VOICES OF THE BLACK PRESS: CARVD N STONE IS RETRIEVING THE MISSING PAGE FROM AFRICAN-AMERICAN HISTORY

THE BLACK PRESS:SOLDIERS WITHOUT SWORDS DOCUMENTARY BY STANLEY NELSON JR.

For the past fifty years, the profound essence and immense impact of African American history have not only been commemorated but also internationally celebrated. Since the time we were youngins, and our biggest fear was not running fast enough to the swing set on the playground, Black History Month has become anticipated and boldly implemented in our lives. From school theatrical performances, song, documentaries, and curriculum, pivotal and courageous periods of African-American history have been passed down from generation to generation, making it the most heartbreaking yet inspiring chapters in our history books. The initiative to share, teach, and record monumental events carried out by today’s heroes is the foundation of the perseverance and consistency of Black History. However, what happens when the origin of those who wrote, spoke, and illustrated these incredible accounts is not recognized, let alone recorded?

FOUNDER & OWNER OF CARVD N STONE, NYESHA STONE

Last Wednesday, February 11th, 2026, multifaceted news outlet, Carvd N Stone, partnered with groundbreaking arts organization, Milwaukee Film, at The Oriental Theatre [2230 N Farwell Ave, Milwaukee, WI 53202] for a communal event that set the tone for the significance and priority of Black History Month celebrated in the city. As doors swung open at 6:30 pm, Voices of The Black Press, began with a free screening of an extraordinary documentary, “The Black Press: Soldiers Without Swords” followed by a live post-screening talkback with Black journalists and media, some of the most respected and unique faces in Milwaukee media. The purpose both Carvd N Stone and Milwaukee Film had in common when deciding to make this night open and free to the public was to pay homage to the past, while also emphasizing the celebratory and protective state the present and future hold for today’s black press and all who are the driving force behind the movement. For many in attendance, this was their striking introduction to the award-winning documentary created by Stanley Nelson Jr. An abundance of seats were unaware just how extensive and deeply rooted the contribution and history of media was by the bare hands of thousands of African-Americans. This caused much intrigue, questions, and motivation in the audience.

At a time when journalism is evolving, and local newsrooms are shrinking, we must acknowledge the foundation Black press has laid and continue to support the voices carrying that work forward
— Founder, Nyesha Stone

COMMUNITY MEMBERS WHO ATTENDED THE VOICES OF BLACK PRESS EVENT, COURTESY OF CARVD N STONE

Director and creator of “The Black Press: Soldiers Without Swords”, Stanley Nelson Jr’s mission was to create conversation; little did he know the impact and disbelief that would be stirring soon after it was released. This is the first documentary to chronicle the history of the Black press, including its central role in the construction of modern African American identity. It recounts the largely forgotten stories of generations of Black journalists who risked life and livelihood so African Americans could represent themselves in their own words and images. The eye-opening documentary highlights the critical role Black-owned newspapers and journalists have played in documenting history, advocating for justice, and amplifying voices often ignored by mainstream media. The power of the film exceeded the expectations both Carvd N Stone and Milwaukee Film set for the night; cultural storytelling and meaningful dialogue filled the air as soon as the lights came on as the documentary concluded.

NYESHA STONE WITH THE PANELISTS OF THE VOICES OF THE BLACK PRESS EVENT

Six of Milwaukee’s most intellectual, outspoken, and well-respected faces in the city’s media graced the stage to begin a night of informative yet intentional conversation. The panelists apart of the live post-talkback of “The Black Press: Soldiers Without Swords” included:

Former TMJ4 Anchor, Shannon Sims, President of NABJ Milwaukee, Tannette Elie, Owner of Full Circle Enterprises, Kayla Lewis-Allen, Senior Digital Producer at RadioMilwaukee, Kim Shine, Co-host of Jammin’ With Juice, Carrie Mahone, and Host of Black Nouveau on Milwaukee PBS, and Media & PR Strategist at Northwest Mutual, Earl Arms

One of the most important conversations that was discussed was the overall differences and similarities in why Black journalists and media came into existence, and our stance now. Back in 1976, black newspapers and media outlets were developed because they felt invisible. The births of children, deaths of family patriarchs and matriarchs, graduations, booming businesses, and any other significant event that would spark conversation in the black community were never included in written publications such as town newspapers for them to read. Creating the black press was needed as the gateway to being seen as a human being whose life was just as important as anyone else’s. Many of the panelists shared how writing was something they fell in love with and wanted to do due to the internal mirror of creativity and the gift of words that were instilled in each of them. As the audience asked questions, it dawned on everyone that there is still a need for black journalists and media to not only exist but push our pens even harder so that the identification, history, and future of African-Americans progress and always move forward.

FOUNDER OF COPYWRITE MAGAZINE, LEXI BRUNSON AND PROGRAMMING MANAGER OF COPYWRITE MAGAZINE AND ARTIST, VEDALE HILL ATTENDING THE VOICES OF THE BLACK PRESS EVENT

It was made very clear at the end of the night that black journalists and faces in Milwaukee’s media industry have more power than we know, but also a greater mission that is rarely spoken about. Our pens hold both the weight of the present and future, but also of the past. From articles, interviews, and words displayed with a journalistic and artistic touch are not just stories but strengthen the distribution of Black History and everyone who has laid the framework for us today. Want to experience and learn more about Black History and its roots within journalism and Milwaukee media? Go watch Stanley Nelson Jr’s documentary, “The Black Press: Soldiers Without Swords” on Amazon Prime Video or PBS today! Comment down below what you think the correlation is between having an identity and writing about your experiences. Most importantly, go show love to both organizations that put this wonderful event together, @carvdnstone and @milwaukeefil,m on all social media platforms.

/CW Entertainment & Social Journalist, Desriana Gilbert

What Vaule We Share: MKE Film Back History Month Programming | Shorts: TREASURED HEIRLOOMS

Happy Black History Month!

Happy being Black, living in Black bodies, and living Black truths!

As a Community Partner for Milwaukee Films 2024 Black History Month Programming, the /CW Fam selected screenings that we thought would speak to our audience and our specific cultural nuances. 

My experience watching the collection of Treasured Heirlooms shorts, was one that absolutely filled my culture cup reminding me that what we value in the Black community [with all its intersectionality] should be shared and celebrated. I note this as I am in the infancy of producing one of my own art installations that discuss culture as a proponent of space, thus creating a place [stay tuned]. Marquese May's curation of six short films of treasures, was dynamic and telling of voices we may know but reluctantly share outside of our community. I applaud programming like this because it allows the African diaspora to be seen in the light it deserves. Here are the values I would like to share from each film.


WILD MAGNOLIAS |  Dir. Alexandra Kern

We don't get to talk about culture that has been cultivated in appreciation and in proximity to other cultures. Wild Magnolias shows an appreciation between Native American practices and African Americans in Louisiana. The link of these people is due to colonization and enslavement but it is a link that is vital to the survival of both peoples heritage and history. The bead work and visual storytelling in the garbs the Wild Magnolia Men [and young men] created were breathtaking, showed true skill, and showed historical narratives that the white gaze [don’t try to tussle with me] has tried to erase. Not only have the bloodlines mixed genetically [I would know from my own lineage] but also the archive of survival can not be told without mentioning the other.

This is the value of ancestry we share.

MORE THAN HAIR | Dir. Fitch Jean

Hair is sacred. How we manage our crown is how we manage the world. I have never been able to truly describe why or how but the complexity of Black hair [All Black hair] should be considered a world wonder. More Than Hair, is a heart moving peace because it pulls at the fragility of the Black hair experience. Not knowing, experimentation, acceptance, and revelation. I teared up when he sat down in that barber shop with his adopted mother [blessings to her for seeking the help he needed]. When he turned the pages of the hair catalog I smiled with excitement for the endless possibilities. When he picked cornrows I knew he had discovered that his hair was worth keeping.

This is the value of hair we share. 

GLITTER AIN'T GOLD | Dirs. Christian Nolan Jones and Dominick Cormier

Ornamentation is our birthright! The value that the Black community places on aesthetics should be looked at as an obligatory reflection of existence. From historical narratives, we know that our adornments were stripped from us during the conquest of our land and the enslavement of our people. Our markings, garb, and emblems were always signs of our identity and status. So when baby boy worked hard to get that money for that chain to impress that little girl I was proud of him. But when he discovered that material things won't always suffice I empathize with his longing to be seen and admired by those he admires. We carry our worth. We want to be recognized for our worth. 

This is the value of adornment we share. 

Other films shown during the screening included, QUILTED EDUCATION  [Dir. Kayla Robinson], OVER THE WALL [ Dir. Krystal Tingle] and AMPE: LEAP INTO THE SKY, BLACK GIRL [Dirs. Ife Oluwamuyide and Claudia Owusu]. These films too showed the value of archiving our history, representation in spaces less traveled for our community, and how the practices of our youth may help build the skills needed for strong futures. 

I value my Blackness in its performance, its lineage, and its legacy. 

Thank you for the reminder that it is all to be treasured and shared. 

Lexi S. Brunson | Editor-in-Chief /CW

/CW is a Proud Community Partner of Milwaukee Film's Black History Month Programming

Art by liv burks

We are going “BLACK to BLACK” with Black History Month Celebrations. /CW is a Proud Community Partner of Milwaukee Film's Black History Month Programming. Check out the last of films we cant wait to see!

FOLLOW US ON INSTIGRAM FOR YOU CHANCE TO WIN 2 TICKETS TO SEE ONE OF OUR COMMUNITY PARTNER FILM SCREENINGS.

@copywritemag


GAINING GROUND: THE FIGHT FOR BLACK LAND | 2/29/24 | THUR. 7:00PM

In just a few decades after the end of enslavement, Black Americans were able to amass millions of acres of farmland. Today approximately 90% of that land is no longer in Black hands. Various factors have been employed to take Black land, including violence, eminent domain and government discrimination. But it is a little-known issue — heirs’ property — that has had a devastating effect on Black land ownership. Gaining Ground: The Fight for Black Land is a timely and stirring documentary from Emmy-nominated producer/director Eternal Polk and Al Roker Entertainment that examines the causes, effects what is being done to fight the exploitation of these issues, and how landowners are reclaiming their agricultural legacy and creating paths to generational wealth.

Fashion revolutionary Bethann Hardison looks back on her journey as a pioneering Black model, modeling agent, and activist, shining a light on an untold chapter in the fight for racial diversity. From walking runway shows alongside Iman to discovering supermodels like Tyson Beckford and mentoring icons like Naomi Campbell, Hardison has been at the epicenter of major representational shifts in fashion. Catalyzing change requires continuous championing, and as the next generation takes the reins, Hardison reflects on her personal journey and the cost of being a pioneer.

In tandem with Frédéric Tcheng (Halston, Dior and I), Bethann Hardison and her co-director trace her impact on fashion from runway shows in New York and Paris in the ’70s to roundtables about lack of racial diversity in the early 2000s. Interviews with industry players speak to the state of fashion, while friends and family attest to Hardison’s rebellious and ambitious spirit. The film is an absorbing record of Hardison’s accomplishments and a rare contemplation on the life of a radical thinker.

TREASURED HEIRLOOMS - Black Lens Shorts Program | 2/10/24  | SAT. 12:00PM

From the tingling sensation of the alcohol spray following a haircut to the quick-paced hand games of our youth that occupied us for hours, the essence of Blackness has continuously worked as a dynamic archive of rites of passage and traditions that hold a special place in defining who we are. "TREASURED HEIRLOOMS" is a short film program delving into how Black folks globally are actively engaged in preserving, archiving, and creating approaches to ensure the endurance of our cherished traditions. This reflective cinematic offering aims to encourage us to embrace our traditions intimately, connecting us with both our past and future selves. - Marquise Mays, Black Lens Programmer

Shorts: Treasured Heirlooms featuring:

WILD MAGNOLIAS Dir. Alexandra Kern

MORE THAN HAIR Dir. Fitch Jean

GLITTER AIN'T GOLD Dirs. Christian Nolan Jones and Dominick Cormier

QUILTED EDUCATION Dir. Kayla Robinson

OVER THE WALL Dir. Krystal Tingle

AMPE: LEAP INTO THE SKY, BLACK GIRL Dirs. Ife Oluwamuyide and Claudia Owusu

Black? Doing Biz/ Creative Practice/ Service/ Hustle? Let /CW plug you with an AD!

#WeSeeYou & we want the world to see you. So we are putting our money where our mouth is and reducing our traditional AD rates to any one who identifies as “Black” for Black History Month [Feb 2023]. For the low low Plug price of $15.00, you can purchase AD on copywritemag.com blog, feature page [for 1 month], or /CW newsletter [up to 5 Ads per purchase].

& Yes, you can use the space when ever you want! In two days, in a week, in a month, in a year, in five years. When ever YOU need it, it will be there!

Think its too good to be true? No sweat, we got AD specs for that!



[You love the deal & want to snatch up this offer while the promo last? Hit us up at copywrite.mke@gmail.com

[Promo pricing ends Febuary 28th, 2023]

The Creative Collective Panel [moderated by Lexi S. Brunson Editor-in-Chief of CopyWrite Magazine]

It’s the Black History in the making for us!!! We are excited to announce that our Editor-in-Chief will be moderating The Creative Collective Panel during Black Lens Black history month kick of event.

As Always Lexi will be using her own creative experience to ask thoughtful and engaging questions that will definitely help us understand each other a little better.

#SupportTheLocal

Learn more at:

https://mkefilm.org/black-history-month-2022-milwaukee-film

SHS & Youth Rising Up Present - Black History: The Truth, The Whole Truth, & Nothing But The Truth

Check out this gem from Shore-wood High school.

[The only Black History Program in the Shorewood school district]. #WeSeeYou

Remember it is 365 BLACK all year long. Thank you for your contribution to the culture!

/CW

Shorewood High School & Youth Rising Up Present - Black History: The Truth, The Whole Truth, & Nothing But The TruthThank you for your continued support each...

Happy Black History Month from your /CW Fam! - Introducing the 365 BLACK [project] w/ CopyWrite Magazine

365 black.jpg

The 365 BLACK [PROJECT] is a project created by CopyWrite Magazine to celebrate Black History month. However, noting that Black his(her)story is created everyday this project highlights what it means to be a BLACK creative, entrepreneurs or leader 365 days a year.

To start collecting representation of Black history in the making we personally reached out to several of our favorite BLACK locals, asking them to submit short videos telling us what it feels like to be a Black creative, entrepreneur or leader 365 days a year. This collection of videos will be housed in a gallery on copywritemag.com for the rest of the year, paying homage to the contributions to our culture 365 days a year.

Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.

Want to join the collection?

Submit videos to copywrite.mke@gmail.com Attn: 365 Black Project. 

Videos should be  30 to 60 seconds telling us what it feels like to be a Black creative, entrepreneurs or leader 365 days a year. Your video can be you talking or you showing us by using your craft [i.e. dancing, singing, rapping, painting, djing, styling, prepping for service etc.]. You can film it with a phone, computer, tiktok, zoom, you know how ever you capture thing's these days. [MP4 files preferred]

/CW