Crowned In Color: Bronzeville ArtWalk 2025

“The Sugar Shack” By: Ernie Barnes

/CW Fam, take a moment to reflect on the image pictured above. What do you see? What emotions come over you? What place does this painting take you to? Ever heard of the phrase, “You just had to be there?” For the first time in my life, I felt that this statement did not apply to me in relation to Ernie Barnes’ The Sugar Shack.

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Saturday, (August 9th, 2025), taking place in the heart of Bronzeville, Food For Health, located at 2007 N Doctor Martin Luther King Jr. Drive, Milwaukee, WI, presented Crowned In Color: Bronzeville Artwalk. Within the first two steps of walking into the historic venue, a feeling of being transported into Barne’s The Sugar Shack occurred, and it no longer felt like modern day.

The textured tan walls, grand coffee brown stairways, emerald green conversation pits, and speakeasy-inspired dim lighting heightened the ambiance and expectations for the evening ahead. Many may have assumed it would be like any art gallery, where there’s a smooth volume level, a serene musical buffet, and three thought-provoking questions asked to the guests by the welcoming curator. Although that describes a successful art gallery, the Crowned In Color: Bronzeville Artwalk was a unique night for not only the people of Bronzeville, but also for the undying substance of art. 

Growing up throughout the city, I was in every after-school club you can think of; heavily exposed to the different mediums of art such as painting, spoken-word, drawing, and music. Hence why I was as confident as Jordan in game 6 of the 1991 NBA Finals, walking into the showcase thinking I knew exactly how the event would look and feel. I couldn’t have been more wrong as it felt as if I stepped into a modern Harlem Renaissance. What is your definition of art? Is it a form of escapism and peace from your reality? A creative activity you do with your friends or boo as a hobby? This is the question that was continuously spinning in my mind at the beginning of the artwalk, so the only thing that made sense was to ask the sources who were brewing the curiosity and questions inside me—the artists themselves.

“Art is living and not existing. It is beauty in pain but richness in happiness.”-Graphic Designer Savvy Breaux

A sense of euphoria and regalness overcame my spirit and mind as I viewed Savvy’s art pieces throughout the night. As the jack of trades and I talked about their pieces, I observed the deep appreciation and admiration for both bright colors as well as Asian culture that Savvy incorporates into their catalog. Since the age of eight years old Breaux knew the significance of what art is and how it is one of the engines that keeps not only communities going but individual journeys as well. With inspiration as Andy Warhol, life has always been Savvy’s muse when it comes to creating, which is why when asked the question, “Why is art important to Bronzeville culture?” no hesitation occurred.

Artwork By Savvy Breaux

“Representation is born through our art. There’s a massive correlation between Bronzeville’s community members and the city. Walking in spaces like this, it never feels like you’re in Bronzeville or Milwaukee period. We need to change that and start making spaces and places like tonight the norm for Bronzeville’s culture.”-Savvy Breaux

“We are art. Everything we do, from the swag we wear, relationships we have, and interests that make us different from one another, is the bed of art. We don’t even know the type of foundation constantly laid out for art by just being.”-Artist, Tierra Bender 

Bender had a light in their eye the entirety of our conversation. Fascination ran through my veins as they outwardly showed excitement and passion for their art being displayed, Untitled.17. From the moment I witnessed the self-portrait, I was at a loss for words. The continent of Africa immediately struck my mind. Bender then shared how the piece they chose to showcase at this year’s artwalk was a work in progress from the years of 2019-2022. Pieces of Tierra’s parents, Princess Diana’s funeral, and even an old resume of Bender’s made the project whole. 

“Finding yourself is a process. I incorporated things such as what I know love to be in my piece because that is the journey I am constantly on; finding out who I am and where I am going. Art is my coping mechanism.”- Artist, Tierra Bender

Untitled.17 By: Artist, Tierra Bender

This year’s Bronzeville Artwalk was not only the conclusion of a competition between all the artists. Each of their artwork was displayed in businesses in the neighborhood of Bronzeville, and everyone in the community had the opportunity to vote for which piece was their favorite. However; the evening served much more purpose than that. A student scholarship was given to one of CopyWrite’s very own, Arianna Theresa Shelander. The 21-year-old Milwaukee Institute of Art & Design was a featured artist in the artwalk and was completely shocked by her tear-jerking win. She received $500 as her award to continue pursuing her artistry and maintaining the balance of being a full-time mother but also an artist who has a story to tell.

Ari claiming her Student Artist Award alongside her son and artwork

“Art is my only way of coping. I don’t know where I would be without it. Besides my children, Riley and Huey, art is the only time I see light and positivity so clearly. When creating my artwork, I was inspired after birt,h seeing my stretch marks, a revelation came to me. They reminded me of roots underneath trees that give birth to life. Tonight’s piece is a visual representation of that. ” -Artist, Arianna T. Shelander

Artwork by Artist: Vedale Hill

For the last fifteen years, Bronzeville week has celebrated, uplifted, and anchored the acknowledgement of African-American cultu re, art, history, entertainment, and businesses. I don’t know how to explain it, but the city always seems to have a bright spotlight shining down as well as care-free energy around this time every year. Energetic and proud curator and visual translator of the night, Dante Nash, founder of AVRA,  wanted to keep this momentum going by concluding the event with a special thank you to a legend in our city. Another one whose hands help build CopyWrite to what it is today……drum roll please! Vedale Hill, professor at MIAD, teacher, and community leader, was given his flowers to close out the night. Hill has voluntarily taught and mentored countless youth who want to do something productive and motivating to themselves. Vedale is never one to boast; he always remains humble but has been on a mission that nobody talks about for over the last decade.

He left a message to all the guests in the building that I believe is my duty to share with you:

“Never change who you are, your morals, values, or purpose in life for anyone. Yes, you are all dope artists but now what do you do after you’ve learned you are dope? Our young brothers and sisters need to know how to never be taken advantage of and to start fulfilling our own communities by helping each other. I take on all responsibility when it comes to teaching and helping all generations of my people. We are all we have! Let’s not lose sight of that!” -Artist, Educator, and Mentor Vedale Hill

Comment down below which art piece or artist spoke to you the most in this article.Will you be attending the Bronzeville Artwalk next year? Share some of your favorite moments from this year’s celebration of Bronzeville week in our comment section of all our socias @copywritemag.

Support the artists with a follow on Instagram or purchase of their work from the event:

@savvybreaux_ 

@tierrabender 

@vedalehills_artstudio_mke

Lastly, go show love to Ari, the student artist award recipient of the night and donate what your heart desires after reading her story here:

Desriana Gilbert | Entertainment & Social Journalist for /CW

Milwaukee in Motion [Dance Fest 2025]

Golden Hour Arrival

I arrived downtown just after 4:00 p.m the late afternoon sun filtering between buildings, music drifting across the lawn, and a real energy in the mix. Families, friend groups, and solo festival-goers converged; kids running and flipping around on the lawn while young dancers in dressed up or most of the pre show performers in all black warmed up in areas not so noticeable practicing on repeat for pre-show jitters. Across the street, a sobriety event unfolded quietly, while here, movement and community reigned.

Pre-Show Magic (6:00 p.m.)

The evening began with LunaBellas, whose graceful, Asian-inspired youth performance set a gentle, elegant tone. The energy built from there, ending with the Milwaukee Irish Dance Company their rhythmic, high-speed footwork instantly brought to mind The Sinners movie. The beat, flow, and precision pulled you in, and I couldn’t help but be in awe of all the dancers’ memorization, strength, and the exactness of every step.

Sweet & Salty Interlude

Before the pre-show, and again during intermission, I grabbed eats. First, brunch style festival comfort: a brat on the grill,  cheese curds, and mozzarella sticks. Then, candy bars and a brookie ( brownie/cookie)  perfectly timed between performances.

Mainstage Highlights (7:30 p.m)

Ailey II kicked things off with dynamic precision, followed by Water Street Dance Milwaukee, Madison Ballet, House of JIT, Visceral Dance, and M.A.D.D. Rhythms (whose tap performance was especially mesmerizing), and Chicago Dance Crash. Again, I found myself in awe not just of the choreography but of how perfectly it was memorized and executed, the sheer physical strength behind each movement, and the razor-sharp timing that made the performances so magnetic.

A Milwaukee Moment with John Ridley

Here’s a sweet festival memory: Before the pre-show, my father introduced me to John Ridley, the Oscar-winning screenwriter behind 12 Years a Slave. After the pre-show, I approached him again. I shared my role with CopyWrite Magazine and asked if he could offer feedback on my blog writing. That brief exchange between art forms, styles, and generations felt meaningful, as well as a memory worth remembering [for future reference]. 

Twilight Farewell (8:00 p.m)

I stayed until about 8:45 p.m., caught the opening wave of the ticketed performances. Something about the stage being outside just felt so theatrical and surreal. The architecture downtown also made these performances, and overall, the festival was a wonderful experience. 10/10 recommend, GO NEXT YEAR [2026]. 

This festival wasn’t just a series of dances; it was Milwaukee, alive and moving together in rhythm, strength, and precision.

xoxo Jazale Hill for /CW

Being The Kind of Artist You Want To See In The World with Rodney Johnson [Sptmbrborn] | | By /CW Guest Writer Jolee Mallmann

The first time I met Rodney for a portrait shoot, I realized I was working with a genuine individual, someone dedicated to their craft above all else. If you’re looking for another portrait session similar to the rest, Rodney just isn’t the photographer you want. However, for those looking for a photographer, artist and filmmaker with a true passion for their projects, willing to take the time it requires to develop original work, he’s the man you’re looking for. 

In his own studio, Rodney is a craftsman of lighting and color. He works precisely with lights, posing and color schemes in the studio in a way that the outcome can be seen immediately on camera. Having worked with Rodney outside of his studio for portrait events and my own short film, I realized how lucky I am and our community is to have an artist amongst us willing to share his talents for the betterment of the passions of others. It’s very rare that you find an artist with such a strong individual vision who is still more than willing to lend their skills to a project entirely separate from their own body of work. Rodney is more than an artist, more than a photographer or filmmaker. Rodney is Sptmbrborn and his work is selfless, one of a kind and bursting with confidence in creativity. 

If you had to describe yourself as an artist, photographer and a filmmaker, what would you want people to understand about your work most?

We're doing it all ourselves by any means. There's no conventional way of getting my message out there and it's made with a community in mind.

How would you describe the aesthetic of your work?

Intuitive and surreal. Imperfect and genuine.

What projects are you currently working on?
My solo gallery and a few art books! Getting back into my graphic designing bag. I want to make posters.

What's your favorite part about being a photographer and artist?

Bringing people into my world; Sharing the experience of creating. I work with so many people that aren't artists at all and it inspires me.

Who are some filmmakers that have significantly influenced your work?

Edgar Wright, Ben Stiller, Sam Raimi, Wes Anderson, David Fincher, David Lynch, Ari Aster, Robert Eggers. Too long of a list to be honest. I draw a lot of influence from everything I consume though. Try to be intentional about what you watch.

How has your art evolved over time?

It's grown in depth. My motivation lies in a curiosity to figure something out. The better the tools I've gotten, the more attention to stuff I can kinda pay, and it shows.

Where are you from? Do you feel like your community influenced your work as an artist?

I was born in Gary, IN but I grew up here in Milwaukee. My work is mostly inspired by the people around me. There is such diverse talent here that lends experience to consume. How do you not exchange for that?

Where do you like to find yourself on set the most, what is your favorite role as a filmmaker to play?

I enjoy being a gaffer. I've only been that or a cameraman on sets. 

What are some lessons you’ve learned as a photographer and artist you’re willing to share with our audience?

Don't be afraid to take a risk. Print your work. If you like it someone else will. Embrace the energy around you. 

Find more of Rodney’s work:

Instagram/Threads/X/VSCO @sptmbrborn 

Print Shop sptmbrborn.darkroom.com

Website sptmbrborn.xyz

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Into independent film? Want to learn more?

myah - “ Glitter “ [Music Video]

myah’s new song” Glitter” feels so much like the soundtrack to a summer you swore would be carefree, yet somehow got real. It gives The Summer I Turned Pretty with a little Euphoria energy. Very dreamy yet nostalgic, and JUST the right amount of MESSY!

It’s catchy, flirty, and subtly emotional. “Is there glitter on your sheets?” isn’t just cute… It’s about the small things people leave behind. The kind of song you replay when you’re in your room thinking about somebody who still has a little hold on you.

Now the video? Feels like a binge-worthy show you watch in your big tee and fuzzy socks combos, along with some ice cream: Bonnie & Clyde vibe but playful with vintage outfits and chaotic getaway scenes. It’s fun but has a plot. 

Made me wonder… Does she have another video that connects to this? Like a series?? If so, you and I should be here for myah’s music and videos. She’s not just giving us a song, she’s giving us a piece of her imagination. Through every lyric, melody, and every scene in the video. 

This song definitely belongs in a Rom-com soundtrack,  like How To Lose A Guy In 10 Days. Trust me you’ll want to hear it on the big screens.

EXPERIENCE “ GLITTER” ( official music video ) by myah !

xoxo Jazale Hill for /CW

BLAX - Take A Picture

Nothing gives more 414 than a song that was made for the community and inspired by the memories of three significant figures who shaped Milwaukee’s music scene.

Milwaukee Hip-Hop artist, BLAX has released his new single ‘Take A Picture’ that mixes vibey OG hip-hop elements with lyrics full of powerful storytelling that will encourage you to call up your relatives and tell them you miss them. 

Just coming back from his tour across the West and East coast, “Take a Picture” was released on July 17th at midnight on all major digital streaming platforms by God Degree Media. The single holds a tribute to Milwaukee’s musical legends: Cecilio Negrón Jr., Twan Mack and Kid Millions showcasing a celebration of life and a meditation on loss.

This song gives reminiscent elements of “The Message” by Dr. Dre with a flow so mellow and rhythmic that made us bop our heads and lowkey want to shed a little tear. 

This is a single that really showcases the vibes that we love to see. Music as a form of expression and that gives emotion. We think y’all should vibe out and give it a listen! Y’all might need some tissue, though!

/Sky Abner for CW

YOU ARE INVITED TO BRONZEVILLE WEEK 2025 | GOOD NEIGHBOR COMMUNITY BLOCK PARTY

Gallery Night MKE: Art as Memory, Healing and Power

ALL IMAGES BY Brooklyn “BK” Anderson /CW INTERN

Four local artists transformed the CopyWrite [/CW] Creative Studios on Martin Luther King Jr. Drive into a vibrant showcase of personal narratives and community connection during Gallery Night MKE, held Friday and Saturday, July 18-19, 2025. 

The two-day event brought together diverse voices through the work of Vedale  Hill Jr., Vedale Hill, Kennedi Adamas, and Ariana Petrie, each presenting deeply personal pieces that resonated with themes of identity, healing, and resilience. The work is a part of their placement in THE  CREATIVE COLLAB | Bronzeville Artist-in-Residency Mentor Program.

Vedale Hill Jr., 13, presented “A Kid’s Place,” including a carpet art installation that transformed a Paw Patrol map into a memory collection using toy cars from different periods of his life. The interactive piece included personal elements like his silhouette and a "Cotton Candy Dripping Sunset" design referencing Milwaukee's notorious nightfall. The teenage artist even collaborated with his father, who added a heart and logo to a building in the piece. 

“I choose to use art as a memory,” Hill Jr. said. “Art is something that can remind you of some of the best things in your life,” he added, expressing pride in his artistic evolution from childhood and what it will be in the future. 

Vedale Hill, one of THE CREATIVE COLLAB mentors, exhibited “Lost and Found”, embodying his philosophy of repurposing materials. The father-son duo's shared artistic presence highlighted how creative expression transcends generations, with both Vedales contributing distinct yet connected perspectives to the exhibition. Using a terry cloth cape and a pallet with gold basketball rims as an infinity symbol, Hill addresses the representation gap in superhero imagery, which encourages him to reimagine characters with locs, curly hair, and tattoos. His work draws connections between sports culture and community empowerment, citing basketball players and rappers as real-life heroes in urban communities.

For this piece, Hill's motivation stems from Big Sean's lyrics: “No heroes where I'm from, bullets  only things flying,” which inspired his two-dimensional painting work featuring a bullet flying in a cape. 

Kennedi Adams, 25, showcased “The Zone”, square journals that serve as both artistic expression and mental health coping mechanisms, large scale multicavas, and other symbolic visual artifacts. The mixed media art pieces evolved from word-only entries to visual explorations of trauma, racial identity, and personal growth. The journals originated from fears of losing artistic motivation in art school and function as what Kennedi describes as a  “filtration system” for overwhelming thoughts related to complex CPTSD. 

"Someone told me that you lose all motivation from personal art," Kennedi said, flipping through the creatively cluttered pages of her journals. "My thought became this void that would get sucked in and regurgitated. It was forcing me to  confront it, and I could confront them in my head as much as I wanted to, but being  able to watch that growth in myself and that this art is something that I did for  myself and by myself, that was great." 

Ariana Pierre, 21, presented "The Curious Mind," centered around her major piece  "Curiosity," which shows self-portraits of herself at age 2. For the first time, Pierre integrated her twin children's handprints into her artwork, driven by her desire to provide them a better childhood than she experienced. Her work explores healing the inner child through art as a coping mechanism for childhood trauma. 

“I want to make little me proud and honor childhood dreams,” Pierre said,  explaining how her artwork shows darkness fighting against colorful elements representing resilience and the loss of childlike innocence. 

All in all, gallery visitors engaged with pieces that tackled complex themes of mental health, racial identity, childhood trauma, and community representation.  The artists' willingness to share personal narratives through their work created connections between creators and those who came to indulge. 

/CW Creative Studios highlighted Milwaukee's budding artist community, showcasing how personal storytelling through art can foster broader conversations about healing, identity, and social connection. Each piece served as both individual expression and community dialogue, demonstrating that art's power to bridge personal experience with collective understanding can bring people together.

Sky Abner for /CW

Community Arts & Funk Festival Announces 15th Anniversary Celebration: A Vibrant, Family-Friendly Showcase of Art, Music, and Unity in Downtown Milwaukee

*INFO PROVIDED BY Community Arts & Funk Festival

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MILWAUKEE, Wis. – Get ready for a spectacular summer celebration! The Community Arts & Funk Festival is thrilled to announce its 15-Year Anniversary Celebration on Saturday, August 16, 2025, taking place at the iconic Peck Pavilion and South Grounds at the Marcus Performing Arts Center, located at 929 N Water St, Milwaukee, WI. This milestone event, celebrating visual and performing arts, along with the distinct funk genre of music, promises a dynamic and family-friendly cultural experience for all ages in the heart of downtown Milwaukee. The festival will highlight local artists with vendor showcases for guests to support and purchase local artwork, as well as a fine arts competition for local artists to win a $1000 prize!

Set against the backdrop of downtown Milwaukee, the Community Arts & Funk Festival provides a unique opportunity to promote intergenerational dialogue between emerging, established, and underground performing artists who share common performance and musical roots. The festival's musical focus on the funk genre, made popular by legends like James Brown, Sly and the Family Stone, and Parliament-Funkadelic, aims to educate the broader listening public about its rich history, inspirations, and evolution from R&B, Jazz, Gospel, and Rock, and its profound influence on the Hip Hop generation. This powerful combination of funk music with local, regional, and national visual artists creates a cross-cultural, demographically diverse, family-oriented community event rooted in authenticity and intentionality.

"We are incredibly excited to mark 15 years of the Community Arts & Funk Festival," says Brad Bernard, event organizer. "This anniversary is a testament to the power of art and music to bring people together, foster creativity, and celebrate our shared community. We've poured our hearts into curating an unforgettable day that highlights exceptional talent and promotes positive connections."

Festival Highlights

Star-Studded Musical Lineup & Performances

Prepare for an electrifying day of music and performances. The event will be hosted by esteemed radio and TV personality, Andrea Williams.

The official performance schedule includes:

• 10:45 AM - 11:15 AM: Youth Dance Performances

• 11:30 AM - 12:30 PM: Youth Poetry Slam

• 2:30 PM - 6:00 PM: Live Music Performances by:

• Act 1: B.Wyzdom (2:30 PM - 3:15 PM)

• Act 2: Trace Ellington Experience (3:30 PM - 4:15 PM)

• Act 3 (Headliner): Switch (4:30 PM - 6:00 PM)

The headlining act, Switch, is a legendary American R&B and Funk band, celebrated for iconic hits such as "There'll Never Be" and "I Call Your Name." Intermissions of 15 minutes will occur between acts, during which a DJ will keep the funk music playing.

Prestigious Fine Arts Competition

Visual artists are invited to participate in a judged fine arts competition, vying for a $1,000 'Best of Show' award, along with 1st, 2nd, and 3rd place prizes. The announcement of artist awards will take place from 12:35 PM - 12:50 PM. This competition will showcase a broad spectrum of talented urban and suburban visual artists, encompassing both academically trained and self-taught individuals, presenting a wide variety of subject matter, concepts, and technical approaches from across the local and regional art scene.

Local artists are strongly encouraged to apply for this exciting opportunity to showcase their work and compete for cash awards and prizes. Find more information and the application form here: https://www.artsandfunk.com/call-for-artists-1000-prize

Engaging On-Ground Activations

In addition to the main stage performances and art competition, attendees can enjoy:

• Free 3D Photobooth by The Booth Mke

• T-shirt Design station provided by Fruition MKE

• Community Mural led by artist Ken Brown

• Kid-Friendly Art Activities by Artists Working in Education

• Local Food & Drink Vendors (Saz’s & more)

• Local Artists & Creator Vendors

• Publishing/Copyright and Royalties Workshop provided by MuSample Music Business Consultant 

Local Flavors and Unique Finds

Attendees can explore a diverse array of offerings from local vendors and food trucks, providing a variety of food and beverage options available for purchase throughout the day.

Local art and food vendors are encouraged to apply to be a part of this vibrant community event: https://www.artsandfunk.com/vendor-booth-payment-form

Media Sponsors

The Community Arts & Funk Festival is proud to partner with our media sponsors:

• RadioMilwaukee 88.9 FM

• WMSE 91.7 FM

• V100 100.7 FM

About Community Arts & Funk Festival

The Community Arts & Funk Festival (CAFF) is dedicated to celebrating the rich tapestry of visual art, R&B, and funk, highlighting the profound power of live music and artistic expression. Each year, the festival strives to create a memorable experience that showcases talent, fosters community engagement, and promotes cultural awareness. The festival is a testament to the idea that when the power of funk music is combined with the works of local, regional, and national visual artists, it provides the perfect combination for curating a cross-cultural, demographically diverse, family-oriented community event rooted in authenticity and intentionality.

For more information and future updates, please visit: https://www.artsandfunk.com/

Shutting Down The Runway For A Purpose: Walk It Out Fashion & Hair Show 2025

All PHOTOs by /CW DESRIANA GILBERT

The world of fashion has had several wardrobe changes. What used to only be viewed as essential articles of clothing have now become symbols of identity, beliefs, values, and bold statements. Fashion is now used as the main gateway to not only introducing new trends but also to assist others in discovering who they truly are and how their voice is going to be used. The city has not been taking its foot off the gas ever since we’ve stepped on the scene. From versatile models, talented fashion designers, and artistic hairstylists, every day it seems as if someone is making their debut and changing the game shortly after. I had the pleasure of witnessing one of our very own fashionista revolutionaries shifting the true purpose of fashion recently. 

On Friday, (July 11th, 2025) The Walk It Out Fashion & Hair Show was presented at the Milwaukee County Zoo inside the Peck Welcome Center, located at 10001 W Bluemound Rd, Milwaukee, WI, 53226, between the hours of 6 pm and 10 pm. This was a fashion show unlike

any other. The vibrant event transformed the trajectory of the function and meaning that all fashion spaces hold. Creator and Head Executive of the fashion & hair show, Eddy B, prioritized advocacy, attention to detail, community recognition, and most importantly, a time to be had! As each person entered the venue, the lobby was filled with entrepreneurial vendors and a sneak peek showcasing of the designer-filled raffle baskets that kept the crowd on their toes the entire night. Coming from a family of givers as well as having a stellar radio personality career, planning an event with such a special purpose was no challenge for the team! The walls were covered with a color story of cherry reds, deep blues, and purple rain inspired lights that bounced off effortlessly into the audience. To prepare all attendees for an energetic and interactive night, host of Emmy-nominated television show Show Me Milwaukee, DJ Gee A, kicked off the night with show-stopping throwbacks as well as today’s hits behind the DJ booth. Once the clock struck 7 pm, the evening of glamour, allure, and mystique began. Nobody knew what to expect, but that’s always been the beauty of a Walk It Out Fashion & Hair Show. The only element of the presentation that never leaves any suspense or uncertainty is the creativity, boldness, excitement, and hype effect that each design and hairstyle the show brings year after year!

Since 2015, Eddy B and the Walk It Out team have incorporated much meticulousness, history, and versatility when selecting who would be gracing the stage, but most importantly, whose

designs, both clothing and hair, would be the main characters throughout the evening. This year was no different. Jeffrey McAlister Jr., president of MKE Fashion Week, was the first designer to boomerang us all into a new dimension with his clothing line, Fashion Sense. Each model strutting the runway represented Mcalister’s redefined and distinct vision of modern-day black culture. He designed the perfect balance of chic, sleek, and professional clothing. The patterns and colors used, such as different shades of brown and yellow, signified raising the bar for the everyday lifestyle of minorities while also dressing professionally to handle their business. Moments later, Luna Beauty Salon & Barber by Alex Diaz activated a human time machine during her segment. The audience shifted back into the 60s, 70s, 80s, and 90s. A variety of unique elements were used to bring this time machine to life, such as flags, accessories, artwork delicately placed on the fashion, and inclusivity with disabled models. Not only did the models give face but they also exemplified personality by dancing with one another as they struck each pose. A rhythm quickly became in sync throughout the night with the remainder of the designers and hairstylists selected to participate in the show. 

Themes, liveliness, avant-garde looks, and the motivation for each creative were shared after every fashion collection was displayed to the public: 

• Ana Popa-A vibrant floral love story utilizing skin and lightweight materials. Her message and motivation is to make women of all backgrounds and sizes to feel sexy, confident, and comfortable in their own skin

• Les Fashionistas by Tatiana Rocio- Garden and fairy-inspired themed, whimsical clothing with intricate hair designs. Models were wearing hair crowns made out of their own hair. Models playfully threw objects such as roses to audience members, creating a sense of storytelling. Tatianna’s inspiration behind her brand is to keep walking to the light. She suffered 13 brain aneurysms and continues to persevere and find happiness in life.

• Naturally Naps- Licensed cosmetology instructor, Angela Jackson, showcased different loc hairstyles. Much dancing by the models was incorporated, and as each model walked out, they tapped onto one another, dancing into another pose. Jackson provided a representation of the beauty, health, and creativity of loc hairstyles.

• Leila Elizabeth- Her fashion line demonstrated the girl next door through a couture lens. The fall season inspired patterns primarily used were flannel and plaid. Hat and coat merchandise are displayed on the models. She described both her personal and design style as eclectic, with a primary focus on curvy women.

Two designers were also given their flowers towards the end of the vibrant presentation for the legacy being created as well as their mark throughout the city: 

• Gg Collections: Deborah Render has been a designer for over 2 decades and has been a designer for each of the five Walk It Out Fashion & Hair Shows. Luxury, leisure, and elegance is what the collection can be described as. Many materials such as fur, satin, silk, and lace were used to dress Gigi’s models. Every ensemble was body-sculpting. 

• The Right Amount of Ghetto- Fashion Designer, Carlos Vergara, was also given his flowers while being the last designer to present his creations. The inspiration behind the brand is to bring positive connotations to the word “ghetto,” as it is often associated with negative connotations. The Right Amount of Ghetto holds neo-soul, futuristic and modern-day black culture elements. 

Although the bar was raised high, being that this was the 5th and final walk of The Walk It Out Fashion & Hair Show, all expectations when it came to hair, makeup, fashion, and visuals were knocked out of the park. However, Eddy B made it his mission to make the priority of the night: awareness and advocacy for kidney disease and organ donation. From the beginning of Walk It Out’s legacy since 2013, awareness has always been the it girl of the show. Domestic violence was the very first cause dedicated to. 

“Each of our shows has always stood for something, and this time around, I wanted the show to support any individuals who suffer from chronic kidney disease and families who are affected by the silent killer.”- Eddy B 

His words were not the only effort in hopes of shifting and educating the narrative of kidney disease; it was the actions implemented into the night’s presentation that showed the genuine connection and passion for the cause. Speakers such as state representative Sequanna Taylor and CEO of the National Kidney Foundation of Wisconsin, Mike Crowley, were given the chance to speak in between the fashion and hair segments to emphasize the importance of kidney disease awareness, ways each one of us in the community can catapult its advocacy, and how the disease does not discriminate any race, age, community or gender. I learned shocking facts regarding the chronic disease that I never knew before walking through those venue doors. 

• 1 in 3 people in a room will experience kidney disease in their lifetime 

• By donating a kidney, you, as well as 5 people that you will receive vouchers for, get moved to the top of the list as a priority if you ever get kidney disease. 

• Kidney disease can be hereditary. 

A large portion of the proceeds received during this special night went to the National Kidney Foundation of Wisconsin, which partnered with the Walk It Out team for this very night of awareness as well as elegance. It definitely stood out immediately just how much the entire state of Wisconsin collectively agreed just how vital this message and event needed to be shared. Many showed their dedication by sponsoring the final walk. Sponsors included FashionSense, Resilient Rise LLC, Mr.Chicken, The Truth 101.7, and legendary host Bailey Coleman. Everybody showed up and showed out for a cause that’s rarely spoken about in many of our

households, let alone community events. The fashion, hair, makeup, and aura of each and every one in the building should be categorized as IN YOUR FACE! You couldn’t even tell that there was a nine-year hiatus since the last show because the entire night was on point and moving a purpose. Although the show was titled as “The Final Walk”, Eddy B confirmed to me that this does not mean Walk It Out is officially over and will never be revived. Go comment on all their Instagram and Facebook pages @walkitoutfashion_hairmke and share why there should be a next show and what cause should be given the spotlight next! 

Desriana Gilbert | Entertainment & Social Journalist for /CW  

TOGETHER WE CAN HELP ARI WITH COLLEGE TUITION & CHILDCARE

We asked Ari to write her own story. . . But as a community, we can turn the page together. It takes a village.

From the /CW Fam

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My name is Arianna Theresa Shelander. I am 21 years old.  A single mother of twin boys, Huey & Riley, who are one year old. They were born on June 17th, 2024. I delivered at 35 weeks, one month premature. I was confined to the hospital for a week after having them. Huey, my firstborn, came home when I did. Riley, the younger twin, stayed in the NICU for a week due to having difficulties swallowing. The experience was depressing. The separation anxiety and guilt I had only been able to take one of my children home, was devastating.  I was a first-time mother of twin premature babies, which requires a different amount of care compared to a full-term birth. 

At first, I was unaware of the need. I had no guidance on true motherhood . Postpartum had gotten to me, and again I was unaware. My kids weren’t dressed properly for the weather at their first appointment [who knew that babies needed layers even in June?]. They dropped in weight after leaving the hospital. My mother wasn’t around to let me know. I was 20 with 2 babies.  It was scary. I constantly questioned myself: Am I doing this right? 

I eventually found out that I had been experiencing postpartum psychosis. It’s similar to PPD (postpartum depression). I was not in my right mind after having my kids. Also, due to the drop in hormones I fell into a psychotic episode. Once Riley came home from the hospital, I was hospitalized for 3 days to stabilize my mental condition.  After having two seizures post birth, due to high blood pressure, extreme blood loss, and hospital negligence. [This is a narrative many Black women face during maternity, and some instances even result in death]. But I don’t want to be just another sad story. I want to face the battle head-on, earning a better life for myself, so I can provide my children with the stability & foundation I never had.

I’ve been trying my best, but I still struggle with some depression, guilt, unhealed trauma, and attachment issues. Due to domestic violence, I am a single mother [Again, a narrative that seems repetitive in my community]. Overcome by his alcoholism, the father of my children got blackout drunk one night, and tried to kill me [the twins were 3 weeks old]. He trashed my apartment, broke my phone, a window, and almost choked me to death. This was not his first time putting his hands on me. He was controlling me, my decisions, and finances. I made so many sacrifices for a man who wasn’t willing to change. That’s still hard for me to stomach.

I have found a few places that had resources, and a small village has started to grow. WE have just barely made it. A full-time student, a mother of 2, with a tumultuous childhood. My mother, Lisa, a bi-racial woman in a white family, passed away in a car accident when I was 16. She had 8 kids. I'm the 7th of that 8. Four boys, four girls. . . .Brandon, Jackie, William, Derek, Brianna, Azaria, Arianna, and Keaton. I, being one of the youngest, have always felt the most abandoned. She struggled with addiction and became a crack addict.

My siblings all have similar messed-up stories. We all have different dads [take that how you want]. Six of my siblings were adopted into the family, and two were adopted out of the family. I was adopted by my aunt Penny. For years, I hated my mother; I blamed her for everything. Until I got older and understood things differently. She died before I knew her for real. Now again, my aunts and uncle are all white…My uncle was raping my momma for years. I can’t imagine what my mother went through growing up. My aunt Penny, who “raised” me, is my mother's older sister.  The “scandalous” details of her birth, a white woman [my biological grandmother] cheated on her husband [with a black man, my biological grandfather], then released allegations saying she was raped. 

But it doesn't end there, my father is incarcerated due to the sexual assault of me and his niece. I was in foster care and group homes till the age of 18. I am now Arianna Jane Petrie [a name that still feels like an eraser of my true identity]. My aunt changed it because she felt my name was “ghetto”, when she adopted me at 4 years old. The last name Petrie has no kin to me. I’ve been unable to change my name back to my original [the cost that has always been too steep for my financial situation]. 

I was abused mentally, physically, and emotionally by my aunt & family. I was being racially attacked, beaten, and starved. Which did cause mental distress. I started self-harming at the age of 11. When I was 11, I was sexually assaulted for the second time. By my cousin’s boyfriend.  I self-harmed until I was about 16. Around that time was my first suicide attempt. I was taken from my aunt's house at the age of 13, because she beat me with a mental cane, and even though there were multiple police reports/ cps visits, I finally got removed from her care after she fractured my wrist and broke my finger. 

From the age 13-18 I was moved pretty much every month. I was placed in a group home after, group home. No “parents”, just staff 1st shift, 2nd shift, 3rd shift. . . then the owners. We were the kids everyone gave up on, for whatever your circumstances. Every adult in my life who was supposed to protect me did the exact opposite.  The things I saw and experienced as a child, as a teen, as a human needing guidance, still affect me to this day. I had to teach myself what I know now, learning the hard way, making mistakes, attempting not to be what the world expects me to be. I had to choose, and it’s still a choice every day to not become a statistic. A statistic of the Black community and of my family. I chose better, I’m choosing better.  

Despite all of this, I graduated from high school. I completed my freshman year at MIAD (Milwaukee Institute of Art and Design). My 2022-2023 year, I took a leave, because in the school environment I experienced microaggression, very obvious discrimination, and other situations that felt racially charged. To this day, I struggle with identity issues, mental health, and some traces of postpartum. I still have PTSD, anxiety, ADHD, and a fear of abandonment. But I have to succeed for my kids. 

Since MIAD is a private school, the state of Wisconsin won’t approve my childcare. They are also trying to cut my financial aid, due to my grades dropping from unforeseen circumstances. My car broke down before I started school again in January. When my kids were only 6 months old. So the only transportation I had was the bus. Frigid temperatures, raining and snowing, my babies had RSV twice. The school wasn’t too accommodating to the situation. But the choice to be a good mother over coming to classes was a slap in the face. But it's my reality. I can’t leave my kids with my mother or father. No family to step in. No true support system to offer care.  For months, not even their dad was around. It was all on me.  

So here I am asking for help. Putting it out into the world to see if anybody is willing to assist. To add to my efforts, to do great things. I will graduate from college, so that I can have a career that will allow me to support myself. I will secure a dependable car so that I can transport my children safely. I will work hard to maximize my skills in art & use my professional development that I am learning as a mentee in THE CREATIVE COLLAB | Bronzeville Artist-in-Residency Mentor Program. I will continue to develop my poetry as I use it to tell my story & walk in my truth. I will be the best mother for Huey & Riley. I will be the guidance for them that I never had. I will protect them, provide for them, and love them. 

All I need is for you to hear my story & be willing to invest in me, as a member of your community, a fellow human being, and a person who plans on paying it forward, tenfold.