Ace Parker - 3:17 [Album]

On January 20th, Ace Parker dropped a full length Album titled “3:17” and it really makes me want to tap into that extroverted energy!  By itself it is the perfect playlist for going through the highs and lows of every emotion that comes with the reality of ‘Flexin.’’ The analogy that comes to mind with this theme is the motions that we go through when preparing for a night out; The anticipation that comes with getting dressed, beating your face and pre-gaming with your crew, hair flipping away because you just know that the flex is real and you deserve it, that super litty car ride all the way to the club, and finally that emotional car ride home after you've confessed your heart to your homies and said ‘forget so-and-so’ about 50’leven times is embodied throughout this entire Album. Bangers like ”Sommer” and ”Boogie” are meant for the whip. The high energy beats combined with the charisma of Parker will keep you moving non-stop. The transparent, yet slightly comedic delivery used in “Down Bad” is the last of that ego boost for the listener to absorb before getting gut punched by the tunes that follow. “Sorry I'm late,” and “Anybody” are just a couple of the more somber bunch of songs that close out the Album. Parker shares what's real about the behind the scenes of ‘leveling up.’ It looks like fun and that you are above everyone and everything but the truth is that It's lonely, dark, and leaves room for uncertainty. It's not even clear what the purpose of leveling up really is at times, nonetheless, it's always the right path. In the words of Ace Parker himself “...There’ll be better days..Feel the pain, you're okay, check the time, roll again...” .

Tell me how YOU feel about “3:17” Milwaukee.

/Naomi-Re’a for CW

Partnership Content - Artist Eats: SistaStrings at Villa Terrace

Partnership Content - Artist Eats

SistaStrings at Villa Terrace


We met in early May 2021 at Villa Terrace. The unusually cold day was even colder as we were situated on Milwaukee’s east side across the street from our lakefront. 

On this particular day, Monique Ross (older by 2 years) and Chauntee Ross are exhausted but ecstatic. Just 2 days prior, they announced their farewell show before moving permanently to Nashville, TN. Their departure is a harsh reminder of the importance of creating and cultivating an arts community that allows artists to flourish and get paid. 

Their farewell show sold out in 72 hours. Another reminder of how incredible their contribution is to Milwaukee’s music scene and how much we’ll miss them. As of today’s writing, they’re doing well in Nashville including recently sharing the stage with Thee Brandi Carlile. 

Not too shabby for the Queens of Strings. Not too shabby at all.

It’s hard to encompass all that is SistaStrings in a 10-minute video. Our conversation over FlourGirl and Flame pizza and drinks from Vibez Creative Arts Space navigated the journey of 2 black women who’ve made a home in classical music with a bit of gospel and a bit of soul. 

Here’s our interview.

The Creative Collective Panel [moderated by Lexi S. Brunson Editor-in-Chief of CopyWrite Magazine]

It’s the Black History in the making for us!!! We are excited to announce that our Editor-in-Chief will be moderating The Creative Collective Panel during Black Lens Black history month kick of event.

As Always Lexi will be using her own creative experience to ask thoughtful and engaging questions that will definitely help us understand each other a little better.

#SupportTheLocal

Learn more at:

https://mkefilm.org/black-history-month-2022-milwaukee-film

CJ Folds "Love at War: Mr. Lonely"

Alright, time to stare at the ceiling and let loose a thug tear. CJ Folds has personally caught me by surprise with this new release of “Love at War: Mr. Lonely”, a 16 track album that hands out emotional lumps with every song. Accompanied by his Label Mates including Eli $tones, Aremite, Jordyn Sade, and Langston, CJ Folds gives me what I actually admire about today’s modern sound of the heartbroken youth: melodic genius and performance. Throughout this Album, you will be forced to feel what he feels; with the rasp of a country/rock singer, an ear for a beat selection that consists of the versatile use of string instrumentation and background vocals, an undistracting use of bass, and the chemistry between him and his features, You will begin to loathe your imaginary ex...yup, I said it!

The running themes of “Love at War: Mr. Lonely” include disappointment, solitude, the lack of communication, and the desire to elevate emotionally. “So Far Gone” sets the tone with a minimalistic beat meant to showcase Folds' vocals and the depth of pain in his lyrics, “We can't keep goin no more. I done tried too long, what for? All that you did for me, I wasted my energy, Lord, what did you send to me, I’m so gone...” Geez….. The Title Track, “Mr. Lonely'' is next and honestly after the intro, there's no way to recover. With the title and the chorus being a call back to Bobby Vinton’s heavily remixed and referenced 1965 single “Mr. Lonely,” Folds is seen as a soldier of change who has stationed himself away from his norm (city, friends, habits) and as a result, experiences the effects of his choice, “And this is exactly how it go down…” Skipping down to track #9, Folds expresses his longing for companionship and affection on “Somebody,” which is a slight contrast to the contentment that he had shown in the start, Folds blatantly admits to needing what he had lost and further continues on to a rollercoaster of emotions. Tell me how YOU feel about “ Love at War: Mr. Lonely ” Milwaukee.

/Naomi-Re’a for CW


AVE4 - ‘FOR THE MUSE’ [Debut Album]

An example of a gem is a producer in our generation who specializes in catering to the R&B genre. Ave4 is Milwaukee home grown and has been producing for several years and now he has willed himself into dropping his debut project. “ …it stemmed from a place of self reflection. After 3 years of scrapped concepts and personal growth, it has grown into the story that it tells today,” He says about  “For The Muse.”  Just as he said on an instagram post back on his original release date “...My Muse isn't just a person but (She) helped me believe in love again…,” I too truly believe that this title speaks not only to his personal Muse but to the many possibilities of how anyone can approach love despite their experiences and also to the many different artists and how differently they could all approach these tracks as the individuals that they ought to be.

This album will take you many places to many places with heavy call backs to the inspirational times of the 90s and the early 2000s. The first track hits us with a familiar voice sample of Larenz Tate’s, “Do You Mind if I play something for you?” (you know the movie), before we are met with a super ultra nostalgia filled track titled “Let Me In.” Its Immediately giviiiiing! The production, though still sprinkled with some modern day stylizing, is still true to the inspo that is the original sound. The beat is not overbearing with intense drops and pounding and the sampled vocals are still very much a part of the song. Same to say about the next track, and the rest of the album, “Dial Me Baby” which features a sample of Tamia’s “Long Distance Love.” This smooth story of new love continues on until we get to track 6,  “Prada.” This one is for house parties and skate rinks, with a good ol’ Ginuwine “In Those Jeans” sample (because who doesn't love hearing Ginuwine in the background), it's for sure a ‘feel good’ track. The last few tracks bring us back down to a more downcast mood than the first half of the album. Its as if ”Prada” was the climax of what it's like to have those Feelz but then either that spark is lost or this person of significance just wasn't as ready as they thought they were for love. “No More Amor” and “Queen of Flowers,” which features a proper Nia Long sample to end this story, both cap us off with what it feels like to have loved and then lost.

Tell me how YOU feel about “ For The Muse ” Milwaukee.

/Naomi-Re’a for CW



Ex Fabula | StorySlam: 'I Decided' [Sponsored by CopyWrite Magazine] Jan 27th 2022

Stories of independence, bravery, leadership, executive function, self-determination, and more! This event is a curated slam featuring Ex Fabula partners.

Date: Thursday, January 27th
Time: 6:30pm entry, 7pm stories

Locations: originally planned to be at The Cooperage, this event is now virtual.

Click Here to learn more!

Giving BLACK Radio Another Spin | an interview w/ Tarik Moody on Milwaukee's new Urban Alternative station

Music is a vital part of the Black community. It is the soundtrack to its existence, the beat of its pulse, the rhythm to its soul, the 808 to its heartbreak . . . 

[but I digress]

That is why when the news released, this past September, about a new Urban Alternative radio station in Milwaukee, ears perked up. With receiving a $450,000 grant from the Corporation for Public Broadcasting (CPB), the idea of having a station that covers the full spectrum of Black music became a tangible piece of the local media landscape. However, there have been those who question: Is this all hype? Do we need another radio station? Will it serve local Black creatives? 

Inquiring minds want to know!

Tarik Moody, Program Director for the new Urban Alternative channel at Radio Milwaukee, chatted with CopyWrite to share a little more insight on how a station like this could be a positive shift in the Black music scene, and not just in Milwaukee. 

Retaining the attention of young Black and Brown audiences in the public radio arena has been a struggling task in the last few years. Thus, the CPB has been looking for new formats to engage with that specific demographic. Tarik, with his syndicated program “Rhythm Lab Radio,” and Jordan Lee with his innovative work at 88Nine, began consulting on ways to achieve this in other communities nationally. However, they soon realized this investment in equitable music practices could also be something that Radio Milwaukee could help galvanize, then applying for the grant.  

CW: “So we already have Hip-Hop and R&B stations in Milwaukee, why do we need an Urban Alternative one?”

T.M: “We play stuff that they don’t play. We are providing an outlet for those who do not get any love from commercial radio. That is 88Nine proper . . We are taking that to another level with the Urban Alternative channel, on the music side, by taking a lot of artists that you might have heard but you would never hear on commercial stations. That includes championing more and more local R&B and Hip-Hop artists in Milwaukee, other artists that never get on radio but have a huge following, and building support for a variety of artists, like Black artists who play electronic music, and jazz who get no love.”

On the other end, in the same way, 88nine uses its platform to tell stories and amplify the creatives in the community, the new station will use its platform to do the same, focusing on Black creatives in the city.

Images from the /CW vault - activating Black Community at 88nine Radio Milwaukee


Tarik also claimed that adding the Urban Alternative station to the airwaves would give listeners more choices, plus create market-friendly competition that most music heads would welcome.

T.M: “If our station starts to champion certain artists and play them a lot and people start to resonate with that, I am hoping other stations out of competition will be like ‘aye what's going on over here. That’s great for everybody. That’s great for [all] the artist. . . Being an exclusive station that doesn't benefit anybody.”

On a national level, stations that cater directly to Black audiences are limited, including in major markets. Even more so, many of the stations that do feature Black voices are limited by genre and are owned by media conglomerates focussed on the industry machine, not the artist and community. [Source that to CopyWrite Magazine!]

Even with more diverse station options available, how can any radio station compete with the ever-growing digital beast that is now the most popular way to consume music, especially for younger demographics? With interfaces like Tidal, Spotify, and Apple Music, curating your own playlist seems like the norm. With Tarik’s experience as Director of Digital Strategy and Innovation, he knows all too well that ignoring young voices and the digital space is not an option.   

T.M: “This project is digital-first. It is a part of its D.NA. I want to make sure that I bring in younger people. My goal is to hopefully find people who want to be in this space who are young, give them a seat at the table to let them grow, and build it beyond what I think. I don’t want [the station] to just be my vision. I want it to be a vision for Milwaukee and the generations to come. It involves bringing in the people and making them a part of the community. That's whether I hire them or we are doing events for them. My goal is to always have my ear to the ground and understand my audience.”

When the station is launched in the summer of 2022, the channel will be accessible not only on 88.9FM from 9 p.m. to 3 a.m. on weekdays and 12 a.m. to 3 a.m. on weekends, but also online, on smart speakers, and through a mobile app, with HD2 and HD3 channels available.

However, even with digital access, an online presence, and more, there is something about radio’s nostalgia and the legacy of the DJ that can not be replaced. 


And that’s breaking artists & songs.


T.K: “We want to be that station that does what radio used to do. We want to break artists. It will be a beacon for Milwaukee that other cities are like. I want to listen to this station because they know what's hot. We want to be the go-to station for new artists.”

Before it goes viral on Tik Tok and before it becomes the caption to everyone's Instagram post, somebody has to give it its first public spin… and baaabyyyyyyy it could be right here in our city! 

So what might we call this new station on the horizon?

T.K: “We have been working with DeChazier Pykel, an amazing Black designer and graduate of MIAD. He currently works for the Cashmere Agency, which does amazing work. We went through the whole process of probably four to five meetings of talking about names and meanings. And especially about that. We wanted a name that goes beyond just a radio station. Every city has a Blazin’. Every city has a Hot. Every city has a Vibe. We wanted a name that is digital-first, that can transcend media in all different ways. Say we wanted to do fashion, editorial, events or a festival, we wanted a name that is not defined by radio. . .That when someone says it, it could be a lot of things but we all know it's a product of the media platform that is for people like us in the Black community.”

They also shared the process with a diverse group of community stakeholders, who voted on the name and the logo that will be released to the public in February 2022.

[In all transparency, CopyWrite was invited to discuss the possibilities of the new station and vote on its branding assets. We have seen the logo, and its hmmmmm. . . Pretty URBAN steezy.]

CW: “Interestingly, you said it will be a name that ‘transcends radio’, which implies that you're not just stopping at a station. This is bigger than just a radio station. It sounds like it is more a part of a social thread and context of the larger picture.”

T.M: “I have a personal vision. I am still figuring out how to execute it. The home base is Milwaukee, but I think we could be a media platform like Blavity for the midwest that has radio, festivals, events, conferences. . . But I don’t want to lead it forever. I want a young person to take it beyond where I want to. I mean I see a lot of people stay in a position forever. I want to get it to where I think it should be and then I want to find a young person who wants to take it in another direction that I couldn’t even see. I don't want it to be my legacy. I want it to be something that my people can help create and take it further. “

The idea of a media institution where change is welcomed, the Black community is celebrated, the young are heard, and divergent perspectives may culminate seems like an answered prayer. However, the elephant in the room is huge. The Black community is not a monolith, and when it comes to local BLACK music, the factions are split like blue and red bandanas circa the 1980s in South Central LA.  

CW: “With inclusivity, there is a lot of talk about the separation in general between the Black local music scene and Black creative scene in Milwaukee. How do you plan on including the voices of those who are absolutely on the periphery of what that is or have been disenfranchised by the radio market and media market when it comes to Black creative making in our city?”

T.K: “That’s a good question. I’m hoping to have those conversations. I am hoping people like [CopyWrite] and other people I have grown to know, that may know these people will give me some input on how we should. I can’t answer that but I know I want to do that. I am hoping to have more of those conversations, formal or informal. I want to figure out how I can help and how [the station] can help. It might be getting their music on the air, it might be hosting events, I don't know what it looks like but I know it's needed. Some leaders think they know everything. I don't know everything.”

He then admitted that there are some scenes in the city, like the Northside music scene, that he has only recently been introduced to. He wants to be informed and is open to bridging those gaps. So if we want this to happen, we must come together as a community and for the lack of a better phrase, “Run it up”. 

CW: “How can people stay engaged before the launch? And what should people expect to hear after?


T.M: “The first opportunity to connect with us is when we launch the name. There will be a landing page on the name's website, with a chance to sign up for our email list for future communication and opportunities to connect with us and have conversations with us. This makes sure you are a part of our journey on the way to our launch. Once we launch, expect to hear some things you have never heard before on any radio station in this market and probably in this region when it comes to programming.”

In a climate where our creative scene needs a bit of healing, this Urban Alternative station could be a part of the cure. 


Amplify voices.

Listen to your people.

Be a part of the change.

We will definitely be there.


/Lexi S. Brunson, Editor-in-Chief