Don’t Skip This Gem: DJ GEMINI GILLY Is Transforming Social Work Through Her Sets

Draw an image in your mind about what a five-year-old’s bedroom would look like. What do you think would be inside? Lego sets, coloring books, Hot Wheels, and kitchenette sets are the most popular answers when thinking of this. There’s always one or two little ones whose mind sparks other interests and passions. For example, Milwaukee’s very own, DJ Gemini Gilly had a different first love compared to the majority of kindergarteners her age; music. The earliest flashback she has of falling in love with music was at five years old when her older brother would be sampling music using a gener8tor CD player while 106&Park flooded his TV screen daily. From that day on, it was as if her head was the one being spun on the turn tables and music was the DJ; while each vinyl record and scratch birthed new mixes and ideas inside DJ Gemini Gilly’s creative compass. 

For many young children creating and knowing their identity can be the most challenging while juggling the world’s perception and being under their microscope. Fortunately, Gilly’s identity was as easy to learn and understand as the ABCs. She’d gift CDs with personalized playlists created by her to classmates, be invited to parties just to plug her cell phone into the aux and introduce the vibes, and knew every hot and new song on the radio. The wild thing is music wasn’t at the forefront of her life as everyone would assume. Sports took that seat early on and sat front and center of Gilly’s childhood as she began channeling her inner Sanaa Lathan in the 2000 film, Love & Basketball. Drills, tournaments, and a goal to attend a D1 collegiate university to play basketball became the breath in her lungs and the routine trained in her brain that kept the talented athlete going. Throughout childhood, Gilly never deemed her connection and fascination with music in an extraordinary light everyone else witnessed; basketball received all her time, attention, and dedication. It wasn’t up until high school graduation that an epiphany clicked.

“I wanted to lock in during college and see how far my potential would go. All throughout high school I was doing just enough to skate by because being an athlete took all of my time. Once I attended college, my head was in every book of mine”. -DJ GEMINI GILLY

Overwhelmed, lost, and interested in too many things over what over 50% of college freshmen experience when declaring their major. Not ya girl at all. Throughout the entirety of her childhood, images of social work and its significance were given a main stage right in front of her. Gilly’s mother is what you’d call “The Neighborhood’s Mama”. Although being a social worker wasn’t her primary job; legal paperwork wouldn’t make any difference. From picking all of the neighborhood kids up and taking them out skating to providing meals to the entire block; social work ran through her veins and became her daily routine subconsciously. Young Alice (A.K.A DJ Gemini Gilly) instantly grew a hunger to follow in the footsteps of the woman who brought her into this world. Consistency and hard work runs in the family because Gilly attended the University of Wisconsin Whitewater, cracked down on the books, and slayed undergrad; doing all things academia she set out to do. Her detailed goals were becoming reality in no time and life became carefree but everything changed as the chapter of undergrad was wrapping up and grad season was just beginning as it started to write its own story.

A timeline has been taught rigorously generation after generation being described as “The Key to Success”. Go to school, graduate with a degree, and then you’ll get a “good job” in order to become successful. At what cost do we all have to give in order to achieve success? For DJ Gemini Gilly her hurdles came a bit sooner than expected as she was getting masters and the journey was all but exciting. Experiencing racism, depression, and the feeling of not belonging can be described as the synopsis of her entire grad school experience. Luckily, all of the pain and trauma were used as motivation to explore something that was always within her; her love for music, specifically DJing. Gilly already felt as though the party scene was not catered towards her culture at all so it was an extra push to learn so that she could specialize in African-American music and create spaces for people just like her. The week before winter break, a Twitter post listing the top fifty female DJs filled her eyes and a lightbulb came on! As soon as class ended she rushed to Guitar Center and copped a DJ set counsel the same day. Over the next nine months, the days and nights consisted of teaching herself how to create flavorful and lively mixes which led to DJing at Madison, WI bar and grill, The Atwood, her very first gig!

Gilly’s journey over the last six years has been nothing but full-speed and trailblazing. Her resume includes opening for SZA, Mariah The Scientist, JaRule, Anime, and being the face of music at Milwaukee events such as the All Black Xperience and free days at the Milwaukee Art Museum. Ironically the love she had for sports came back full circle as she now has two jobs working as a full-time DJ for the Milwaukee Bucks and Wisconsin Badgers Women’s Basketball team. Since 2018 when DJing became stamped in Gilly’s heart; it’s never been only about hyping up an audience to dance. Her connection to social work never depleted, rather strengthened even more as she wanted to not only shift the culture of going out but also the personal interactions people have with one another. While in college DJ Gemini Gilly quickly took note that the club scene in both Madison and Milwaukee, WI neglected diversity and had several restrictions. Gilly bridged the gap between her passion for both music and social work by bringing two ideas that lived rent-free in her notebook to life. 

On May 27th, 2023 Gems Only was born. Gems Only is an event series carefully curated by DJ Gemini Gilly and her team that’s bringing a unique and hot take on the party scene; not only nightlife but all celebrations. Although the business is only a year and a half, it’s had the success that many entrepreneurs dream of after year three of being in business.

“I believe success came so quickly for Gems Only because it was needed and something nobody in the city has ever seen before”, she said.

You may have been in attendance some of the events such as Nightmare on Water Street, Summer Jam 2K24, and their New Year’s Eve event. The purpose Gems Only serves is to be a safe space physically, mentally, spiritually, and socially for all in attendance. Different groups of people that represent different ethnicities, cultures, and beliefs shouldn’t feel divided and judged by others when going out for a good time. It captures both the essence of a Renaissance feeling but heavily reels in on respect. In the words of Aretha Franklin, “R-E-S-P-E-C-T, find out what it means to me” should considered by Gilly as the intro theme song at every event. Respecting others, the space and especially yourself are the three rules not only for Gems Only but also another event series Gilly has brought to life: NO SKIPS. Her foot is never off the gas. NO SKIPS is a subseries under Gems Only. An album listening party created to be intimately experienced and celebrated as a collective group is the overall bread and butter of what the essence of what NO SKIPS is. On April 20th, 2024 the launch event was a hit; celebrating Wiz Khalifa’s Kush and OJ album. NO SKIPS is not for those who just listen to music, but for people who relate, analyze, and feel the music that speaks and uplifts them in their lives. 

Creating her own lane and climbing the ladder of the music industry has changed her entire life within the last six years. Being able to leave her corporate job where she felt as if a disguise had to be worn and code-switching was mandatory to become a full-time DJ was nothing short of a testament to her journey. Making bold moves has not only shaken up her life but also the lives of thousands of other people who now have a fresh take and a newfound love for going out such as college students, former classmates, and everyday people throughout the city of Milwaukee.Gilly continues to stamp her name as one of the most talented DJs in Milwaukee, Chicago and New York. This is why she was selected to be the DJ for the “When We Vote, We Win” led by former Vice President, Kamala Harris during her campaign run for the 2024 Presidential Election. 

“It was at that moment where I seen Flo Milli, GloRilla, and Kamala herself that I felt a shift in my career had happened without me knowing in order for me to get here. I felt that I was taken seriously by all people. Since I started DJing Black women were always my number one supporter so it just felt like a full circle moment”. -DJ GEMINI GILLY

Providing spaces and opportunities for BIPOC (Black, Indigenous, and People of Color) community members to feel seen, heard, respected, safe, and celebrated has always seemed like secondhand nature to Gilly. She’s turning the tables when it comes to combining her fascination and passion for social work and music. To make sure you receive an exclusive ticket to the next culturally curated event by DJ GEMINI GILLY whether it is NO SKIPS or Gems Only follow their social media page at (@gemsonlyseries). Trying to explore new people, places, and things to enjoy going outside and hearing music you normally wouldn’t hear; follow the creative herself as she keeps her community up to date consistently of what she’s got going on next at (@DJGEMINIGILLY). 

Desriana Gilbert | Entertainment & Social Journalist for /CW

Meet Who's Bringing Real RnB Back | D.Lylez

Do you remember waking up on Saturday mornings to your mom blasting music that made you want to do the two- step as the house was being cleaned from top to bottom? Some of those family favorites could’ve been:

Superstar by Usher

Let Me Love You by Mario

So Beautiful by Musiq Soulchild

Understanding by Xscape

So Sick by Neyo

Or maybe you’ve seen the frenzy behind the internet’s conversation on who is the king of R&B. Well, I’d like to introduce a new face in the music industry who is definitely making noise when it comes to bringing back that soulful yet raw energy to R&B music! Ladies and Gentlemen, let me introduce you to D.Lylez. 

Darious Lylez, widely known by his stage name D.Lylez is a Chicago Native who has always embodied and displayed not only a love but a passion for music. Although his childhood was under the framework of a preacher’s kid, Lylez stood firmly withhis personality, stage presence, and emotions when it came to falling in love with R&B! By age 9 music lessons and recitals became his daily routine with the support of both his parents despite church culture. Everybody knows that no matter if you sing in a choir, are a deacon, or can recite many bible verses; they bump to New Edition, Bobby Brown, and Jodeci, here and there. 

You may be squinting your eyes trying to figure out just exactly where you know this cat from. The answer is the hit talent show The Voice season 18 with judges John Legend, Kelly Clarkson, and Nick Jonas. It’s no secret that his soothing yet confident voice blew the judges away but that was not the start to his journey. From being in a boy band called Changes, auditioning for the Voice, and becoming a signed solo artist, D.Lylez's musical journey has been quite eventful. He has tapped into what he wants his legacy and artistry to represent: authenticity, story-telling, and a groundbreaking powerhouse when it comes not only to his vocals but also his performance. The superstar’s two latest singles “24 Hrs” and “Is It Time?” are a direct visual buffet of how truly captivating his artistry is. 

As I watched the video of “24 Hrs” it instantly took me back to the hit single “Sensitivity” by Ralph Tresvant (Yes, one of the cuties from hit group New Edition). The two videos have several similarities when it comes to color stories such as Midnight Blue and Harvest Orange. They both also showcase scenarios that male artists deal with when it comes to the challenge of balancing their career in the spotlight but also having someone very dear to them in their personal lives. In the video you see him wanting his girl so passionately and thinking of her but he’s in the studio doing what he also loves: creating stories and music. The leading woman begins thinking that she’s being ignored and stood up for a romantic dinner date but he’s thinking about her just as much. Lylez is bringing back the R&B that reunites couples when they go through ups and downs, makes you fall in love all over again, and at other times he lets his audience know that they aren’t the only ones dealing with the harsh realities when it comes to dating, loving a person unconditionally, and any other curveballs this life throws at us. Before you know it brothers will be singing and dancing in the rain while us sistas live for every moment of it. 

I love how there’s now space being created again for vulnerability, soft love in the black community, and raw emotions when it comes to a black male artist and he is one of the individuals becoming responsible for that. His music indeed celebrates and uplifts women in the most beautiful light but Lylez's next single “Is It Time?” also is a friendly reminder that everyone can be heartbroken and played; no matter the gender. The video will showcase him in a more painful and distraught light after finding out his partner may be entertaining other men in these streets. I feel very few artists are extremely transparent while still being entertaining and that's a gift he utilizes to a tee when it comes to creating music. 

A catchy chorus and beautiful lyrics that will sound good on the radio or in the club is not his top priority; rather it’s creating a versatility quality music catalog. Neo-soul vibes and the heart is coming back to R&B. Music that makes you feel like you are on cloud 9 when thinking of your boo or last romantic partner has a different energy bringing people of all communities as one because who in this life doesn’t want to experience good ole lovin’ or as Mary J. would sing out, “Real love”. 

Tune into both of D.Lylez’s latest videos if that sultry yet heartfelt R&B makes those car rides a vibe before work or if you just love love.

Comment down below which is one is your favorite out of his latest songs. Follow the talented young star on all platforms as well. [@dlylez]

Desriana Gilbert | Entertainment & Social Journalist for /CW

Marie & Rosetta - Snap Shot Press Release [The Godmother of Rock ‘n’ Roll & The Wind Beneath Her Wings]

It is no secret that every last one of us comes from different walks of life. No matter what trials and tribulations come our way or what groundbreaking dreams instill that grit and exhilaration inside our souls.

Millions of people find it quite easy to relate [and associate] with only those who give them the feeling that they are glancing into a mirror. The cost of this is usually shying away and subconsciously avoiding others who may seem “a little too much” or that orbit on the other end of the spectrum. Humanity has taken a prolonged journey to comprehend that opposites attract. [In the words of Sam Cooke, “It’s been a long time coming”]. 

As a result, new conversations, innovations, and walks of life are born. 

Friday’s (October 25th, 2024) showing of Marie & Rosetta at the Milwaukee Repertory Theatre was a vulnerable and intimate depiction of this revelation. Beyond the physical attributes of these characters, lived “culture” creates a divergence in how they differ in society. So you may be asking, “Now girl how are these two black women completely different from one another?”. Well, honey find a cozy seat while you’re on the clock because the words complex and the phrase, ahead-of-its-time, are just the beginning. This may take a minute.

Did you know that the gorgeous and bold men behind the origin of Rock ‘n’ Roll such as Little Richard, Elvis Presley, and Jimi Hendrix were influenced, captivated, and mesmerized by Sister Rosetta Tharpe before they even started paving the way for the rest of the world themselves? A Black woman born in Arkansas that traveled with her mother to Chicago at age 6 performing as a duo. Her mother Katie would preach into the Chi streets with chilling sermons as Rosetta would close out singing light gospel music. She spoke her mind as if she was Wendy Williams taping Hot Topics, and had no fear of what others thought or would judge her for. Her wardrobe of sequins, furs, and enchanting dresses were just as eye-catching and jaw-dropping as her performances. I almost jumped out of my seat as her hit song, Rock Me, was performed by Bethany Thomas who plays Tharpe, with a commanding aura of musical majesty.

As the curtains open, the confident superstar has just successfully chosen her new protegee who will accompany her on tour. Marie, played by Alexis Roston, presents herself as a young talent who is very innocent, angelic, and on the straight-narrow. Marie is no free spirit [and soon we discover she is not “free” at all]. Through Tharpe’s proding for information about her new talent find, she discovers that Marie is actually a 23-year-old married woman and mother of two who sang in a quartet and constantly thought about how the church viewed her and what others thought of her. Marie never wanted to be the woman the church folk would oohh and ahh about.  She would’ve been almost as innocent as Jesus’ mother Mary, but she was caught in that lie within the first few minutes of the production. Not only did Marie downplay her age, but she had a hidden edge to her. She would sneak around the church playing secular music [a scandal of those times] and was a preacher's wife [a preacher she was not too happy with]. This is where the topic of opposites attracting comes full circle. 

Rosetta did reveal that Marie’s lies were the reason why she initially chose her to come on tour; as she seemed to contrast Rosetta’s image. Rosetta wanted to re-enter the church circuit as a performer, but her headlining juke joints and supper clubs took her right off of that saintly roster.

This performance becomes alluring when the ladies begin to create a healing yet difficult dialogue amongst one another as the story shares their first night creating their electrifying tour.

Set in a funeral home showroom in the South, this heartwarming yet harsh reality check creates an emotional exchange between the two women. Tharpe begins describing to her wide-eyed protegee that showbiz for Black women during that time was no red carpet walk at the BET Awards [Today’s acts like Latto, Glorilla, and Megan Thee Stallion, with their controversial aesthetics may still feel this way]. Rosetta revealed that music was the only thing that loved her back after she lost her mother. The inventory of husbands, money, and fur coats did not make her heart skip a beat or give her a sense of genuine love. As the night continues, Marie wears her heart on her sleeve and starts revealing her most honest thoughts to Rosetta. This form of intimacy seemed new for Marie. She eventually admitted wanting to leave her husband since he didn’t value her anymore and how she felt she lost herself in the marriage [Divorce? Baby, not in the churchhhhhhhh!]. 

Controversy is one thing playwright, George Brant, and director E. Faye Butler did not run away from. The topics of divorce, mistreatment of African-American performers in the music industry, and even a hint of homosexuality, regarding a romantic relationship between the two leading ladies were showcased in such an intriguing, yet transparent angle. This lens harnesses the delicacy of truths that are usually avoided in “historical” reenactments. These complexities are exactly what we need to see on the stage, so that we may feel their gravitas in society. The production balanced out with comedic relief, harsh truths, and soul-touching musical numbers. In my opinion, the music and Rosetta’s direct personality united the two into the dynamic duo they became. Once they got over the hurdle of Marie subconsciously judging and trying to change what many used to call “secular ways” Rosetta had and accepted each other for who they were in that moment; magic sparked! 

There’s no question that both ladies demanded my attention from the opening act to the closing scene but with much reflection; I found myself in Marie. I connected with how others perceived her. Just as Marie seems innocent and knows nothing of the world to other people; at times I believe that’s how people see me. Once Rosetta began listening to her thoughts, dreams, and experiences, Marie was then displayed as a strong, talented, and daring young woman who just wanted people around her to take her more seriously. However; Marie also trapped herself in the role of a people-pleaser and rule-follower. The majority of her life, just like I, carried times of doing things the “right” way and bending herself in so many different directions to make everyone else’s dreams for her life come to fruition instead of living the life Marie wanted for herself. 

Who knew with the right push from her favorite musician that blossomed into a close relationship [nobody ever knew the full details of], that Marie would become a walking memorial for Rosetta after Tharpe passed? Marie started having a free-spirited attitude, speaking her mind without second-guessing herself, and stood on her own name. Not hiding behind a husband, her mentor, her parents, or society’s rules anymore. Many of us, including myself can look into the mirror and see flashes of Marie. Whether it’s her spirit that has others thinking she’s younger, her gentle tone that makes others think she’s holding back something and doesn’t have a voice of her own, or her ability to camouflage herself into the background of any environment and observe that confuses others into thinking her entire being is invisible. For some, it only takes a few months while others need years to find themselves and understand their purpose, but honey a journey is a journey!

Do you think you need a little push into some reflection of your own? Do you want an entertaining history lesson that’ll take you back to the time when two black women owned Rock ‘n’ Roll? Maybe you would like to jam out to some soulful, yet bold music? I want to extend the invite /CW received from the Milwaukee Rep to you. Go check out Marie & Rosetta between now and Dec 15th. This show will give you the laughs, moments of silence, and strength you need to take a deep look into who you are and how everyone and everything else around you affects the trajectory of your lifestyle and where you are headed, family. 

Desriana Gilbert | Entertainment & Social Journalist for /CW

AdventuresofQue- Quincy Vs Que Album

you tired of everyone standing around at the club looking at each other with such boredom and there being nobody on the dance floor? Or maybe you’re over those 5 songs that your replay button hates to see coming. A hidden gem caught our attention last week that’s the answer to both those problems: ‘Quincy Vs. Que” by the laidback yet lively entertainer, AdventuresofQue. No question this is one of the most anticipated albums of the year. 

It’s only been 4 months since he served up nothing but heartfelt melodies and voicemails with edgy verses in Loser/Lover 3; but I don’t think the city is ready for the growth in not only his sound but also his lyricism. 

No matter your gender or favorite genre of tunes; everyone is going to bump this album from beginning to end. “Quincy Vs Que” makes you feel like you're entering an escape from reality. His cadence and adlibs will have women feeling like the baddest in the room while having men feel on top of the world at any party they step in. He constructed a masterpiece that provides the perfect balance of chill easygoing bops and intergalactic songs that would make even Barack and Michelle Obama jump out of their seats. 

I was surprised at how many different voices I heard and to my surprise, they were all coming from AdventuresOfQue. Whether you’re blasting some of my favorites such Uncle Phil, Are You Happy?, Buckle Up or the #1 Single Quincy Vs Que, you’ll definitely feel like the world is in the palm of your hands and confident that each and every single dream you have will come true. Like this post if you believe this upcoming album will save the club scene! 

Desriana Gilbert/ Entertainment & Social Journalist for CW

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PRE-ORDER YOUR COPY OF COPYWRITE MAGAZINE ISSUE 21 | BACK TO BLACK

n issue we take a deep dive into the nuances of Black Culture and the rhetoric that it parallels. This is one of the most intimate issues we have ever produced because many of the topics we will discuss have been fostered by conversions that our leadership, /CW Fam [our staff + collaborators], and our friends/family have grappled with in our personal lives. These topics have lived in barbershop debates, under dryers at the hair salon, at the kitchen table at Granny's house, and on the front steps before the age of social media. These are realities that are formed by resistance & resilience, topped with ingenuity and unapologetic joy in being the prototype for authentic exploration for survival [vs. conquest]. These are patterns of existence without erasure.

Featuring: Spill It Card Game, Jonah Denae, Ko-Thi Dance Company, Culture: Between Space & Place

“Music on the Beerline” is back for its’ 6th Season

*INFO PROVIDED BY KENNITA HICKMAN OF CATERA

The Riverworks Development Corporation is kicking off the sixth annual “Music on the Beerline,” a free outdoor music event in Milwaukee. The RDC is continuing in its new format as a 3 month series versus a one-night event, an upgrade to the event structure that has proven to be successful.

“Riverworks is excited to host the 6th Music on the Beerline Series at the Beerline Plaza connecting the Riverwest and Harambee neighborhoods while showcasing local talent,” Darryl Johnson, Executive Director of Riverworks Development Corporation.

The series, which highlights local musicians and performers, will showcase a diverse range of music, with prior concerts offering a mixture of Hip Hop, Soul, Jazz and more. Last year featured hometown favorites Browns Crew and DJ Bizzon.

The 6th annual “Music on the Beerline” will take place on the following dates on the Beerline trail:

• July 19, 530p to 830p

• August 16, 530p to 830p

• September 20, 530p to 830p

Artists featured this year include Smoke N’ Mirrors, Urban Empress and The Urbanites, DJ Bizzon, Cache, Love Peace and Soul and Extra Crispy Brass Band.

This year will see the return of our marketplace where local vendors can connect directly withconsumers. Vendors include Polished Embroidery, Jameelah Jewelry, Beauty from the Root, Say It Louder, Girl of the 21st and One MKE. Food trucks will also be on site.

Sponsors include Wells Fargo, Palermo, Bank Five Nine, Brewery Credit Union, Riverwest Realty, Nessun Dorma, Manyo Motors, Strand Associates, One MKE, Metal Forms, Amorphic Beer and Quad MKE.

Lik "Popeye's on Center"

If you’re like most of us, you’ve been OUTSIDE making this summer count! On time with the vibes to match as usual, TRP has yet another drop that can take you back to a July Summer in the early 2000s! Co-Founder and In-House Producer Lik gives that feeling with the summer anthem, “Popeyes on Center,” a shout out to one of the hundreds of directional pinpoints used by Us in the community, ha! 

This single from his latest Album, “Auteur Theory,” which has been exclusively released on his Ghetto Griot website for purchase, features his right hand, Big P. Released as a music video directed by Cream. and shot by Carter Green, the lyrical, instrumental, and especially, the visual context is so Milwaukee and gives a nostalgic ’outside from sun up to sun down’ type of feel. The vision was for the editing style to become another character of its own- the “third side to the story,” as Lik put it. The vibrancy of the colors seen and worn, the upward camera angles to fully capture the grit of what still remains of our own unique culture (the businesses AND the beautiful young Milwaukee Men coolin’ in front of them), and the contrast of what may not be anymore, but is still core to the identity of this part of the city, and therefore, is worthy to be celebrated.

The setting changes and cuts to Lik sitting by himself in a restaurant. The imagery is more fab and luxurious and his words are more future-tense with a little bravado but just like the brick and mortar of the Milwaukee Mall, his identity in Milwaukee remains. Good One Lik!

Naomi-Re’a for /CW

Jonah Denae "In Due Time"

Milwaukee’s Femcees become more and more promising with the likes of Lakeyah, Mudy, Shadi, Destinee Lynn and now, the young and ambitious Jonah Denae has come to take names and take over; “I been quiet. But it's my turn now. Be ready. Love” is declared at the top of the year under an instagram post of hers, and she definitely aint playin’! After a sprinkle of singles and freestyles over the last few years with no LP yet, Jonah Denae has dropped ”In Due Time,” a statement piece for the due diligence of an artist who knows that faith, consistency, and hard work is bound to pay off when you know who you are.

Her Battle rap-like approach over a proper Midwest beat by rXge and rhyme scheming are mathematical; 

-“Can't settle for ni**as who settle at the bottom with b***hes 

Who bottom feeders -for givin’ top to ni**as who pop a bottle

 -Instead of poppin’ a collar, 

B***hes paparazzi.. ” 

She weaves in and out of the flow like a pro with the demeanor and full set nails to match. Clever choices are made in her change of pacing and tone while landing her bars every time with references to Black Culture, her spiritual faith, and American History amongst other things in relation to the might of the moment that she is manifesting for herself as a legend in the making. This is her time and the city, the world, needs to keep an ear out for this one. Jonah Denae is ‘Bigger than Local.’

/CW Naomi-Re’a

China Shadae SINGLE "Pull Up"

China Shadae's  latest single “Pull Up” should surely be added to your R&B playlist. For starters, China Shadae’s voice is incredible and her talent is undeniable, shining bright in this record alone. I think this song flowed so perfectly because she was in alignment with each element of the beat. The beat is another thing that I really love simply because that is one of the most inclusive parts of a song. You may not remember the words to a song but you’ll always remember a good beat, credits to Geronimo Approved, Hossy and TCF Live. I noticed the inspiration from Bobby’s Brown “Every Little Step I Take” in the chorus, I think she definitely it tastefully and creatively. One thing about China Shadae, her hooks and choruses are consistent in their ability to captivate. That’s another thing that makes a song memorable and really adds to why I like this song. This isn’t the only song of hers that has me intrigued, songs like “Secret Love” and “Burn”  have also been added to my library. It’s no question that China Shadae is making her way into the mainstream world of R&B, the only question is when.

Check out China Shadae’s latest single and more and let us know what you think! 

/Peazy from CW

HYFIN Presents: Latest + Greatest LIVE

*Info provided by HYFIN