Mental Health Meets Hip Hop Musical Showcase 2025: Where The Most & Least Discussed Topics Become The Conversation

After a night of being celebrated and uplifted, I pulled five hip-hop artists to the side and asked “What does Hip-Hop mean to you?”. The following were their responses:


“I’m seen.”

“I’m not alone.”

“It’s my escape from the world.”

“The justification to ignite the fire inside me”

“Being different is completely fine”

“Hip-hop is an exhibit of who I am and where I come from.”

Misconceptions about this safe haven have been deeply rooted in the world’s mind (A.K.A Media, TV, and School Curriculum). Throughout the 80s Hip-hop became the scapegoat for the crack epidemic, and in the 90s it was to blame for the dark era of the L.A. riots. Around the early 2000s, the genre was put yet under another microscope. The origin story and cultural autopsy became classified as innovative and positive. A transformation was occurring where Hip-hop went from being known as the sister of violence, gang affiliation, and segregation to becoming the poster child for black joy and artistic expression. It became widely recognized as more than late-night TV with Arsenio Hall but also a lifestyle and form of communication to the masses. 

  Photography Accredited to Mikala Woodfork

Time not only changed how parents, children, and politicians perceived Hip-hop but also the lyricism and visual graphics that artists were creating. From the time Bow Wow was rocking his two pigtails up until he became an adult, the topics glorified and pushed in songs remained stagnant. Money, women, drugs, and the fast life were constantly being rapped about like a broken record player. As new Hip-hop artists emerged into the industry, the game began to change slowly but surely. Relatability and life struggles were becoming trending topics thanks to artists such as DMX, Eminem, Mac Miller, Rod Wave, and NBA Youngboy; making Hip-hop become the face for the least discussed topic in America: Mental Health. What better way to educate and entertain by using the most sought-after music to strengthen the identity and awareness of resources and intellectual knowledge regarding mental health?

Saturday, January 25th, 2025 a musical showcase from 6 pm to 9 pm was presented by the Mental Health Meets Hip-Hop organization at the Harold Washington Cultural Center located in Chicago, IL. Heavy hitters such as Dlow Bop King, Big Mouf Bo, and Korporate rocked the crowd with their performances while informational and vital panels were also in the spotlight. The selection of speakers was not only inclusive by showing all ages, backgrounds, and missions of individuals apart of the black community. Sixth grader, Kylee Paul brought the city of Chicago into her world as she dove into the severity of communication between parents and youngins; and the struggles happening to our future leaders (the kiddos). Some of the problems she spoke about were bullying, comparison to social media, and peer pressure. The conversation did not stop there. The relationship between diet, a surplus of fast food restaurants, lack of food markets, and mental health was emphasized by mental health professional Zacharyiah Austin. Everyone from the front of the stage to the back of the theatre was glued to the panels. Uncomfortable and hard testimonies as well as knowledge was being served on a plate and ready to be presented to over 200 attendees. Hosts, Big Twon and 2Can added a unique element to the show as they asked the audience questions and created dialogue between the artists, panelists, and community.

The night provided the city with the perfect balance of a family-friendly turn-up with intentional, tough, and essential conversations surrounding mental health. The, what, who, why, where, and how were clearly explained to the crowd as some of the Chi’s favorite artists shared their connection to the topic at hand. The message of the night was that mental health should not be taboo to anyone, especially in the minority communities where it's prominent. Much research, access to resources, and common knowledge based on mental health should be shared ten times more than is currently. 

Before the doors opened to the star-studded and jumpin’ performances, the lobby had its own party going on. Over ten vendors filled the building, reeling in much-needed attention to the merchandise, resources, and organizations. The entire first level was filled with a variety of vendors from domestic violence help organizations, activities such as journaling and group therapy, and also cupcakes that will make you feel like every day is your birthday. Access to free therapy sessions open to 8 years old and up, job openings for teens and young adults who feel lost, and music programs were also plastered throughout the lobby for the city to soak in and want to learn more about mental health in their free time. It should be a part of their lifestyle and not just a discussion introduced to them every few months through the news, after-school programs, and conferences.

The showcase was far from your average mental health seminar. I applaud Mental Health Meets Hip Hop for presenting a platform to over twenty educated and experienced artists, activists, and professionals to grace the stage with life lessons, laughs, and silent moments that made the crowd think. Hence why it was more than only one panel; specifically three panels, where advice, testimonies, and community was given from Dr.Amanda Long, Sam Sparks, Dr. Ozell Adams, and Reginald Carter. Speech after speech there were many tokens of advice and conversation that resonated with me, a young twenty-two-year-old black woman. 

“Stop waiting for the world to tell you who you are and sit down with your thoughts.”

“Social media is smoke and mirrors; stop letting it control your brain.”

“Know who you are as a woman and be authentically you.”

“Take capture of your thoughts.”

“There’s life and death inside your tongue. Be intentional with your words always!

Chicago artists and their footwork weren’t the only focus throughout the night. The Mental Health Meets Hip Hop organization enhanced another theme during the night; giving people their flowers while they can still smell them. There were countless awards given out throughout the night making the audience feel as if we were at the NAACP awards, but two awards stood out to me the most. Rapper, actress, and community activist, Big Mouf Bo was presented an award of acknowledgment by her students. Global director of the Harold Washington Cultural Center, Jemelia Tillman was also gifted an award of leadership for helping MHMHH make their showcases and other events come to life. The city of Chicago has an army of intellects, entertainers, and institutions whose making it their mission to not only inspire others but bring real change to the world; starting with Chicago.

Mental Health Meets Hip Hop is not the new kid on the block. This relationship between local artists and mental health professionals has had over six years of understanding, growing, and valuing one another. Founder, Tatiana Lane, brought both of her worlds together from being a hip-hop artist and MH professional herself, together to curate a unique space. Her vision has turned into reality as the MHMHH values innovation, inclusivity, culture, community, and empowerment. They are constantly reconstructing the vision of mental illness by integrating talented artists and clinical awareness as well as resources into the community. For over five years, curricular development, consultation services, emotional and life coaching, as well as mindfulness workshops has been provided and utilized in maximum effect by both the organization and community members. Are you someone who wants to understand better their mental health? Do you want to be able to understand both the beginning and end of mental illness? Click here to see what Mental Health Meets Hip Hop can offer you: https://mentalhealthmeetshiphop.com/.

Want a closer look into the jam-packed musical showcase?

Follow MHMHH @mentalhealthmeetshiphop

Desriana Gilbert | Entertainment & Social Journalist for /CW

Meet Who's Bringing Real RnB Back | D.Lylez

Do you remember waking up on Saturday mornings to your mom blasting music that made you want to do the two- step as the house was being cleaned from top to bottom? Some of those family favorites could’ve been:

Superstar by Usher

Let Me Love You by Mario

So Beautiful by Musiq Soulchild

Understanding by Xscape

So Sick by Neyo

Or maybe you’ve seen the frenzy behind the internet’s conversation on who is the king of R&B. Well, I’d like to introduce a new face in the music industry who is definitely making noise when it comes to bringing back that soulful yet raw energy to R&B music! Ladies and Gentlemen, let me introduce you to D.Lylez. 

Darious Lylez, widely known by his stage name D.Lylez is a Chicago Native who has always embodied and displayed not only a love but a passion for music. Although his childhood was under the framework of a preacher’s kid, Lylez stood firmly withhis personality, stage presence, and emotions when it came to falling in love with R&B! By age 9 music lessons and recitals became his daily routine with the support of both his parents despite church culture. Everybody knows that no matter if you sing in a choir, are a deacon, or can recite many bible verses; they bump to New Edition, Bobby Brown, and Jodeci, here and there. 

You may be squinting your eyes trying to figure out just exactly where you know this cat from. The answer is the hit talent show The Voice season 18 with judges John Legend, Kelly Clarkson, and Nick Jonas. It’s no secret that his soothing yet confident voice blew the judges away but that was not the start to his journey. From being in a boy band called Changes, auditioning for the Voice, and becoming a signed solo artist, D.Lylez's musical journey has been quite eventful. He has tapped into what he wants his legacy and artistry to represent: authenticity, story-telling, and a groundbreaking powerhouse when it comes not only to his vocals but also his performance. The superstar’s two latest singles “24 Hrs” and “Is It Time?” are a direct visual buffet of how truly captivating his artistry is. 

As I watched the video of 24 Hrs” it instantly took me back to the hit single “Sensitivity” by Ralph Tresvant (Yes, one of the cuties from hit group New Edition). The two videos have several similarities when it comes to color stories such as Midnight Blue and Harvest Orange. They both also showcase scenarios that male artists deal with when it comes to the challenge of balancing their career in the spotlight but also having someone very dear to them in their personal lives. In the video you see him wanting his girl so passionately and thinking of her but he’s in the studio doing what he also loves: creating stories and music. The leading woman begins thinking that she’s being ignored and stood up for a romantic dinner date but he’s thinking about her just as much. Lylez is bringing back the R&B that reunites couples when they go through ups and downs, makes you fall in love all over again, and at other times he lets his audience know that they aren’t the only ones dealing with the harsh realities when it comes to dating, loving a person unconditionally, and any other curveballs this life throws at us. Before you know it brothers will be singing and dancing in the rain while us sistas live for every moment of it. 

I love how there’s now space being created again for vulnerability, soft love in the black community, and raw emotions when it comes to a black male artist and he is one of the individuals becoming responsible for that. His music indeed celebrates and uplifts women in the most beautiful light but Lylez's next single “Is It Time?” also is a friendly reminder that everyone can be heartbroken and played; no matter the gender. The video will showcase him in a more painful and distraught light after finding out his partner may be entertaining other men in these streets. I feel very few artists are extremely transparent while still being entertaining and that's a gift he utilizes to a tee when it comes to creating music. 

A catchy chorus and beautiful lyrics that will sound good on the radio or in the club is not his top priority; rather it’s creating a versatility quality music catalog. Neo-soul vibes and the heart is coming back to R&B. Music that makes you feel like you are on cloud 9 when thinking of your boo or last romantic partner has a different energy bringing people of all communities as one because who in this life doesn’t want to experience good ole lovin’ or as Mary J. would sing out, “Real love”. 

Tune into both of D.Lylez’s latest videos if that sultry yet heartfelt R&B makes those car rides a vibe before work or if you just love love.

Comment down below which is one is your favorite out of his latest songs. Follow the talented young star on all platforms as well. [@dlylez]

Desriana Gilbert | Entertainment & Social Journalist for /CW

Juggman Ice - Juggman of The Raaq

Allllll the way from Chicago, Juggman Ice is coming at us w “anotha f****** hit bi***”!! Nothing is better than trying to better yourself and it’s hard to knock someone’s hustle when it’s working for them, you don’t gotta understand you just gotta respect it. The beat rocks and it’s apparent in the music video that they be calling him Dora the way his bag talkin. 

Good things happen to those who hustle.

Open your ears for this right quick and let Juggman Ice who really got the juice.

/CW Maxp

Lando Chill (coming to MKE) - "Black Ego" album

lando chill.jpeg

Tired of hearing the same ol’ artists and looking for someone new to vibe to? Well, look no further! Musical creative Lando Chill, is an experimental rapper and social activist who is heading straight for Milwaukee. Lando’s tour will be making a stop at The Back Room at Colectivo Coffee on Wednesday, May 1.
“Lando's sound is a thoughtful, emotional exploration of the black experience, that is equal parts west coast funk and desert trip-hop. His third studio album, Black Ego, received widespread critical praise and was called a "'hello' to the present-day of our country" by NestHQ”.

Lando Chill’s vision is bold and fresh. His artistry explores “the nuances of the black experience, and touching on themes of cultural appropriation, privilege, and intersectionality, his recent release draws from a vast expanse of influences”.

He will be making stops in the biggest cities all over the U.S. and our city is the first stop on his map. Come and check him out! You know we’ll be there!

/CW

Black Ego, an album by Lando Chill on Spotify



Chloé - Outta My Face ( Feat. Chay Milan and Frances King)

Today's submission comes straight from one of our Chi-town neighbors, Chloé.

“Outta My Face” featuring Chay Milan and Frances King has that soft but punchy production that Chicago is known for. With wispy undertones, “the ladies pay homage to those summer vibes riding with your crew or a side piece in a cool ride”.

We love to hear the ladies come through with some witty bars & attitude! #WeSeeYou

As we break away from those summer nights (it just feels so far away *tear*) and get straight back to business, lets put this track in rotation!

Oh and yo... “Back up out of my face” lol

/CW

*Now Available on All Major Platforms *

New Single "Outta My Face" feat. Chay Milan and Frances King

NONAME is on Tour and It’s Live AF // FreakishNerd

Noname_Miramar_2017-02-11-6.jpg

NONAME out the Chi.

NONAME in the Mil.

Telefone on tour.

Vibes are all you need.

This past Saturday Chicago's very own, NONAME, blessed the stage with good vibes and Hennessy for a sold out crowd at The Miramar Theatre. I actually did not know that many people in Milwaukee even knew who she was (though like 57% of the people there came up from Chicago because those shows sold out in like 6 minutes). Not only was room packed, but EVERYBODY KNEW EVERY WORD TO EVERY SONG ON HER PROJECT which caused her to blush and smile profusely in my direction. Seriously, we made eye contact like 30 times last night and all she had to do was slide me her number and I would have been gucci, but that's neither here nor there.

Milwaukee's own Siren opened the show backed by The Truth. Siren's growth as a performer and a lyricist continues to amaze me every time I see her perform. That new music is going to be fire. Fresh off the release of her Moon Shoes EP (maybe I'll review it one day maybe I won't),  Ravyn Lenae came through and showed out. The audience was entranced with her chill beats and light vocal qualities providing a perfect bridge between Siren’s energetic set and NONAME’s…

Let me tell you about NONAME.

The energy flowing through the room was different. A good different. As if you came over to your best friend's granny's house for play date and y'all were plotting on a sleep over. "Let me take you back," the singers opened the show with a medley of songs from Telefone as scenes from Dorothy Dandridge's Carmen Jones are projected behind them. A red lamp sat on a wicker basket next to bottle of Hennessy half(ish)way full. NONAME leaps on the the stage to thunderous applause and screaming. She was rapping the opening verse to “All I Need,” but you couldn’t tell until the applause died down.

She proceeded to perform the entirety of Telefone and two of her Chance collaborations, Lost and my personal favorite, Drown (which she added another verse to that was FIYAH). Halfway through the show she comes out in this red sequined cape, giving a“playing dress up” vibe, performing a cover of The Isley Brothers’ “Contagious” before falling back into the somber “Casket Pretty.” After closing out the show with Yesterday the crowd burst into chants of “NONAME! One More!” I mean she performed the whole album so she was quite literally out of music. Not sure what they were expecting, but the sentiment was certainly felt.

Noname puts on a hell of a show. If you were lucky enough to snag a ticket (the whole tour is sold out y’all), have a great time and if you were at the show, I’m glad we shared a vibe together.

- FreakishNerd //CW

See more photos from the show here

Noname - Telefone

If this lady rapper is not already on your radar. Well, you're welcome.

Chicago native, Noname (Yes, her name is Noname), is a force to be reckoned with. And with the release of her debut project, "Telefone," Noname combines honest sharp verses with sass, poetry and a ballad of smooth soulful beats that will find you in a sense of thought. 

Though the project was originally slated to come out two years ago; the wait was worth it. Featuring a layered production team of Noname, Cam O’bi and Phoelix with some killer mix and mastering by L10, "Telefone" has us wanting to know what's next for the femcee. 

Until then, listen to the proof that Noname shines below.

Executive Produced by Noname, Cam O’bi & Phoelix
 Artwork by Nikko Washington Mixed & Mastered by Elton “L10MixedIt” Chueng