The Love Project III: Closure - Ortizus

Here at CopyWrite, we are always working behind the scenes. This week we decided to highlight one of our very own, Imani! While mainly known by her social media tag @ortizus, she is what can again be described as the jack of all trades. This week Imani released her final piece of her trilogy mini-documentary, The Love Project. In her final piece, she focuses on what closure means to Gen Z (people born between now and 1994) but the conversation is open to everyone.

“In the final part of my love trilogy, we tackle the concept of "closure." What is closure? What does it mean? How we look at things like this is important because what we may feel is a common conception is not defined by one singular definition. Are we bad people for understanding healing differently? Or do we all heal the same?

Sidenote: What makes these responses so unique is that no one was briefed what the project was about nor the questions prior to the interview. These are all honest and unbiased answers--off the dome. Thinking on your feet is a talent and I only let the participants have less than 20ish seconds before I asked them to start speaking. I wanted real authentic answers and here we have it.

Thank you all for your support and please watch this with open hearts and open minds.

You are always welcome to leave comments or thoughts below. Disagree? Have a different viewpoint? Feel moved? Let us know below or join the conversation on Twitter using the hashtag #Theloveproject!”

There are three parts to this series: Love, Complications and Closure. All video can be found on her youtube: ortizus

So join the conversation and let’s discuss your thoughts on this project!

/CW

C-Space: the new spot for Black & Brown Creatives (Press Interview w/ CopyWrite Magazine)

THE FUTURE IS YOUNG, BLACK, BROWN, AND LIT (& now it is creative too.)

Say it one more time for the people in the back!

LIT [MKE] (or Leaders Igniting Transformation) has moved to Bronzeville neighborhood on Milwaukee’s East Side. The organization itself “work[s] to build homegrown leadership, expand access and opportunity, and promote an equitable society by engaging and organizing young people” (@lit_mke). Of course, that is #LIT in every sense of the urban dictionary word, but it is their new program, C-Space that has us ramped up for the movement. CopyWrite sat down with Corey Fells and Nailah Johnson from LIT’s Cultural Organizing Department to get the heads up on what they have instore for MKE and why they are in need of Black and Brown creatives ( Artist, Photographers, Videographers, Musicians, lyricist, Writers, Poets, etc.) to link up.

C-Space is a co-creative space for Black and Brown creatives to get the support they need, build community and expand their networks through art. 

So let’s just get it out of the way now. The plight of Black and Brown people is documented from the eyes of the oppressor and thus that has created generational disenfranchisement. Though there are many non-Black/Brown advocates for change and push for equality in all sectors of society, they still have many inherited advantages that Black and Brown people don’t possess. Because of this, C-Space is a safe and productive space, strictly for culturally BLACK and BROWN creatives. 

(We all thank you in advance for respecting that boundary).

Nailah: “We are developing creatives as leaders and arts activist. That’s basically C-Space”.

As “Cultural Organizers” it's both Corey and Nailah’s job to get creatives to want to be apart of C-Space, make their time there prolific, help guide (and partially sustain) a creative to use their talent as a political, activating, informing, and culturally re-defining form. This will be done through monthly meetings, workshops, and fellowship/residency opportunities that include stipends (Yes that's money!), networking, partnerships, real-world experience and testimonials from Black and Brown creatives that have had success in their fields. Once again I say “Its #Lit”.

Corey: “I have a question for you [as a creative] what would you have needed in 2013 when you were just starting out?”

CW: “Money.” We all chuckled in agreement, but it was that plus many other things that as a young creative of color I had to struggle through. Without resources or guidance I had to learn, and still am learning how to navigate the system. Something many of our counterparts know nothing about. 

As I listed off my grievances, including lack of access to other Black and Brown professionals, lack of studio/space and resources, Corey and Nailah listened intently to what I had to say. At certain points they would stop me and ask more questions as if they were researching perspectives on creative needs and how C-Space can serve them better. 

With or without a degree a creative should be able to enter the market and be taken seriously for their craft. Black and Brown art forms should not have to present themselves as historical monuments, or mappings of the Black and Brown diaspora to be relevant and C-Space wants to help change that narrative by inviting YOU to their space.

Corey: The C in C-Space stands for a lot. What we are trying to do is expand upon all of that. . . We are partnered up with many other states but we have yet to see something like this in Wisconsin. Because of that, this is something that really could help creatives in our community.”

Their aim is for those creatives, who are ages 14-35 (the young), who have work that has a message, or want to develop work that has a message, that are willing to be apart of the movement. Even though LIT has a very political presence, Corey & Nailah suggest that C-Space is beyond traditional politics but opens the conversation of Black and Brown existence in itself being political and that those interpretations of existence are part of building community and changing the narrative that we don't get enough of. So don’t be scared if protesting and polling is not your thing, there are other ways in which your art can have a voice.

Through our conversation we discussed the idea of those who become a part of their fellowship program to be helped with the production of resumes and portfolios in order to actually have tangible items that will help them transition into creative carriers and actually have the experience to back them up.

Corey: “How do we cultivate these people’s talents and help them figure out how to monetize it and be able to be a person that has something tangible that can be brought to a company or a carrier that can give them some type of insight? See for me [as a self-taught photographer] I wasn't able to track all that.”

So the game plan is to level up the next era of creatives out of MKE, so they don't have the same issues as those who came before them, like Corey. We will call this intergenerational “communal” mobility.

Nailah: “So as a cultural organizer my job is to intersect art and activism. . . One of the things that I have noticed about Milwaukee is that it has a lot of activists and not organizers. Like people who know how to use that anger, information, and knowledge to really impact communities and make a change. So affecting legislation, and things like that. So a lot of my job is making sure artists understand and know how important their art is; how important culture is and not to sacrifice that.”

Corey: “I’m a photographer and videographer, so I’m coming from that standpoint. I have always wanted photographers to know that they can do more than event photos, profile photos, wedding photos, or whatever. They are not just photographers, they are a part of a marketing tactic and if they use it in the correct way, they can use that tactic to [their own advantage]. They don’t have to take pictures of celebrities or the most poppin person in the city to be relevant. . . I want photographers and filmmakers to be empowered because of that. . . Anything they can't be inspired by they shouldn’t have to do.”

As C-Space representatives, their intentions to help other creatives in our community is more than a job. It’s coming from a very personal place and putting what always seems to be just a conversation into action is far overdue.

“Freelancers are the most disrespected people.”

Say it two times for the people in the back and down the street!

As abstract as C-Space may seem it is in its tangibility that we find its most vital component. C-Space is meant to establish Black and Brown spaces and protecting those spaces.

They are currently looking for people to come and be apart of C-Space which is a monthly meet up. The first two of the year will be January 25th and February 22nd from 2:00-5:00pm at the LIT (2201 N. Martin Luther King Dr. Milwaukee, WI 53212). From that group of individuals, they are hoping to find creatives from all different kinds of backgrounds and talents to join the cohort. From the cohort, with a certain level of commitment, some creatives will receive a fellowship, stipends and all the other assistance we wish we had when we were finding our way.

Corey: “Every time they come they will learn something more.”

And “more” is what we need if we are going to make the change to put creatives in the place they belong in our society; right at the top. 

So check out C-Space, if you are a young creative looking for a way to succeed. The world is waiting. 

/Lexi for CW

Cat Callin (Guest Post by Adam Xander)

Women can't say no? Well, depending on the person you ask, you’d be surprised by their answers. What extremes will some guys take to get their way with women, especially when she resists?

“Who taught these lame muthafuckas what it means to be a man?

They really takin' women's lives? Somebody help me understand!

When I hear about these stories, I be tryna figure out

Why dudes feel like they can kill a woman, cus he can’t take her out

Cus he can’t get da number, Or she choose to keep it movin, Dawg!

What Da fuck y'all think you doin? 

Ain’t no justifyin', nothin in the matter,

of a man who kill a woman just cus he can’t have her 

What kinda world we livin' in?

When she can’t say no

Cus she scared that If she do

She’ll catch a knife 2 her throat

Or she try 2 mind her business, Then a dude come her way,

get turned down, n' say “bitch you ugly anyway”

now she fightin' for her life, bcus his ego hurt,

She Never made it home, now we throwin' roses on the dirt

It breaks my heart, that it's even a topic

it’s demonic n' psychotic, and it’s way too chronic”

Maybe I missed the part where it was ok for a man to hurt a woman because she chooses not to show interest in him!

Wait...I'm buggin'

I didn't miss anything, because that part NEVER happened. I can't even begin to explain the anger and disgust that I feel writing this as a man, on behalf of other men who have chosen to violate a woman, and compromise her safety because his ego couldn't handle being rejected or ignored.

Seriously though, WHAT...IN...THEE...ENTIRE...FUCK!

I wrote the above lyrics in response to the most recent incident receiving public attention, involving a woman who lost her life at the hands of a man who assumed that he was entitled to her attention.

In the first two lines, I'm displaying my confusion, by trying to figure out who is even responsible for teaching men that this is even an option. It boggles the fuck out of me, because the atrocity of even feeling angry towards a woman because she isn't interested in me doesn't even live in my mind anywhere, and never has.

There is not, never has been and never will be a justification that can be offered to explain the actions of a man who commits this HEinous act.

Knowing that women have to add many extra layers of extra security in their everyday lives, to even just exist in the same world as men who prey on them is not news to me. There have been several women in my life who have brought this reality to my attention, but unfortunately I never fully understood just how intense and valid these worries are.

Shame on me!

Because of the privileges offered to me as a man, I was partially blind to just how real this is. And for that, I don't even think there are any words to formulate that would be strong enough to suffice as an apology to any woman who has ever shared their sentiments about this issue and was minimized because of ignorance on behalf of those (not excluding myself here) who didn't quite believe it is "that bad". 

However, every woman who has ever experienced this deserves a public display of remorse.

I apologize that you have to deal with this, and I apologize that you can't even take a simple walk around the block, on a beautiful sunny day, without also having to worry about whether you'll make it home or not, because there's a man out there who doesn't respect your right to exist without being subjected to violent misogyny. I apologize that you can't even go to the grocery store, without also having to worry about whether or not there's a man there, who will make an advance, and upon your acknowledgment of disinterest or your absence of acknowledgment at all could cost you your life.

I apologize that you have to worry about being killed or hurt, because you are hanging out with friends, and don't feel like exchanging any form of communication with a guy, but out of fear that you could lose your life, you feel pressured to pretend that you do.

And, I'm sorry that you can't even go to your college class, and worry that you'll be killed by a man on the way back to your car because you ignored a man catcalling you.

Do you know what else I apologize for?

I'm sorry that you probably won't even be able to share this post publicly without having to worry about another man who secretly, or blatantly enables this kind of behavior, and will argue with you up and down, that the man who wrote this is just "cappin".  There will be a man who sees this and will offer some lame-ass justification or give "advice" on what a woman "should" do to avoid this from possibly happening to her.

"Just a simple smile and hello can go a long way.”

"Maybe if you weren't so rude..."

"all you have to do is..."

This shit is weak, and should never be condoned by ANYONE. Especially by us MEN. We often wonder why it's becoming harder and harder to be seen as the protectors of our women, and stuff like this sets up back further and further. Sets us back to caveman days, type shit. THEY probably didn't even do this dumb shit.

I need to find out more things that I can do to contribute to bringing awareness to this issue, and how I can take an even stronger stand on an individual basis.

/Adam Xander (Guest Writer for CW)

CopyWrite 2019 Highlights !!!

What’s 2019 anthem? (Don’t even mention a Hot Girl Summer to us, because WE didn’t have one). But really, what’s the tune that brought you through the year? The one that bumped on the way to work every morning or the one you blast in the house while getting ready to go out. 

*Play that now* (our pick is Dreamville - Under The Sun ft. J. Cole, DaBaby & Lute)

We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. By using our website and our services, you agree to our use of cookies as described in our Cookie Policy.

This year was the BIG change. We all saw it coming. We all heard the prophecies, got shook, tried to ignore them and then stepped are little scary a**’ in the fire and learned to accept our blessings.  At CopyWrite that meant rearranging our priorities. This year we used skills we left back in college and stopped asking for seats at the table but just walked into rooms with our own chair, placed them on top of the table, climbed up and sat there in silence. (We are done talking, bruh).

Where growth is always the only option, 2019 was that awkward ugly stage that we had to look deep down inside ourselves to love, unconditionally. (Because “[we] woke up for some money, ayy, lil' b*tch, Too many opps in here, tell [us] who you with”). 

So in honor of the opps, here are some highlights from our 2019:

1 . First Things First, We published Issue 13: Rebellion, Issue 14: Fashion & Style, and Issue 15: Facets of Love (w/ half the staff and resources) *Flips hair*

2. We helped plan and media sponsored Riverwest FemFest 

Art by Whitney Saldago

Art by Whitney Saldago

3. We covered Summerfest (Where Carrie created our first “Big Gig” Video Recap)

4. We sponsored Music On The BLT for Hip Hop Week MKE

5. We covered Milwaukee Fashion Week (S/O to Vato being back in the Mil)

6. We dropped gems at the 'ALL I NEED IS ONE MIC' MUSIC SEMINAR

( Here are those CW submission specs, again)

7. We covered Milwaukee Film Festival & Met Hip Hop Fashion designer/influencer April Walker of Walker Wear 

April Walker & Editor-in-Chief of /CW Lexi S. Brunson

April Walker & Editor-in-Chief of /CW Lexi S. Brunson

8. We started a new partnership with Sneex & met/ interviewed the inspiring Beija Velez

(Check out more Sneex Sofa Sessions w/ our Editor-in-Chief Lexi on the mic in 2020)

Editor-in-Chief Lexi, Beija Velez, Fashion Editor Vato at Sneex Sofa Sessions

Editor-in-Chief Lexi, Beija Velez, Fashion Editor Vato at Sneex Sofa Sessions

9. We got a new “baby” boss (Valia has been to several festivals, music showcases, sat in on interviews, reviewed music, attended photoshoots, viewed exhibits at the art museum and galleries, and appeared in the magazine. She is only 6 months old!)

Boss Baby Valia at MPL Rap Battle

Boss Baby Valia at MPL Rap Battle

10. And of course we have written, reviewed and attended countless music, fashion, art, culture, and community submissions and events.

As always we want to thank you for continuing to #SupportTheLocal and remind you that without you we could not continue to do all that we do. We hope that in 2020, you will continue to share your experiences with CopyWrite and tell others about our platform and what we do!

Here's to a poppin’ 2020.

Love & All Things Urban,

Your /CW Family