MKE Industry Mixer ( Press Write Up)

Milwaukee has really been trying to step up their networking game lately, and making sure to include the creatives in the city. Every other day I see a new event I’m invited to on Facebook where creatives are coming together to meet and possibly collaborate on projects. The most recent event I went to was the MKE Industry Mixer, hosted by DJ Rickey Allenz from v100.7. This mixer was packed with people in the music industry from popular DJ’s to local artists, radio personalities and more. I tried to talk to a little bit of everybody in each category to see what they thought of the event to really give y’all a good feel for what went down if you missed out!

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DJ Rickey Allenz was the mastermind behind this beneficial event, and for this to be his first one, he did a bomb job. He wanted to have the industry mixer because he feels like he’s in tune with a lot of Milwaukee artists, however, some DJ’s just don’t know what’s currently hot in the streets. The point of the mixer is to bring artists together with DJ’s because in hindsight, artists without DJ’s are practically nothing. The DJ is the one who’s going to play your record in clubs, on the radio, etc. They can help spread your music to a wider audience who might not normally get to hear it on a regular basis if, for example, the artist mostly promotes it within their own community. DJ Rickey Allenz is a DJ for v.100.7, WNOV and KBBG 88.1 in Iowa. Other DJ’s have connections in other cities as well, so if they know you and like your music, they can promote your songs in those areas. That is called a PLUG ladies and gentlemen!

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Allenz used to be an artist himself, but he didn’t know the game well enough, so he fell off of it. He said some DJ’s will hustle an artist and charge them money to play their music and then possibly not fall through with actually playing it. That’s not what Allenz is about. If he likes it, he’ll play it, simple. He’s always willing to help an artist grow and put them on game if they’re willing to help themselves.

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Two artists who I was able to speak with at the industry mixer were @NuMoney2mm and @_sgodjayy. They both came and either performed or had their music played that night. NuMoney performed one of his songs, and he says the DJ/Artist duo is a great relationship. The artist has a product the DJ demands and the DJ can be the start of everything. He says, you never know a connection someone might have with someone else who can get your foot in the door.

@_sgodjayy had one of his songs played and was literally geeked when his song came on lol. Jayy says every platform is a good one, it just depends on how you use it. He gets excited for his music and takes pride in his craft and creativity because “when you take pride in what you do, it shows.” You have to have confidence, he says, or else you’ll limit yourself.

I met the lovely DJ Trustar, aka the Trap Princess and the first female Core DJ in Milwaukee, and she says it’s important for DJ’s to come to events like the mixer. Sometimes DJ’s don’t talk on the mic and artists don’t know who they are so it’s good to get your face out there. For example, a lot of people don’t even know she IS DJ Trustar, since she doesn’t talk on the mic much, if at all. People are usually surprised when they find out she’s a woman, especially since she really knows how to throw down on the 1s and 2s, which usually isn’t expected from a woman DJ (btw, that’s a whole topic for a different day that can be dissected when y’all are ready lol).

Lastly, I spoke to the very personable radio personality, Promise from v.100.7! A few Milwaukee artists might know him from his radio segment, “Heat from The Street.” Promise resurrected the segment when he first came to v.100.7 because he wants to help artist get more exposure. Promise tries to be pretty hands on as far as trying to make sure the city hears different sounds and styles, because a lot of the time people get boxed into whatever part of the city they’re in. He also says social media has ironically made people antisocial. Promise says, “In the music industry everybody wants to be heard, but a lot of people don’t know the right approach.” Networking events like the mixer are a great opportunity for media professionals to interact with artists and put them on game. It gives them a chance to get in front of each other and learn how to talk and be more personable instead of hiding behind a screen. Also, it helps for people in the industry to put a name with a face or a face with a voice.

Overall, I thought the event was a great opportunity for people in the industry to mix and make those connections to further grow their careers. There weren’t just DJ’s in attendance either, club promoters, music producers, sound engineers and other journalists with media platforms came as well, s/o to Brittani and A Sit with Britt.

My only concern was the fact that there weren’t a lot of artists there. The DJ’s did their part and showed up. I was introduced to plenty of them such as, DJ Heathen of v.100.7, DJ devast8 and DJ Cell of the Recordbreakers, etc. I’m not sure if it was the promotion of the event, artists just not wanting to come or what. But, I see a lot of artists complain that there aren’t events like this, then when there is, no one shows up. Like I’ve tried to drill into your brains throughout this entire article, this industry mixer was a great opportunity for everyone involved, so if someone can let me know the reason why more connections weren’t made on the artist side, please enlighten ya girl! Hopefully DJ Rickey Allenz and other DJ’s throw more networking events like this in the future because the concept is great and can really elevate the music culture here in Milwaukee (which you know CW is all for).

/Intern Carrie for CW





Riverwest FemFest 2019 Deadline Coming Soon!

We want you to apply!!!

PERFORMERS | VISUAL ARTIST | WORK SHOPS
*Application deadline is February 28, 2019*

This year we are behind the scenes consulting with Riverwest Fem Fest to make sure we bring all the city out including YOU to be apart of the action. We want Women/Femmes of all backgrounds, ethnicities, classes, and creativities to be apart of this years festival. As a women owned business CopyWrite will stand with all of those determined to make positive change in the movement!

APPLY HERE

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S/O to "OUR" representation at Milwaukee City Hall (Colin Kaepernick to be featured in city’s 28 Days of Black History)

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This morning Alderman Ashanti Hamilton, Alderwoman Milele A. Coggs, Alderman Russell W. Stamper, II, Alderwoman Chantia Lewis, Alderman Khalif J. Rainey, Alderman Cavalier Johnson and Alderwoman Nikiya Dodd of Milwaukee, released a statement standing behind Colin Kaepernick to be featured in city’s 28 Days of Black History!

The statement follows:

It is unfortunate that certain state legislators in Madison have worked in opposition to theirAfrican American colleagues to block Wisconsin native Colin Kaepernick from being included in a state Black History Month resolution. But here in Milwaukee we welcome the addition of Mr. Kaepernick to our city’s 28 Days of Black History project and look forward to his profile being featured on our city’s main page and on the City Channel. As we note in the project – an effort to celebrate Black History Month by featuring those who have left their mark on Milwaukee’s Black history – Black history is still being written and is ever developing.

We understand that Mr. Kaepernick is a controversial figure, but black history makers tend to be controversial by nature. Few, if any, were accepted by the broader society when they were doing their work, but in hindsight, our nation recognizes that their counter-cultural actions were crucial to the growth of our country. Mr. Kaepernick was born in Milwaukee and his willingness to stand up for what he believes and against the violent and oppressive (and sometimes deadly) treatment of Black and Brown citizens by law enforcement has brought attention to some of the most important issues of our time. Quite simply, by doing so he has made history.

Additionally, he has donated generously to help many worthwhile causes across the U.S., including two Milwaukee groups, the I Will Not Die Young Campaign and UrbanUnderground.

Unlike some in Madison we are truly honored to feature Colin Kaepernick as part of ourBlack History celebration.

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Look lets make this clear we are SOCIAL, not POLITICAL. But if there is ever a time to remember the historical implications of our political representation not standing up with “our” people, it is now.

Collin is controversial in the same way MLK, Gandhi, Rosa, Baldwin and so many others have been. History is then. History is now. History is tomorrow.

STOP BLOCKING OUR HEROES TO SOOTH YOUR CRIMINALS.

/CW



Carrie’s Curl Conversation: Natural Hair in Milwaukee

Have you read Issue 13 Rebellion?

Feature article Carrie’s Curl Conversation came from a sit down with women talking about natural hair.

Check it out and let us know what you think.

Hair is the subject of an ongoing conversation in the black community. Whether you wear it straight, in a low cut, throw a wig on it or put a relaxer in it, hair is something black women love and can talk about all day long. But something that gets less attention is the hair that black women are born with—their natural hair. Natural hair has been a hush-hush topic since, well, forever. But now, more women are going natural and more women are talking about it.

Black Women and hairstylists discuss the controversial topic of natural hair. Although the natural hair movement is progressing, in Milwaukee and other non-metropolitan cities, the knowledge of natural hair is still scarce. Carrie Mahone, a University of Wisconsin-Milwaukee journalist, has the much-needed curl conversation to find out why.

/Carrie (the Intern)

Issue 13: Rebellion Out Now!

If we are defiant, it is only out of suppression. Tiptoeing through society has left us off balance, anxious, and unable to continue to survive playing it safe. This issue of CopyWrite is a Rebellion in its process. Our features are unorthodox characters with rule breaking methods. Interviews with Dream Lab owner Shawn Dekay, Leevel Ford, Mudy, Kane Rulan, Ex Fabula Feature Camille Davis & more.

-Click Here to witness the Rebellion-

/CW

#CWMerchMonday - @nofingerprints_lp

Today’s #CWMerchMonday is from @nofingerprints_lp

Item: Camouflaged Quirk Hoodie

Our Mission: 

“To Provide Today’s Generation with Premier Design and Fashion

Reminding them that you do not have to leave behind “negative” Fingerprints to determine who you are as a person. 

It takes Strength, Determination, Hardwork and Passion to be successful.”

*Nofingerprints LP also has a ton of events and community activities that they host periodically. Ex: Lupus Awareness, Breast Cancer Awareness, Thanksgiving Full Dinner Drop offs(Blessings in a Bag), Back 2 School Event (supplies, free food, face painting, free haircuts,  MFD, etc.).

Follow them on instagram (@nofingerprints_lp) and check out more at www.nofingerprintsnfp.com

/CW 

#TheArtOfStorytelling - Ex Fabula x CopyWrite Magazine

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A word from our partners:

Ex Fabula is thrilled to partner with CopyWrite Magazine. This partnership will combine different forms of expression and produce a space for community members’ true, personal stories in written and visual form. By connecting the stage to the page, both Ex Fabula and CopyWrite will reach new audiences, connect with new storytellers, and build community.

- Megan McGee, Executive Director of Ex Fabula


As we continue to support the local we will now be vocal in our partnerships to further connections in our community and to bring light to the real bonds that have elevated the Urban creative scene in MKE. This is the Art of Storytelling!

/CW

#CWMerchMonday - @miltownvicious

Today’s #CWMerchMonday is from @miltownvicious

"No one has more heart than the people who live in the city of Milwaukee. This t-shirt line bears our heart and shows off our city pride. Pride for the people raised here, for the people who attended MPS, for the people who left and serve as our city ambassadors- this is for the people who stayed and make this city a better place. 

Miltown Vicious is for us. Vicious because we have nerve. Vicious because we stop at nothing to attain achievement. Vicious, because we are ferocious in our pursuit of a better life.

Milwaukee is our heart. The good, the bad, and the cultured. And if anyone tries to challenge you in that, just point to your heart and humbly remind them that you're Miltown Vicious."

Check out their Instigram and https://www.miltownv.com/shop/ to get the Merch!

/CW



Snapshot Press Release: "Power to the People" Interview w/ Emory Douglas

“A picture is worth a thousand words but action is supreme.” - Emory Douglas

Emory Douglas, visual Revolutionary Artist and Black Panther Party icon, made his way to Milwaukee’s UWM campus Peck School of the Arts, on October 24th, to give a presentation on his extensive collection of socially critical imagery. His work within the Black Panther Party and his contribution to history have made his presence an exciting catalyst to the social narrative in which we have been discussing. CopyWrite magazine was asked by AIGA-Wisconsin and UWM to sit down with Emory, to get his take on his #SociallyResponsible artistic quest and all the other things that spread between the lines of his symbolism.

CW: “For all intents and purposes, you were the artist that drew all the images in The Black Panther newspaper?”

ED: “Ninety-nine percent. There were others who contributed but it was my responsibility to show them how to put social justice content into the artwork.”

Though we know Emory as the man behind the art, his contribution to history had to start off understanding not only the image but the purpose behind it.

ED: “Well that became my role when I . . . I would have to initially start when I was in the Black Arts Movement, transitioning into the Black Panther Party. I was attending City College of San Francisco and I was beginning to take up Commercial Art. That showed you production skills as opposed to Fine Art . . . You learn figure drawing, the printing process, design elements, all those things. While there, I was a part of the Black Arts Movement. I was also there as the Black Conscious Movement was coming about, where we began to define ourselves as Afro-American and Black opposed to being defined as Negro.”

Trying to figure out what he could do at the time to help the movement, he had been told that there was a meeting taking place where they were planning the visit of Malcolm X widow, Betty Shabazz, to the Bay Area. Emory was also asked to do a poster of Shabazz. When he went to the meeting they would also discuss security for that event. The men who would agree to be that security would soon after, change his life.

ED: “When they came, it was Huey Newton and Bobby Seale. It was after that meeting I asked them how I could join and they gave me a card . . . I eventually started calling Huey and I would catch the bus and go by his house. He would show me around the neighborhood and introduce me to folks. Then we would go by Bobby Seale’s house.”

He noted that this was all happening around early January into late February 1967. Only a few months after the initial start of the Black Panther Party in October of 1966.

Fast forwarding, Emory recalled the first issue of The Black Panther News Paper being on legal size paper, done with a typewriter, and markers. It was the editorial project of Bobby and another member known as, Elbert “Big Man” Howard. Emory noticed them working on the leaflet while convening at the Black House, where cultural events took place, and creatives like Sonia Sanchez and Ed Bullins would hang. Interesting enough, Eldridge Cleaver, who became the party’s Minister of Information, lived upstairs from the Black House and would be drafted over to help with its planning with his comprehensive writing skills.

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ED: “One evening I went over there, nothing really was happening but Bobby, Huey, and Eldridge were downstairs. I saw them working on that first leaflet and I told them that maybe I could help them improve it. So I went and got my materials. I walked home and walked back, so it took me about an hour. When I got back they said, ‘Well we are finished with that. But you have been hanging around and you seem committed. We are going to start this paper and we want you to be the Revolutionary Artist.’ So that became my initial title. My job would be to tell our story from our perspective.”

And so it began. Emory would create the first tabloid paper for the Party from the content pressed at the Sacramento legislative meeting to change the de facto gun laws, that would affect The Panthers legal use. Setting the standard for The Black Panther Newspaper that would carry on until Fall of 1980, Emory’s art would become the visual rhetoric for a cultural movement we still dote on till this day. He would even be responsible for the visual interpretation of the Police as the “Pig”.

CW: “The first time you drew the pig was that the first time that it was projected in that way towards the police?”

ED: “It had been defined like that by Huey and Bobby. But when they asked me to do the pig drawing that was the first time [it appeared in that way] . . . there was a book from maybe 100 years or so ago that somebody had that defined the pig like that . . .”

CW: “As some type of authoritative figure?”

ED: “Yes.”

Huey had original requested Emory use a clipping of a pig on all four hooves, with a police badge number of those cops who were behaving as bad actors in the community every week.

Emory & Lexi (Editor-in-Chief)

Emory & Lexi (Editor-in-Chief)

ED: “Then it just came to me one day, ‘Why don't I just stand it up on two hooves?’ ”

CW: “Oh yeah? Like how it really looks?”

Emory lit up in laughter.

ED: “Haaaaaaaaaaaa, Yea. With the flies and everything. Then it really took on a life of its own. It became an iconic symbol that transcended the African American community. It became a universal symbol.”

CW: “Now everyone is calling them the pigs!”

He chuckled softly with a glimmer in his eye. As comical as the image was, and still is, it holds a weight that is the stringent representation of the unhuman like disposition the legal forces of our country has displayed against the disenfranchised. Though creativity comes in many forms, Emory had no clue his social expression would become such a major part of revolutionary rhetoric.

Now let's be clear, the times in which Emory made his mark were times of civil unrest, political and social scrutiny, and homefront combat. It was risky. There was bloodshed and unfortunately, there were lives lost. Enduring these times takes strength, not only physically, but mentally and emotionally.

ED: “People had all kind of issues that came together, to deal with the social injustices that existed. So whatever it was that you had when you came into the party, you brought that baggage with you. We had to respond to those problems the best we could.”

But it was his next comment that dropped down on the room. Just as deep as his art could display, so would his words cut:

“You could say people were psychologically already messed up from colonization.”

Well, then . . . no argument here.

Discussing today's realities versus the past, Emory believes that today’s issues are even more trying. He marks the dynamics that generations face now are layered with environmental plight (global warming or not, polar caps are melting), corporate exploitation/investment in culture (representation is being marketed as gatekeepers to our communities authenticity), political friction (we are closer to nuclear war than ever before), and social dysfunction (police brutality is still alive and well).

ED: “As much as things change. Somethings stay the same.”

As an artist his opinions on purpose and meaning are strong. The messages that his art and many others’ creativity display are not isolated depictions, but should and have transcended cultures, classes, and even the disciplines in which they are created.

ED: “The message comes from listening to the people . . . Hearing what they are saying and their concerns, as well as your own concerns integrating, comes out in the artwork. I mean you had older Black middle-class brothers and sisters identifying with the Pig drawing just as much as you did with the people out in the streets.”

He argues that his aesthetic as an artist grew out of the awareness that needed to be displayed during that time. When questioned about the importance of visual art as a form of protest, from the time of his very controversial symbolism with the Black Panther’s till now, he reminded us that the context of his art came out of an organization backing a movement. It was not his voice alone. It was not the Black Panther Party versus the world. It was the system against the people.

images provided by: AIGA, www. journalstar.com, www.openculture.com , www.chicagoreader.com, and www.artnau.com

“We were like the nucleus or a spec of dust with a great impact. We inspired.”

CW: “Do you think without the Black Panther Party you would be the artist you are today?”

ED: “In some ways maybe, but not completely as I have developed. Because it's not only just the artwork itself but it's the collective environments. It's the criticizing and evaluation of the work and how you’ve done it. Sometimes it's in a casual way and other times it's in a real critical way.”

After the dis-assemblement of the Black Panther Party, Emory started working for the Black Press, creating imagery for their publication. Today he travels, collaborating with artist around the world to promote and produce socially conscious art that speaks on real-world issues. His mediums have even advanced beyond the production processes he learned in college so long ago, including the use of photoshop which he finds quite useful in the remixing his old compositions and his new wave artistic critic of the free world.

Throughout his lecture Emory commented on his art, its meaning, and his legacy, inspiring the room with his unyielding views. Regardless of if you agree with Emory’s position or not, his story is a reminder of the power of creativity, the communal service that can be a calling for an artist, and the impact a unified voice can make.

As we step forward in our purpose we must not forget that the revolution we call on is not a new one but the rebirth of its kind.

POWER TO THE PEOPLE.

Lexi for /CW

See This Post in Snap Press Release Here