Driveway Dreamers - TRP [album submission]

If ya’ll still don't believe that the cloth of Hip-Hop has found its place in the Milwaukee culture by now then y'all are trippiiiiin….This year was a great year for music and I’m not even talking about what's going on mainstream. I’m talkin about the locals, the underground, the underdogs; I’m talkin about Milwaukee. Once again another head-nodder for the books. Local artists Big P and his right hand man, producer and fellow rap artist Lik, as TRP (The Roses Prevail), dropped their debut album Driveway Dreamers  and the city’s influence is definitely strong. Milwaukee is all up and through there from the song titles referencing landmarks and different moments in time that we as Milwaukeeans are oh so familiar with, to the lingo and the accent coming through clear with every skit. On what, TRP came to represent! The intro, “Milwaukee Mall,” contradicts the grunge and grit that is seen as the aesthetic of Milwaukee rap with the repetition of the words “...But I dream in color, muthafucka…” after describing the typical scenery of an everyday walk through the hood, symbolic of how we all must look beyond what we see. The following and first official track, “White Dookies,” beautifully samples the instrumental to Sade’s “Cherish The Day” and just as Sade’s music already does for many of us, Lik gives us all of the nostalgia, going in on the first verse; “...Stuntin like a east nigga, but I’m ‘norf’ side like the speed queen feast, niggas paid the fee, been grinding since little league...way back I was t-timid with the speech, now I’m speaking what I mean, every word be a seed...” a feeling straight from most of our memories. Big P ends the song with a chant that we all can relate to “....All White Dookies with no crease my nigga, back when we was eating Tastee Twists for dinner….fresh white dookies in the top of the winter… ” Fast forwarding to the 7th track, the interlude, “Summerfest,” is a track for the lovers. This track is led by the beautiful vocals of a woman who describes what her love is and what it can do. Although Big P and Lik’s vocals are left off of this track, their intention is still felt. With this song we are taken back to our teenage years of Summerfest dates with our sweet hearts while also possibly being metaphorically reminded of how much we grew to be in love with our city as we got to know it with every summer day and night that was spent away from home on an adventure with the crew; “I remember when I used to get fly for you, used to throw on them new ‘95’s for you, used to smoke a little tree, coast the sky for you...cause you make me feel like way back, when mama used to drop us right off where the gate at and when you walked in and everybody waved back, I said I'm here to see ‘Ye, where the stage at?” 

Tell me how YOU feel about “Driveway Dreamers” Milwaukee. 

/Naomi-Re’a for CW

The Great Journey - A.C. The Ruler, Nimbus Cool Collab + MUSIC VIDEO

Back in September of this year, a silver platter of music was served directly to the hip hop heads; from to the monotone, run-on, smooth delivery of bars on bars from A.C. The Ruler and Nimbus Cool , to the nastiness of the beat production and selection by A.C.’s producer- Since ‘93, “The Great Journey” is gold. The intro song “Catacombs” properly sets the tone for the entire EP and although that name may seem like morbid humor, the music video provides a simple yet figuratively relative perspective. On the surface this appears to be just another studio session between the two MC’s and their producer but the lyrics in relation to this visual describe a sense of generational responsibility, the lovely burden of becoming a beacon of light for the people; With a grey filter cleverly covering the entire visual, seemingly showing us their proclamation of this being history in the making, A.C. and Nimbus show to be comfortable and content despite the molding of this legacy having taken place in a small room, much like many of the greats of the past (hence the title of this track). “...The Legacy’s ensured even when enduring the pressure- No sweat, wipe the drip, work smarter and harder, excuse the leg room, I need it, they've been begging for bones, I'll break a leg before I lose my heart or let down my home….” Nimbus Cool spits just before a voice clip of 2021 NBA Champ Giannis Antetokounmpo closes out the song, briefly speaking on his mission to provide hope to the people. “Handheld,” although undeniably consistent of super star bars, is a salute to the producer [immediate stank face]; “...I be in the cut every day like my skin broke, the outside be okay but I like gettin it in mo’ they hatin’ in my face but it never leave my chin broke...” Another bar from Nimbus but WAIT!...A.C. the Ruler also dominates in his verse with lines like “...cant see me like Harry’s cloak, wrapped with a midwest tone, niggas is hella shady like Norton Oaks…..slippin’ we hittin’ slopes, hittin’ corners on hunnid spokes…” Your replay button will feel attacked...mine was. We get some melodic vocals in the chorus of the track “P.O.V.”, a mellow song about the necessary optimism and trust in the process that is needed to push forward as an individual. This song reassures their audience that all of the tools needed are already present within. Perseverance is a responsibility. Tell me how YOU feel about “ The Great Journey” Milwaukee.

/Naomi-Re’a for CW

Shawn Millz - Greedy

Some of my favorite rap songs are the ones that incorporate other genres in their music, so when I hear unique songs like that it catches my ear. That’s what this song did for me. Greedy is a certified street banger made by artist Shawn Millz of Milwaukee. It’s a rap song with gritty lyrics and a grudge influenced tone. Nirvana, while wasn’t the first, made that grunge type of rock go so hard; so when you mix it into rap, it just creates this multi genre type of sound which is becoming very popular these days. 

There’s aggression in this song, cockniess, and determination. This song will grab everyone’s ears, not just the men, because we are all about that hustle (or we should be). Besides the dope lyrics, the beat on this joint is sick. This beat gives me street, Gotham City and classic Jeezy Can’t Ban the Snowman vibes. Lyrics set the tone for a song, but ultimately the beat is what grabs our attention. I don’t know who made this beat, but my car speaker’s thank you. You can listen to more of Shawn Millz’ music here on Apple Music. 

Adrienne/ For CW

2Hi - White Lighter Bad Luck [ALBUM]

After a few years of loosies and EP’s, the dropping of his first full length project “2 Birds” last year, and being left with the bread crumb that was “Round and Round” back in August just for this moment here, local artist 2Hi continues the narrative of his rockstar lifestyle with the drop of his second Album, “White Lighter Bad Luck.”  Lyrically accompanied by the acclaimed NilexNile, otherwise known as Nile, Lake, and executive productions by No B, this melodic psychedelia is the melancholic voice of all who have found contentment with numbness, however, having subconscious undertones of self awareness and emotional longing; this all blends in to one truth while under great influence.. The intro track “Ghost” leads us straight to 2Hi’s inner conflict; there is an assertiveness here that may pass for aggression, or vice versa, in lyrics like “..And I'm in the back of the room high off the shrooms sitting, just think to myself, I am an artist who starvin’, no I can't bargain, I gotta double my wealth..lil bitch im cool, I don't need help, all of this work under my belt- I gotta do it all myself, I gotta do it all myself..” and the words “I gotta work on myself, I gotta work on myself..'' are heard faintly a lines afterwards, signaling the slip into 2Hi’s subconscious, his real thoughts, “..I'm an animal, I can't live with myself, only hurts if you take it out and you put my heart on the shelf, I just need your help…”

WLBL led with this tone for another 5 tracks and then about halfway into the album, we are temporarily given an energetic boost with “Switch Lanes”- how very telling of the motivation that many try to find after crash landing back on Earth into their own reality. This is made for the ‘fast and the furious’ (don't do it, drive safely), when you feel like a flexer, bump this!!….Annnnnd right back into the feels. Old habits die hard and some norms can't seem to be shaken in “Tattoos.” 2Hi comes a bit cleaner about his vices, even more so about the norms of his life experiences that trigger those vices; “ I got tattoos on my soul, I woke up lost on the road, I know that I'm on my own, mountains to me look like stones- I take these drugs to fly home...I seen it all just unfold, I seen this shit happen before…” Very easily, the methods taken on for masking continuous pain are cause for being misunderstood by those on the outside looking in because of one’s own miseducation on how to cope properly, leaving room to be branded (“tattooed”) as everything that we do not intend to really be. Tell me how YOU feel about “ White Lighter Bad Luck,” Milwaukee.

/Naomi-Re’a for CW

HymnWho -Retroactive Phenomenon [ALBUM]

HymnWho “Retroactive Phenomenon” ALBUM  

Like the beautiful dynamic of the iconic blend of Hip-Hop and R&B on a track, the marriage of the poetic, conviction filled, or otherwise, nonchalant vocal tones of a rapper and the hard hitting orchestrated chaos of rock instrumentation is a delicacy. HymnWho has dropped a sonically pleasing gem with the presentation of “Retroactive Phenomenon.” The allure of this album from songs like “Revival,” “Niggas and Nikolai,” and “Saviour,” was in the production; very 80’s with the slowness and off-kilter pounding of the beat, having a faster paced rhythym happen in some moments, still with a high capacity of instrumentation, HymnWho’s vocals were hauntingly gliding over the music with a melodic, Darkwave tone and the modern, melancholic  lyrical content that is found in today’s rap. In “Shoebox,” he gave us more of a trap flow but the production was still very consistent with the Darkwave sound. However, we do get some rap nostalgia as well. “Wishes” not only gives us more room to focus on the bars and their transparency, but the boom-bap is more so evident in this production. Tell me how YOU feel about “Retroactive Phenomenon,” Milwaukee.

/Naomi-Re’a for CW

Rissa Fam - Eat ft. Munch Lauren

One thing about me is that I love a good ol classic ratchet banger, and that’s what EAT is. Now

this nice little hidden gem came out in 2010, but I recently discovered it last week. The Milwaukee bop by Rissa Fam and Munch Lauren currently has over 1 million streams on the internet, and was released with a colorful hyped music video on Youtube. I’m a firm lover of music, and I will always appreciate party music; it just gets you hype and makes you celebrate yourself. When I hear that I try to activate my Megan knees in the comfort of my home (keyword try). The music video was shot so simple, but it was effective. I mean who wouldn’t wanna see twerking, good vibes, and good food in a music video? Sounds like a good time to me. It’s dope to see more styles of music coming out of artists from Milwaukee, we just need to get everyone connected together. Rissa Fam is definitely an artist who embraces the good vibes in Milwaukee, and puts into her music. She also did a song this year with Milwaukee artist Chicken P called Money. You can check out more of her music on her Youtube.

Adrienne/ For CW

Panoptics - Revitalize EP

The Milwaukee band, Panoptics, delivers to us some words of affirmation and self reflection in marriage to the infused sounds of jazz, reggae, and funk on their latest EP “Revitalize.” Dropped on July 16th of this year, Revitalize is six songs long and is a clear representation of their appreciation for range in music. Panoptics’ 5 members, Ben Plaisted (vocals + guitar ), David Purpura (drums), Natan Steigman (keyboard), Jacob Johnson (guitar and sax) and Yishay Levin (bass), came together to give calm to the disease of detachment and mental entrapment with songs like “Just Words,” a groovy lounge song that reminds us that the power of influence is real and that no matter the source of that influence that the choice to act and feel is one’s own. Even the singers own words, though optimistic and encouraging, sung with a melodic tone of reassurance, are just words that should only be considered and not so easily adopted; the solidifying of identity and the approach and perspective of life is an independent one; “ Hangin’ on i bet you're feelin’ strong, you're tryna right wrongs but right where you belong- write it down, see yourself inside it- lost in how, until you decided...can't turn away from it now, your turn to say something now cause these are just words, just words im singing….just words im talking….” Following up perfectly is the title track “Revitalize,” precisely the ‘cup of tea’ of this EP.  The listeners are encouraged to take it upon themselves to give life back to their dreams and ambitions and to accept the newness of what has been presented to them, that defeat is only in the mind. The results of this resolve are expressed in the triumphance of “Get Ahead” “...the flames that burned the books of old the ones that kept you from the gold-come see it all come see it now, it's all repeated any how…. to be afraid of the unknown is to turn our back on where the light is shone…” With each song consistent of an instrumental breakdown, whether it's the bass, the saxophone, or the keys that shine, a moment of reflection and absorption is allowed before we are brought back to the present by Plasteid’s vocals, which shoots us forward to the final track “Stuck in Mud,” a super reflective piece that may seem backwards to the progressive context of the EP but is actually symbolic of the hindsight view of the actual purpose of the confusion and pain and speaks on the would be consequences of choosing contentment. Plaisted sings with an empathetic, yet slightly pleading voice, sharing that tone with him are the keys and strings in the instrumentation, to who could be the past version of the listener or his own former self from the perspective of new self, or just a really good friend; “find yourself in the same old space again oh when you never took a chance to see what's round the bend, you try to stay right put but the outside worlds just flying right past, if you're stuck in mud..no one is gonna cross your path…” 

The Art work to Revitalize has many different individual symbols. The earbuds for eyes that are seen on all sides of a skull head may be a direct link to the band's name and their source of inspo; their panned view of music and how this allows for them to have a vast view for the people and their shared trials and triumphs. The skull head also appears to be taking a smoke break, catching a light from a friend; symbolic of taking time from chaos even just for a few minutes, although listening to Panoptics alone is a healthier method, the illustration speaks volumes. Tell me what you think of “Revitalize,” Milwaukee.

/Naomi-Re’a for CW

2Hi - Round and Round

Have your headphones on deck for this one...quarantine hasn't stopped Milwaukee Artist 2Hi from giving up a crowd pleaser, but your car speakers will do fine. “Round and Round” gives us all the bass that we live for and a complimentary catchy hook. With the grit in his voice to match, 2Hi’s energy may just provoke his listeners to call up the homies for a ride around the city just to incite a Busta Rhymes, “nod yo head and break yo neck,” session. I swear there's nothing like it! As the song reaches its end, the track begins to fade but it doesn't completely end right there. The production is cleverly adjusted for a good 15 seconds in order to paint a familiar picture of that moment where a stranger’s car pulls up beside yours with nothing but a hard hitting bass and 2Hi’s vocals bleeding through, and you involuntarily give a rhythmic head nod of approval while your curiosity sparks just before they pull off, or when you are on a late night drive and you cruise by the club and the F.O.M.O. briefly kicks in due to the sound that is pushing through the walls and just barely hitting your car. Tell me what you think about “Round and Round,” Milwaukee.

/Naomi-Re’a for CW

Quies Terry - For Sunday Mornings & Summer Nights EP

If somebody needed an anthem that encouraged them to keep it pushin’, Quies Terry may have it for you on his most recent EP “For Sunday Mornings & Summer Nights.” With the gritty yet optimistic undertones of “Cruise Control,” the blatant truth of ''Late Shift”  and the un-sugarcoated transparency of lines like “Aint no catchin up to you butterfly, I set you free....where's that love you said you had for me? shit I could use it now...where's that love you said you had for me? Oh it's useless now….” in a farewell letter to an ex, the one that, at one point, we all wished that we could write, “Off You,”. I could practically feel his hunger for better; Quies Terry tells us what the reality is for choosing to be ten toes down in the hustle all while patiently waiting his turn to bare the fruit of leveling up. But we can't neglect the turn up just because our bad days are more common than we’d like, which is further encouraged in “Pretty Girl Party” ft. Paper Stacks & The Oshi. Tell me how YOU feel about “For Sunday Mornings & Summer Nights,” Milwaukee. 

/Naomi-Re’a for CW

Sheila’s Son - “H20” EP

Just when we thought that the era of PartyNextDoor and Bryson Tiller’s “TrapSoul” couldn't live on, Sheila’s Son provides us with the vibes of those nostalgic mid-2010 summers that we all fell in love with with the re-release of his five track EP, “H20.” On one of his most recent Instagram posts he writes, “These songs represent my journey [of] blossoming into a man & attaining peace.” 

He pulls us in with the first track “Get 2 You.” Starting off slow and mellow, the Instrumentation combined with his vocals on this atmospheric filler aids in the delivery of lines like “...I know it's wrong. How many times do you think that I feel alone? I want success but I still want to be unknown...” that triggers the desire for that fantasy-like, exclusive situationship, creatively and romantically, that we are all familiar with in our generation. Once he’s got us in a comfort zone, we are encouraged to take it up a notch with “Top Shelf.” He lures us in with a confident demeanor that leaves his female audience feeling catered to. Lines like,“Is it him or is it you? Keep it real cause I know you….. I can see you goin through-, you choose if I stick around for you….,” gives the woman a sense of authority over her life while also highlighting his independence from the attachments that are inevitable in relationships. This theme is further developed in tracks three and four “Nosebleed” and ”Jolie.” Sheila’s Son has grown more confident in his ability to be a provider while taking on the familiar pride of today’s young artists who are struggling with the balance of self, career, and love. 

As proof of his proclaimed growth, the last track, “Zona,” takes on a more romantic approach. With the instrumentation having a lighter tone and the bop of a 2010 R&B song joined with modern melodic vocal choices, Sheila’s Son speaks more intently in this one; “I look up in the stars, you know what I see? I see you in pics, I see you in threes. I see us together, I see you and me…..meet you in Heaven...” Now that's saying it with ya chest! Tell me how YOU feel about “H20,” Milwaukee.

/Naomi-Re’a for CW