You are invited to LEGACY NIGHT @ The Milwaukee Chamber Theater | Hosted by CopyWrite Mag

BLACK PEOPLE IT IS TIME TO TAKE UP SPACE!

INFO FROM OUR COMMUNITY PARTNERS AT MCT


We invite Black and African American community members to join us for Legacy Night on March 22 at 7:30 pm, a special performance of THE MOUNTAINTOP by Katori Hall hosted by CopyWrite Magazine [THATS US!] dedicated to and celebrating the Black community.

What is Legacy Night?

The intention behind this event is to purposefully create an environment in which a Black audience can experience and discuss this play about a Black leader, created and performed by Black artists, in a space that celebrates the Black Community and centers their perspectives.

Legacy Night is inspired by a similar event created in 2019 by actor and playwright Jeremy O. Harris, where for the first time ever, every seat in Broadway’s Golden Theatre was occupied by Black audience members. We're calling this special performance Legacy Night not only because legacy is one of the major themes within THE MOUNTAINTOP but also to honor and celebrate our Black and African American community and the legacy we hope to create together in Milwaukee. 

What if I'm not Black or African American?

We encourage our non-Black audience members to join us in honoring this initiative by choosing to experience the play at another performance.

We thank you in advance for supporting these artists and MCT as we facilitate an opportunity for a community to come together to enjoy this special event. 

Ticket Options

Legacy Night Tickets are $20 (plus sales tax and box office fees).

Purchase Online

You can purchase tickets online by clicking the button below and using the code LEGACY. You will need to enter the code in the "Promo Code" box at the top right corner of the Broadway Theatre Center ticketing page and click submit before you try to select the date. The Legacy Night performance will not show up until you have submitted code LEGACY.

Giving BLACK Radio Another Spin | an interview w/ Tarik Moody on Milwaukee's new Urban Alternative station

Music is a vital part of the Black community. It is the soundtrack to its existence, the beat of its pulse, the rhythm to its soul, the 808 to its heartbreak . . . 

[but I digress]

That is why when the news released, this past September, about a new Urban Alternative radio station in Milwaukee, ears perked up. With receiving a $450,000 grant from the Corporation for Public Broadcasting (CPB), the idea of having a station that covers the full spectrum of Black music became a tangible piece of the local media landscape. However, there have been those who question: Is this all hype? Do we need another radio station? Will it serve local Black creatives? 

Inquiring minds want to know!

Tarik Moody, Program Director for the new Urban Alternative channel at Radio Milwaukee, chatted with CopyWrite to share a little more insight on how a station like this could be a positive shift in the Black music scene, and not just in Milwaukee. 

Retaining the attention of young Black and Brown audiences in the public radio arena has been a struggling task in the last few years. Thus, the CPB has been looking for new formats to engage with that specific demographic. Tarik, with his syndicated program “Rhythm Lab Radio,” and Jordan Lee with his innovative work at 88Nine, began consulting on ways to achieve this in other communities nationally. However, they soon realized this investment in equitable music practices could also be something that Radio Milwaukee could help galvanize, then applying for the grant.  

CW: “So we already have Hip-Hop and R&B stations in Milwaukee, why do we need an Urban Alternative one?”

T.M: “We play stuff that they don’t play. We are providing an outlet for those who do not get any love from commercial radio. That is 88Nine proper . . We are taking that to another level with the Urban Alternative channel, on the music side, by taking a lot of artists that you might have heard but you would never hear on commercial stations. That includes championing more and more local R&B and Hip-Hop artists in Milwaukee, other artists that never get on radio but have a huge following, and building support for a variety of artists, like Black artists who play electronic music, and jazz who get no love.”

On the other end, in the same way, 88nine uses its platform to tell stories and amplify the creatives in the community, the new station will use its platform to do the same, focusing on Black creatives in the city.

Images from the /CW vault - activating Black Community at 88nine Radio Milwaukee


Tarik also claimed that adding the Urban Alternative station to the airwaves would give listeners more choices, plus create market-friendly competition that most music heads would welcome.

T.M: “If our station starts to champion certain artists and play them a lot and people start to resonate with that, I am hoping other stations out of competition will be like ‘aye what's going on over here. That’s great for everybody. That’s great for [all] the artist. . . Being an exclusive station that doesn't benefit anybody.”

On a national level, stations that cater directly to Black audiences are limited, including in major markets. Even more so, many of the stations that do feature Black voices are limited by genre and are owned by media conglomerates focussed on the industry machine, not the artist and community. [Source that to CopyWrite Magazine!]

Even with more diverse station options available, how can any radio station compete with the ever-growing digital beast that is now the most popular way to consume music, especially for younger demographics? With interfaces like Tidal, Spotify, and Apple Music, curating your own playlist seems like the norm. With Tarik’s experience as Director of Digital Strategy and Innovation, he knows all too well that ignoring young voices and the digital space is not an option.   

T.M: “This project is digital-first. It is a part of its D.NA. I want to make sure that I bring in younger people. My goal is to hopefully find people who want to be in this space who are young, give them a seat at the table to let them grow, and build it beyond what I think. I don’t want [the station] to just be my vision. I want it to be a vision for Milwaukee and the generations to come. It involves bringing in the people and making them a part of the community. That's whether I hire them or we are doing events for them. My goal is to always have my ear to the ground and understand my audience.”

When the station is launched in the summer of 2022, the channel will be accessible not only on 88.9FM from 9 p.m. to 3 a.m. on weekdays and 12 a.m. to 3 a.m. on weekends, but also online, on smart speakers, and through a mobile app, with HD2 and HD3 channels available.

However, even with digital access, an online presence, and more, there is something about radio’s nostalgia and the legacy of the DJ that can not be replaced. 


And that’s breaking artists & songs.


T.K: “We want to be that station that does what radio used to do. We want to break artists. It will be a beacon for Milwaukee that other cities are like. I want to listen to this station because they know what's hot. We want to be the go-to station for new artists.”

Before it goes viral on Tik Tok and before it becomes the caption to everyone's Instagram post, somebody has to give it its first public spin… and baaabyyyyyyy it could be right here in our city! 

So what might we call this new station on the horizon?

T.K: “We have been working with DeChazier Pykel, an amazing Black designer and graduate of MIAD. He currently works for the Cashmere Agency, which does amazing work. We went through the whole process of probably four to five meetings of talking about names and meanings. And especially about that. We wanted a name that goes beyond just a radio station. Every city has a Blazin’. Every city has a Hot. Every city has a Vibe. We wanted a name that is digital-first, that can transcend media in all different ways. Say we wanted to do fashion, editorial, events or a festival, we wanted a name that is not defined by radio. . .That when someone says it, it could be a lot of things but we all know it's a product of the media platform that is for people like us in the Black community.”

They also shared the process with a diverse group of community stakeholders, who voted on the name and the logo that will be released to the public in February 2022.

[In all transparency, CopyWrite was invited to discuss the possibilities of the new station and vote on its branding assets. We have seen the logo, and its hmmmmm. . . Pretty URBAN steezy.]

CW: “Interestingly, you said it will be a name that ‘transcends radio’, which implies that you're not just stopping at a station. This is bigger than just a radio station. It sounds like it is more a part of a social thread and context of the larger picture.”

T.M: “I have a personal vision. I am still figuring out how to execute it. The home base is Milwaukee, but I think we could be a media platform like Blavity for the midwest that has radio, festivals, events, conferences. . . But I don’t want to lead it forever. I want a young person to take it beyond where I want to. I mean I see a lot of people stay in a position forever. I want to get it to where I think it should be and then I want to find a young person who wants to take it in another direction that I couldn’t even see. I don't want it to be my legacy. I want it to be something that my people can help create and take it further. “

The idea of a media institution where change is welcomed, the Black community is celebrated, the young are heard, and divergent perspectives may culminate seems like an answered prayer. However, the elephant in the room is huge. The Black community is not a monolith, and when it comes to local BLACK music, the factions are split like blue and red bandanas circa the 1980s in South Central LA.  

CW: “With inclusivity, there is a lot of talk about the separation in general between the Black local music scene and Black creative scene in Milwaukee. How do you plan on including the voices of those who are absolutely on the periphery of what that is or have been disenfranchised by the radio market and media market when it comes to Black creative making in our city?”

T.K: “That’s a good question. I’m hoping to have those conversations. I am hoping people like [CopyWrite] and other people I have grown to know, that may know these people will give me some input on how we should. I can’t answer that but I know I want to do that. I am hoping to have more of those conversations, formal or informal. I want to figure out how I can help and how [the station] can help. It might be getting their music on the air, it might be hosting events, I don't know what it looks like but I know it's needed. Some leaders think they know everything. I don't know everything.”

He then admitted that there are some scenes in the city, like the Northside music scene, that he has only recently been introduced to. He wants to be informed and is open to bridging those gaps. So if we want this to happen, we must come together as a community and for the lack of a better phrase, “Run it up”. 

CW: “How can people stay engaged before the launch? And what should people expect to hear after?


T.M: “The first opportunity to connect with us is when we launch the name. There will be a landing page on the name's website, with a chance to sign up for our email list for future communication and opportunities to connect with us and have conversations with us. This makes sure you are a part of our journey on the way to our launch. Once we launch, expect to hear some things you have never heard before on any radio station in this market and probably in this region when it comes to programming.”

In a climate where our creative scene needs a bit of healing, this Urban Alternative station could be a part of the cure. 


Amplify voices.

Listen to your people.

Be a part of the change.

We will definitely be there.


/Lexi S. Brunson, Editor-in-Chief



Snap Shot Press Release: Whats The Word on Milwaukee Hip-Hop Week?

Scrolling through our social media feeds, we often find things that interest us, whether it is a status from some old soul dropping gems, pictures of a dope new shoe collabo, or the flyer to an event hosted by any of our local favorites. There is always something to explore. But when a post stating, “Hip-Hop Week MKE...Common Council Support” (or something of that nature) flashes before your eyes, you stop everything!

“Who is responsible for this!?!”

Has the “culture” really found its way into City Hall? Is this actually a “real” thing, or a scheme? 

CopyWrite sat down with Milwaukee’s 7th District, to get the word, on what’s really going down with Milwaukee Hip-Hop Week and what the initiative means for our community as a whole. 


Putting Milwaukee Hip-Hop Week on the agenda is a no-brainer from Alderman Rainey’s perspective. As a fan of Hip-Hop, he claims that having conversations about it and understanding the culture is indeed “a part of the lifestyle.”

Some have heard the news, and it has left them a little standoffish about government being involved in its cultivation. Rainey cues us in on the slight politics that will aid in Milwaukee Hip-Hop Weeks hopeful success:

“Well the only involvement the City of Milwaukee really has in regards to the politics of it is, it has to go through an actual approval process by the common council to create an (official) week in the city.” Making it an official city week engages the community and grants more opportunities to highlight hip-hop culture as it is celebrated.

Ald. KR: “We want to celebrate the culture. We understand for some who may be ignorant of what hip-hop is or some who may rely on what the mainstream media presents hip-hop as, they may have a misconception of hip-hop. But for those of us who are a product of hip-hop, have experienced it, and have been inspired by it, we want to give them an opportunity to learn [from it].”

Khalif_2018-02-19-3.jpg

For Milwaukee Hip-Hop Week, which is scheduled to begin on August 27th, 2018, there will be a focus on three major tenets, to cultivate the thematic opportunity of cultural knowledge exchange: Financial Literacy, Health, Civic Engagement.

Ald. KR: “What I envision is creating a framework within the context of hip-hop, where we can have some really important conversations.”

Ald. Rainey mentions that in regards to health, the age of the hip-hop community now includes members in their 50’s. This means the spectrum of health risks, including but not limited to obesity, colon cancer, and high blood pressure, is in fact hampering the lifestyle of many. He notes that there has been a cultural shift, where major hip-hop industry influencers like Jermaine Dupri, Slim Thug, Common, and The Game have been documented parting ways with destructive health choices and promoting positive alternative lifestyles. (Check out the documentary, Feel Rich: Health is the New Wealth (2017) narrated by Quincy Jones III, to catch that perspective.)

Ald. KR: “As a culture and generation, we went from cats talking about drinking 40’s and smoking on the corner to cats actually meditating and being vegan. Still flowing though. You know what I’m sayin’? It’s been an evolution. People have grown as hip-hop has grown.”

One idea is to use this same ideology here in MKE, where there are true health issues like high obesity rates, and where food deserts have created a disconnect with healthy eating to show documentaries (like the one mentioned above) and host conversations to improve the hip-hop community’s wellness.

Talking Financial Literacy, Ald. Rainey notes one of the points he brought up at the Community & Economic Development Committee meeting (where CW was in attendance).

Ald. KR: “...mumble rappers or super lyrical rappers, it does not matter how they rap, they are talking about money. We are talking about being prosperous, comin’ up. One way or another that type of mentality is infused and weaved into your rhymes.”

With that being a part of the hip-hop “mantra”, Rainey believes that setting up opportunities where we can discuss “money moves” like cryptocurrency (a growing market in the eyes of hip-hop advocates like Nipsey Hussle) and stock markets with brokers can increase the quest for wealth, which is vital to this community’s future success. Here the importance of even exposing the community to local resources, like Kiva, can elevate the opportunity for small business (yes, the ones that are a part of the hip-hop community) to level up the grind.

The third tenet, Civic Engagement, covers a wide spectrum, but one of the most important components Alderman Rainey would like to address is voter registration.

He notes that hip-hop artists as of late, have been very vocal about their political perspectives, especially on the presidency. This creates an opportunity for others to express their voices.

Khalif_2018-02-19-7.jpg

Ald. KR: “Right now is the time that we galvanize the people...and share these outlooks and say let’s do something about it...let’s take that same energy and connect it to things going on locally as well.”

#SupportTheLocal

The Civic Engagement tenet also opens the door to have major conversations about violence in our community, where the platform for young people and the institutions who are working on these peace incentives have an open forum discussing the issues (pushing the people and not just the numbers).

Ald. KR: “Milwaukee Hip-Hop Week has the opportunity through civic engagement to effect change socially.”

Just the conversation of having Milwaukee Hip-Hop Week has prompted members of MKE’s growing “underground” hip-hop community to come to the table. At the same Community & Economic Development Committee meeting mentioned before, rappers, producers, videographers, non-profit organization leaders, directors of public offices, artists, press, and the like, showed up to city hall to voice their support for the week and its future impact.

Ald. KR: “It’s an important opportunity to assemble something that brings together people...a bunch of people who were in there had never been to city hall before and that’s powerful to me...I think we have to create more opportunities for the unusual suspects to [be a part of the conversation]. To tap into people who are a-political and make them excited and engaged.”

Side Note: This year in Hip-Hop, a freestyle session broke out in MKE city hall and we have the footage! #ForTheCulture

Even though the week allots for conversations about heavier topics, Ald. Rainey assures us that the five elements of Hip-Hop (MC’ing, DJ’ing, graffiti art, B-boy dance and knowledge), will not be ignored.

Ald. KR: “I just want to have a whole lineup of activities. I want you to look at Hip-Hop Week and be like ‘Damn I missed something.’ But I also want you to break your neck to get to everything too.” He laughed, insistently.

MKE Hip-Hop week is on the theoretical tract to making major waves. In hopes of getting everybody in on the action, planning will highly consider every side of the city, so all communities have access to the celebration of one of the most influential cultures, worldwide. (Look at Nielsen’s 2017 music report...Hip-Hop is out chea’.)

CW: “So you have covered a lot of things here and all of these things sound great. So how are we making sure we include our local artists (and Hip-Hop movement contributors) into the mix? They want to be a part of this and this is their city so they should be.”

Ald. KR: [Following that the week is officially passed by the Common Council, which as of just yesterday February 27th, 2018, it was approved unanimously] “...after that, we have to set up some kind of advisory board that includes people in the community who have value” - And insight into what’s going on out here? *wink wink*

So Milwaukee here is the moment we have been waiting for. Here is the opportunity to shine a positive light on the scene and have some conversations that are way overdue. Where the revolution may not be televised, we guarantee it will be publicized. (Corporate America and the “other” will have their hand in this too. Local big business will be asked to partake...and of course, it is in their best interest that they do.) *This is the moment where we are supposed to digress...Ha!

As Ald. Rainey has become the “spokesperson” for this important initiative, he holds the scrutiny of its authenticity in his hands.

Ald. KR: “I would love for someone to come challenge me on my hip-hop validity. We live this.”

AND WE DO TOO!

/CW

Help us continue the conversation about Hip-Hop by following us on facebook.com/copywritemag and right here on copywritemag.com in the comments. 


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