center stage!

Visit their resource center located inside the ThriveOn King organization at 2153 N Dr.MLK Drive in Milwaukee, WI [right across the street from our studio /CW Creative Studios + Shop]. Drop a heart or clapping hands under their posts from the inaugural Sleeping Beauty Blood Drive on their Instagram @versitiblood

Desriana Gilbert | Entertainment & Social Journalist for /CW

Tea Parties Don’t Stop At A Certain Age; Here’s How Not Your Mama’s Tea Keeps Sisterhood On The Right Page

Have you ever noticed just how closely our kids’ toys and games mimic real-life experiences and elements that are a part of their elders’ lives? Each year, millions of dollars are poured into the sales of fake kitchenette sets, baby dolls, and medical supplies that allow children to pretend to be the most prestigious doctor in their homes. They not only fill excitement inside the kiddos from head to toe but it opens a glimpse of what adulthood will look like. It’s no secret that us grown folk have access to a whole ‘nother world as well as a right of passage to do as we please and make all decisions on our own; whereas children coming behind us have restriction after restriction. Ironically, one of the few things children get to enjoy that takes up the majority of adult’s leisure time is partying. Think about it /CW fam kids have a party for any and everything. I know you remember those Valentine’s day parties at the end of the day. Although there are hundreds of different types of parties such as birthdays, engagements, housewarmings, and even pizza parties, we used to collect a mountain hill of box tops for each party, which mirrored the same purpose. No matter how star-studded or lowkey the party is, the goal of letting loose, enjoying one another, and living in the moment remains the same. Surprisingly, there’s one kind of party that kids have on lock over their parents. (Drum roll please……….) Tea Parties!

The representation and lifestyle element of tea has always held high importance and demand in select counties including prestigious kingdoms and well respected cultures. However; the country labeled as innovative, spontaneous, and welcoming (The United States) did not gift tea the well deserved representation and education as others. Within the past five years, that narrative has done a complete 180-degree turn and it has now caused an international frenzy. Primetime showrunners and writers, including one of the industry's fairy godmothers, Shonda Rimes, have become heavyweight champs in creating stories and yellow brick roads to the doors where tea parties and the drink's social impact are the main setting and primary gears that heighten the story. The roles have reversed, and now children are educating their teachers, parents, and grandparents on how the theme is supposed to be carried out in an authentic yet organic light.

Although it would be easy and smooth to give all the credit to those behind the scenes of your favorite shows like award-winning Bridgerton, the real impact comes from everyday people hosting themed events and centering tea into their daily routine like founder of Not Your Mama’s Tea, Rhonda Hill. 

An intergenerational tea social club that strengthens both personal and professional relationships amongst the black community is what can describe Not Your Mama’s Tea. I view this phenomenon as the medium between “The Pit” and Khadijah James magazine Flavor in ‘90s hit sitcoms Living single & A Different World. A seed was planted inside founder Rhonda Hill back in 2018 when the unicorn launched in Milwaukee, WI. 

“The inspiration is about honoring the rich history and influence of tea in communities worldwide while incorporating it with hip-hop culture. Tea has always been a connector, much like music. It’s about providing a space where people can engage with tea culture and Black culture. Often afternoon tea time comes with thoughts of English tea time, with hats and gloves like Queen Elizabeth. As an avid tea drinker, I wanted to make sure I reflected my own Black culture when hosting an afternoon tea, thus tea for the culture.”- Rhonda Hill 

She made an interesting observation that struck me. Now I want you to be honest with yourself; when you think of tea what spaces and faces pop up in your head? For most people, they think of the UK, royalty and early 1600s interactions. On the other hand what comes to mind when you think of hip-hop culture? The scoreboard becomes filled with vocabulary such as energetic, loud, wild, colorful wardrobe and minority faces. Hill and her team found this to be unfair and mind-blowing how African-Americans; especially women, are not illustrated and represented in spaces that have tea at the forefront. This harsh reality lit a fire in her to create her business and start carving out an identity for black culture in the polished light of the beloved beverage. A simple idea to make tea and hip hop culture the hot new combo on the block quickly grabbed the eyes and ears of our city’s bold yet underground community of black women who are hardly recognized. 

The cultural innovation held its latest event on February 16th, 2025 at Milwaukee's Hip Hop Museum at 2222 N 19th St Milwaukee, WI. Soulful music served with a platter of intentional yet entertaining conversations regarding career development, self-identity, wearing a million hats as a black woman and true love for hip hop was carefully curated by Not Your Mama’s Tea during the afternoon. A light was shed on the newfound trend surrounding Valentine’s Day which is Galentines. Many mistake this day for only recognizing and praising romantic love but Galentines has rebirthed the structure of the national holiday. Thousands of friend groups are celebrating each other by having cozy girls’ night ins, a night on the town or intimate spaces to highlight their friendships. Hill and her team incorporate this type of atmosphere and sense of belonging all year round; not just for Galentines. Sisterhood shouldn't be celebrated during only one month out of the year when we are all sisters 365 days a year. 

“The culture of our events is all about inclusivity, relaxation, and celebration of ‘girlfriend’ culture. We create a space where women can unwind, enjoy quality tea, and vibe to great music, especially hip-hop. It’s about blending different aspects of life—culture, music, and community—into a warm welcome. We have been hosting parties at the Milwaukee Hip Hop Museum, making for a great blend of hip hop and tea.” - RH

Tea parties shouldn't end once of our little girls becomes a teenager or reach womanhood. They mirror a safe space for women to let their guard down and tune in their inner Angela Bassett in What’s Love Got To Do With It, where she played Tina Turner finding peace as she chanted “Nam-myoho-renge-kyo” and drunk tea. Since 2014, it's become one of the highest in demand beverages of the African-American household; acting as a bridge between social and health perspectives. Hill has made it a point to throw a variety of events using this framework such as birthday parties, community events and action plan workshops. You ever notice how when women are in union with one another there's always time for a good drink and plate of food made with love. No matter if it was Joan, Lynn, Maya and Toni in Girlfriends or Kim, Niecey, and Moesha in Moesha; drinks and food always served as comfort and connection. 

“Tea is a universal symbol of comfort and conversation. We chose tea because it is one of my favorites, making it a great way to blend my enjoyment of tea with my desire to connect and serves women. It’s not just about sipping great tea—it’s about creating a moment of connection. Tea encourages slow, intentional interactions, and that’s the kind of energy we want to cultivate in our events.”- RH

Do you feel that nobody can relate, understand or connect with you both socially and emotionally? Maybe you want space as a black woman to just be yourself without all the expectations and just looking for a good time to let your hair down and not be required to be superwoman all day. Become a member of the social club by booking your next event with them or purchasing a ticket for the company's next event on their website: https://www.notyourmamastea.com/.

Join the circle by following their Instagram @Tea4TheCulture as well to get access to the next sip of tea curated specifically for you. Comment down below what type of event you want to see next from them. In the meantime ladies I challenge you to drink your favorite blend of tea while bopping a hip hop song you can't live without. 

Desriana Gilbert | Entertainment & Social Journalist for /CW 

Snap Shot Press Release: To The Unseen Black Queen, Your Reflection Is My Protection| Destinny Fletcher Gives You, "Day 12 and Still No Wi-Fi"

Lying, thinking last night

How to find my soul a home/Where water is not thirsty

And bread loaf is not stone/I came up with one thing

And I don’t believe I’m wrong

That nobody/ But nobody 

Can make it out here alone

Alone/All Alone

Nobody but nobody can make it out here alone

-Alone By: MAYA ANGELOU 

Why is the word alone the name tag for all African-American women throughout reality and the big screen? Why is their loaded baggage involuntarily assigned to us with no boarding number and vacation villa to follow? Whether you’re a woman living in a 1st, 2nd or 3rd world country, no vast landscape can terminate the unspoken rule given to any black woman at birth:

You have no chance to make mistakes, be vulnerable or lean on others;

you can only be superwoman!

Every struggle each of us face are not duplicated but our responses are often replicated. It’s a natural reaction to create solutions and make sweet lemonade out of every lemon thrown at you. Millions pay the cost of internal self-medicating, silencing themselves and bearing the weight of others’ problems to distract from their personal turmoil. There are only a handful who trade in those costs for unknown feedback, reliving emotional rollercoasters, and one H-E-double hockey sticks of a journey. Author and poet, Destinny Fletcher is the face of that handful.

Bold and inspirational author, Destinny Fletcher also known as “Deolinda Abstrac” has constructed such a captivating voice through artistic expression for over a decade. From the time she could walk, Fletcher was charismatic, strong and an active community member. Her mother enrolled her into over seven Milwaukee recreational programs such as ballet, african-dancing, culinary and poetry. Destinny was not intimidated; rather she consistently embraced new experiences with her extroverted and energetic personality. Unfortunately, having a supportive and art-centered family as well as a dynamic social life did not exempt her from the inevitable and traumatic aftermath of being an African-American woman. In exchange for walking into unknown responses, marking her life from ink to paper, and going through all the motions, she has amplified her voice to a new level.

December 17th, 2024, the latest self-published, unfeigned and raw Deolinda Abstrac release of Day 12 and Still No Wi-Fi raised the ears and heartstrings of many readers. It is an eight year vulnerable  recollection of trauma, observations, and monumental snapshots. The candid and resilient read emphasizes the contradicting relationship between social media and mental health. The unapologetic memes, polished lifestyles, and creative aesthetics play the role of distracting the narrator from the emotional, mental and physical challenges she describes throughout the adventurous read. Day 12 and Still No Wi-Fi bravely invites those who wear masks they never take off, disguising the melancholy frenzy and corridor of unexplainable emotions only to discover they are not an outlier. 

Clawed walls, piercing cells, and electronic lockdown systems are not the only forms of imprisonment. Fletcher carves a raw perspective by vividly placing a single mother living in Milwaukee, WI while being a healthcare worker and studying public speaking at the forefront of the contemporary read. The headstrong and courageous mother admits feeling stripped of freedom. Imprisonment is the center of her life and has always been; as it consistently creates a web affecting her emotional, physical, and mental capacities. The second chapter, The Beckoning, cultivates such an eerie yet liberating framework of how harsh and careless the world views and treats the physical bodies of black people; specifically black women. It’s often exploited and oversexualized but our bodies function as a place of nurture, legacy, and art even though many black women use none of these functions to uplift and care for themselves. The powerful author shares the past and present behavior that devalues and harms our lives on the daily but quickly follows with words of encouragement to celebrate, emphasize and embody the royal temple, also known as a black woman’s body. She’s essentially challenging all African-American women to end the routine of loading all unrealistic expectations, increased work quantity, and unaddressed violations before we step into the world and begin playing our role. 

Accessorizing ourselves with additional job titles whether in career fields or personal relationships has never filled the enormous void every black woman has felt for at least a year of their life; unseen. No matter how many hats we wear or how different they are from one another; Destinny graphically illustrated not only the feeling but perseverance of not being seen. 

Page 61 of the text reads:

No one asked me if I am okay

Or if I remember what day it is

Or am I going through a crisis 

Or have I eaten today

Or if my mental state is kosher

Or is my soul safe

No one has asked me and I am starting to think that the world does

not care for such little insight.

The internal war within ourselves to ger out of that queen sized bed, one of the few places where Black Queen feels in reach. For others, your family and friends makes you feel seen but it’s questioned once you enter the elevator at work; which is why overachiever, problem-solver, and team player has become your middle names. The bold inspirationalist not only releases this weight in her book but sat down with me to explain a brilliant revelation:

“We are the performers. The family that’s heavily involved in the arts and rescues everyone else from their downfalls; but in the midst of that we are creating our own without even realizing it”.

-Community Health Advocate/Author/Art Educator Destinny Fletcher

It’s why striving to be perfect in our adolescence and adulthood is the goal because it’ll mask the pain, insecurities, and disappointment with the feeling of finally being seen. But what does being seen mean if you’re fading away on the other side of the mirror?

The conclusion that experiencing freedom and sense of belonging can be apart of our life stories clicks when a black woman does what she already knows; take matters into her own hands. Throughout Day 12 and Still No Wi-Fi, writing gave Destinny power and surge. From her admirable public speaking homework to tackling every health issue for her community, flashes of confidence, acceptance and strength exuded through the pages of the book. It was as if Deolinda Abstrac was staring at you asking, “Do you feel this way too?”. 

The devastation of sexual harassment, suppressing sexuality, and becoming a creative working on fumes planted the seed of Chapter 29: Day 12. For example, the text reads:

I forgot who I was

Correction: Who I am?

Maybe they haven’t asked because I haven’t left my room in four days

Disconnecting from the world is one of the top defense mechanisms used by African-American women but why? The jaw-dropping read delicately explains how the art of disconnection is subconsciously taught by our families. By age twelve to fourteen, laundry, knowing our way around the kitchen, working for dollars, and nurturing others has become second nature. While our parents and grandparents assume they’re teaching independence, isolation and disconnection are hiding in plain sight, finding easier pathways into the minds of children. This is why failures are often hidden from family members because it seems since childhood; there was rarely positive reinforcement and feedback. As young girls, it’s easy to mimic what fills your eyes. Some parents utilized extended time in the restroom for breaks away from the world, while others gained dependence on substance abuse or dating frequently. Required to stand on your own and execute your life plan to a tee, weakens a black woman’s ability to admit she’s not okay and to ask for help. However; this is the conversation replacing in our minds: 

I’m not crazy.

I swear I cannot ask my parents for help. 

I’m an adult in my 20s, so I can control myself and I can take care of SELF. 

Being independent shouldn’t erase the natural law; we all fall at least once in our lives and should be guided by those who love and support us the most. Too much pride is carried inside blocking anybody from knowing and helping black women when the feeling of being lost and hitting their lowest point takes a turn. As a result, the conversation about faith and good people comes into play. “Why do bad things happen to good people? Does God love me?” are the first two questions asked. 

Day 12 and Still No Wi-Fi is more than a shocking page-turner. In my opinion, it was a statement to all African-American women from Destinny saying, “Girl, me too! I see you and have the same struggles as you”. I’m not the only one that was mesmerized and captivated by this new read. Reporter, journalist, and photographer Princess Safiyah Byars described Fletcher’s latest masterpiece as such: “In a time where everything seems polished to perfection, Day 12 and Still No Wi-Fi stands out as a raw, and unfiltered masterpiece. A heartfelt sharing of personal and communal emotional trauma that is as moving as it is relatable. With the rhythm of a journal and the grace of poetry, Destinny invites us through scenes, each one stepped in vulnerability, truth, and unyielding resolve to confront life’s shadows. This work delves into the depths of depression, the dangers of overworking, and the nuanced struggles of sexual freedom– offering a lens into the intricate, and often overlooked mental health battles of black women. Destinny’s voice is both intimate and universal capturing pain, triumph, and humanity. This book is more than a compilation of stories; it is a testament to resilience, a tribute to the courage it takes to own one’s narrative, and a call to embrace vulnerability as a source of strength. There is an unflinching honesty here, inviting readers to sit with the discomfort and beauty of it all. For anyone who has ever felt the weight of societal expectations, the loneliness of mental health struggles or the complexities of self-discovery, this book will resonate deeply”. -Princess Safiyah Byars

To every black woman gracing the earth, you are not crazy, overly aggressive, or weak. We all experience a rollercoaster of unexplainable emotions but rarely speak about them until our breaking points. There’s a stigma that mental health issues only looks one way or experienced only if someone’s life is in shambles. What about the honor roll straight A student who just got a full-ride to college? Or the woman whose packing poetry clubs every week giving her peers hope and laughter? Destinny wrote such a compelling yet authentic story that every black women can identify with by the first five minutes of reading. I appreciate how she added the element of individuality into the book as she inserted pictures from early life to now, loose-leaf poetry clippings, and her own story throughout the read. She shared the honest journey of her sexuality with both men and women, being a survivor of sexual harassment, and the impact the Coronavirus pandemic had on her own mental health as motivating puzzle pieces to Day 12 and Still No Wi-Fi. An S.O.S letter to all black women with no sugarcoating involved, educating them that they are not alone. It’s a moment where no competition or judgement should be near, rather a state of sisterhood and opportunity for the difficult conversations we don’t even have with ourselves. This highly anticipated, surreal and strong reawakening to the name Destinny Fletcher was well worth the wait. 

Grab this read so that mental health is no longer taboo to you and to strengthen your journey of finding yourself. Purchase the exciting adventure on Destinny Fletcher’s website at http://dabstrac.com/  Follow Destinny on instagram and facebook @dabstrainc

She sees you! 

Desriana Gilbert/ Entertainment & Social Journalist for CW

Milwaukee Founding Father of Hip Hop BLAX Unveils Limited Edition Vinyl Album “BLAXPLOITATION”

Lyric assassins, cultural shapeshifters, and uncensored canvases have always existed in our barbershops, recreational centers, corner stores, churches, and neighborhoods. The masked hindrance that keeps thousands of conscious, bold, and talented people arm’s length from grasping stardom is exploitation. Record label executives, industry moguls, and well-known managers hide that they’re wolves in sheep’s clothing with their suave vocabulary, empty promises, and glamorized walls of success. This is how the exploitation of artistry, power, and the humanization of legal connections have become embedded into the moving tracks of the music industry. Countless artists become easily blinded by the mortal feeling of being a god, electrifying stages, dead presidents in their bank accounts, and the lens of cameras. Only a portion of superstars master the essence of obtaining the same reflection in the mirror they had before their signature was signed on the dotted line. The realm of their morals, values, vision, and connection to self is their number one priority and remains intact throughout their entire career. Ladies and gentlemen did you know we have one of the rare and mighty in our backyard? Adebisi Agoro also known as BLAX doesn’t just fit this description but he reps it wholeheartedly.

From being signed to New York record label Social MisFits/New Records to being crowned the title of Best Rap/Hip Hop Artist of 2018 by Wisconsin Area Music Industry Awards Council; living large and being known as the man when it came to the eccentric and homegrown sound was not taboo to BLAX. He had a front-row seat to every angle of the industry; from millions of faces in the crowd going toe to toe with him after each word of his songs, to tasting black luxury as a lifestyle, and the angelic connection his mind and voice had when creating music. Ironically, BLAX viewed himself as an oxymoron in the business; it wasn’t about the dollar bills, power from the snap of a finger or temptations of that world. His morals and view of success were far from what media and other hip hop artists would describe it. As a freshman in high school losing rap battles did nothing but spark the hunger and love the superstar had for his music. It was never something he would walk away from.

“Success is being happy with yourself; this is why you should be SELF-MADE.”-BLAX

Life/death, peace /disturbance, motivation/tough love, this is what you experience when listening to the multidimensional hip hop artist. There was never any need to fake or manipulate his artistry because BLAX has always put the raw and untamed experiences of his real life in his craft. For example, losing those who owned his heart, his grandmother and son between the years of 2013-2018 took a brutal toll on the emcee but footprints of his feelings could easily be found in his album Angeline where he began processing grief and was on a mission to seek truth. Each album is a present testament of the man BLAX is and how far his journey will go. His catalog is not just for the conscious and woke, but for any and everybody who values truth, growth, and those real conversations that make you question yourself.

“All artists have the responsibility to make you think. It’s not always about bubblegum ish all the time.”

With the legend coming off of the highly anticipated summer 2024 tour: The Dreamweaverz Tour w/ RMLLW2LLZ; he felt it was time to gift some new music to the streets.

On January 28th, 2025, the midwest cultural shapeshifter, BLAX’s dream came true as he released his album BLAXPLOITATION as his first ever vinyl album. For nearly twenty years the artist has always wanted to create such a timeless, tangible and personal piece of art to his supporters and especially for himself. Just as any musician, both the beautiful and heart wrenching side of the entertainment industry has took hold of his eyes. BLAX wanted to make it clear with his latest album that nobody can hold him back, take advantage of him, outsmart him or carry him as a man. He’s his own person, sketchpad, producer, songwriter, and moral compass. These ten tracks give a deeper scope of BLAX- the grown man whose accepted all things life comes with but also his raw emotions to that. The society we live in today consumes such a colossal digital footprint where music, visuals, and even artists are hot today and forgot about tomorrow. In a world of streams, single-radio, and less touring opportunities, it’s become difficult for a large body of work to be believed in and pushed by not only record labels but independent artists as well. BLAX set out to provide tangible connection and conversation between his fanbase and himself with this masterpiece.

“BLAXPLOITATION” will uncontrollably rebirth the most authentic and emotionally intelligent version of you. From the tracks, Interpretation of Dreams, Ballerina and Intelligent Beings you won’t skip a second. It’s a musical sonnet of the ups and downs life and being an artist has to offer. Sugarcoating and empty promises were not the ingredients used when BLAX was cooking up this album. He is a true creative who knows to never turn off the genius inside him! It is because of his versatile lyricism, out of the ordinary visuals and consistent artistry that he is considered one of the founding fathers of the Mikwaukee and Racine Rap/Hip Hop landscape. He’s created another space where the album will be analyzed and broken down on his new podcast, The Blaxploitation Podcast. Go tune in here: Don’t miss your chance to own one of the one hundred copies BLAX has released for the album; making BLAXPLOITATION limited edition.

Owning the vinyl is not enough and you want to experience an intimate and immersive night with BLAX himself to breath and feel every emotion of the album? Join the emcee at The Wiggle Room March 7th, 2025 at 2988 S. Kinnickinnic Ave Bayview, WI for BLAX’s album listening party dedicated to BLAXPLOITATION. You can not only follow the raw and lively man of the hour @the_god_degree on all social media platforms

Comment down below what question you think this album will make you feel? Do you think BLAX is paving the way for vinyl albums to make a huge comeback in the music industry?

Desriana Gilbert | Entertainment & Social Journalist for /CW

Mental Health Meets Hip Hop Musical Showcase 2025: Where The Most & Least Discussed Topics Become The Conversation

After a night of being celebrated and uplifted, I pulled five hip-hop artists to the side and asked “What does Hip-Hop mean to you?”. The following were their responses:

“I’m seen.”

“I’m not alone.”

“It’s my escape from the world.”

“The justification to ignite the fire inside me”

“Being different is completely fine”

“Hip-hop is an exhibit of who I am and where I come from.”

Misconceptions about this safe haven have been deeply rooted in the world’s mind (A.K.A Media, TV, and School Curriculum). Throughout the 80s Hip-hop became the scapegoat for the crack epidemic, and in the 90s it was to blame for the dark era of the L.A. riots. Around the early 2000s, the genre was put yet under another microscope. The origin story and cultural autopsy became classified as innovative and positive. A transformation was occurring where Hip-hop went from being known as the sister of violence, gang affiliation, and segregation to becoming the poster child for black joy and artistic expression. It became widely recognized as more than late-night TV with Arsenio Hall but also a lifestyle and form of communication to the masses. 

  Photography Accredited to Mikala Woodfork

Time not only changed how parents, children, and politicians perceived Hip-hop but also the lyricism and visual graphics that artists were creating. From the time Bow Wow was rocking his two pigtails up until he became an adult, the topics glorified and pushed in songs remained stagnant. Money, women, drugs, and the fast life were constantly being rapped about like a broken record player. As new Hip-hop artists emerged into the industry, the game began to change slowly but surely. Relatability and life struggles were becoming trending topics thanks to artists such as DMX, Eminem, Mac Miller, Rod Wave, and NBA Youngboy; making Hip-hop become the face for the least discussed topic in America: Mental Health. What better way to educate and entertain by using the most sought-after music to strengthen the identity and awareness of resources and intellectual knowledge regarding mental health?

Saturday, January 25th, 2025 a musical showcase from 6 pm to 9 pm was presented by the Mental Health Meets Hip-Hop organization at the Harold Washington Cultural Center located in Chicago, IL. Heavy hitters such as Dlow Bop King, Big Mouf Bo, and Korporate rocked the crowd with their performances while informational and vital panels were also in the spotlight. The selection of speakers was not only inclusive by showing all ages, backgrounds, and missions of individuals apart of the black community. Sixth grader, Kylee Paul brought the city of Chicago into her world as she dove into the severity of communication between parents and youngins; and the struggles happening to our future leaders (the kiddos). Some of the problems she spoke about were bullying, comparison to social media, and peer pressure. The conversation did not stop there. The relationship between diet, a surplus of fast food restaurants, lack of food markets, and mental health was emphasized by mental health professional Zacharyiah Austin. Everyone from the front of the stage to the back of the theatre was glued to the panels. Uncomfortable and hard testimonies as well as knowledge was being served on a plate and ready to be presented to over 200 attendees. Hosts, Big Twon and 2Can added a unique element to the show as they asked the audience questions and created dialogue between the artists, panelists, and community.

The night provided the city with the perfect balance of a family-friendly turn-up with intentional, tough, and essential conversations surrounding mental health. The, what, who, why, where, and how were clearly explained to the crowd as some of the Chi’s favorite artists shared their connection to the topic at hand. The message of the night was that mental health should not be taboo to anyone, especially in the minority communities where it's prominent. Much research, access to resources, and common knowledge based on mental health should be shared ten times more than is currently. 

Before the doors opened to the star-studded and jumpin’ performances, the lobby had its own party going on. Over ten vendors filled the building, reeling in much-needed attention to the merchandise, resources, and organizations. The entire first level was filled with a variety of vendors from domestic violence help organizations, activities such as journaling and group therapy, and also cupcakes that will make you feel like every day is your birthday. Access to free therapy sessions open to 8 years old and up, job openings for teens and young adults who feel lost, and music programs were also plastered throughout the lobby for the city to soak in and want to learn more about mental health in their free time. It should be a part of their lifestyle and not just a discussion introduced to them every few months through the news, after-school programs, and conferences.

The showcase was far from your average mental health seminar. I applaud Mental Health Meets Hip Hop for presenting a platform to over twenty educated and experienced artists, activists, and professionals to grace the stage with life lessons, laughs, and silent moments that made the crowd think. Hence why it was more than only one panel; specifically three panels, where advice, testimonies, and community was given from Dr.Amanda Long, Sam Sparks, Dr. Ozell Adams, and Reginald Carter. Speech after speech there were many tokens of advice and conversation that resonated with me, a young twenty-two-year-old black woman. 

“Stop waiting for the world to tell you who you are and sit down with your thoughts.”

“Social media is smoke and mirrors; stop letting it control your brain.”

“Know who you are as a woman and be authentically you.”

“Take capture of your thoughts.”

“There’s life and death inside your tongue. Be intentional with your words always!

Chicago artists and their footwork weren’t the only focus throughout the night. The Mental Health Meets Hip Hop organization enhanced another theme during the night; giving people their flowers while they can still smell them. There were countless awards given out throughout the night making the audience feel as if we were at the NAACP awards, but two awards stood out to me the most. Rapper, actress, and community activist, Big Mouf Bo was presented an award of acknowledgment by her students. Global director of the Harold Washington Cultural Center, Jemelia Tillman was also gifted an award of leadership for helping MHMHH make their showcases and other events come to life. The city of Chicago has an army of intellects, entertainers, and institutions whose making it their mission to not only inspire others but bring real change to the world; starting with Chicago.

Mental Health Meets Hip Hop is not the new kid on the block. This relationship between local artists and mental health professionals has had over six years of understanding, growing, and valuing one another. Founder, Tatiana Lane, brought both of her worlds together from being a hip-hop artist and MH professional herself, together to curate a unique space. Her vision has turned into reality as the MHMHH values innovation, inclusivity, culture, community, and empowerment. They are constantly reconstructing the vision of mental illness by integrating talented artists and clinical awareness as well as resources into the community. For over five years, curricular development, consultation services, emotional and life coaching, as well as mindfulness workshops has been provided and utilized in maximum effect by both the organization and community members. Are you someone who wants to understand better their mental health? Do you want to be able to understand both the beginning and end of mental illness? Click here to see what Mental Health Meets Hip Hop can offer you: https://mentalhealthmeetshiphop.com/.

Want a closer look into the jam-packed musical showcase?

Follow MHMHH @mentalhealthmeetshiphop

Desriana Gilbert | Entertainment & Social Journalist for /CW

Don’t Skip This Gem: DJ GEMINI GILLY Is Transforming Social Work Through Her Sets

Draw an image in your mind about what a five-year-old’s bedroom would look like. What do you think would be inside? Lego sets, coloring books, Hot Wheels, and kitchenette sets are the most popular answers when thinking of this. There’s always one or two little ones whose mind sparks other interests and passions. For example, Milwaukee’s very own, DJ Gemini Gilly had a different first love compared to the majority of kindergarteners her age; music. The earliest flashback she has of falling in love with music was at five years old when her older brother would be sampling music using a gener8tor CD player while 106&Park flooded his TV screen daily. From that day on, it was as if her head was the one being spun on the turn tables and music was the DJ; while each vinyl record and scratch birthed new mixes and ideas inside DJ Gemini Gilly’s creative compass. 

For many young children creating and knowing their identity can be the most challenging while juggling the world’s perception and being under their microscope. Fortunately, Gilly’s identity was as easy to learn and understand as the ABCs. She’d gift CDs with personalized playlists created by her to classmates, be invited to parties just to plug her cell phone into the aux and introduce the vibes, and knew every hot and new song on the radio. The wild thing is music wasn’t at the forefront of her life as everyone would assume. Sports took that seat early on and sat front and center of Gilly’s childhood as she began channeling her inner Sanaa Lathan in the 2000 film, Love & Basketball. Drills, tournaments, and a goal to attend a D1 collegiate university to play basketball became the breath in her lungs and the routine trained in her brain that kept the talented athlete going. Throughout childhood, Gilly never deemed her connection and fascination with music in an extraordinary light everyone else witnessed; basketball received all her time, attention, and dedication. It wasn’t up until high school graduation that an epiphany clicked.

“I wanted to lock in during college and see how far my potential would go. All throughout high school I was doing just enough to skate by because being an athlete took all of my time. Once I attended college, my head was in every book of mine”. -DJ GEMINI GILLY

Overwhelmed, lost, and interested in too many things over what over 50% of college freshmen experience when declaring their major. Not ya girl at all. Throughout the entirety of her childhood, images of social work and its significance were given a main stage right in front of her. Gilly’s mother is what you’d call “The Neighborhood’s Mama”. Although being a social worker wasn’t her primary job; legal paperwork wouldn’t make any difference. From picking all of the neighborhood kids up and taking them out skating to providing meals to the entire block; social work ran through her veins and became her daily routine subconsciously. Young Alice (A.K.A DJ Gemini Gilly) instantly grew a hunger to follow in the footsteps of the woman who brought her into this world. Consistency and hard work runs in the family because Gilly attended the University of Wisconsin Whitewater, cracked down on the books, and slayed undergrad; doing all things academia she set out to do. Her detailed goals were becoming reality in no time and life became carefree but everything changed as the chapter of undergrad was wrapping up and grad season was just beginning as it started to write its own story.

A timeline has been taught rigorously generation after generation being described as “The Key to Success”. Go to school, graduate with a degree, and then you’ll get a “good job” in order to become successful. At what cost do we all have to give in order to achieve success? For DJ Gemini Gilly her hurdles came a bit sooner than expected as she was getting masters and the journey was all but exciting. Experiencing racism, depression, and the feeling of not belonging can be described as the synopsis of her entire grad school experience. Luckily, all of the pain and trauma were used as motivation to explore something that was always within her; her love for music, specifically DJing. Gilly already felt as though the party scene was not catered towards her culture at all so it was an extra push to learn so that she could specialize in African-American music and create spaces for people just like her. The week before winter break, a Twitter post listing the top fifty female DJs filled her eyes and a lightbulb came on! As soon as class ended she rushed to Guitar Center and copped a DJ set counsel the same day. Over the next nine months, the days and nights consisted of teaching herself how to create flavorful and lively mixes which led to DJing at Madison, WI bar and grill, The Atwood, her very first gig!

Gilly’s journey over the last six years has been nothing but full-speed and trailblazing. Her resume includes opening for SZA, Mariah The Scientist, JaRule, Anime, and being the face of music at Milwaukee events such as the All Black Xperience and free days at the Milwaukee Art Museum. Ironically the love she had for sports came back full circle as she now has two jobs working as a full-time DJ for the Milwaukee Bucks and Wisconsin Badgers Women’s Basketball team. Since 2018 when DJing became stamped in Gilly’s heart; it’s never been only about hyping up an audience to dance. Her connection to social work never depleted, rather strengthened even more as she wanted to not only shift the culture of going out but also the personal interactions people have with one another. While in college DJ Gemini Gilly quickly took note that the club scene in both Madison and Milwaukee, WI neglected diversity and had several restrictions. Gilly bridged the gap between her passion for both music and social work by bringing two ideas that lived rent-free in her notebook to life. 

On May 27th, 2023 Gems Only was born. Gems Only is an event series carefully curated by DJ Gemini Gilly and her team that’s bringing a unique and hot take on the party scene; not only nightlife but all celebrations. Although the business is only a year and a half, it’s had the success that many entrepreneurs dream of after year three of being in business.

“I believe success came so quickly for Gems Only because it was needed and something nobody in the city has ever seen before”, she said.

You may have been in attendance some of the events such as Nightmare on Water Street, Summer Jam 2K24, and their New Year’s Eve event. The purpose Gems Only serves is to be a safe space physically, mentally, spiritually, and socially for all in attendance. Different groups of people that represent different ethnicities, cultures, and beliefs shouldn’t feel divided and judged by others when going out for a good time. It captures both the essence of a Renaissance feeling but heavily reels in on respect. In the words of Aretha Franklin, “R-E-S-P-E-C-T, find out what it means to me” should considered by Gilly as the intro theme song at every event. Respecting others, the space and especially yourself are the three rules not only for Gems Only but also another event series Gilly has brought to life: NO SKIPS. Her foot is never off the gas. NO SKIPS is a subseries under Gems Only. An album listening party created to be intimately experienced and celebrated as a collective group is the overall bread and butter of what the essence of what NO SKIPS is. On April 20th, 2024 the launch event was a hit; celebrating Wiz Khalifa’s Kush and OJ album. NO SKIPS is not for those who just listen to music, but for people who relate, analyze, and feel the music that speaks and uplifts them in their lives. 

Creating her own lane and climbing the ladder of the music industry has changed her entire life within the last six years. Being able to leave her corporate job where she felt as if a disguise had to be worn and code-switching was mandatory to become a full-time DJ was nothing short of a testament to her journey. Making bold moves has not only shaken up her life but also the lives of thousands of other people who now have a fresh take and a newfound love for going out such as college students, former classmates, and everyday people throughout the city of Milwaukee.Gilly continues to stamp her name as one of the most talented DJs in Milwaukee, Chicago and New York. This is why she was selected to be the DJ for the “When We Vote, We Win” led by former Vice President, Kamala Harris during her campaign run for the 2024 Presidential Election. 

“It was at that moment where I seen Flo Milli, GloRilla, and Kamala herself that I felt a shift in my career had happened without me knowing in order for me to get here. I felt that I was taken seriously by all people. Since I started DJing Black women were always my number one supporter so it just felt like a full circle moment”. -DJ GEMINI GILLY

Providing spaces and opportunities for BIPOC (Black, Indigenous, and People of Color) community members to feel seen, heard, respected, safe, and celebrated has always seemed like secondhand nature to Gilly. She’s turning the tables when it comes to combining her fascination and passion for social work and music. To make sure you receive an exclusive ticket to the next culturally curated event by DJ GEMINI GILLY whether it is NO SKIPS or Gems Only follow their social media page at (@gemsonlyseries). Trying to explore new people, places, and things to enjoy going outside and hearing music you normally wouldn’t hear; follow the creative herself as she keeps her community up to date consistently of what she’s got going on next at (@DJGEMINIGILLY). 

Desriana Gilbert | Entertainment & Social Journalist for /CW

Snapshot Press Release | Black Nativity [More Than The Birth of A Savior; Also A Cultural Love Letter]

The word of the day /CW Fam: Favorites. Everybody has favorites in different aspects and categories of life. From food, tunes, hangout spots after work, and TV characters; the list goes on. The holiday season is not off-limits when it comes to this inevitability. Everybody has their holiday staples that they look forward to. For many people, this can be watching holiday films such as Home Alone, The Grinch, and This Christmas while for others it's eating all the baked goods grandma prepares during the festivities. The city has declared a holiday favorite of its own. Black Nativity, a theatrical performance put on display every year to add some holiday cheer to the theatre industry. 

What does a black utopia look like to you? Is it the spitting image of Black Wall Street filled with hundreds of black businesses? Maybe it’s the painting hung up in your mama’s living room with black people singing and dancing with smiles spread across their faces as bright as the sun. I believe the answer to this question is the musical buffet of the 2024 Black Nativity performance. The show consisted not only of the bones and accuracy of the original Nativity story but also a colorful dialogue between a higher power (God) and the black and brown people who make up millions of communities throughout the nation.

December 5th-8th, 2024 was this year’s display of Black Nativity, originally written by the leader of the Harlem Renaissance, Langston Hughes. The phenomenal performance took place in Wilson Theatre at Vogel Hall in the Marcus Performing Arts Center located in Milwaukee, WI. There are centuries worth of history where the birth of Jesus Christ, also known as the Nativity story has been illustrated and depicted the same way every time. The ethnicity of the characters, wardrobe, and setlist remained the same; no room for versatility or imagination. Hughes became weary of the African-American community just talking about how this made them feel excluded and forgotten about. He then took the initiative in changing how and what the Nativity story

looked like. It’s no secret that back in the day Hughes was the face of “Don’t just talk about it; be about it”. His mentality has inspired and driven many adaptations created by black artists to keep this same mindset and hunger; specifically directors of this year’s Black Nativity, Ashley S. Jordan and Wanyah L.Franzier.

The birth of a perfect human being taking on the most cruel consequence for all who commit actions against spiritual law based on unconditional love and authentic faith is the nativity story universally known and cherished. Over the last nine years, Black Nativity showcased in the city has proven that there is more than one narrative and purpose that can be heard and emotionally tangible to an audience that looks, talks, and walks like the cast members of the annual production. Round of applause to Jordan and Franzier because this year’s show was a cultural feast of R&B, Gospel, and African roots that created a love story between a higher power and the African-American community. It’s so easy to lose sight of the heart and soul of a message when the element of providing an entertaining show with lighting, fits that people would love to see at a fashion show, and soulful choreography is involved. Still, year after year the show is executed on the right queue!

A sea of sapphire blue and lavender purple lights swarm throughout the stage as the opening scene begins. The audience could hear what seemed to sound like crystals falling to the floor and drums being played as loud as Nick Cannon and Leonard Roberts’ one on one competition in the 2002 film, Drumline. I’m telling you at least twenty people jumped out of their seats within 5 seconds of the beat dropping {Y’all got me. My best friend and I were included!}The essence of a soft, affectionate, and struggling young black couple fills our eyes; until a soft-spoken man with a glistening gold shadow (representing the Angel Gabriel) approaches them.

“You don’t believe you’re worthy? Why can’t good things happen to you?” These are the questions I wanted to ask Young Mary after hearing the disbelief and fear in her voice once the shimmered chocolate angel narrated the events that would go on during the production. Although it was a breakdown of the original Nativity story from the couple’s journey to Bethlehem and the Magi coming to share who Jesus is with Mary; each scene captivated us all by creating a different significance.

Can’t

Won’t

Don’t

Haven’t

Echoes of the four words above slipped out of not only Mary and Joseph’s mouths but many of the other artists’ mouths in the first half of the production as well. It didn’t take long for the audience to realize what message Jordan and Franzier were conveying. Confidence is second nature to people who share the same shade Young Mary possesses. Unfortunately, after decades of other groups of people telling African Americans that their voices and stories should be silenced, forgotten, and deemed non-important; they begin to fall into the weak narrative. The African-American race did indeed exist over 2,000 years ago when Jesus Christ was born and they had a perspective to Nativity as well. This fact is often unrecognized because filmmakers and playwrights who have brought this story to life represent their work with mirrors of themselves and their physical appearance. Black people should be seen, heard, and loved because they are capable, human, and filled with faith! Twenty-four artists; some veterans while others are emerging right here from Milwaukee, came together and took on the challenge of using song, dance, poetry, and acting to share this story from none other than an all-black perspective.

Mission accomplished!

“Creatively Black Nativity will take audiences on a heartwarming journey of familial love, faith, and the creation of new family traditions and norms. Audiences will be inspired by relatable, but current family stories, a home reminiscent of Christmas, and entranced by a dreamlike vision of Bethlehem.” Artistic director, Wanyah Franzier, stated while describing the setting of this year’s

production of Black Nativity. During past years the setting of Black Nativity has been modern-day inner cities and neighborhoods that are associated with struggle and neglect such as one of the city’s most known neighborhoods: Sherman Park. I believe the setting this year was not as specific as previous productions because Jordan and Franzier’s purpose was to make it as easy as possible for each person in the audience to see themselves in one or more of the artists on stage. Creating a specific setting such as a city or neighborhood would have put constraints and other limitations onto the audience and the message would not have been as transparent. The stage was meant to transform into any area of living where black people are existing, thriving, struggling, and finding their way to become faithful and proud of the spirit they each embody! Can you think of a place that symbolizes home during tribulations and celebrations? Or a place of peace and unity amongst one another?

Church. This is the #1 Family Feud answer. If only Steve Harvey could pop out and give you a brand new car.

Both the physical and emotional community of the Black Church was the focal point throughout the entirety of the play. Many people associate the Black Church with gospel music, interactive sermons, and freedom of expression during service. Not only is it the birthplace of where many faithful lives are born but it’s also a place that provides a sense of comfort and gratitude through

the unity of African-American people before Jesus could walk. Yellow and brown hues with African prints reflected onto the Vogel Hall’s stage representing the church. The performers uplifted and motivated Young Mary how perfect and courageous her son would be one day. On the other hand, these are where everyday people began sharing their grievances of how difficult it is to struggle daily feeling as if they have absolutely nobody to turn to but a higher power

{God}. This list went on and on from losing loved ones too frequently, financial struggles, and inferiority, to being on the verge of losing faith altogether. Jordan immediately thought of the Black Church when brainstorming the lens and setting of the 2024 Black Nativity showcase because she felt it was the most relatable setting to any and everyone in the black community. Everybody has been to church at least once or knows someone who practically goes to church so often it’s their second home. This became the element during the play where Mary and Joseph were often comforted and where smooth R&B musical performances were shared to symbolize safety and belonging.

Lack of representation has always been in the shadows of whispers when it comes to all aspects of the entertainment industry from music to film and television. It wasn’t until the weekend of December 5-8th that I witnessed the true importance of the significance representation holds. Shades of black and brown faces scattered around in the audience with tears, laughs, and a standing ovation had received the message this year’s creative team of Black Nativity wanted to cultivate throughout the city of Milwaukee. I realized that when I am entertained by people, sounds and movements that are involved in my everyday life; it hits home and lasts longer in my memory. Black Nativity taught me that the African-American perspective should be used and discussed more often than it has been the past few centuries. 

Need a way to entertain the kiddos next Christmas? Want your family or you to become involved in next year’s production? CW Fam you better check out Black Nativity next year during the first week of December 2025. Click here and check out their website 

I can assure you that you’ll recognize your favorite aunt, nephew, neighbor or even yourself while watching. It’s no feeling like having someone who shares your same roots and environment to pour out all of the emotions and thoughts they have about historical and current events happening right now in MKE. 

Desriana Gilbert | Entertainment & Social Journalist for /CW

So Why Aren’t All Aspects of Black Culture Adored? | By Desriana Gilbert

The Gallery of Black Essentials, All Photos Accredited to RobRanMKE featured in copywrite magazine issue 21

/CW fam picture this: It’s as quiet as a church mouse on a Sunday morning. You’re blasting Erykah Badu’s Mama’s Gun album in one airpod while your other ear is filled with the humming and churning from the washers and dryers in the laundromat. Then walks in an older woman who exudes energy and could pass as a body double for Cecily Tyson. She’s wearing a cherry red fur coat as long as your kid’s Christmas list. Golden hair pins decorate her sleek ponytail as she walks with sparkly black thigh-high boots. She’s asked by a bold young man, “Why are you so dolled up? Aren’t you about to do laundry?”. She calmly replied, “Honey don’t be mad at my swag” A question immediately popped into my head; Why does the black community seem unphased with our lifestyle, habits, and physical appearance; while everyone who has all eyes on us is continuously in awe and such admiration? 

The answer: black culture is not an accessory to us; it’s essentially embedded into our everyday lives both internally and externally without us even realizing it. In the words of Andre’ 3000,
“It’s in us not on us”.

There’s no secret that the world so easily assumes, judges, and misinterprets who and what exactly black culture is. However; the fashion that has been birthed such as hoop earrings, bold and bright colors, and intricately braided hair seems to have a separate identity from the beautiful black and brown people who are walking billboards of it. The style and appearance are so widely appreciated that many attempts to emulate and replicate how refreshing and beautiful black culture is. A door opens with an opportunity for African Americans to be seen in positive silhouettes as the complexities, different perspectives, and hidden gems they have both as a people and individuals are showcased to the world. But why aren’t several other aspects that create the ecosystem of culture and African-American people celebrated, let alone acknowledged?

Well, CW fam our creative director, Vato (Carlos) Vergara took it into his own hands with the help of many other talented creatives to strengthen awareness that there’s more than one aspect of black people that is beautiful and multifaceted while bringing the shoot to life. The Gallery of Black Essentials can be described as a digital museum of black people's love, authenticity, connection, and vulnerability. The shoot’s photographer, RobranMKE, stated, “It was a homage to the power, pride, and stories woven into our style.” The dynamic of black fatherhood, sisterhood, friendships, beauty, and romantic love was executed in such an ethereal and crystal-clear lens of exactly who we are.

One of the main themes of the eccentric and modern photoshoot was intentionality. From the photographer, creative directors, stylists and artwork being chosen as moving pieces to lead The Gallery of Black Essentials, everyone had one common goal: intentionality! Co-stylist, Sydney Beason confidently states, “The title of the shoot brought me back home. Visualizing the childhood memories of colors, textures, and even the fragrant whispers of the past. The pieces I chose to be brought to life gave a sense of nostalgia to the black community. Each creation is a testament to our history and a vision of our future, celebrating the diversity and dynamism that define us.” Her response brought an answer to my opening question. As a people we are not unphased or unknowledgeable about the swag, beauty and uniqueness black culture gifts to society; rather it’s an everyday lifestyle black and brown people live in realtime and is not a decoration. 

Although each image presented in the gallery is breathtaking and speaks for itself; aspects of the black community that keep the wheel running yet don’t get enough of the conversations nor the attention they deserve were given a spotlight. Intentional fatherhood, wrongful incarceration, freedom being restricted, and the long process of black beauty were each captured in such a vulnerable and confident way. Now let’s keep it a hundred, these are not glamorous and accomplished discussions that should be the face of black culture, but it’s reality and the things that instill perseverance, creativity, hard work, and unity into our community. Everyone who participated in bringing the team’s vision to life felt proud, overwhelmed with emotion, and excited to showcase that there are different types of black culture. We are all not the same and deserve an equal amount of attention. So what are the things that keep a sense of comfort, identity, and protection in a community that is so misunderstood, judged, and restricted? It’s simple: our essentials. Some of the creatives apart of the shoot such as the models shared a list of their essentials. Hence the following:

-White Air Force 1s (Dookies)

-Beauty Supply Store Trips

-Music

-Hustler’s Mindset

-Resilience

-Sunday Soul Food Dinner

-Humility

Check out the vibrant and fun images that tell the story of who we truly are and where our future is going on Instagram: https://www.instagram.com/copywritemag/. Comment down below what your internal or external essentials are. Also, don’t forget to rent our space for your next photoshoot. See what we can offer you at https://copywritemag.com/creative-media-services

Desriana Gilbert | Entertainment & Social Journalist for /CW    

The All Black Xperience 2024 Presented By: Johnny L. Jones, Myron “M-Town” Smith & Tim Ricketts

Can you think of a moment in time where you felt the words of James Brown, “Say It Loud-I’m Black & I’m Proud” was your city’s anthem? Let’s take it back to February 2018. The infamous Ryan Coogler film, Black Panther was released and had anybody from eight years old to eighty years old rushing to theatres in their best-dressed outfits; whether it was a dashiki or all-white fit from head to toe. The city of Milwaukee felt different for the Black Community. It was as if every one of all races had come to an epiphany-there is success and elegance when it comes to black people.  I often wonder if it was the story of the film; Prince T’Challa taking on the crown of his country following his father’s passing to save the innocence and future of his people or the costume design that had all of Milwaukee in a chokehold. Prince T’Challa’s wardrobe mainly consisted of the color black. Why? Black is the color of power, sophistication, wealth, and elegance. 

However, as soon as the film left theatres, everyone put the urgency and need for black pride and unity in a box to left as well. (Shout out Queen Bey). Well all that changed Friday, November 29th, 2024 as almost the entire MKE was in attendance for The All Black Xperience hosted at the Baird Center which was presented by Johnny L. Jones, Myron “M-Town Smith, and Tim Ricketts in downtown Milwaukee. These three men who could be described as Milwaukee’s own BellBivDevoe have taken on the responsibility and challenge of normalizing the celebration and elevation of Black Excellence. Each of these three men are known in the city for being an ambitious entrepreneur, developer, and the life of the party. They all have over a decade of experience dedicating their lives to making Milwaukee more familiar with wealth, power, and luxury in the black community.

The All Black Xperience illustrated a night whose theme was black luxury and elegance. Think of NewNew’s (played by Lauren London) parents in the coming of age film, ATL. Successful, prestigious, fly, smooth and creative black people filled up the guest list quicker than your family members rushing to the line to get their Thanksgiving plates. The purpose of this event was for a night of entertainment, networking, and celebration to be experienced by those in Milwaukee who are not only making moves for their own success but also hyper focused on what the future and sustenance of black excellence will look like after this year comes to a close. 

Not only did musical guests Rick Ross and Tweet keep everyone’s attention from the beginning to the very end of the night; but the red carpet was a head-turner as well.  Everyone followed the number one rule which was to wear ONLY BLACK! The dress code was made clear and nobody was disappointed. The men were dressed in their black suits and ties giving a real depiction of when Justin Timberlake & Jay-Z hopped on a track together; as the ladies shut down the carpet in their all black dresses. Let me just stop and answer the question I know you are all thinking;

“Des, what was on the menu?”. The food and drinks were centered around the culture of our city as a whole. A variety of sausages including bratwursts, frozen custard, cheese curds and alcoholic beer beverages made up the menu for this memorable night. Sounds like an MKE night at SummerFest. The All Black Xperience did more than check all the boxes when it came to the perfect date night such as music that makes you want to move, a reason to pull out that outfit in your closet, while also eating and drinking some things that make you feel good. This experience got the city to show up, show out, but most importantly present the opportunity to figure out what’s the next route when it comes to the celebration of black elegance & excellence being normalized in Milwaukee.

There were only a few calls made by the dynamic three (Jones, Smith, and Ricketts) as they selected who the hosts for the night would be. One of those calls went to author, motivational speaker, and life influencer, Steph Crosley. The hosts needed to embody what the event symbolized: a hustler’s mentality, active community member, classy, and who also knows how to turn up and feed that energy to the guests. Crosley shared how the highlight of her night was not just the feeling on stage with Jammin 98.3’s Earl Stokes and DJ Cheerio but also honoring and awarding movie director, producer and writer; Ramon Swift Sloan towards the end of the evening. I asked the life influencer what is the correlation between celebration, motivation and inspiration because those are the three things that surrounded her that night. Crosley stated, “I believe you’re inspired - there’s a spark and then there’s a force that propels you internally to ‘do something’ and then there’s an outward display of your accomplishment - the celebration - in that order.” The perfect equation that should be used more often than it is by people who look like us. Steph’s night mirrored hundreds of others that attended the event; a night of music, food, fashion, and networking specifically catered to high-class black people in the city; but that wasn’t all that she remembered from that night.

“One of the messages to take away from the All Black Xperience is that together we can - it takes all moving parts to make an event successful from the organizers - to the city trusting the vision and coming out to support - to the DJs and host doing our part and everything in between. Together we can and I believe it will continue to do well and grow.”-Steph Crosley

It’s up to us to keep events like this in an consistent rotation and celebrate one another. So what will motivate you to do your part? Is it musical guests being in attendance? An opportunity to dress up? Or is it having the chance to talk to some of the most influential and intelligent black people in the city?

On behalf of the /CW fam I would like to applaud Johnny L. Jones, Myron “M-Town” Smith, Tim Ricketts, Steph Crosley and all the other hosts who came together to make this night possible. As Crosley would say, there is power in numbers; might even have some of us starting to walk like Ghost off the Starz show Power. The celebration and elevation of black entrepreneurs, media, success, and unity needs to become normalized and consistent. So I challenge each of you. Comment down below what you think it’ll take for this to happen. Go follow the creators of this event. Their instagrams are @stillstephc, @jlj164, @therealmtown, @therickettsshow and catch the live recaps and photos from an unforgettable night.

Desriana Gilbert | Entertainment & Social Journalist for /CW