King Cezar- Paranoid Feat. Conte [Prod. By DJ Pain 1] Video Submission

"Diamonds come from dirt.” Says King Cezar’s video submission for ‘Paranoid’.

Talking on the personification of a diamond, “Despite his surroundings, and a brief stint in 2009 behind bars, Cezar turned to music to straighten his path in life. That same year, a determined Cezar started recording with local labels at their studios until he was finally able to build his own. It was then that the turning point he desperately needed in his life finally manifested.”

Toating a gun and blunt in what appears yo be an abandoned [or redeveloping building] he describes all the reasons he has to be “Paranoid”. As he lays bars upon strategic storytelling he anti-ups a side of him that is more raw, more vocal, and more appreciated in a climate of fakes and phonies.

We all have been a little paranoid. Let us know if you connect with this joint.

/CW

Paranoid Written By: King Cezar x Conte Produced By: DJ Pain 1 Mixed And Mastered By: Kingz Circle Music Group Follow: @KingCezar414 @DJPain1 @IAMCONTE www.kingcezar.com

No Seatbelts Music - DayDreamin'

Its time to get smooth on’em!

No Seatbelts is here with their new single DayDreamin’. No Seatbelt is a collaborative group of six musicians including vocals from Kyndal J [featured in CopyWrite Magazine Issue Six], Calvin on bass, Dee Cee on drums, Chris Olver on guitar, Curtis Crump on sax and Quinten Farr on piano.

The song is about “the fantasy of being with someone you love. Imagine being in a relationship between you and someone special, but because of certain circumstances, the relationship has to end. The only way you can enjoy the company of this person is to have them in your dreams.”

The jazzy appeal of smooth functions of rhythm creates a “daydreamin” moment that is easy to get lost in. The vocals paint the picture while the instruments blend together nicely as though they mark time passing. “As Calvin and Dee Cee’s vision” this single gives us a taste of the instrumentation that is alive and well in our city.

Check it out and let us know what you think.

/CW

Jay Yung - Survive (Prod. JimmyGotSoul)

It’s time to have a real conversation. One that doesn’t sugar coat reality.

Life is hard. The struggle is real. We stunt, we show face, and then when the lights fade out we are confronted by our demons. Something has got to give.

Jay Yung is stepping up to the plate, serving us real thoughts about dealing with the anxieties of life in his new single ‘Survive’ from his upcoming album Growth. He now has “new viewpoint of mental health” and is not afraid to shake the stigma that the Black and Brown community has held onto for too long.

His lyrics move us through the breaking point of change needed. He discusses having the fam as a support system, moving around so he is not caught in the negative trajectory that is currently in play and the new efforts of “Try’na survive”.

Its honest.

Its catchy.

its needed.

Next time your back is against the wall remember you are not the only one, play this track and give life your all. Your worth it.

Oh & Jay Yung … We have added this track to our CW Approved Playlist. Thank you!

/CW

In this rollercoaster called life we deal with many ups and downs. At the end of the day, no matter what is thrown at us, the goal is to survive, then thrive. Production by JimmyGotSoul Additional vocals by Mo' City Recorded at Jream Studios Recorded and mixed by SDProduces Growth soon..


Fashion Friday: Sneex Sofa Sessions w/ Rachel Muscat (General Manager of Pharrell's HU) Recap

Where were you last Friday night?

If you’re in the loop you were at Sneex (in Milwaukee’s Third Ward) for their new conversation series SNEEX SOFA SESSIONS.

This moderated style convo session featured Rachel Muscat, General Manager of Pharrell’s Human Race, and past Global Director of Collaborations for Adidas.

As Rachel answered questions about life on the go, collaborating with Kanye and Pharrell, working as women in the corporate world and so much more, we got insight on how the sneaker world really works.

She was humble and inspiring with the stories she shared; including the small quirks that have helped her become someone who has soared in the industry. Starting her first gig interning at a church, she has leveled up becoming apart of some of the most iconic branding we have seen in the last decade. She assured the audience that even the smallest starts can become the catalyst for your next move, making all and any experience relevant. 

One thing that stood out to us was the story about her hanging out with her sisters who started a streetwear line in Australia (where she is from). She notes those moments as influential in her life. She had not realized it then, but they had been teaching her merchandising by taking her to the stores, talking about trends, color waves and the like. I believe they stirred her in the right direction. [Clearly, we are talking about her now].

Of course, there was a lot of talk about working for Adidas, Kanye and Pharell but its the reality that lives behind the glamour that we would like to share. Everyone wants the job but doesn't really understand the types of sacrifices that come with it. For instants, traveling is one of the difficulties she has had to deal with. Being away from family and friends comes with the territory. She mentioned being lucky to have a boyfriend who also has to travel a lot someone, respects her lifestyle and job, so they meet up in between work in different cities to hang out and go on dates to keep the spark together. [For the love of sneaker life! Geeezzzzzz!]. But it works for her!

She also talked self-care, “meditating”, and having a self-check (if your acting like your good that’s what everybody will think your good) because its the only way to really do your best at whatever you are passionate about. “Being your authentic self!”

Quotes we loved:

“Do you know why women rule the world? Because they can just stop having babies.” 

“Everyone is different. The table should represent that diversity.”

“Say things with confidence!” [Advise she gave about handling being the only women in male-dominated environments.”

We usually talk about fashion as something you can see, but Rachel Muscat also reminded us that its something you experience. We won’t share all the details because some times you just have to be in the room to get the goods.

See you at the next Sneex Sofa Session!

/Vato


Troy Tyler - Violet (Album Submission)

Let’s talk quality!

Milwaukee’s very own, R&B “phenomenon” [just remember we said it first] Troy Tyler is rocking with top grade vocals. His album, Violet, takes R&B to its very essence; smooth, melodic, and ear pleasing. From ballads, to new age love songs, and passion pushin’ he has got it! This is feel good music for those 90 babies, and some reminiscent vibes for the old heads.

Our favorite tracks have to be ‘Just Cant Wait’ and ‘Men Can Love Too’ [Because we needed to hear that]. This is quality. Song content? Check! Good production? Check! Talent [this is the most underrated quality in the biz]? Check! Troy is giving us some much needed change of pace. We firmly believe that R&B in our city is not given enough light. Come with it then young man! The game has just been leveled up.

Check it out and let us know what you think? (Music feature in the next issue of CopyWrite Magazine???)

/CW

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4Keys - 4U2 (instrumental tape)

A few weeks back we were pleasantly surprised with a submission from producer 4keys.

His “Afrobeat” instrumental tape ‘4U:2’ is a refreshing shift in a sound that is becoming highly sought after in todays musical landscape. The tracks are like modern Caribbean R&B with a twist of that Ghanaian smoothness [if you know what we are talking about]. As a Milwaukee native he is capturing a more global essence, which is a smart move. Need beats? Maybe you should see if you’re rocking with this vibe. But even though they are instrumentals they stand alone in there own right. We likeeeeeee!

/CW

Stream 4U2, an album by 4KEYS. Producer: 4KEYS. Added on: Oct 4th, 2019.

Cardiac Da Pulse - Lord Have Mercy ft. Featuring Rich P (Video Submission)

Go crazy on’em then!

We are back with a video (Lord Have Mercy) from Cardiac Da Pulse, who made his debut on CW a few weeks back. This video plays up the insanity that comes with life and the rap game, straight jackets and all. Its creepy flows, with biting execution. Its simple yet gruesome if you catch our drift.

If you want more from Cardiac Da Pulse, let us know by dropping a comment and like below.

/CW

"Lord Have Mercy" F/ Rich P. Produced By: Maskerade Beats Directed by: Bmdf Productions Cardiac Da Pulse online: ig: https://www.instagram.com/cardiacdapulse/ Twitter: https://twitter.com/cardiacdapulse?lang=en Facebook: https://www.facebook.com/Cardiac-Da-Pulse-2-81634053155/?ref=py_c spotify: https://open.spotify.com/artist/6jswDkGsjJ2ijS4N3byGOk #LHM #LordHaveMercy #RedDivisionMusic #RichualEnt #414 #chicago #Houston #Cali #Dallas #EnterAtYourOwnRisk #HorroStory #RoyalAmbition 2019 @Red Division Music LLC / Richual Ent.

What a time to be alive! Milwaukee Film Fest 2019 (CopyWrite Magazine Perspective)

*All images from https://mkefilm.org/

Doing media coverage on film events is probably one of the most abstract task we encounter at CopyWrite. There are several ways to approach film content, including criticizing its cinematography, storyline, and the way in which it evokes emotion. Though we have strong opinions [ & we are unapologetic about them], for Milwaukee Film Festival 2019, we thought we would take a more strategic approach to our coverage. Using an Urban Creative Cultural scope to flesh out the relevance of the content and what it says about our placement in society.

“Urban Creative Culture” for these purposes includes city living, artistic expression, explicit depictions of people of color [by people of color], and the cultural dynamics that link them all together. These are the topics we are knowledgeable about, and therefore feel comfortable speaking upon #StayInYourLane.

To further cultivate or perspective, we also invited Fine Artist/ Arts Educator/ Art & Culture Consultant Vedale Hill [who also made an appearance in Milwaukee Film Fest 2018 in the Invisible Lines docuseries presented by 88Nine Radio Milwaukee] to tag along with us, for his brazen cultural insight. Milwaukee Film Festival has quite a diverse spread of content [which we love], that intertwines with many of our interests. When curating a list of films/ content to view at this year’s festival, we wanted to make sure that all aspects were looked at with the same importance regardless of our familiarity with the content or artistic formate used. After two weeks of visual indulgence, here is what we have to say:

Boss: The Black Experience in Business (Director: Stanley Nelson)

We have a lot to be thankful for. Our [Black] foremothers and forefathers paved the way for us working with the “system” so that we could have the momentum to work without it and against it. Boss: The Black Experience in Business, documents the historical and contemporary relevance of “Black innovation, entrepreneurship, and perseverance in an economy determined to exclude them” (mkefilm.org). As Black wealth and its impact on the United States economy has become a recurring theme in today's political and social climate, the origins of our “late” economic bloomage has been called into question. Where Stanley Nelson helps identify a linkage between the emancipation of slaves to the systemic need to subdue the success of the Black entrepreneur, we were in awe of its similarities to the call for economic inclusion Byron Allen recently brought up in his Breakfast Club interview.

While it is easy for us to stand in our current reality boasting how “We are not our grandparents”, and hissing at the idea of physical and blatant social control over our lives, our ancestors lived in a different world. They had to navigate differently to create the spaces in which the rest of us now thrive.

If we take Madame CJ Walker as an example, we can see how even some of our most noted Black success stories come from a place of cultural compromise. As the film discusses, Walker became the first self-made woman millionaire from helping other Black women assimilate.  Though that created a wedge within the community, it also emboldened women into a thriving new industry (one we still dominate in today) promoting pride and beauty, even though it was skewed from our natural attraction, and reinforced White cultural standards.

Learning our history helps bolster our confidence.

Boss reinforces us with the power we need to make changes, lead instead of following and demand more economic freedom from a society undoubtedly helped shape. We are constantly told that we don't work hard enough for the opportunities that are presented to us. When in actuality each turn we have made with progress, we have been purposely set back through lynching, massacres, and vandalization of Black business and its leaders. 

As we sit in an era with more education, more infiltration of infrastructures that were made to keep us out, this documentary is a wake-up call for not just Black America, but for our privileged counterparts. We will not only be taking a seat at the table, but we will be making our own. 

As CopyWrite is a Black-owned business . . . we feel that!

The Milwaukee Music Video Show

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The only thing better than local music is local music videos! In today's super mediated climate visuals are everything. Where music becomes the soundtrack to our lives, the videos become the storyboard for all of the metaphors, juxtapositions and WTF's we didn't catch. 

This is our favorite part of Milwaukee Film Fest every year because we get the opportunity to see collaboration in full effect. Musicians/Singers/Producers/Lyricist collaborating with directors, illustrators, make-up artist, set designers, [animal trainers?] and the like. Many of these videos we only get to see on our phones, computers and possibly a large screen smart TV if you're lucky. But bringing them into the cinema gives a whole different type of aura. One that is simply larger than life. 

The lineup of music videos where diverse [but where they diverse enough? We still are not sure]. Some content even challenged us to define what are the qualifications of a music video in general. Is it just visuals that accompany audio production? [Hey Milwaukee Film Fest Officials please send over the submission requirements. We would like to share them with a few folks]. 

It revealed three things:

  1. Many local musicians are commenting on social shifts and identity. These music videos, therefore, become controversial platforms.

  2. We don’t know who the target audience or the target producers of the content are? “Call for Entries” does not give out any of that information. 

  3. We still don’t know what qualifies as a music video!!! 

We have to be critical here. We heard good music with bad visuals and sonically odd tracks with ocular delight. There were moments of budget versus skill and some “Ooooo their popular, let's put them in” fugazi. But there was also some really cool artistry that we didn't expect. 

S/O to:

FUZZYSURF - "DENNY" (now we all want to be a [put a “m” here]-uppet)

WILLIE HUMBLES - "SCIFLY" (we are rocking with the afrofuturism)

ZED KENZO - "FRESH" (For the unapologetic personality)

VIOLENT FEMMES - "I'M NOTHING" (this is the most locally relevant and socially conscious music video in the line up #ClapFor’em).

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As we #SupportTheLocal opportunity for true growth and true communal representation has to be prioritized. Without even mentioning it in name, we all know that one specific genre of music and thus music videos are the most influential, most consumed, and most referenced content globally. However, those music videos only made up less than 25% of the videos shown. The math doesn't add up. So it becomes another conversation we need to have. Who are the gatekeepers of The Milwaukee Music Video Program? How are you reaching out for submission? Is this really a representation of MILWAUKEE music? Ehhhhh it’s questionable. 

Premature (Director: Rashaad Ernesto Green)

Who doesn't love a good coming of age story? They tend to remind us of our own naivety, youthful mistakes, and loss of inhibition. But many of them are now outdated. The world has changed drastically over the last decade. Technology, social positioning, and gender politics are at an all-time high. Which changes the narrative of what it means to enter adulthood. Premature is a polished, production of alternate means of “maturing” in today's Black America.

Premature is right on time in an era where Roe v. Wade is at the risk of being overturned, there is a higher concentration of women of color attending college and Black love is being idolized. It has more insight into this stage of transition than the media usually depicts. 

Green, takes a risk in putting these intimate moments on display reminding us that every story has two sides. Its poetic narration adds another layer of artistic expression. It serves as that voice in our head that holds wisdom that we can not tap into until the damage has already been done. 

Furthermore, it plays into the motif of the Black Community, and each "characters" role within it. They say "It takes a village". But that village is not without flaw. The loudmouth friend, the slick-talking ex, the disappointed hypocritical mother, the uber promiscuous girl with the 3+ kids she always needs a babysitter, they all appear as archetypal reminders. We found so much of ourselves in this film because it is our story. 

As people of color how we display our story has power. We appreciate how Premature as a film places the power back in truth.

Vision Portraits (Director: Rodney Evans)

We often take for granted our senses. They are just so embedded in our day to day lives that we never really anticipate what it would be like to wake up without them. Vision Portraits takes us through the lives of several artists (film director Evans himself, a photographer, a dancer, and a writer) and discusses how vision or the deterioration of vision, affects artistry. 

What is enticing about this film and the work of the subjects chosen, is the fact that had they not revealed they had compromising vision, we would have never known. It proves that you don't need vision to have sight or sight to have vision. The exercise that blacks out the screen and ask you to close your eyes while someone lists off words [example: Mother, red balloon, theater, flower, street lights, snowflakes] proves that once you have seen something, that image stays with you. 

As artist and art lovers the fear of not having sight has always seemed crippling. The idea of being disabled as a creative turns into a push for independence and also a subject that then becomes projected into your art. It changes you, and it seems as though being conscious of that change is the part that is liberating. 

It is niche, but that niche-ness makes it a film for everybody. It is informative, thought-provoking and dare we say it cast light into the darkness. We applaud Evans for using his own journey and vulnerability to create something that means more than what meets the eye.

The Remix: Hip Hop X Fashion (Director: Lisa Cortés, Farah X)

If we have to pick a favorite film for this year’s coverage there is only one contender. Coming from an Urban Creative Cultural perspective, The Remix: Hip Hop X Fashion checks all of our boxes. With its thorough depiction of both contemporary and historical contributions to the most influential genre/industry in the world it inspired, it informed, and it elated.

Remixing is vital to Black culture and is at the very roots of hip hop. The crossover between music and fashion is one that is usually portrayed as happenstance instead of innovatively designed. Lisa Cortés and Farah X direct us to not just the people but the matriarchs that are responsible for the iconography of hip hop that we still harp on, bite at, and praise to this day. It gave us a dosage of something that we needed but didn’t know we wanted. Who knew that the innovators of hip hop were women? Who knew that Misa Hylton and April Walker, were behind the trends that undoubtedly changed how we dress and express ourselves? Right up there with Dapper Dan [Gucci stand back], Hylton and Walker are entering our lexicon of [hip hop] fashion legends, along with Kerby Jean-Raymond. Now nothing will ever be the same.

With its candid interviews and curation of iconic/archived images, The Remix: Hip Hop X Fashion, is important to the “culture” and its current social climate. It also plays into the global phenomenon of what hip hop fashion and culture has become by telling its origin story through the perspective of those who made the history. These producers of style not only gave an alternative lens to ethnic American beauty, but it also fortifies the economic prowess that black design has created.

April Walker (of Walker Wear) & Lexi S. Brunson (CopyWrite Magazine Editor-in-Chief)

April Walker (of Walker Wear) & Lexi S. Brunson (CopyWrite Magazine Editor-in-Chief)

We were honored with the presence of April Walker, creator of Walker Wear [and as far as we are concerned the creator of the baggy jean suit] on the last day of the film viewing. She commented on her choice of hiding her identity as a female designer of a male fashion line, as one that she still stands behind to this day. It triggers us to note, that in reality people even in today’s age of “equality” are still skeptical or dumbfounded by the fact that women are innovators and indispensable contributors to our culture. These “Mothers of style” birthed the hip hop look and still at this point don't get the recognition they deserve. 

It is clearer than ever before that behind every great man, there has always been an even greater woman. The Remix: Hip Hop X Fashion should serve as an inspiration to treat our creators better and pay homage to those who have made being “us” an image to die for. 

(Seen In that order)

What a time to be alive! Urban Creative Culture is thriving, relevant, and sparking all kinds of conversations. We were inspired, a little aggravated, amazed, confused and enthralled. 

That combination is vital for a good film festival experience. So all in all, we urge that if you didn't attend this year, you make sure you join us in the years to come. There is always room to grow. There are always more stories to tell. There will always be more art to consume. We need this in our city. We need this in our world.

/CopyWrite (From the notes of Lexi S. Brunson & Vedale Hill)