Corridor & A Little More | An Interview with creative Weléla Mar Kindred on her life & forthcoming local Indie Film “Corridor”

We had the awesome opportunity to virtually sit down with actress, dancer and artist, Weléla Kindred. Weléla wears so many different creative hats and has ample years of experience creating, living, and funding her own dreams. She is also the founder of the Chicago studio, ‘THE LVMB COLLECTIVE’ as you’ll find out in our interview. It was honestly humbling to myself finding out what goes into someone’s creative form simply meaning, finding out what it took [behind the scenes] to understand what she lets us experience today. You guys will get to discover ‘which hat fits when’ in our new exclusive interview with Weléla about her life and her experience in playing ‘Maria Grey’ in the new forthcoming Milwaukee-based indie-film, “Corridor.”

Want to know more about Weléla? Check out her website: https://www.lvmbcollective.com

Want to know about ‘Corridor’? Check it out here:

https://www.corridorfilm.com

Keep it easy,

/Imani for CW


Happy Valentine's Day From Your /CW Fam!

Morning dime pieces! Happy Valentine’s Day!

I know we are all happy to get the cute little bears and flowers, and that chocolate that we never eat (sorry fellas). Celebrate today with ya boo but don’t focus too much on the material love. Take today to appreciate and recognize each others’ unconditional love, respect, support and growth. If you are single, take today to pour into yourself. Go buy yourself some flowers, get cute, take some selfies and love on you! Either way, show love for everything you receive but appreciate the REAL priceless moments, cause real love doesn't cost a thing! 

Alexa, play “I Want” by Devv Lo! 

Pam from your /CW Fam


Meet the our Media & production Intern, Pam Williams

Say what’s up to Pam!

Pam Williams is a cultural organizer born and raised in Milwaukee, WI. She attends Bryant & Stratton College and will be graduating in May 2023 with an Associates in Nursing, with which she plans to pursue holistic nursing and the development of a women’s center to ensure and support the health of Black women. Although her major is nursing, journalism, media, and organizing are her true passions. She has worked diligently with her multifaceted skills hosting open mics, working as an activist for local organizations, and creating a journalistic voice in local media. Pam has a true love for the 414. She plans to expand her resume and continue organizing to improve the state of Black livelihood in the city as well as continue to celebrate the culture.

/CW Team.

Huey V - “After The Deal” [SINGLE + Press Interview w/ CopyWrite Mag]

Milwaukee continues to make its mark in pockets of creative and social niches, whether it be politics or music, our presence is becoming more known to the world. As the wave of the rising talents of Milwaukee continues to flow, more names get added to the list of young people to look out for. Post the drop of his newest single “After The Deal”, Memphis Bleek’s Warehouse Music Group's (WHMG) latest signee Huey V gave us a moment and shared with us his journey leading up to this drop. 

 /CW: What was your upbringing in Milwaukee? What was your family like, where did you go to school?

HV: I'm a North Side baby, low tres, low tres. Most of my family grew up on 32nd and Galena but we spent a whole bunch of time on 33rd too. Outside of that I kinda lowkey moved all around the north side. I lived on 41st and Congress for a good minute, I wanna say like 7 years… I didn’t really fuck with down town until I turned 16. It was just the North Side, the beach and Mayfair.

/CW: So the North Side was just your little world growing up. You didn't know anything outside of that.

HV: …That was my whole world at that time before I got a car: I'm a youngin, youngin still. If I’m not on the city bus I'm walking, if I'm not walkin I’m on the bike..so I was definitely just exploring [the North Side]. That was the biggest shit to me at the time. I was like 13-14, just discovering the world on my own… 

/CW: So anywhere you needed to go you pretty much got there.. What made you get to that point where you're like ‘okay downtown is right there why not just go? Why not see what's over there?’ Was it the music, your artistry? 

HV: ..There was a poetry tournament..if I'm correct it was at The Grand... It was my first year on a poetry team and they ended up taking us down there because we had a [competition] with Ronald Reagan High school. That was my first competition..that was my first time seeing what it looked like; white people in suits and shit like that. That wasn't really a common thing for me.  

/CW: Did you have a lot of mentorship growing up or was it not until you got older and started taking charge of your own life that you decided ‘I need more discipline with whatever I'm doing and need to seek out that mentorship?’

HV: As a youngin you're supposed to have a mentor but the people that you really see as your mentors are just your uncles and older uncles and shit… but if you feel like you can make a path outside of that, if you feel like you can make a path that might take them off of the shit that they are on then you're not gonna take that advice you just gone be raising yourself. I did pretty much raise myself for a point in time. My Pops was there when I was younger but the older I got, I wanna say around 7, he just started to disappear…Moms can only do so much. She did her part to the fullest but you gotta learn how to be a man on your own.

/CW: So do you feel that you can learn as much as you could from someone who has a profession or perspective outside of what you're doing?

HV: I feel that anybody who has a sense of decency has some type of valuable information to give to somebody. I’ll chop it up with a homeless dude on the corner because I might learn something about life. It might not be financial literacy but he sees stuff on a daily basis that I don't see so there's probably things that I can't even comprehend that he sees on a regular basis so I definitely try not to close out every voice because you might miss your blessing but I definitely dont recieve every opinion as a fact because that’s how you fuck your blessing up…you weren’t meant to accomplish what they were supposed to accomplish but they might’ve sparked the idea for you to make it happen and now you get to change the next 30 peoples’ lives..

/CW: That brings me to my next point of that ‘hustler’s phase’; you get to that point where you know what you wanna do, you're willing to be dedicated, go broke for it, all of that, but then a lot of people get to that point of mastering that hustler’s phase but there's a lack of maintenance of it…


Huey V describes the intention that he puts into his artistry and the real life ease that comes with the concept of quality over quantity, while also admitting to sleepless nights for the benefit of meeting deadlines and being thorough with his production.


/CW: You must be really involved in the other elements of making a song or an album; the production…

HV: .. If I can be. I wouldn't say that I'm a producer or anything like that but I record, I mix myself if I can, [Young] Guru masters everything, I can't do that part. That's his bag. But I mix everything, I record everything…I try to be as hands on as possible with absolutely everything..

/CW: The Midwest culture, particularly the Milwaukee culture, is to be so hands-on. Everyone wants to be independent, because most don't understand the true art of collaboration yet, we are starting to but we are not there yet. Is that why [you are hands on] or is it that you do understand that art but you still want to be educated on [the production]?

HV: Imma be honest with you, I like collaboration, I like teamwork; Working with other people and seeing them get their satisfaction out of it and seeing their dreams come true as well as mine means more to me than just seeing my own shit…but at the same time being in Milwaukee, we’re the home of the warehouses so yes of course Imma try to do everything that I can, I don't wanna be a one-trick pony, but I don't wanna be a ‘Jack of all trades and a master of none’ either so I am hyper-focused on music..



With WHMG having had rappers like Casanova on their roster, Huey V feels a sense of pride with the weight of his label. His courage is greatly accredited to the wide range of influence from Kanye West to Amy Winehouse. Growing up, his family, in parallel to living in mIlwaukee as a whole, was a melting pot of musical tastes. Along with having a background in orchestra, the young artist has been fortunate to have an open ear and appreciation for sound. He brings up Frank Ocean as an example of how introducing a new way of approaching music to someone with a more biased ear can leave them in awe.



/CW: Did you always want to be signed? Was that the height, or was it similar to going to a 2 year college, ‘I'll do this for a little while, get the resources, learn the business, and then go back to being in my own lane, independently?’ 

HV: It's a mixture of it all. When I was a kid I thought ‘cool maybe i'll get signed,’ the older that I got the more I understood the importance of independence…I swore I was gonna be independent..and then Corona hit.

/CW: You were signed during the Pandemic right?

HV: Yea, actually during that MF…I left for New York on February 7th and I came back the next day and I think Milwaukee either shut down that same month or in March…after that time passed they flew me out to Miami and that's when we made it happen. But when the Pandemic hit I was like ‘dammmmnn’ because all the jobs were shut down, it was either hustling or signing…

/CW: You speak a lot about Divine Timing using subtle words in your music like ‘divine timing, letting God work,’ even the name of your last EP, “As Above,” and your next one, “So Below.” Those are very spiritual statements…

HV: I call it the Matrix, where I've been able to pinpoint that if certain things didn't happen then other things wouldn't have happened the way that they did. In my head everything is prewritten…

/CW: How has that wisdom played a part in how you've grown as a person? In your song “After The Deal” you spoke a lot about having to leave people behind. That survivor's guilt is very real. How did you handle that ego death? Was it a super low moment or was it gradual?

HV: I am used to it. You lose a lot of people. It's easier when they are still around.. It's by your choice and not by life's timing so it's been a bit easier because I understand the value of having to let certain people go to get to where I gotta get to...

/CW: There was a line in your song where you said “I got the deal after the bill collector called..” Was that a true statement?

HV: Ha ha! Aight so what really happened was the bill collector called..Right after the bill collector called was the first time I spoke to Bleek. I didn't even get the heads up that he was finna be callin. When that  happened he told me “lil nigga you on right now, you just gotta prove to me that you can keep doing this.” That was literally the song that I made after that…it really makes you appreciate the value of your life, the highs and the lows..

Tell me how YOU feel about “ After The Deal ” Milwaukee. And check out his previous works while you're at it:  “As Above” … “So Below” coming soon.

/Naomi-Re’a for CW



Ace Parker - 3:17 [Album]

On January 20th, Ace Parker dropped a full length Album titled “3:17” and it really makes me want to tap into that extroverted energy!  By itself it is the perfect playlist for going through the highs and lows of every emotion that comes with the reality of ‘Flexin.’’ The analogy that comes to mind with this theme is the motions that we go through when preparing for a night out; The anticipation that comes with getting dressed, beating your face and pre-gaming with your crew, hair flipping away because you just know that the flex is real and you deserve it, that super litty car ride all the way to the club, and finally that emotional car ride home after you've confessed your heart to your homies and said ‘forget so-and-so’ about 50’leven times is embodied throughout this entire Album. Bangers like ”Sommer” and ”Boogie” are meant for the whip. The high energy beats combined with the charisma of Parker will keep you moving non-stop. The transparent, yet slightly comedic delivery used in “Down Bad” is the last of that ego boost for the listener to absorb before getting gut punched by the tunes that follow. “Sorry I'm late,” and “Anybody” are just a couple of the more somber bunch of songs that close out the Album. Parker shares what's real about the behind the scenes of ‘leveling up.’ It looks like fun and that you are above everyone and everything but the truth is that It's lonely, dark, and leaves room for uncertainty. It's not even clear what the purpose of leveling up really is at times, nonetheless, it's always the right path. In the words of Ace Parker himself “...There’ll be better days..Feel the pain, you're okay, check the time, roll again...” .

Tell me how YOU feel about “3:17” Milwaukee.

/Naomi-Re’a for CW

Partnership Content - Artist Eats: SistaStrings at Villa Terrace

Partnership Content - Artist Eats

SistaStrings at Villa Terrace


We met in early May 2021 at Villa Terrace. The unusually cold day was even colder as we were situated on Milwaukee’s east side across the street from our lakefront. 

On this particular day, Monique Ross (older by 2 years) and Chauntee Ross are exhausted but ecstatic. Just 2 days prior, they announced their farewell show before moving permanently to Nashville, TN. Their departure is a harsh reminder of the importance of creating and cultivating an arts community that allows artists to flourish and get paid. 

Their farewell show sold out in 72 hours. Another reminder of how incredible their contribution is to Milwaukee’s music scene and how much we’ll miss them. As of today’s writing, they’re doing well in Nashville including recently sharing the stage with Thee Brandi Carlile. 

Not too shabby for the Queens of Strings. Not too shabby at all.

It’s hard to encompass all that is SistaStrings in a 10-minute video. Our conversation over FlourGirl and Flame pizza and drinks from Vibez Creative Arts Space navigated the journey of 2 black women who’ve made a home in classical music with a bit of gospel and a bit of soul. 

Here’s our interview.

The Creative Collective Panel [moderated by Lexi S. Brunson Editor-in-Chief of CopyWrite Magazine]

It’s the Black History in the making for us!!! We are excited to announce that our Editor-in-Chief will be moderating The Creative Collective Panel during Black Lens Black history month kick of event.

As Always Lexi will be using her own creative experience to ask thoughtful and engaging questions that will definitely help us understand each other a little better.

#SupportTheLocal

Learn more at:

https://mkefilm.org/black-history-month-2022-milwaukee-film

CJ Folds "Love at War: Mr. Lonely"

Alright, time to stare at the ceiling and let loose a thug tear. CJ Folds has personally caught me by surprise with this new release of “Love at War: Mr. Lonely”, a 16 track album that hands out emotional lumps with every song. Accompanied by his Label Mates including Eli $tones, Aremite, Jordyn Sade, and Langston, CJ Folds gives me what I actually admire about today’s modern sound of the heartbroken youth: melodic genius and performance. Throughout this Album, you will be forced to feel what he feels; with the rasp of a country/rock singer, an ear for a beat selection that consists of the versatile use of string instrumentation and background vocals, an undistracting use of bass, and the chemistry between him and his features, You will begin to loathe your imaginary ex...yup, I said it!

The running themes of “Love at War: Mr. Lonely” include disappointment, solitude, the lack of communication, and the desire to elevate emotionally. “So Far Gone” sets the tone with a minimalistic beat meant to showcase Folds' vocals and the depth of pain in his lyrics, “We can't keep goin no more. I done tried too long, what for? All that you did for me, I wasted my energy, Lord, what did you send to me, I’m so gone...” Geez….. The Title Track, “Mr. Lonely'' is next and honestly after the intro, there's no way to recover. With the title and the chorus being a call back to Bobby Vinton’s heavily remixed and referenced 1965 single “Mr. Lonely,” Folds is seen as a soldier of change who has stationed himself away from his norm (city, friends, habits) and as a result, experiences the effects of his choice, “And this is exactly how it go down…” Skipping down to track #9, Folds expresses his longing for companionship and affection on “Somebody,” which is a slight contrast to the contentment that he had shown in the start, Folds blatantly admits to needing what he had lost and further continues on to a rollercoaster of emotions. Tell me how YOU feel about “ Love at War: Mr. Lonely ” Milwaukee.

/Naomi-Re’a for CW


AVE4 - ‘FOR THE MUSE’ [Debut Album]

An example of a gem is a producer in our generation who specializes in catering to the R&B genre. Ave4 is Milwaukee home grown and has been producing for several years and now he has willed himself into dropping his debut project. “ …it stemmed from a place of self reflection. After 3 years of scrapped concepts and personal growth, it has grown into the story that it tells today,” He says about  “For The Muse.”  Just as he said on an instagram post back on his original release date “...My Muse isn't just a person but (She) helped me believe in love again…,” I too truly believe that this title speaks not only to his personal Muse but to the many possibilities of how anyone can approach love despite their experiences and also to the many different artists and how differently they could all approach these tracks as the individuals that they ought to be.

This album will take you many places to many places with heavy call backs to the inspirational times of the 90s and the early 2000s. The first track hits us with a familiar voice sample of Larenz Tate’s, “Do You Mind if I play something for you?” (you know the movie), before we are met with a super ultra nostalgia filled track titled “Let Me In.” Its Immediately giviiiiing! The production, though still sprinkled with some modern day stylizing, is still true to the inspo that is the original sound. The beat is not overbearing with intense drops and pounding and the sampled vocals are still very much a part of the song. Same to say about the next track, and the rest of the album, “Dial Me Baby” which features a sample of Tamia’s “Long Distance Love.” This smooth story of new love continues on until we get to track 6,  “Prada.” This one is for house parties and skate rinks, with a good ol’ Ginuwine “In Those Jeans” sample (because who doesn't love hearing Ginuwine in the background), it's for sure a ‘feel good’ track. The last few tracks bring us back down to a more downcast mood than the first half of the album. Its as if ”Prada” was the climax of what it's like to have those Feelz but then either that spark is lost or this person of significance just wasn't as ready as they thought they were for love. “No More Amor” and “Queen of Flowers,” which features a proper Nia Long sample to end this story, both cap us off with what it feels like to have loved and then lost.

Tell me how YOU feel about “ For The Muse ” Milwaukee.

/Naomi-Re’a for CW