Launching Rockford Community Mural Project!


Remember Tia Richardson, our cover artist from CopyWrite Magazine Folklores & Festivals Issue 12?

Well CW family, she needs your support!

On Wednesday August 21st (today) she is headed down to Rockford, IL for a Kickstarter launch party at SecondFirst Church to help Pastor Rebecca White-Newgren and other project stakeholders make a fundraising campaign go live for the Rockford Community Mural Project!

This city-wide project has been more than a year in the making, spearheaded by folks from different walks of life with deep roots and a firm commitment to bettering their community. Here's a link to the project's preview page. After launch this will redirect to the live url where people can donate.

ON LAUNCH DAY, August 21st (today), if you feel called please donate to this Kickstarter and support by sharing with friends who you feel will resonate with the project!


Carvd N Stone Inc. Authors of Color Book Drive

*Information Provided By Carvd N Stone*


Carvd N Stone Inc.—a media company that’s dedicated to providing the news that major news outlets overlook—is hosting their first book drive entitled Authors of Color Book Drive which runs until June 1. All books given to Authors of Color Book Drive will be donated to Milwaukee Public Schools. By June 1, the goal is to reach 1,000 books all written by authors of color. All books must be either gently used or new and be written by authors of color.

Authors of Color Book Drive was created to provide MPS students with books written by people that look like, talk like and have been through similar situations as them. With our media company being founded by an MPS alumni, we understand the importance of literacy and being able to see and read about someone who mirrors ourselves. Those who donate will be helping our students reach a brighter future.

“I’ve always had a love for reading and to be able to provide that to our youth is something I look forward to doing,” said President of Carvd N Stone Inc., Nyesha Stone. “Our students deserve more, and CNS will continue to find ways to encourage and inspire our youth.” Stone was inspired by 14-year-old Marley Dias to do her own book drive through Carvd N Stone Inc.

Milwaukee is the number one most segregated city in the U.S. and that’s even true inside of our schools. The system is broken, and the students aren’t being taught their full histories, so it’s our job to give them the opportunities to learn about who they truly are. MPS has been ridiculed, underfunded and left behind, especially when it comes to resources such as books.

Authors of Color Book Drive is a continuous effort to hopefully inspire other organizations, community members and individuals to find their own ways to give back.

For more information or to find out the drop-off location, contact Nyesha Stone via email at


Carvd N Stone Inc.

About Carvd N Stone Inc.

Carvd N Stone Inc. is a media company that was founded by Nyesha Stone on Jan. 21, 2017. Carvd N Stone is a platform for untold talents to tell their stories. Whether it’s through words, visuals or one of our many community events, we’re giving a voice to individuals. Carvd N Stone not only stands as a source for news, but a brand that makes an impact in the community. We are dedicated to telling the truth and being the ones to initiate action that creates change.

CNS’ mission is to educate, inform and give the people a spotlight through a different lens of the media, while using different initiatives to give back to low-income communities to bring impactful change.

Meet our NEW CopyWrite Connect, Adam Xander

We are always looking for members of our community to add to the conversation & #SupportTheLocal to become apart of the CopyWrite Family. For this spring we are teaming up with a creative to tell new stories from a new perspective.



Born Joshua Adam Harwell, in Milwaukee, WI, Adam Xander is hard to describe in just a few words.

The several aliases he goes by is a dead giveaway to his multi-layered mind, and his different talents he attempts to figure out ways to make intersect.

Adam is a dedicated father before anything else, and to best capture what his life represents, he combined his middle name with his son's middle name and became known as Adam Xander; formerly known as DJ Adamocity to many since 2006.  

He believes creativity has no boundaries, and that no one should feel confined to only being able to satisfy a limited number of the things that bring joy to their lives.

As mentioned above, Adam wears several creative hats. DJ’ing has been his primary creative outlet for the past decade, but he found his passion for creative writing in college. He’s always loved the art of writing, but it was during graduate school that he saw how influential a well written publication can be for moving a group of people toward achieving a common goal. Whether that goal is to get others to take action on something, or to deliver a different perspective on an idea.

Adam also produces original music, and uses his ability as a connector, to assists nonprofit organizations and small businesses with their brand strategy and talent acquisition needs.


MKE Industry Mixer ( Press Write Up)

Milwaukee has really been trying to step up their networking game lately, and making sure to include the creatives in the city. Every other day I see a new event I’m invited to on Facebook where creatives are coming together to meet and possibly collaborate on projects. The most recent event I went to was the MKE Industry Mixer, hosted by DJ Rickey Allenz from v100.7. This mixer was packed with people in the music industry from popular DJ’s to local artists, radio personalities and more. I tried to talk to a little bit of everybody in each category to see what they thought of the event to really give y’all a good feel for what went down if you missed out!


DJ Rickey Allenz was the mastermind behind this beneficial event, and for this to be his first one, he did a bomb job. He wanted to have the industry mixer because he feels like he’s in tune with a lot of Milwaukee artists, however, some DJ’s just don’t know what’s currently hot in the streets. The point of the mixer is to bring artists together with DJ’s because in hindsight, artists without DJ’s are practically nothing. The DJ is the one who’s going to play your record in clubs, on the radio, etc. They can help spread your music to a wider audience who might not normally get to hear it on a regular basis if, for example, the artist mostly promotes it within their own community. DJ Rickey Allenz is a DJ for v.100.7, WNOV and KBBG 88.1 in Iowa. Other DJ’s have connections in other cities as well, so if they know you and like your music, they can promote your songs in those areas. That is called a PLUG ladies and gentlemen!


Allenz used to be an artist himself, but he didn’t know the game well enough, so he fell off of it. He said some DJ’s will hustle an artist and charge them money to play their music and then possibly not fall through with actually playing it. That’s not what Allenz is about. If he likes it, he’ll play it, simple. He’s always willing to help an artist grow and put them on game if they’re willing to help themselves.


Two artists who I was able to speak with at the industry mixer were @NuMoney2mm and @_sgodjayy. They both came and either performed or had their music played that night. NuMoney performed one of his songs, and he says the DJ/Artist duo is a great relationship. The artist has a product the DJ demands and the DJ can be the start of everything. He says, you never know a connection someone might have with someone else who can get your foot in the door.

@_sgodjayy had one of his songs played and was literally geeked when his song came on lol. Jayy says every platform is a good one, it just depends on how you use it. He gets excited for his music and takes pride in his craft and creativity because “when you take pride in what you do, it shows.” You have to have confidence, he says, or else you’ll limit yourself.

I met the lovely DJ Trustar, aka the Trap Princess and the first female Core DJ in Milwaukee, and she says it’s important for DJ’s to come to events like the mixer. Sometimes DJ’s don’t talk on the mic and artists don’t know who they are so it’s good to get your face out there. For example, a lot of people don’t even know she IS DJ Trustar, since she doesn’t talk on the mic much, if at all. People are usually surprised when they find out she’s a woman, especially since she really knows how to throw down on the 1s and 2s, which usually isn’t expected from a woman DJ (btw, that’s a whole topic for a different day that can be dissected when y’all are ready lol).

Lastly, I spoke to the very personable radio personality, Promise from v.100.7! A few Milwaukee artists might know him from his radio segment, “Heat from The Street.” Promise resurrected the segment when he first came to v.100.7 because he wants to help artist get more exposure. Promise tries to be pretty hands on as far as trying to make sure the city hears different sounds and styles, because a lot of the time people get boxed into whatever part of the city they’re in. He also says social media has ironically made people antisocial. Promise says, “In the music industry everybody wants to be heard, but a lot of people don’t know the right approach.” Networking events like the mixer are a great opportunity for media professionals to interact with artists and put them on game. It gives them a chance to get in front of each other and learn how to talk and be more personable instead of hiding behind a screen. Also, it helps for people in the industry to put a name with a face or a face with a voice.

Overall, I thought the event was a great opportunity for people in the industry to mix and make those connections to further grow their careers. There weren’t just DJ’s in attendance either, club promoters, music producers, sound engineers and other journalists with media platforms came as well, s/o to Brittani and A Sit with Britt.

My only concern was the fact that there weren’t a lot of artists there. The DJ’s did their part and showed up. I was introduced to plenty of them such as, DJ Heathen of v.100.7, DJ devast8 and DJ Cell of the Recordbreakers, etc. I’m not sure if it was the promotion of the event, artists just not wanting to come or what. But, I see a lot of artists complain that there aren’t events like this, then when there is, no one shows up. Like I’ve tried to drill into your brains throughout this entire article, this industry mixer was a great opportunity for everyone involved, so if someone can let me know the reason why more connections weren’t made on the artist side, please enlighten ya girl! Hopefully DJ Rickey Allenz and other DJ’s throw more networking events like this in the future because the concept is great and can really elevate the music culture here in Milwaukee (which you know CW is all for).

/Intern Carrie for CW

#WeAreMKEHipHop - The Elements Podcast x CopyWrite Magazine


A word from our partners:

We at The Elements Podcast are honored to announce our new partnership with CopyWrite Mag. Through hard work and a commitment to Milwaukee's Hip Hop scene together we will be able to make big things happen for Hip Hop and for Milwaukee.

-DUB, Founder of The Elements: A Hip-Hop Podcast

As we continue to support the local we will now be vocal in our partnerships to further connections in our community and to bring light to the real bonds that have elevated the Urban creative scene in MKE. We are MKE Hip-Hop!


Snapshot Press Bite: @Jillisblack "Are You An Ally Or Is It a Lie?"

“We can’t start a revolution off a thesis.”

What would you do if you woke up one morning and had twenty thousand new followers on Instagram after posting a very uncensored video you made about your crappy day at work? What would you do if that post was heavy in your truths about racial inequalities, social hierarchy, and identifying the blatant disregard that others have for you & your culture? Correction: How White people treat your culture?* Would you pipe up or back down when the world puts the spotlight on you? @Jillisblack is here for it. With no eagerness to become a social icon, she has found that her words may still help stimulate a few very overdue conversations in the realm of real change, confronting the Black & White issue that is at the core of our communal positioning. CopyWrite sat down with Jill for a quick chat before her lecture, “Are You An Ally Or Is It a Lie?” at Company Brewing in Milwaukee, last Saturday, to see why her methods may be the controversial but needed stepping stone for ALL of our social liberations.

*Warning Jill’s delivery is not for the faint of heart. If you are uncomfortable with any commentary in this article, do understand, that is the point.

Jill: “I was really just posting like comedic, shady a** critics of inter-community hierarchy. I had a bad day at my job, at a major nonprofit that will go on named...[it was] lots of like White women passive aggressive sh*t... I was pretty angry in it and pretty upset... I woke up the next morning and had twenty thousand more followers. That’s how it really got started. It happened on a Friday so I took the weekend and I thought about what my responsibility was being in the public sphere, if even for a second, and thought about how I wanted to do this. I’m a writer and I have a performance background so I knew I could create something that worked. Now we are here two years later.” 



Jill has been popping up in different cities challenging not only people of color but white counterparts to move the narrative past the tiptoeing nature of social critic and confronting things for exactly what’s they are: Bullsh*t. Jill calls it, Revolutionary Honesty.

CW: “Can you describe Revolutionary Honesty?”

Jill: “Yea. Black people aren’t being honest. White people don’t know how to be. There is a way we talk about White people in our intimate spaces. When we are at home when we are with other Black people, when we are with our families... Then we do this performative version for Black spaces. Rather that be a training for White people, a space like this tonight, or some article, now you are performing how you are explaining racism to White people. That’s not doing any good. I want to go out and have the freedom to say to White people exactly what I would say to a Black person about them. And if I can’t do that then what I’m getting off on is my ability to explain something that is my reality, not my ability to change something that is my reality.”

As a member of the Black community, Jill has also ventured into many White spaces. She clearly admits and accepts her past, that included what is defined as self-hate, straying away from her Black culture and submerging herself in “White culture”. (Please note the word culture is being used loosely. There is no true definition of “White culture.” Its connotative use can be interchanged with “American Culture” and suggest that it is a sample of POP extremity and other learned/absorbed practices.) *Shrugs*



CW: “Can you explain what a White space is for someone who is a novice?”

Jill: With a chuckle, she replied, “I’m a good old fashion Oreo.* There is no mystery to it at all. I have been what people would say is a White lovin’ person. I think if you have been a person who has embraced White space enthusiastically, then it is your responsibility to talk about what you learned in that space. I think the mistake we are making is saying that you can never come back from that and rectify that sort of betrayal. And let me be clear it is a betrayal. So I consider myself to be like a spy. Like White people, I f*ckin know you. You can’t run game on me because I had to learn you in ways that other Black people did not.”

*OREO: Not the cookie. Defined by Urban Dictionary, Oreo is “a stereotype created by Blacks to be used against other Blacks, who are ‘Black on the outside, White on the inside’ so though a person may have Black features they display characteristics of a White person, therefore betraying their Black roots.”

She notes that if more Black people who have been obsessed with White space took what information they knew and used it in the right way, the community would have so much more than is what currently being offered. But the clincher is that it only works if people are willing, to be honest.

But let’s face it, how most people of color are living, 

there are several shapes of honesty. Especially the shape that comes in the form of navigating a White dominated society for survival. We call it, Code Switching.

CW: “With that being said, how do you feel about code-switching?”

Jill: “Code Switching? Hahahaah! What does that even mean these days ya’ know. I do it. I’m sure I do it. I think what was important to me is to present a pro-Black message without feeling like I had to put on anything. So a lot of the times people would be confused by hearing the message from someone who sounds like me. We don’t get that a lot so it is important [for people to know] this is my authentic self, whether it was going to be like that or not, it’s here now. So I’m not going to code switch into my Blackness. You are either going to trust me based on what I am saying or not. But we are too far into the bullsh*t of society to think Black people are not walking around able to do a little bit of both.”

Identifying Jill as a social media face for Black thought (rather she likes it or not) is way easier for a White person to accept, than a Black person if you check the obvious. Jill is of a very fair complexion (she’s “Light skinned”), her voice inflection is very sharp and matter of fact (that could mean several things but she “sounds like a White person”), and her garb is very reminiscent of young hipsters via their preppy stage (she self-proclaimed to dress like a White man). Lol, the irony right? But either way regardless of the perception, her knowledge, and courage to be vocal about it could be risky. But isn’t every day a risk being Black?

Jill: “I haven’t been trolled in such a long time... The last white person who trolled me was a couple months ago and it was a White power person. We had a two-hour conversation. I had some questions I wanted answered from him and he had some questions he wanted answered from me. So that was the last time. In the first few months I definitely did, but these days I get more White liberals with the ‘Yea, we get it’. I don’t quite know what that means because I’m a very easy Black person for a White person to get into.”

Simply put Jill doesn’t look like a threat to White privilege.

Jill: “There is a little bit of fear realistically when I go into a space like this that are open because White people do the most. But what are we doing if not this work? So I get over it and I get up there.”

Any fear can be subdued by knowing the impact of your actions. Where Jill may be speaking on some hard-hitting topics there are comedic undertones that make her delivery of truth just way easier to grasp, even if you are the persons of critic.

CW: “We have noticed you use a lot of sarcasm, is it comedic relief for you?”

Jill: “Anything that I was going to do was going to have some humor to it because creatively I’m a comedic writer. Does it make it different from what other people do? Yes, I think it makes it more appealing and I think it makes it easier. But that’s not the purpose of it.”

Jill has also been referred to as the Black woke Daria... Ehhh, it will work.

Her lecture, “Are You An Ally Or Is It a Lie?”, revealed many enlightening points. Many of which she polled the White audience members for a show of hands on their contribution to perpetuating the issues of Black & White relations, and general social polarization. Here she spoke words that validated her outlook on sustaining and elevating the Black community considering the current standing of its plight: “Black people don’t believe in progress the way you do!”

Are we really just saving face?



CW: “How do we sustain this cross over into society where Black people are doing better and move away from a racially unequal way of life, when our society is built off of racism, thus everything we are apart of is racist?”

Jill: “We can’t. It’s not going to happen. What Black people would have to admit is that we are scared. We have come up with a group of safe ‘Black sh*t’ and then the thing we are scared of. Which the consequence [if not followed accordingly] we feel like could be death. So when we go to college, and we get on at the company, and we do things like brunch with the girls, we are living in the illusion like we aren’t at risk at every second. Let’s be honest and say it’s for safety. Do we really feel that we are progressing or do we feel like we are f*ckin’ scared and if I sound like this and look like this and I go in and work at your job I feel safer? That’s what I want Black people to be honest about. We are just ‘safe-ER’, we think.”

At this point, the only option is to be the “Other” and those extremities on either end are scrutinized for their stereotypical linkage to what being Black is. And nobody wants to be that low on the totem pole. How we say it over at /CW, “issa rough.”

CW: “If Black people were always there authentic selves what do you think that would look like?”

Jill chuckled at that question as if she didn’t even want to fathom the thought.

Jill: “I can’t even imagine that. We would also have to believe that White people would be being their authentic selves too.” 

Now we had to test the waters. For Jill to be so disturbed by White people, their privilege, and destruction to the existence of all other peoples, some might think that it’s a hate for all White individuals. So all we wanted to know is...

CW: “Jill do you have White friends?” *insert the eyeball emoji here lol*

The laugh that followed this question was so heartfelt. Really it is quite hilarious if you think about it. 

Jill: “You know what, I took on my first White friendship in years, this year. It’s been challenging in moments... I think, that I say that I took that on without thinking that there is a lack of racism there. You know, so I am expecting this person to be racist. I think it’s when we lie in those relationships and say, ‘No I have found one who is not’. Of course, you did! No, your White person is racist! It’s what you’re willing to spend time on and what you have the energy for, to try and find something beneficial there. But no, there is not a White person in this world who is not racist... We will see where it goes. There have been some blow-ups.”

Combating what for decades has been looked at as simply just the way things are, Jill takes her unexpected popularity seriously. With her social platform in the mix of things, her choices must be strategic. Where she stands but more importantly, how she stands, can change everything:

“No, I don’t want to sell racism for my whole life.”

CW: “You have said you don’t want to be famous, but you are very popular. Do you feel like that takes away from your responsibility to deliver this type of content?”

Jill: “I think I am at a point where I realize that I’m going to have to make some sort of compromise. That was a youthful, naive Jill. What happens is, I’m upset with what I’m seeing, and yet, I won’t enter the world to do anything about it. That’s not going to work long term. What will happen is that there will be people who take [this] content and not mean it or be performative about it. We don’t have room or time for performative authenticity. So If I believe myself, then I need to make sure the message is spread... I think I’m at the point [now] where I’m asking the question, is there an ethical way to be seen in our current society?... and I don’t have an answer for that yet.”

Thorns of truth may pierce but there are some pains that have to be endured for the greater good of all human beings. Though Jill is very vocal in her Black stance, it is not to be misconstrued, the disenfranchisement of any people by the dominating society that has been streamlined by the caucasian persuasion (Bloop!) is in fact included in this need for Revolutionary Honesty. Asking yourself “Are You An Ally Or Is It a Lie?”, is only the first step.

Jill: “Sometimes growth will look like betrayal... and I want people to trust me.”


Jill: “You’re right that’s hard because we are so used to people disappointing us. So I want to say somewhere on the record that I tried a thing, it didn’t work the way I wanted it to. I’m going to try something else and if that doesn’t work and it’s not ethical, I won’t do that thing either. But I want people to know that everything that you are paranoid about in society is real. So some of these doors are just closed to us. We have to find the ones that are open.”

Now, what is your next move?

Lexi for /CW


Check out the digital version of this article here.

CW - On the Street #SociallyResponsible Campaign II

CopyWrite is on a mission to uplift our community by using our platform to change the narrative and empower the individual. We recognize that big issues take systematic change, but we also believe that every person has their own power and should not be afraid to use it. We challenge you to discover yours.

Our #SociallyResponsible campaign sheds a light on the various perspectives that make up Milwaukee’s community in the hopes that we find a more realistic approach to coexistence. It's time to look a little deeper.

Take a look at our second video in the series, asking the question, "What does it mean to be Socially Responsible?" 

Then take a position on humanity. Be #SociallyResponsible

Shooter: Mahdi Gransberry // Music by Dipperachi ft. Pizzle & Reggie Bonds