Milwaukee Founding Father of Hip Hop BLAX Unveils Limited Edition Vinyl Album “BLAXPLOITATION”

Lyric assassins, cultural shapeshifters, and uncensored canvases have always existed in our barbershops, recreational centers, corner stores, churches, and neighborhoods. The masked hindrance that keeps thousands of conscious, bold, and talented people arm’s length from grasping stardom is exploitation. Record label executives, industry moguls, and well-known managers hide that they’re wolves in sheep’s clothing with their suave vocabulary, empty promises, and glamorized walls of success. This is how the exploitation of artistry, power, and the humanization of legal connections have become embedded into the moving tracks of the music industry. Countless artists become easily blinded by the mortal feeling of being a god, electrifying stages, dead presidents in their bank accounts, and the lens of cameras. Only a portion of superstars master the essence of obtaining the same reflection in the mirror they had before their signature was signed on the dotted line. The realm of their morals, values, vision, and connection to self is their number one priority and remains intact throughout their entire career. Ladies and gentlemen did you know we have one of the rare and mighty in our backyard? Adebisi Agoro also known as BLAX doesn’t just fit this description but he reps it wholeheartedly.

From being signed to New York record label Social MisFits/New Records to being crowned the title of Best Rap/Hip Hop Artist of 2018 by Wisconsin Area Music Industry Awards Council; living large and being known as the man when it came to the eccentric and homegrown sound was not taboo to BLAX. He had a front-row seat to every angle of the industry; from millions of faces in the crowd going toe to toe with him after each word of his songs, to tasting black luxury as a lifestyle, and the angelic connection his mind and voice had when creating music. Ironically, BLAX viewed himself as an oxymoron in the business; it wasn’t about the dollar bills, power from the snap of a finger or temptations of that world. His morals and view of success were far from what media and other hip hop artists would describe it. As a freshman in high school losing rap battles did nothing but spark the hunger and love the superstar had for his music. It was never something he would walk away from.

“Success is being happy with yourself; this is why you should be SELF-MADE.”-BLAX

Life/death, peace /disturbance, motivation/tough love, this is what you experience when listening to the multidimensional hip hop artist. There was never any need to fake or manipulate his artistry because BLAX has always put the raw and untamed experiences of his real life in his craft. For example, losing those who owned his heart, his grandmother and son between the years of 2013-2018 took a brutal toll on the emcee but footprints of his feelings could easily be found in his album Angeline where he began processing grief and was on a mission to seek truth. Each album is a present testament of the man BLAX is and how far his journey will go. His catalog is not just for the conscious and woke, but for any and everybody who values truth, growth, and those real conversations that make you question yourself.

“All artists have the responsibility to make you think. It’s not always about bubblegum ish all the time.”

With the legend coming off of the highly anticipated summer 2024 tour: The Dreamweaverz Tour w/ RMLLW2LLZ; he felt it was time to gift some new music to the streets.

On January 28th, 2025, the midwest cultural shapeshifter, BLAX’s dream came true as he released his album BLAXPLOITATION as his first ever vinyl album. For nearly twenty years the artist has always wanted to create such a timeless, tangible and personal piece of art to his supporters and especially for himself. Just as any musician, both the beautiful and heart wrenching side of the entertainment industry has took hold of his eyes. BLAX wanted to make it clear with his latest album that nobody can hold him back, take advantage of him, outsmart him or carry him as a man. He’s his own person, sketchpad, producer, songwriter, and moral compass. These ten tracks give a deeper scope of BLAX- the grown man whose accepted all things life comes with but also his raw emotions to that. The society we live in today consumes such a colossal digital footprint where music, visuals, and even artists are hot today and forgot about tomorrow. In a world of streams, single-radio, and less touring opportunities, it’s become difficult for a large body of work to be believed in and pushed by not only record labels but independent artists as well. BLAX set out to provide tangible connection and conversation between his fanbase and himself with this masterpiece.

“BLAXPLOITATION” will uncontrollably rebirth the most authentic and emotionally intelligent version of you. From the tracks, Interpretation of Dreams, Ballerina and Intelligent Beings you won’t skip a second. It’s a musical sonnet of the ups and downs life and being an artist has to offer. Sugarcoating and empty promises were not the ingredients used when BLAX was cooking up this album. He is a true creative who knows to never turn off the genius inside him! It is because of his versatile lyricism, out of the ordinary visuals and consistent artistry that he is considered one of the founding fathers of the Mikwaukee and Racine Rap/Hip Hop landscape. He’s created another space where the album will be analyzed and broken down on his new podcast, The Blaxploitation Podcast. Go tune in here: Don’t miss your chance to own one of the one hundred copies BLAX has released for the album; making BLAXPLOITATION limited edition.

Owning the vinyl is not enough and you want to experience an intimate and immersive night with BLAX himself to breath and feel every emotion of the album? Join the emcee at The Wiggle Room March 7th, 2025 at 2988 S. Kinnickinnic Ave Bayview, WI for BLAX’s album listening party dedicated to BLAXPLOITATION. You can not only follow the raw and lively man of the hour @the_god_degree on all social media platforms

Comment down below what question you think this album will make you feel? Do you think BLAX is paving the way for vinyl albums to make a huge comeback in the music industry?

Desriana Gilbert | Entertainment & Social Journalist for /CW

Mental Health Meets Hip Hop Musical Showcase 2025: Where The Most & Least Discussed Topics Become The Conversation

After a night of being celebrated and uplifted, I pulled five hip-hop artists to the side and asked “What does Hip-Hop mean to you?”. The following were their responses:

“I’m seen.”

“I’m not alone.”

“It’s my escape from the world.”

“The justification to ignite the fire inside me”

“Being different is completely fine”

“Hip-hop is an exhibit of who I am and where I come from.”

Misconceptions about this safe haven have been deeply rooted in the world’s mind (A.K.A Media, TV, and School Curriculum). Throughout the 80s Hip-hop became the scapegoat for the crack epidemic, and in the 90s it was to blame for the dark era of the L.A. riots. Around the early 2000s, the genre was put yet under another microscope. The origin story and cultural autopsy became classified as innovative and positive. A transformation was occurring where Hip-hop went from being known as the sister of violence, gang affiliation, and segregation to becoming the poster child for black joy and artistic expression. It became widely recognized as more than late-night TV with Arsenio Hall but also a lifestyle and form of communication to the masses. 

  Photography Accredited to Mikala Woodfork

Time not only changed how parents, children, and politicians perceived Hip-hop but also the lyricism and visual graphics that artists were creating. From the time Bow Wow was rocking his two pigtails up until he became an adult, the topics glorified and pushed in songs remained stagnant. Money, women, drugs, and the fast life were constantly being rapped about like a broken record player. As new Hip-hop artists emerged into the industry, the game began to change slowly but surely. Relatability and life struggles were becoming trending topics thanks to artists such as DMX, Eminem, Mac Miller, Rod Wave, and NBA Youngboy; making Hip-hop become the face for the least discussed topic in America: Mental Health. What better way to educate and entertain by using the most sought-after music to strengthen the identity and awareness of resources and intellectual knowledge regarding mental health?

Saturday, January 25th, 2025 a musical showcase from 6 pm to 9 pm was presented by the Mental Health Meets Hip-Hop organization at the Harold Washington Cultural Center located in Chicago, IL. Heavy hitters such as Dlow Bop King, Big Mouf Bo, and Korporate rocked the crowd with their performances while informational and vital panels were also in the spotlight. The selection of speakers was not only inclusive by showing all ages, backgrounds, and missions of individuals apart of the black community. Sixth grader, Kylee Paul brought the city of Chicago into her world as she dove into the severity of communication between parents and youngins; and the struggles happening to our future leaders (the kiddos). Some of the problems she spoke about were bullying, comparison to social media, and peer pressure. The conversation did not stop there. The relationship between diet, a surplus of fast food restaurants, lack of food markets, and mental health was emphasized by mental health professional Zacharyiah Austin. Everyone from the front of the stage to the back of the theatre was glued to the panels. Uncomfortable and hard testimonies as well as knowledge was being served on a plate and ready to be presented to over 200 attendees. Hosts, Big Twon and 2Can added a unique element to the show as they asked the audience questions and created dialogue between the artists, panelists, and community.

The night provided the city with the perfect balance of a family-friendly turn-up with intentional, tough, and essential conversations surrounding mental health. The, what, who, why, where, and how were clearly explained to the crowd as some of the Chi’s favorite artists shared their connection to the topic at hand. The message of the night was that mental health should not be taboo to anyone, especially in the minority communities where it's prominent. Much research, access to resources, and common knowledge based on mental health should be shared ten times more than is currently. 

Before the doors opened to the star-studded and jumpin’ performances, the lobby had its own party going on. Over ten vendors filled the building, reeling in much-needed attention to the merchandise, resources, and organizations. The entire first level was filled with a variety of vendors from domestic violence help organizations, activities such as journaling and group therapy, and also cupcakes that will make you feel like every day is your birthday. Access to free therapy sessions open to 8 years old and up, job openings for teens and young adults who feel lost, and music programs were also plastered throughout the lobby for the city to soak in and want to learn more about mental health in their free time. It should be a part of their lifestyle and not just a discussion introduced to them every few months through the news, after-school programs, and conferences.

The showcase was far from your average mental health seminar. I applaud Mental Health Meets Hip Hop for presenting a platform to over twenty educated and experienced artists, activists, and professionals to grace the stage with life lessons, laughs, and silent moments that made the crowd think. Hence why it was more than only one panel; specifically three panels, where advice, testimonies, and community was given from Dr.Amanda Long, Sam Sparks, Dr. Ozell Adams, and Reginald Carter. Speech after speech there were many tokens of advice and conversation that resonated with me, a young twenty-two-year-old black woman. 

“Stop waiting for the world to tell you who you are and sit down with your thoughts.”

“Social media is smoke and mirrors; stop letting it control your brain.”

“Know who you are as a woman and be authentically you.”

“Take capture of your thoughts.”

“There’s life and death inside your tongue. Be intentional with your words always!

Chicago artists and their footwork weren’t the only focus throughout the night. The Mental Health Meets Hip Hop organization enhanced another theme during the night; giving people their flowers while they can still smell them. There were countless awards given out throughout the night making the audience feel as if we were at the NAACP awards, but two awards stood out to me the most. Rapper, actress, and community activist, Big Mouf Bo was presented an award of acknowledgment by her students. Global director of the Harold Washington Cultural Center, Jemelia Tillman was also gifted an award of leadership for helping MHMHH make their showcases and other events come to life. The city of Chicago has an army of intellects, entertainers, and institutions whose making it their mission to not only inspire others but bring real change to the world; starting with Chicago.

Mental Health Meets Hip Hop is not the new kid on the block. This relationship between local artists and mental health professionals has had over six years of understanding, growing, and valuing one another. Founder, Tatiana Lane, brought both of her worlds together from being a hip-hop artist and MH professional herself, together to curate a unique space. Her vision has turned into reality as the MHMHH values innovation, inclusivity, culture, community, and empowerment. They are constantly reconstructing the vision of mental illness by integrating talented artists and clinical awareness as well as resources into the community. For over five years, curricular development, consultation services, emotional and life coaching, as well as mindfulness workshops has been provided and utilized in maximum effect by both the organization and community members. Are you someone who wants to understand better their mental health? Do you want to be able to understand both the beginning and end of mental illness? Click here to see what Mental Health Meets Hip Hop can offer you: https://mentalhealthmeetshiphop.com/.

Want a closer look into the jam-packed musical showcase?

Follow MHMHH @mentalhealthmeetshiphop

Desriana Gilbert | Entertainment & Social Journalist for /CW

Don’t Skip This Gem: DJ GEMINI GILLY Is Transforming Social Work Through Her Sets

Draw an image in your mind about what a five-year-old’s bedroom would look like. What do you think would be inside? Lego sets, coloring books, Hot Wheels, and kitchenette sets are the most popular answers when thinking of this. There’s always one or two little ones whose mind sparks other interests and passions. For example, Milwaukee’s very own, DJ Gemini Gilly had a different first love compared to the majority of kindergarteners her age; music. The earliest flashback she has of falling in love with music was at five years old when her older brother would be sampling music using a gener8tor CD player while 106&Park flooded his TV screen daily. From that day on, it was as if her head was the one being spun on the turn tables and music was the DJ; while each vinyl record and scratch birthed new mixes and ideas inside DJ Gemini Gilly’s creative compass. 

For many young children creating and knowing their identity can be the most challenging while juggling the world’s perception and being under their microscope. Fortunately, Gilly’s identity was as easy to learn and understand as the ABCs. She’d gift CDs with personalized playlists created by her to classmates, be invited to parties just to plug her cell phone into the aux and introduce the vibes, and knew every hot and new song on the radio. The wild thing is music wasn’t at the forefront of her life as everyone would assume. Sports took that seat early on and sat front and center of Gilly’s childhood as she began channeling her inner Sanaa Lathan in the 2000 film, Love & Basketball. Drills, tournaments, and a goal to attend a D1 collegiate university to play basketball became the breath in her lungs and the routine trained in her brain that kept the talented athlete going. Throughout childhood, Gilly never deemed her connection and fascination with music in an extraordinary light everyone else witnessed; basketball received all her time, attention, and dedication. It wasn’t up until high school graduation that an epiphany clicked.

“I wanted to lock in during college and see how far my potential would go. All throughout high school I was doing just enough to skate by because being an athlete took all of my time. Once I attended college, my head was in every book of mine”. -DJ GEMINI GILLY

Overwhelmed, lost, and interested in too many things over what over 50% of college freshmen experience when declaring their major. Not ya girl at all. Throughout the entirety of her childhood, images of social work and its significance were given a main stage right in front of her. Gilly’s mother is what you’d call “The Neighborhood’s Mama”. Although being a social worker wasn’t her primary job; legal paperwork wouldn’t make any difference. From picking all of the neighborhood kids up and taking them out skating to providing meals to the entire block; social work ran through her veins and became her daily routine subconsciously. Young Alice (A.K.A DJ Gemini Gilly) instantly grew a hunger to follow in the footsteps of the woman who brought her into this world. Consistency and hard work runs in the family because Gilly attended the University of Wisconsin Whitewater, cracked down on the books, and slayed undergrad; doing all things academia she set out to do. Her detailed goals were becoming reality in no time and life became carefree but everything changed as the chapter of undergrad was wrapping up and grad season was just beginning as it started to write its own story.

A timeline has been taught rigorously generation after generation being described as “The Key to Success”. Go to school, graduate with a degree, and then you’ll get a “good job” in order to become successful. At what cost do we all have to give in order to achieve success? For DJ Gemini Gilly her hurdles came a bit sooner than expected as she was getting masters and the journey was all but exciting. Experiencing racism, depression, and the feeling of not belonging can be described as the synopsis of her entire grad school experience. Luckily, all of the pain and trauma were used as motivation to explore something that was always within her; her love for music, specifically DJing. Gilly already felt as though the party scene was not catered towards her culture at all so it was an extra push to learn so that she could specialize in African-American music and create spaces for people just like her. The week before winter break, a Twitter post listing the top fifty female DJs filled her eyes and a lightbulb came on! As soon as class ended she rushed to Guitar Center and copped a DJ set counsel the same day. Over the next nine months, the days and nights consisted of teaching herself how to create flavorful and lively mixes which led to DJing at Madison, WI bar and grill, The Atwood, her very first gig!

Gilly’s journey over the last six years has been nothing but full-speed and trailblazing. Her resume includes opening for SZA, Mariah The Scientist, JaRule, Anime, and being the face of music at Milwaukee events such as the All Black Xperience and free days at the Milwaukee Art Museum. Ironically the love she had for sports came back full circle as she now has two jobs working as a full-time DJ for the Milwaukee Bucks and Wisconsin Badgers Women’s Basketball team. Since 2018 when DJing became stamped in Gilly’s heart; it’s never been only about hyping up an audience to dance. Her connection to social work never depleted, rather strengthened even more as she wanted to not only shift the culture of going out but also the personal interactions people have with one another. While in college DJ Gemini Gilly quickly took note that the club scene in both Madison and Milwaukee, WI neglected diversity and had several restrictions. Gilly bridged the gap between her passion for both music and social work by bringing two ideas that lived rent-free in her notebook to life. 

On May 27th, 2023 Gems Only was born. Gems Only is an event series carefully curated by DJ Gemini Gilly and her team that’s bringing a unique and hot take on the party scene; not only nightlife but all celebrations. Although the business is only a year and a half, it’s had the success that many entrepreneurs dream of after year three of being in business.

“I believe success came so quickly for Gems Only because it was needed and something nobody in the city has ever seen before”, she said.

You may have been in attendance some of the events such as Nightmare on Water Street, Summer Jam 2K24, and their New Year’s Eve event. The purpose Gems Only serves is to be a safe space physically, mentally, spiritually, and socially for all in attendance. Different groups of people that represent different ethnicities, cultures, and beliefs shouldn’t feel divided and judged by others when going out for a good time. It captures both the essence of a Renaissance feeling but heavily reels in on respect. In the words of Aretha Franklin, “R-E-S-P-E-C-T, find out what it means to me” should considered by Gilly as the intro theme song at every event. Respecting others, the space and especially yourself are the three rules not only for Gems Only but also another event series Gilly has brought to life: NO SKIPS. Her foot is never off the gas. NO SKIPS is a subseries under Gems Only. An album listening party created to be intimately experienced and celebrated as a collective group is the overall bread and butter of what the essence of what NO SKIPS is. On April 20th, 2024 the launch event was a hit; celebrating Wiz Khalifa’s Kush and OJ album. NO SKIPS is not for those who just listen to music, but for people who relate, analyze, and feel the music that speaks and uplifts them in their lives. 

Creating her own lane and climbing the ladder of the music industry has changed her entire life within the last six years. Being able to leave her corporate job where she felt as if a disguise had to be worn and code-switching was mandatory to become a full-time DJ was nothing short of a testament to her journey. Making bold moves has not only shaken up her life but also the lives of thousands of other people who now have a fresh take and a newfound love for going out such as college students, former classmates, and everyday people throughout the city of Milwaukee.Gilly continues to stamp her name as one of the most talented DJs in Milwaukee, Chicago and New York. This is why she was selected to be the DJ for the “When We Vote, We Win” led by former Vice President, Kamala Harris during her campaign run for the 2024 Presidential Election. 

“It was at that moment where I seen Flo Milli, GloRilla, and Kamala herself that I felt a shift in my career had happened without me knowing in order for me to get here. I felt that I was taken seriously by all people. Since I started DJing Black women were always my number one supporter so it just felt like a full circle moment”. -DJ GEMINI GILLY

Providing spaces and opportunities for BIPOC (Black, Indigenous, and People of Color) community members to feel seen, heard, respected, safe, and celebrated has always seemed like secondhand nature to Gilly. She’s turning the tables when it comes to combining her fascination and passion for social work and music. To make sure you receive an exclusive ticket to the next culturally curated event by DJ GEMINI GILLY whether it is NO SKIPS or Gems Only follow their social media page at (@gemsonlyseries). Trying to explore new people, places, and things to enjoy going outside and hearing music you normally wouldn’t hear; follow the creative herself as she keeps her community up to date consistently of what she’s got going on next at (@DJGEMINIGILLY). 

Desriana Gilbert | Entertainment & Social Journalist for /CW

Snapshot Press Release | Black Nativity [More Than The Birth of A Savior; Also A Cultural Love Letter]

The word of the day /CW Fam: Favorites. Everybody has favorites in different aspects and categories of life. From food, tunes, hangout spots after work, and TV characters; the list goes on. The holiday season is not off-limits when it comes to this inevitability. Everybody has their holiday staples that they look forward to. For many people, this can be watching holiday films such as Home Alone, The Grinch, and This Christmas while for others it's eating all the baked goods grandma prepares during the festivities. The city has declared a holiday favorite of its own. Black Nativity, a theatrical performance put on display every year to add some holiday cheer to the theatre industry. 

What does a black utopia look like to you? Is it the spitting image of Black Wall Street filled with hundreds of black businesses? Maybe it’s the painting hung up in your mama’s living room with black people singing and dancing with smiles spread across their faces as bright as the sun. I believe the answer to this question is the musical buffet of the 2024 Black Nativity performance. The show consisted not only of the bones and accuracy of the original Nativity story but also a colorful dialogue between a higher power (God) and the black and brown people who make up millions of communities throughout the nation.

December 5th-8th, 2024 was this year’s display of Black Nativity, originally written by the leader of the Harlem Renaissance, Langston Hughes. The phenomenal performance took place in Wilson Theatre at Vogel Hall in the Marcus Performing Arts Center located in Milwaukee, WI. There are centuries worth of history where the birth of Jesus Christ, also known as the Nativity story has been illustrated and depicted the same way every time. The ethnicity of the characters, wardrobe, and setlist remained the same; no room for versatility or imagination. Hughes became weary of the African-American community just talking about how this made them feel excluded and forgotten about. He then took the initiative in changing how and what the Nativity story

looked like. It’s no secret that back in the day Hughes was the face of “Don’t just talk about it; be about it”. His mentality has inspired and driven many adaptations created by black artists to keep this same mindset and hunger; specifically directors of this year’s Black Nativity, Ashley S. Jordan and Wanyah L.Franzier.

The birth of a perfect human being taking on the most cruel consequence for all who commit actions against spiritual law based on unconditional love and authentic faith is the nativity story universally known and cherished. Over the last nine years, Black Nativity showcased in the city has proven that there is more than one narrative and purpose that can be heard and emotionally tangible to an audience that looks, talks, and walks like the cast members of the annual production. Round of applause to Jordan and Franzier because this year’s show was a cultural feast of R&B, Gospel, and African roots that created a love story between a higher power and the African-American community. It’s so easy to lose sight of the heart and soul of a message when the element of providing an entertaining show with lighting, fits that people would love to see at a fashion show, and soulful choreography is involved. Still, year after year the show is executed on the right queue!

A sea of sapphire blue and lavender purple lights swarm throughout the stage as the opening scene begins. The audience could hear what seemed to sound like crystals falling to the floor and drums being played as loud as Nick Cannon and Leonard Roberts’ one on one competition in the 2002 film, Drumline. I’m telling you at least twenty people jumped out of their seats within 5 seconds of the beat dropping {Y’all got me. My best friend and I were included!}The essence of a soft, affectionate, and struggling young black couple fills our eyes; until a soft-spoken man with a glistening gold shadow (representing the Angel Gabriel) approaches them.

“You don’t believe you’re worthy? Why can’t good things happen to you?” These are the questions I wanted to ask Young Mary after hearing the disbelief and fear in her voice once the shimmered chocolate angel narrated the events that would go on during the production. Although it was a breakdown of the original Nativity story from the couple’s journey to Bethlehem and the Magi coming to share who Jesus is with Mary; each scene captivated us all by creating a different significance.

Can’t

Won’t

Don’t

Haven’t

Echoes of the four words above slipped out of not only Mary and Joseph’s mouths but many of the other artists’ mouths in the first half of the production as well. It didn’t take long for the audience to realize what message Jordan and Franzier were conveying. Confidence is second nature to people who share the same shade Young Mary possesses. Unfortunately, after decades of other groups of people telling African Americans that their voices and stories should be silenced, forgotten, and deemed non-important; they begin to fall into the weak narrative. The African-American race did indeed exist over 2,000 years ago when Jesus Christ was born and they had a perspective to Nativity as well. This fact is often unrecognized because filmmakers and playwrights who have brought this story to life represent their work with mirrors of themselves and their physical appearance. Black people should be seen, heard, and loved because they are capable, human, and filled with faith! Twenty-four artists; some veterans while others are emerging right here from Milwaukee, came together and took on the challenge of using song, dance, poetry, and acting to share this story from none other than an all-black perspective.

Mission accomplished!

“Creatively Black Nativity will take audiences on a heartwarming journey of familial love, faith, and the creation of new family traditions and norms. Audiences will be inspired by relatable, but current family stories, a home reminiscent of Christmas, and entranced by a dreamlike vision of Bethlehem.” Artistic director, Wanyah Franzier, stated while describing the setting of this year’s

production of Black Nativity. During past years the setting of Black Nativity has been modern-day inner cities and neighborhoods that are associated with struggle and neglect such as one of the city’s most known neighborhoods: Sherman Park. I believe the setting this year was not as specific as previous productions because Jordan and Franzier’s purpose was to make it as easy as possible for each person in the audience to see themselves in one or more of the artists on stage. Creating a specific setting such as a city or neighborhood would have put constraints and other limitations onto the audience and the message would not have been as transparent. The stage was meant to transform into any area of living where black people are existing, thriving, struggling, and finding their way to become faithful and proud of the spirit they each embody! Can you think of a place that symbolizes home during tribulations and celebrations? Or a place of peace and unity amongst one another?

Church. This is the #1 Family Feud answer. If only Steve Harvey could pop out and give you a brand new car.

Both the physical and emotional community of the Black Church was the focal point throughout the entirety of the play. Many people associate the Black Church with gospel music, interactive sermons, and freedom of expression during service. Not only is it the birthplace of where many faithful lives are born but it’s also a place that provides a sense of comfort and gratitude through

the unity of African-American people before Jesus could walk. Yellow and brown hues with African prints reflected onto the Vogel Hall’s stage representing the church. The performers uplifted and motivated Young Mary how perfect and courageous her son would be one day. On the other hand, these are where everyday people began sharing their grievances of how difficult it is to struggle daily feeling as if they have absolutely nobody to turn to but a higher power

{God}. This list went on and on from losing loved ones too frequently, financial struggles, and inferiority, to being on the verge of losing faith altogether. Jordan immediately thought of the Black Church when brainstorming the lens and setting of the 2024 Black Nativity showcase because she felt it was the most relatable setting to any and everyone in the black community. Everybody has been to church at least once or knows someone who practically goes to church so often it’s their second home. This became the element during the play where Mary and Joseph were often comforted and where smooth R&B musical performances were shared to symbolize safety and belonging.

Lack of representation has always been in the shadows of whispers when it comes to all aspects of the entertainment industry from music to film and television. It wasn’t until the weekend of December 5-8th that I witnessed the true importance of the significance representation holds. Shades of black and brown faces scattered around in the audience with tears, laughs, and a standing ovation had received the message this year’s creative team of Black Nativity wanted to cultivate throughout the city of Milwaukee. I realized that when I am entertained by people, sounds and movements that are involved in my everyday life; it hits home and lasts longer in my memory. Black Nativity taught me that the African-American perspective should be used and discussed more often than it has been the past few centuries. 

Need a way to entertain the kiddos next Christmas? Want your family or you to become involved in next year’s production? CW Fam you better check out Black Nativity next year during the first week of December 2025. Click here and check out their website 

I can assure you that you’ll recognize your favorite aunt, nephew, neighbor or even yourself while watching. It’s no feeling like having someone who shares your same roots and environment to pour out all of the emotions and thoughts they have about historical and current events happening right now in MKE. 

Desriana Gilbert | Entertainment & Social Journalist for /CW

So Why Aren’t All Aspects of Black Culture Adored? | By Desriana Gilbert

The Gallery of Black Essentials, All Photos Accredited to RobRanMKE featured in copywrite magazine issue 21

/CW fam picture this: It’s as quiet as a church mouse on a Sunday morning. You’re blasting Erykah Badu’s Mama’s Gun album in one airpod while your other ear is filled with the humming and churning from the washers and dryers in the laundromat. Then walks in an older woman who exudes energy and could pass as a body double for Cecily Tyson. She’s wearing a cherry red fur coat as long as your kid’s Christmas list. Golden hair pins decorate her sleek ponytail as she walks with sparkly black thigh-high boots. She’s asked by a bold young man, “Why are you so dolled up? Aren’t you about to do laundry?”. She calmly replied, “Honey don’t be mad at my swag” A question immediately popped into my head; Why does the black community seem unphased with our lifestyle, habits, and physical appearance; while everyone who has all eyes on us is continuously in awe and such admiration? 

The answer: black culture is not an accessory to us; it’s essentially embedded into our everyday lives both internally and externally without us even realizing it. In the words of Andre’ 3000,
“It’s in us not on us”.

There’s no secret that the world so easily assumes, judges, and misinterprets who and what exactly black culture is. However; the fashion that has been birthed such as hoop earrings, bold and bright colors, and intricately braided hair seems to have a separate identity from the beautiful black and brown people who are walking billboards of it. The style and appearance are so widely appreciated that many attempts to emulate and replicate how refreshing and beautiful black culture is. A door opens with an opportunity for African Americans to be seen in positive silhouettes as the complexities, different perspectives, and hidden gems they have both as a people and individuals are showcased to the world. But why aren’t several other aspects that create the ecosystem of culture and African-American people celebrated, let alone acknowledged?

Well, CW fam our creative director, Vato (Carlos) Vergara took it into his own hands with the help of many other talented creatives to strengthen awareness that there’s more than one aspect of black people that is beautiful and multifaceted while bringing the shoot to life. The Gallery of Black Essentials can be described as a digital museum of black people's love, authenticity, connection, and vulnerability. The shoot’s photographer, RobranMKE, stated, “It was a homage to the power, pride, and stories woven into our style.” The dynamic of black fatherhood, sisterhood, friendships, beauty, and romantic love was executed in such an ethereal and crystal-clear lens of exactly who we are.

One of the main themes of the eccentric and modern photoshoot was intentionality. From the photographer, creative directors, stylists and artwork being chosen as moving pieces to lead The Gallery of Black Essentials, everyone had one common goal: intentionality! Co-stylist, Sydney Beason confidently states, “The title of the shoot brought me back home. Visualizing the childhood memories of colors, textures, and even the fragrant whispers of the past. The pieces I chose to be brought to life gave a sense of nostalgia to the black community. Each creation is a testament to our history and a vision of our future, celebrating the diversity and dynamism that define us.” Her response brought an answer to my opening question. As a people we are not unphased or unknowledgeable about the swag, beauty and uniqueness black culture gifts to society; rather it’s an everyday lifestyle black and brown people live in realtime and is not a decoration. 

Although each image presented in the gallery is breathtaking and speaks for itself; aspects of the black community that keep the wheel running yet don’t get enough of the conversations nor the attention they deserve were given a spotlight. Intentional fatherhood, wrongful incarceration, freedom being restricted, and the long process of black beauty were each captured in such a vulnerable and confident way. Now let’s keep it a hundred, these are not glamorous and accomplished discussions that should be the face of black culture, but it’s reality and the things that instill perseverance, creativity, hard work, and unity into our community. Everyone who participated in bringing the team’s vision to life felt proud, overwhelmed with emotion, and excited to showcase that there are different types of black culture. We are all not the same and deserve an equal amount of attention. So what are the things that keep a sense of comfort, identity, and protection in a community that is so misunderstood, judged, and restricted? It’s simple: our essentials. Some of the creatives apart of the shoot such as the models shared a list of their essentials. Hence the following:

-White Air Force 1s (Dookies)

-Beauty Supply Store Trips

-Music

-Hustler’s Mindset

-Resilience

-Sunday Soul Food Dinner

-Humility

Check out the vibrant and fun images that tell the story of who we truly are and where our future is going on Instagram: https://www.instagram.com/copywritemag/. Comment down below what your internal or external essentials are. Also, don’t forget to rent our space for your next photoshoot. See what we can offer you at https://copywritemag.com/creative-media-services

Desriana Gilbert | Entertainment & Social Journalist for /CW    

The All Black Xperience 2024 Presented By: Johnny L. Jones, Myron “M-Town” Smith & Tim Ricketts

Can you think of a moment in time where you felt the words of James Brown, “Say It Loud-I’m Black & I’m Proud” was your city’s anthem? Let’s take it back to February 2018. The infamous Ryan Coogler film, Black Panther was released and had anybody from eight years old to eighty years old rushing to theatres in their best-dressed outfits; whether it was a dashiki or all-white fit from head to toe. The city of Milwaukee felt different for the Black Community. It was as if every one of all races had come to an epiphany-there is success and elegance when it comes to black people.  I often wonder if it was the story of the film; Prince T’Challa taking on the crown of his country following his father’s passing to save the innocence and future of his people or the costume design that had all of Milwaukee in a chokehold. Prince T’Challa’s wardrobe mainly consisted of the color black. Why? Black is the color of power, sophistication, wealth, and elegance. 

However, as soon as the film left theatres, everyone put the urgency and need for black pride and unity in a box to left as well. (Shout out Queen Bey). Well all that changed Friday, November 29th, 2024 as almost the entire MKE was in attendance for The All Black Xperience hosted at the Baird Center which was presented by Johnny L. Jones, Myron “M-Town Smith, and Tim Ricketts in downtown Milwaukee. These three men who could be described as Milwaukee’s own BellBivDevoe have taken on the responsibility and challenge of normalizing the celebration and elevation of Black Excellence. Each of these three men are known in the city for being an ambitious entrepreneur, developer, and the life of the party. They all have over a decade of experience dedicating their lives to making Milwaukee more familiar with wealth, power, and luxury in the black community.

The All Black Xperience illustrated a night whose theme was black luxury and elegance. Think of NewNew’s (played by Lauren London) parents in the coming of age film, ATL. Successful, prestigious, fly, smooth and creative black people filled up the guest list quicker than your family members rushing to the line to get their Thanksgiving plates. The purpose of this event was for a night of entertainment, networking, and celebration to be experienced by those in Milwaukee who are not only making moves for their own success but also hyper focused on what the future and sustenance of black excellence will look like after this year comes to a close. 

Not only did musical guests Rick Ross and Tweet keep everyone’s attention from the beginning to the very end of the night; but the red carpet was a head-turner as well.  Everyone followed the number one rule which was to wear ONLY BLACK! The dress code was made clear and nobody was disappointed. The men were dressed in their black suits and ties giving a real depiction of when Justin Timberlake & Jay-Z hopped on a track together; as the ladies shut down the carpet in their all black dresses. Let me just stop and answer the question I know you are all thinking;

“Des, what was on the menu?”. The food and drinks were centered around the culture of our city as a whole. A variety of sausages including bratwursts, frozen custard, cheese curds and alcoholic beer beverages made up the menu for this memorable night. Sounds like an MKE night at SummerFest. The All Black Xperience did more than check all the boxes when it came to the perfect date night such as music that makes you want to move, a reason to pull out that outfit in your closet, while also eating and drinking some things that make you feel good. This experience got the city to show up, show out, but most importantly present the opportunity to figure out what’s the next route when it comes to the celebration of black elegance & excellence being normalized in Milwaukee.

There were only a few calls made by the dynamic three (Jones, Smith, and Ricketts) as they selected who the hosts for the night would be. One of those calls went to author, motivational speaker, and life influencer, Steph Crosley. The hosts needed to embody what the event symbolized: a hustler’s mentality, active community member, classy, and who also knows how to turn up and feed that energy to the guests. Crosley shared how the highlight of her night was not just the feeling on stage with Jammin 98.3’s Earl Stokes and DJ Cheerio but also honoring and awarding movie director, producer and writer; Ramon Swift Sloan towards the end of the evening. I asked the life influencer what is the correlation between celebration, motivation and inspiration because those are the three things that surrounded her that night. Crosley stated, “I believe you’re inspired - there’s a spark and then there’s a force that propels you internally to ‘do something’ and then there’s an outward display of your accomplishment - the celebration - in that order.” The perfect equation that should be used more often than it is by people who look like us. Steph’s night mirrored hundreds of others that attended the event; a night of music, food, fashion, and networking specifically catered to high-class black people in the city; but that wasn’t all that she remembered from that night.

“One of the messages to take away from the All Black Xperience is that together we can - it takes all moving parts to make an event successful from the organizers - to the city trusting the vision and coming out to support - to the DJs and host doing our part and everything in between. Together we can and I believe it will continue to do well and grow.”-Steph Crosley

It’s up to us to keep events like this in an consistent rotation and celebrate one another. So what will motivate you to do your part? Is it musical guests being in attendance? An opportunity to dress up? Or is it having the chance to talk to some of the most influential and intelligent black people in the city?

On behalf of the /CW fam I would like to applaud Johnny L. Jones, Myron “M-Town” Smith, Tim Ricketts, Steph Crosley and all the other hosts who came together to make this night possible. As Crosley would say, there is power in numbers; might even have some of us starting to walk like Ghost off the Starz show Power. The celebration and elevation of black entrepreneurs, media, success, and unity needs to become normalized and consistent. So I challenge each of you. Comment down below what you think it’ll take for this to happen. Go follow the creators of this event. Their instagrams are @stillstephc, @jlj164, @therealmtown, @therickettsshow and catch the live recaps and photos from an unforgettable night.

Desriana Gilbert | Entertainment & Social Journalist for /CW

Meet Who's Bringing Real RnB Back | D.Lylez

Do you remember waking up on Saturday mornings to your mom blasting music that made you want to do the two- step as the house was being cleaned from top to bottom? Some of those family favorites could’ve been:

Superstar by Usher

Let Me Love You by Mario

So Beautiful by Musiq Soulchild

Understanding by Xscape

So Sick by Neyo

Or maybe you’ve seen the frenzy behind the internet’s conversation on who is the king of R&B. Well, I’d like to introduce a new face in the music industry who is definitely making noise when it comes to bringing back that soulful yet raw energy to R&B music! Ladies and Gentlemen, let me introduce you to D.Lylez. 

Darious Lylez, widely known by his stage name D.Lylez is a Chicago Native who has always embodied and displayed not only a love but a passion for music. Although his childhood was under the framework of a preacher’s kid, Lylez stood firmly withhis personality, stage presence, and emotions when it came to falling in love with R&B! By age 9 music lessons and recitals became his daily routine with the support of both his parents despite church culture. Everybody knows that no matter if you sing in a choir, are a deacon, or can recite many bible verses; they bump to New Edition, Bobby Brown, and Jodeci, here and there. 

You may be squinting your eyes trying to figure out just exactly where you know this cat from. The answer is the hit talent show The Voice season 18 with judges John Legend, Kelly Clarkson, and Nick Jonas. It’s no secret that his soothing yet confident voice blew the judges away but that was not the start to his journey. From being in a boy band called Changes, auditioning for the Voice, and becoming a signed solo artist, D.Lylez's musical journey has been quite eventful. He has tapped into what he wants his legacy and artistry to represent: authenticity, story-telling, and a groundbreaking powerhouse when it comes not only to his vocals but also his performance. The superstar’s two latest singles “24 Hrs” and “Is It Time?” are a direct visual buffet of how truly captivating his artistry is. 

As I watched the video of “24 Hrs” it instantly took me back to the hit single “Sensitivity” by Ralph Tresvant (Yes, one of the cuties from hit group New Edition). The two videos have several similarities when it comes to color stories such as Midnight Blue and Harvest Orange. They both also showcase scenarios that male artists deal with when it comes to the challenge of balancing their career in the spotlight but also having someone very dear to them in their personal lives. In the video you see him wanting his girl so passionately and thinking of her but he’s in the studio doing what he also loves: creating stories and music. The leading woman begins thinking that she’s being ignored and stood up for a romantic dinner date but he’s thinking about her just as much. Lylez is bringing back the R&B that reunites couples when they go through ups and downs, makes you fall in love all over again, and at other times he lets his audience know that they aren’t the only ones dealing with the harsh realities when it comes to dating, loving a person unconditionally, and any other curveballs this life throws at us. Before you know it brothers will be singing and dancing in the rain while us sistas live for every moment of it. 

I love how there’s now space being created again for vulnerability, soft love in the black community, and raw emotions when it comes to a black male artist and he is one of the individuals becoming responsible for that. His music indeed celebrates and uplifts women in the most beautiful light but Lylez's next single “Is It Time?” also is a friendly reminder that everyone can be heartbroken and played; no matter the gender. The video will showcase him in a more painful and distraught light after finding out his partner may be entertaining other men in these streets. I feel very few artists are extremely transparent while still being entertaining and that's a gift he utilizes to a tee when it comes to creating music. 

A catchy chorus and beautiful lyrics that will sound good on the radio or in the club is not his top priority; rather it’s creating a versatility quality music catalog. Neo-soul vibes and the heart is coming back to R&B. Music that makes you feel like you are on cloud 9 when thinking of your boo or last romantic partner has a different energy bringing people of all communities as one because who in this life doesn’t want to experience good ole lovin’ or as Mary J. would sing out, “Real love”. 

Tune into both of D.Lylez’s latest videos if that sultry yet heartfelt R&B makes those car rides a vibe before work or if you just love love.

Comment down below which is one is your favorite out of his latest songs. Follow the talented young star on all platforms as well. [@dlylez]

Desriana Gilbert | Entertainment & Social Journalist for /CW

Marie & Rosetta - Snap Shot Press Release [The Godmother of Rock ‘n’ Roll & The Wind Beneath Her Wings]

It is no secret that every last one of us comes from different walks of life. No matter what trials and tribulations come our way or what groundbreaking dreams instill that grit and exhilaration inside our souls.

Millions of people find it quite easy to relate [and associate] with only those who give them the feeling that they are glancing into a mirror. The cost of this is usually shying away and subconsciously avoiding others who may seem “a little too much” or that orbit on the other end of the spectrum. Humanity has taken a prolonged journey to comprehend that opposites attract. [In the words of Sam Cooke, “It’s been a long time coming”]. 

As a result, new conversations, innovations, and walks of life are born. 

Friday’s (October 25th, 2024) showing of Marie & Rosetta at the Milwaukee Repertory Theatre was a vulnerable and intimate depiction of this revelation. Beyond the physical attributes of these characters, lived “culture” creates a divergence in how they differ in society. So you may be asking, “Now girl how are these two black women completely different from one another?”. Well, honey find a cozy seat while you’re on the clock because the words complex and the phrase, ahead-of-its-time, are just the beginning. This may take a minute.

Did you know that the gorgeous and bold men behind the origin of Rock ‘n’ Roll such as Little Richard, Elvis Presley, and Jimi Hendrix were influenced, captivated, and mesmerized by Sister Rosetta Tharpe before they even started paving the way for the rest of the world themselves? A Black woman born in Arkansas that traveled with her mother to Chicago at age 6 performing as a duo. Her mother Katie would preach into the Chi streets with chilling sermons as Rosetta would close out singing light gospel music. She spoke her mind as if she was Wendy Williams taping Hot Topics, and had no fear of what others thought or would judge her for. Her wardrobe of sequins, furs, and enchanting dresses were just as eye-catching and jaw-dropping as her performances. I almost jumped out of my seat as her hit song, Rock Me, was performed by Bethany Thomas who plays Tharpe, with a commanding aura of musical majesty.

As the curtains open, the confident superstar has just successfully chosen her new protegee who will accompany her on tour. Marie, played by Alexis Roston, presents herself as a young talent who is very innocent, angelic, and on the straight-narrow. Marie is no free spirit [and soon we discover she is not “free” at all]. Through Tharpe’s proding for information about her new talent find, she discovers that Marie is actually a 23-year-old married woman and mother of two who sang in a quartet and constantly thought about how the church viewed her and what others thought of her. Marie never wanted to be the woman the church folk would oohh and ahh about.  She would’ve been almost as innocent as Jesus’ mother Mary, but she was caught in that lie within the first few minutes of the production. Not only did Marie downplay her age, but she had a hidden edge to her. She would sneak around the church playing secular music [a scandal of those times] and was a preacher's wife [a preacher she was not too happy with]. This is where the topic of opposites attracting comes full circle. 

Rosetta did reveal that Marie’s lies were the reason why she initially chose her to come on tour; as she seemed to contrast Rosetta’s image. Rosetta wanted to re-enter the church circuit as a performer, but her headlining juke joints and supper clubs took her right off of that saintly roster.

This performance becomes alluring when the ladies begin to create a healing yet difficult dialogue amongst one another as the story shares their first night creating their electrifying tour.

Set in a funeral home showroom in the South, this heartwarming yet harsh reality check creates an emotional exchange between the two women. Tharpe begins describing to her wide-eyed protegee that showbiz for Black women during that time was no red carpet walk at the BET Awards [Today’s acts like Latto, Glorilla, and Megan Thee Stallion, with their controversial aesthetics may still feel this way]. Rosetta revealed that music was the only thing that loved her back after she lost her mother. The inventory of husbands, money, and fur coats did not make her heart skip a beat or give her a sense of genuine love. As the night continues, Marie wears her heart on her sleeve and starts revealing her most honest thoughts to Rosetta. This form of intimacy seemed new for Marie. She eventually admitted wanting to leave her husband since he didn’t value her anymore and how she felt she lost herself in the marriage [Divorce? Baby, not in the churchhhhhhhh!]. 

Controversy is one thing playwright, George Brant, and director E. Faye Butler did not run away from. The topics of divorce, mistreatment of African-American performers in the music industry, and even a hint of homosexuality, regarding a romantic relationship between the two leading ladies were showcased in such an intriguing, yet transparent angle. This lens harnesses the delicacy of truths that are usually avoided in “historical” reenactments. These complexities are exactly what we need to see on the stage, so that we may feel their gravitas in society. The production balanced out with comedic relief, harsh truths, and soul-touching musical numbers. In my opinion, the music and Rosetta’s direct personality united the two into the dynamic duo they became. Once they got over the hurdle of Marie subconsciously judging and trying to change what many used to call “secular ways” Rosetta had and accepted each other for who they were in that moment; magic sparked! 

There’s no question that both ladies demanded my attention from the opening act to the closing scene but with much reflection; I found myself in Marie. I connected with how others perceived her. Just as Marie seems innocent and knows nothing of the world to other people; at times I believe that’s how people see me. Once Rosetta began listening to her thoughts, dreams, and experiences, Marie was then displayed as a strong, talented, and daring young woman who just wanted people around her to take her more seriously. However; Marie also trapped herself in the role of a people-pleaser and rule-follower. The majority of her life, just like I, carried times of doing things the “right” way and bending herself in so many different directions to make everyone else’s dreams for her life come to fruition instead of living the life Marie wanted for herself. 

Who knew with the right push from her favorite musician that blossomed into a close relationship [nobody ever knew the full details of], that Marie would become a walking memorial for Rosetta after Tharpe passed? Marie started having a free-spirited attitude, speaking her mind without second-guessing herself, and stood on her own name. Not hiding behind a husband, her mentor, her parents, or society’s rules anymore. Many of us, including myself can look into the mirror and see flashes of Marie. Whether it’s her spirit that has others thinking she’s younger, her gentle tone that makes others think she’s holding back something and doesn’t have a voice of her own, or her ability to camouflage herself into the background of any environment and observe that confuses others into thinking her entire being is invisible. For some, it only takes a few months while others need years to find themselves and understand their purpose, but honey a journey is a journey!

Do you think you need a little push into some reflection of your own? Do you want an entertaining history lesson that’ll take you back to the time when two black women owned Rock ‘n’ Roll? Maybe you would like to jam out to some soulful, yet bold music? I want to extend the invite /CW received from the Milwaukee Rep to you. Go check out Marie & Rosetta between now and Dec 15th. This show will give you the laughs, moments of silence, and strength you need to take a deep look into who you are and how everyone and everything else around you affects the trajectory of your lifestyle and where you are headed, family. 

Desriana Gilbert | Entertainment & Social Journalist for /CW

"WI Has All Hands On Deck When It Comes To Tech" | w/ Nadiyah Johnson

Who are the big dawgz that come to mind when you hear the word technology? Is it Thomas Edison, Steve Jobs, the Wright Bros, or Alexander G. Bell? Or maybe it’s not who but what comes to mind? Many think of science labs, China, and the latest iPhone. For technology to consume, intrigue, and play a pivotal role in everyone’s life from Michael J. Fox to Jamie Foxx, why does the industry seem so black & white? What if I told you MKE had it’s very own tech mogul not only making noise in the city but who is also a black woman [whose hair is always laid]?

Nadiyah Johnson. That’s her name!

Although the Marquette University grad’s initial major was international politics; her first love was technology. Johnson has always stood on business when it comes to her goals and vision: to put Wisconsin on the map for changing the way the tech world looks and operates; meaning inclusivity for Black and Brown people. This initiative drove Nadiyah to fall in love with technology. She states, “I fell in love with technology when I saw its potential to transform communities. Growing up, I was always fascinated by how things worked, but it wasn’t until I realized the power of tech to create equitable opportunities and solve real-world problems that I truly fell in love with it.” Johnson’s father introduced her to the versatility and significance of tech when she was young, and her fascination happened quickly. It wasn’t until halfway through college that she realized tech not only solves many problems throughout the world but the industry also has its own challenges; A lack of representation and diversity are on the top of that list. 

I had a front-row seat to witness Nadiyah in action at the Equity In Tech event at the University of Wisconsin (October 9th, 2024). No matter if you are as tech savvy as a 10-year-old on TikTok or someone who needs their niece to help them write a text; any and everybody could relate to one another at her event. From the moment I walked in the door, there was a spread of good food, desserts, business pop-ups, and engaging conversation. The event kicked off with keynote speaker Agustin Lopez, Assistant Special Agent for the FBI, sharing both hilarious and jaw-dropping career stories that gave him the strength and motivation to stay in the field and never give up on his dreams or vision for the life of everyday people that make up cities just like ours!

Lopez didn’t just keep my attention, everyone else in the audience were at the edge of their seats with his life story and nerve-wracking career highlights but also by introducing the topic of Artificial Intelligence [AI]. With its function to simplify and perform has excited millions across the board since it seems it’ll make life easier. However; you may hear about AI in convos throughout MKE usually starting with “I’m gonna lose my job to a robot.” or “There’s no real connection with AI.”. The list of issues arising within AI that myself and the rest of Johnson & Lopez’s audience discussed could be considered longer than Hip Hop’s Top 100 rappers. From invasion of privacy, voice-cloning, financial theft, and blurring the lines of what’s real and what’s not; I learned a valuable lesson in that moment. Yes, artificial intelligence will indeed be a force to be reckoned with when it comes to tackling 414’s biggest issues such as food scarcity but it is also will fire up fear and confusion if not used properly and intentionally. I believe the logic and computational science behind it is a genius foundation for a brighter future but it’s also very easy to become dangerous if we all don’t become educated and in the driver's seat of what exactly AI can contribute to all dope cities including MKE. This is why I’m glad Nadiyah introduced exercises that made everyone in attendance go to the drawing board and see how each one of us would utilize AI when it comes to solving problems knocking on our own doors in WI.

Johnson broke the participants into four teams as she lead her hackathon (a collaborative event where a group of people come together to create a prototype or product in a short amount of time). She allowed each of them to utilize AI resources such as ChatGPT to create phone apps, websites, and other solutions to Milwaukee’s biggest issues they could think of. The room felt like a mecca of brown and black people coming together with out-of-this-world ideas and questions to take on any conflict or problem head-on. The room was full of unique and widespread perspectives that deepened the convo even further time and time again. Although the breakout session was supposed to make the event more active and engaging; they did something even better: create the spark in the minds of tech entrepreneurs, business owners, and those in the corporate world to start to apply how they could solve their very own issues in that moment. I’d say it was a success! 

The Equity In Tech event raised several questions but one rang in my head loud & clear: what keeps Nadiyah motivated to tackle such a challenging journey to diversity in tech and the economy? Johnson quickly replied, “My motivation stems from the people I serve. Seeing the talent and creativity in underrepresented communities, yet knowing that these individuals often don’t get a fair chance in tech, drives me every day. Hope drives innovation.” One would think the break-out groups or keynote speaker Agustin Lopez speaking on AI-powered fraud was the highlight of last week’s WI Tech Month event but in my opinion, it was Johnson’s empowering remarks about how the ecosystem is evolving into a more optimistic light rather than negative. “Organizations like Milky Way Tech Hub and Latinos in tech have emerged as top leaders in our state-wide ecosystem. The question that we are solving for now is -- how do we sustain and scale this momentum?  I envision a future where Milwaukee, and Wisconsin as a whole, becomes a hub for Black tech talent, where underrepresented groups are not just participants but leaders in the industry. We have the potential to set the standard for what an equitable tech ecosystem looks like”. Nadiyah Johnson has made it her mission to continue to stand on business when it comes to showcasing just how bright Wisconsin’s present and future will be once everyone sees their is magic in representation, equal opportunity, and diversity!

Desriana Gilbert | Entertainment & Social Journalist for /CW

7EVEN STAR STUDIOS

 Since the beginning of time, fashion has been utilized for more than one purpose not only in culture but for all individuals as well. You hear everyday how people  claim they put that ish on but do they ever dive into why? For many people, clothing serves as a  way of expressing who they are without having to say too much, which keeps all eyes on them with a hint of mystery. OOTDs and fashion trends have a deeper meaning to very unique and creative people such as one of the mil’s most talented fashion designers, Rickey Roach. Roach is the CEO of 7even Star Studios, a clothing brand that has a holistic meaning and prioritizes one putting a stellar touch on everything they come into contact with. 

Now I know what you’re thinking… why the name 7even Star? Why not stop at 5 Star since that is popularly known as being the ultimate rating of the hottest restaurant, song, place or experience. Rickey stated that the number seven represents completion, rest, hard work has been done, and that much progression has been made in one’s individual journey. It all started with just a thought in high school that was never given any time to reach it’s full potential. “I was always the kid in class who had the entire Jordan outfit from head to toe with the matching shoes on. Always fly and put together.” the ambitious designer shared with us. After taking a year to teach himself how to design and showing his inner circle his work without telling them they were his for honest feedback, 7even Star Studios launched the summer of 2023 and has now been a Shoppable clothing brand in the inner city for over a year!

Determined, confident and ready to move with a sense of urgency is the message Rickey says he wants his brand to represent and share with its members. We live in such a hustle culture where many people either prioritize their goals or look good but never accomplish the balance of both. After reading reviews and browsing the website myself, I couldn’t agree more that 7even Star is the perfect combo of looking good while also being locked in on your mission to becoming the best you. Failure, success, and life lessons are inevitable in life but that doesn’t mean you have to look to’ up while going through it. Milwaukee, go get fly and stay consistent on your journey by shopping our guy Rickey Roach’s unisex brand, https://7evenstarstudios.com/. Comment down below on his latest IG post which fit is your favorite https://www.instagram.com/7evenstarstudios/. 

Desriana Gilbert/ Entertainment & Social Journalist for CW