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Miss Mocha Presents: “Black Vibeday” w/ DJ Freakish Nerd [ Post Event Recap]

What a Room it was when thinking back to the faces seen at Company Brewing on Black Fri- I mean ‘Vibeday.’ DJ FreakishNerd kept our favorite musical artists, both mainstream and local of course, in a grand rotation as the space was overtaken by creatives, known and unknown, along with the ‘average joe’. This was very tactful of  Miss Mocha; bringing the Artistic Community together as an indirect way of experiencing a bit of that Thanksgiving energy with our peers. Watching the room gradually fill up with so many way makers, innovators, and game changers is something to be thankful for. Now of course when that first hour or 2 goes by, we start feeling good, including the DJ, having had a few shoots himself, we all get to hittin’ that two-step, whether we're still hesitant and keeping near to our seats or are casually making our way to the main floor, but that was not the case for too long. Towards the night’s end, the spirit of Milwaukee’s golden age of fun and youth came out as a circle of models, rappers, CEO’S, dancers, musicians, and entrepreneurs alike were provoked to form a circle at the sight of two creatives engaging into a battle: I’m talkin’ bout hittin’ the stollie and bangin’ like its ‘09! ‘Aye, Aye! Huh, Huh!’ Everyone was shouting and cheering altogether. Personally, what I believe to be the highlight of a night like this.

/Naomi-Re’a for CW

SHOP LOCAL SATURDAY

Miss Mocha Music Presents: Black Vibeday

DJ FreakishNerd will be providing Hip Hop, R&B, & Vibes in his debut solo DJ event. Expect a little bit of old, a little bit of new, and a little bit of music you’ve never heard before. Just the know the vibe will be major.

Friday November 26th, 10pm-1am, 21+
Company Brewing. $10.
735 East Center Street.
Milwaukee, WI

CopyWrite will be on RiverWest Radio Tonight at 4PM. Tune in!

Rent /CW HQ!

https://copywritemag.com/rentals

Nic Stokes Presents: “NOBody Knows”- A WorldLife Camp event [POST EVENT WRITE UP]

However, the host of the night won it all! He gave us his portrayal of Chicago's ‘Lil’ Durk’ to a T’, gold locs and all. Everyone else who wasn't with the theatrics decided to simply dress to impress, like 2021 Milwaukee Film Festival winner, independent filmmaker Marquise Mays who gave a smooth Nupe shimmy on the dance floor, or Milwaukee fashion model JuJu Kujjo who dressed up as herself- but ‘made it fashion!’ There wasn't a corner in the room that wasn’t filled with people and the vibes kept going all night; A great mixture of early 2000’s favorites and current summer hits kept us all jammin.’ After having indulged in the vibes of the night long enough, I finally pulled Nic Stokes to the side, into the semi-quietness of the stairwell for a brief interview

CW: …[Lexi] was telling me, “WordLife Camp was a part of our come up...CopyWrite would be nothing without [our] collaborations with [WorldLife Camp]...” Would you tell me what your background with CopyWrite is; what your background is, period- how you got started?

N: Yea, so back in the day, my big brothers from WorldLife Camp built a relationship with CopyWrite. CopyWrite threw a lot of events. I remember one specifically at 88.9 radio, I believe, there was a concert series and they did an event there…

 (“So icy” by Gucci Mane started playing in the background during this interview. . .  Ha, how player is that?)

N: ...I've always been supportive of CopyWrite; it's Black and woman owned, and I'm all about diversity so that was really it for me. I definitely wanted to have them as a part of this event. For my background, I've been doing parties since I was 9 years old. I've been on the radio- my dad is Earl Stokes from 98.3- people may know me as ‘Jammin Nic’, some people just know me as ‘Nic Stokes’, so that's kinda just my background. I went to Atlanta for school, Morehouse, so I got the chance to get a different perspective on partying, curating events and the possibilities that can happen. I tried to bring that back to Milwaukee. 

CW: Is partying something that you simply feel good doing or do you feel that there is a greater purpose for you in bringing people together? What is it about the lane of partying for you that means a lot?

N: Well, I think that the underlying thing about partying is the music. Music brings people together, it takes you back to different times and points in your life where you might have struggled, when you might  have had success, when you were just having a good time... I think it's just a good thing that you can do to bring people together….just partying with your friends and family, you might get a chance to network and meet somebody that may be in your same field or endeavor of work; you might get the chance to cross paths with someone that you might not have before. So that's what I try to do. I try to bring diverse crowds- and not necessarily race but it could be different lanes, it could be somebody that's an artist, somebody that's a journalist, somebody that's a construction worker, somebody that does real estate- so that's why it's important to me to create spaces in Milwaukee where people can do that. 

CW: What I've noticed about certain individuals, or even certain groups who resonate with one doing things their own way tend to be the “black sheep” of their families or of where they come from...do you feel that you are the black sheep of where you come from- socially, creatively, in your background….?

N: I wouldn't necessarily say that I'm the black sheep, I would just say that I just took my own lane, and I see other people doing that same thing… I don't wanna be self-serving and say ‘oh I'm the only person doing this and the only person doing that’, you know what I mean? 

CW: I feel that. As far as the end goal for your impact, is it being a party host, is it doing something more? What is the end goal for your influence of bringing people together and doing things that come naturally to you? Where do you see yourself? 

N: That's something that I would wanna do full time because I enjoy it. That's my passion. I wanna make sure that people are good, people are having a good time, making sure that people have a space where they can be themselves and have a great time, so whether that be parties, concerts or networking at social events, things like that are kinda my lane...not kinda, that is my lane.  

CW: I see that you have newer faces like DJ Gemini Gilly here-

N: She's awesome. 

CW: Yeah, she's great. Do you feel that you have a responsibility to the newer [faces] of creatives in Milwaukee because there are a lot of people who are a part of the older scene of Milwaukee- the influencers, the people who were the go-getters, the initiators, the parties, the bashes, the concerts, the shows. . . Do you feel that you have a responsibility to the up-and-coming [creatives], the youth? 

N: I think that you definitely- 

(Speaking of Big Gilly, “Ski” by Gunna and Young Thug cuts on and Stokes can't help but to feel it)

N: ... Awww this is my song, I'm sorry…. 

(He puts on his MC voice and speaks into the mic, still by the stairwell, unseen but still heard)

N: ... Yeah, yeah, yeah! I need yall to hit that dance! Yeah! Yeah! . . . My bad.

CW: It's all good. That was awesome!

N: I've known DJ Gemini Gilly for a long time. We went to ‘King together and when she first got on her D.J. journey I was like ‘yo, I gotta support you. You're Black. You're a woman. You’re independent. You're strong. You're trying to get out here. I have to support you because you have a passion.’ I think that anybody that has a passion for something, anybody that's really honest and really wanting to express themselves and reach their goals and go after their passions, I think the whole city- I think that everybody should support them. It was only right that I had her come here to D.J. tonight.

CW: I appreciate that..the way you just say that, Black man supporting Black woman, Black woman supporting Black men and Black people just supporting each other, genuinely.

N: As a Black man, you gotta support the queens. . . Got to. I just feel like I have that responsibility because I have a Black mom, I have Black sisters, I have a Black niece, you know what I mean? It's only right.

CW: We appreciate that, so thank you. . . It's poppin tonight. It's lit!

You should have been there, but we are sure there will be more. 

/Naomi-Re’a for CW

NOBody Knows [ a WordLife Camp event and /CW is trying to get you on the list]

Bee's in Black Cat Alley | an interview with NEW muralist Mi Salgado

The art in Black Cat Alley on the East side of Milwaukee (E Ivanhoe Pl, Milwaukee, WI 53202) is iconic. From breathtaking imagery, bold colors, creative use, and even moments of controversial application, it is a place in the city like no other. If you have been to Black Cat Alley within the last month, you would have surely noticed that a new cohort of artists were selected to create new murals to become a part of its growing narrative of public art. Excited to see the work in action, CopyWrite visited Mi Salgado as she worked on her piece, Life’s Pollinators.

The original design for Mi’s mural was based off of a painting she curated in 2020 during quarantine. Before Covid happened she had been working on a body of work to submit to a gallery show. However, when the world shut down and those opportunities were no longer an option she decided to redirect her creative focus.

Mi: “I wanted to come up with a piece that defined how working hard can turn into something beautiful and working together can [do the same]. In some way we are all connected.”

She pointed out how the bees pollinate, flowers grow, and we sustain life and beauty through those actions. Her mural shows these components together in a larger than life abstraction of honey combs, flowers, and bee’s together in splashes of orange and yellow warmth. 

As a self taught artist who only began to dabble in professional work in 2018, Mi is excited to be a part of the list of names who have blessed Black Cat Alley with their work. Being a professional artist was never really something Mi had considered for herself, but when she had the opportunity to take on a commission it changed her trajectory and pushed her to explore the craft a little more.

Mi: “I started off drawing and doing a lot of pin work. Then that turned into painting. From there I also picked up wood burning. So I have been practicing a lot of different disciplines. 

Though the discussion of public art in Milwaukee has only recently become a priority in the city, Black Cat Alley has been making its way in that arena since 2015.  New to this side of the creative world we asked Mi what she has learned so far as an up-and-coming talent:

Mi: “It’s not easy!” She laughed. “One thing I think I suck at is creating the statements. It’s a whole process. You really need to know how to write.”

Writing about your work is something many artists neglect, thus they leave others to create the narrative for them. Mi has been using her family and friends as resources to make sure what she is writing is being interpreted in the way she delivers it. It’s something she is still learning and working on.

Creating more public art is something Mi plans on continuing to do. Now that she knows the process she constantly looks at mural calls to see if there is one that might fit. With Black Cat Alley being one of her first murals and the space having so much notoriety, Mi has a jump start into a very niche but competitive field. 

CW: “What do you think about the shift in Public art rapidly appearing across Milwaukee in the last few years? Why do you think such a shift is occurring?”

Mi: “I want to say Milwaukee is experiencing a whole new art scene. There are a lot of young professionals and stuff like that. I think that could be a reason. There are so many unknown artists here. I think that’s something Black Cat Alley is trying to do, [give] unknown artists an opportunity. I think it’s also like a new culture.

She also mentioned wanting to experience the public art scenes in other places which may fuel inspiration for more work.

Though this is Mi, first public large scale solo mural she has helped kids create mural work in the past. The difference she notes is having the ability to use your own concept and let it flow freely. Even in her current piece, she modified the way in which the composition wraps the bump out in the alley where her mural is and also the type of flowers the bees will pollinate. These modifications are a part of the process and a part of the story that makes working in public spaces so special.

For any artist thinking about stepping into the public art scene, Mi suggests that practice is everything.

Mi: “Don’t give up. Keep submitting. Your first application will be the crappiest one. Just keep practicing. Try to make that resume and artist statement better. Try to perfect that application.”

And clearly the practice is worth it. 

Next time you're “on the East” make sure to stop at Black Cat Alley to see Mi Salgados piece, Life’s Pollinators, and other amazing murals that are sure to inspire.

Lexi S. Brunson /CW